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The ultimate editorial to George Lucas

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 (Edited)

Here’s is the best summary of the the thoughts and feelings to majority of this board. Its concise and pointed. Just damn well written by Xizor. It can be found at:

Classic Editorial

^ Mod Edit: a working link to the article can be found here:-

https://web.archive.org/web/20040905060314/http://jedinet.com/senate/editorials/dvddebacle.asp

 

This is the text:-
 

The DVD Debacle
by Xizor

It is the first year of the new millennium. Over the last years of the 1900’s, technology has grown rapidly at a pace that gives consumers higher expectations every day. The film industry has grown from silent moving pictures without the gift of sound, to small discs capable of containing multiple films and at the same time, being able to display hundreds of bits of information.

In 1999, George Lucas and Rick McCallum of the production company, Lucasfilm, announced that the Star Wars films that have captivated film goers since 1977 were going to be remastered and completed for the DVD (digital video disc) format and were going to be released to the public in 2005; when Lucas’ prequel trilogy, beginning 32 years before the original Star Wars film was finished.

Through several interviews, both Lucas and McCallum have revealed that this commemorative box set will present the Star Wars films in the most special way possible; bringing several different versions of each of the films, such as versions using blue screens, or a version without sound effects. Once more, filmgoers and fans of Lucas’ SW saga will be able to relive these films in the best way possible.

The purpose of this editorial is not to discuss the topic of releasing these DVD videos now, but, unlike the editorials currently published on this subject, the purpose of this editorial is to share ideas and concepts that I hope to see visible in the final products when they are shipped to retailers in 2005 or later.
 

Star Wars: A New Hope…

A New Hope was the first SW film. Released in 1977 titled Star Wars: Episode IV: A New Hope and directed by George Lucas, I feel that both the original version of the film (as seen in the THX video releases released in 1995 and earlier) and the Special Edition version (1997) be viewable on this disk; as I wish that every film will be made available this way throughout the set.

As each disc should contain a special presentation (or two), I would prefer that the infamous 1979 Star Wars: The Holiday Special film is made available. The Holiday Special contains a story that is placed between the events of ANH and ESB, including the first appearance of Boba Fett, the world’s most famous Bounty Hunter. The second presentation on my list; I think that the fans are deserving of the “Lost Cut” of A New Hope, an early cut of the film from 1976 showing several cut scenes, and nearly all scenes alternating from the film.

Where available, the “Director’s Commentary”, which is commonly available in the industry of DVD these days, should be inserted into the film as an option. George Lucas wrote the original screenplay and directed the film; therefor he should narrate the commentary on this, and every disc.

Rick McCallum has revealed in an interview that there are over 700 minutes of behind the scenes footage available. All available footage should be compiled into a documentary of each film and placed onto the disc set. From “The Making of…” videos previous, there were several interviews with the cast and crew, as should also be placed into documentaries of the films, along with any interviews of the current.
 

The Empire Strikes Back…

The Empire Strikes Back has been hailed as “one of the best films of all time” and “one of the best sequels of all time”. I agree, as ESB still remains my favorite of the trilogy films. Like the rest of the collection, I believe that both versions of the film, the original version and the Special Edition, should be made available on this disc. The older fans, I’m sure, would love nothing more than to relive the memories of seeing the films, as they originally were the first time viewed.

The music of the Star Wars films is something to be cherished. After winning several awards for the music of the films, John Williams and George Lucas should edit the hours of music in their chronological order as they appeared (or were intended to appear) in each film, for each disc. This would eliminate purchasing the original motion picture soundtracks, but at the same time, improve the listening experience by much.

Ivan Kirshner, the director of Empire, should narrate a Director’s Commentary of the film, which would bring in an account of the gripping sequel from the eyes of the director who made it a reality.
 

Return of the Jedi…

Originally known as Revenge of the Jedi before the film’s initial release, the climactic film of the Star Wars trilogy should be rolled down the red carpet of DVD in both the original and Special Edition versions, as well as both Ewok films (Caravan of Courage and The Battle for Endor) found available on the disc as well.

The lost scenes of the Star Wars trilogy have always been part of my daily speculation, and for Star Wars in it’s final golden format, I believe strongly that all of these cut scenes be restored and remastered into each disc (but not each film). There are several websites on the Internet that contain archives and media from these cut scenes (StarWarz.com to begin with), proving nearly all of the scenes we have read about in novels and scripts to be in the Lucasfilm Archives.

Tragically, Richard Marquand, Jedi’s director, passed away in 1987; therefor unavailable to record a director’s commentary on the film. To fill this open space, Lawrence Kasdan, the mind behind the screenplays of Empire and Jedi should take Marquand’s place.

In the Star Wars galaxy, the Millennium Falcon flashed through hyperspace and creatures from all over the galaxy defy the Galactic Empire. Luke Skywalker, Han Solo, Princess Leia Organa, Chewbacca the Wookiee, and the lovable Droid duo, R2-D2 and C-3PO stride to quell the rebellion against the Galactic Empire and restore justice to the Galaxy.
 

The purpose of this editorial is to share the ideas and hopes I have for the final video edition of the trilogy, and how it should be put together. Lucasfilm will not produce and release these video discs based on petitions and popular demand - but by patience - from the fans of these films.

That is my view on the DVD issue.

Until next time…

16 years I wait and this is what I get???
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Did anyone read this and like it? I thought this guys did a phenomenal job summarizing the feeling of many hardcore fans.
16 years I wait and this is what I get???
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Good sentiments from the guy at JediNet - though nobody is quite sure what the content of the dvd set is going to be, in regard to the commentaries (are they?).

Having the 3 directors (Kasdan standing in for RoTJ) would seem to be proper way of doing it - though if one of the other 2 were critical of GL in some way is GL the type of bloke to allow it on 'his' set? Or would it be edited out etc? Would the other 2 be ok with that, or demand that they are shown in full or not at all?

Having the 'Lost Cut' on there too would be great - though the amount of cut scenes GL has held back from Eps 1 & 2 on their dvd releases gives me the impression that there won't be - unless GL is planning some sort of bumper uncut scenes dvd to ocme out in a few years time. More likely is that there will be more tinkering with all of the films in the next batch of whatever edition GL is going to release in a few years - OR - that he deems the unseen stuff as unnecessary or unworthy and we'll only get to see it drip fed through his pay-net Hyperspace service, a la the failed Jedi mission to the control ship in AOTC.

With less than 2 months to go GL or his staff have let specualtion build as to what is on the latest set - how long they can keep the wall of silence going for is yet to be seen - personally I think the silence tells us not to get our hopes up... there is still more tinkring to come.

A little patience goes a long way on this old-school Rebel base. If you are having issues finding what you are looking for, these will be of some help…

Welcome to the OriginalTrilogy.com | Introduce yourself in here | Useful info within : About : Help : Site Rules : Fan Project Rules : Announcements
How do I do this?’ on the OriginalTrilogy.com; some info & answers + FAQs - includes info on how to search for projects and threads on the OT•com

A Project Index for Star Wars Preservations (Harmy’s Despecialized & 4K77/80/83 etc) : A Project Index for Star Wars Fan Edits (adywan & Hal 9000 etc)

… and take your time to look around this site before posting - to get a feel for this place. Don’t just lazily make yet another thread asking for projects.

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Originally posted by: oojason
there is still more tinkring to come.


That scares me more than I thought possible. It is a great letter. Wishful thinking, but a great letter all the same.
"You fell victim to one of the classic blunders, the most famous of which is 'Never get involved in a land war in Asia'."
--Vizzini (Wallace Shawn), The Princess Bride
-------------------------
Kevin A
Webmaster/Primary Cynic
kapgar.typepad.com
kapgar.com
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Lucasfilm will not produce and release these video discs based on petitions and popular demand - but by patience - from the fans of these films.


patience is hard right now though...
i mean Star Wars is almost one of the last timeless movies to finally get put on the DVD format and now that its time has come we don't even get the original versions of the films....
what do we have to be patient for?
HD DVD or Blue Ray...
the hell with that...

other than that... great article!
"Never. I'll never turn to the darkside. You've failed your highness. I am a jedi, like my father before me."
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Yeah Jason, I have to agree the lost cut won't be there, he's too egotistical to show someone else's version, he may edited some of those scenes back in or have a deleted scenes section with some. Lets face it GL ego has ket bad writing going...except the best written story he didn't do, that is considered the best movie...TESB. He has totally blundered the stories with I&II and messed up editing as well. That said III looks to have promise, but in time he'll mess that up too. Cynical. UH, yeah. Deeply scarred more like.
16 years I wait and this is what I get???
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According to DVD File:
Of course, the big question mark amongst fans has always been whether Lucas would allow the original, unaltered original editions of the trilogy to also be released on DVD. Not possible, said Ward, who confirmed that the upcoming set will feature only the 1997 Special Edition versions of each film. "What George did in 1997," Ward explains, "was [to] make the movie he originally wanted to make."
So what are the faithful to do if they don't want to watch the altered 1997 editions of the trilogy? Either give in, or don't buy. "We realize there's a lot of debate out there," says Ward. "But this is not a democracy. We love our fans, but this is about art and filmmaking. [George] has decided that the sole version he wants available is this one."
16 years I wait and this is what I get???
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But this is not a democracy.


right.... so what can we call it... a dictatorship....
just dont have Lucas bitching when people are bootlegging his Original Visions...
"Never. I'll never turn to the darkside. You've failed your highness. I am a jedi, like my father before me."
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Great editorial. ~sigh~ Wouldn't those be great discs? Unfortunately, there is one tiny snag. George would never allow the Holiday Special to be released. We all know how much he hates the thing. Not that I blame him. Still it's nice to dream that the Holiday Special might someday make be released on DVD.
Keeping The Star Wars Hoiliday Special alive. Once person at a time. Stir, stir, whip, whip, stir, beat, beat.
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I don't know much about the Holiday Special - but did GL actually make it himself (was he in charge?). If so, I'm surprised he hasn't gone back and done his vision of the film he wanted to do but the technology wasn't available at the time...


It does make me wonder if GL is aware of how many people own the Theatrical Edition of the OT on DVDr now... and how many more would get them if they knew where to look.

A little patience goes a long way on this old-school Rebel base. If you are having issues finding what you are looking for, these will be of some help…

Welcome to the OriginalTrilogy.com | Introduce yourself in here | Useful info within : About : Help : Site Rules : Fan Project Rules : Announcements
How do I do this?’ on the OriginalTrilogy.com; some info & answers + FAQs - includes info on how to search for projects and threads on the OT•com

A Project Index for Star Wars Preservations (Harmy’s Despecialized & 4K77/80/83 etc) : A Project Index for Star Wars Fan Edits (adywan & Hal 9000 etc)

… and take your time to look around this site before posting - to get a feel for this place. Don’t just lazily make yet another thread asking for projects.

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Time
well last i tried our site came up on the 5th page on google when typing in Star Wars bootlegs...
3rd page for star wars original trilogy bootlegs
2nd page for star wars OT bootlegs
1st page for star wars dvd-r bootlegs

so i dont think we're doing that bad..
"Never. I'll never turn to the darkside. You've failed your highness. I am a jedi, like my father before me."
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Well this is awesome article posting some of those feelings...


Phantoms From The Past
Imagination, Design, and the Tragic Love/Hate Relationship between a Film and its Audience
Dateline: Monday, April 5, 2004 11:37 PM EST
By: Alexander F. Newton


What makes a relationship healthy and interesting? What aspects of marriage are needed to keep a couple together? Most would initially say happiness is the key, when in fact disaster and conflict is the true elixir. Yes, a good fight is what keeps connections strong and durable. After all, a relationship without conflict is a pretty dull and boring affair. As humans we fight to release emotions and create a balance, all in an effort to better understand one another.

The Phantom Menace is the broken vase, the forgotten anniversary, or perhaps even the cheap affair had on the side in the Star Wars relationship. It occupies the other end of the spectrum within the series, and most are willing to leave it at that. But we must look into the face of our loved ones in the aftermath of a fight and find peace, beauty, and understanding within the anger. There is value hidden within the mostly berated film that goes overlooked and unloved.

It is time to dust off the design and artistry of this piece and praise its genius now that the vicious fight has waned.


PRONOUCEMENT

There are a few issues however that must be addressed before any real analysis can begin. There is a vacuum of worthless and pointless blabber still hanging in the air over the heads of movie geeks whose opinions solely consist of the words 'rocks' and 'sucks.' While it is tempting, there is no point in digging up beaten horses labeled kiddie movie, wooden dialogue, Jar Jar, and so on, and so, such arguments will not be exhumed here. On the other side of the fence are those who are close to making film their new religion, taking entertainment thinly laced with myth and philosophy as doctrine. Frankly, it's scary to analyze these or any films beyond the existing storytelling and filmmaking elements, and those who do so would better spend their time reading or perhaps rediscovering their own spirituality. Films should inspire, not instruct. This is not the gospel of Lucas, or dare I say the Wachowski brothers.

The Phantom Menace is a tragic film, and yet it is a noteworthy film; the challenge of looking beyond popular opinion to find the man, the circumstances, and the results behind the Menace will allow for a reconciliation, or at least an acceptance of the dichotomy of Star Wars land.


GEORGE LUCAS – FASTER, MORE INTENSE

George Lucas is not a legend. George Lucas is not a God. George Lucas is a filmmaker, and a damn good one. One need only look at his portfolio for evidence.

THX-1138, certainly one of the most visually striking avant-garde films ever to be backed by a major Hollywood studio. American Graffiti, which introduced multiple storylines that overlapped and merged, redefining story structure. Star Wars, which sent Hollywood on the sometimes smooth, often rocky path it is on even to this day, with an underlying mythical structure and a pioneering visual focus.

It is understandable therefore, that we expect much from this one man, the grandfather who sat us on his lap to tell us stories of far off worlds and strange creatures, of daring adventurers fighting off evil Nazis, and so on. He has a history of pleasing our imaginations. So what then happened between the Golden Age of the Geek Gods (1972-1993) and today?

From the very beginning of what we now call "Star Wars," there existed a back-story behind the original, easy-access episode. There was always an intent therefore to someday return to the drama which took place before the lighthearted 1977 effort. So around 1994, Lucas began sifting through the old notes, reconstructing an old dream.

The George Lucas of the 90s was a very different man from the one who made the films of the 70s and 80s. He was divorced (his wife having left him for another man), and a father (supporting three adopted children). What effect did this have on his vision? It is no different than say, any father's life; one's perspectives, motives, and goals can shift dramatically in a family setting. This of course does not mean every new father or mother suddenly becomes incapable of using their proven skills to achieve success, but it remains a factor nonetheless.

So, George Lucas sat down to return to a life he once lived, to try his hand at regaining an old wish he carried; an ancient world draped in political intrigue, with fantastical landscapes, new creatures and worlds - worlds that had never been seen before.


GEORGE LUCAS – SAME THING, ONLY WORSE

The duty to one’s imagination should not be taken lightly, no matter what the craft or position may be. One can neither take their gifts for granted, nor can they leave their work unchecked. There was a point in the making of The Phantom Menace, a watershed in the filmmaking process, where the talents and abilities of one man which had been stifled for years came rushing out of their cages. The result is cathartic if somewhat chaotic and tragic; there was too much opportunity in this pioneering venture, and not enough deliberation. Too many ‘Yes’ men, and not enough checks and balances. “I may have gone too far,” Lucas said after seeing an early cut of the film, immediately aware of his own defeat.

Episode One is the moment where Lucas’ imagination got the better of him, where opportunity overshadowed the execution of ideas. A man, standing on the edge of innovation and discovery, goes too far with his own incredible talents and abilities – now that would make a great picture.

What happened? There was energy in the piece, but it was misguided. Buster Keaton turned in his grave when Jar Jar became an homage, a good idea poorly executed. What is past is truly prologue, but couldn't we have a few intimate scenes of dialogue between the Jedi and his apprentice? Between the Queen and her aides? A few stolen moments to encapsulate this grand Machiavellian landscape and its noble inhabitants? But all of this is just more ranting by a Star Wars fan who struggles to understand this new world where the greatest saga of all time is now weak and vulnerable.

The truth remains that it is incredibly easy to look back years later and criticize. At the time however there was no bar to reach, no standards to match. This was unexplored land. What Lucas did with Episode One was make and break rules, allowing future filmmakers to make better films.

But Lucas’ failure does not disqualify the Phantom as nothing more than black sheep fodder. There are beauties and wonders here that represent some of the most imaginative filmmaking achievements to date. The source of these achievements can be found in design.


THE TRIUMPHS OF A MENACE

"Norman Rockwell once said design is like throwing a ball against a wall. The final design is the ball coming back, and it never comes as hard as you throw it, so throw it really hard. That's the theory. Design really wild, way out there. And then George Lucas will pull it back to where it needs to be." -– Ian McCaig

The key to design in the Star Wars films has always been to present things in an unfamiliar context, to draw from the past rather than the future for inspiration. Ralph McQuarrie, the original trilogy's head concept artist, used his bold colorful style in conjunction with Lucas' weathered universe. Each world had a mood and function; the Hoth paintings done by McQuarrie were more stylized than realistic, with vibrant electric blues that helped capture the mood of the location.

When it came time for Phantom, Lucas wanted something unexpected, but in the end, quite brilliant - chrome, sleek ships, Art Nouveau, and Art Moderne. It was to be
16 years I wait and this is what I get???