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REY NOBODY - A Collaborative Thread — Page 9

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CaptainFaraday said:

Awesome document! It’s way less dialogue edits than I thought it would be.

For the last one, I had an idea, but your mileage may vary on how it would alter the scene in a practical editing sense. Have Palpatine say, “But the only family you have here…” and then he opens the roof to show all the Resistance losing the battle. He later refers to them as her family too, unless I’m misremembering it, so it would lean into the “found family” theme of the movie to make the villain derisive towards it.

I like this idea. Anything where we can retain the most dialogue as possible. While maybe that approach isn’t the necessarily the best, if we remove too much dialogue it might come off as noticeably edited.

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I like trying to find some way to include that exchange. That’s where something like “you have no one here” comes in, although when I tried it I wasn’t crazy about it. Maybe if there’s a line to follow up “but the only family you have here” with something like “will soon be dead.” I worry that the cut off and door opening might not work, although I’d be curious to see it in action.

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What about “The only family you have…” door opens “Is here.”

It could almost be really ominous if done right.

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DominicCobb said:

Octorox said:

Now that Ascendant V2 is out, I made a Google Doc with what are think are the minimum dialogue changes needed to sell Rey Nobody. Most of these changed were inspired by (or copied from) DominicCobb’s workprint: https://docs.google.com/document/d/1cPqS3MOUOwC-t1xQu4rbxbzq4laJ996bjQDPIViOmUI/edit?usp=sharing

I’d like to put together a workprint myself with these changes, I just need to figure out a lossless audio workflow.

Have you cobbled together Kylo saying “but you aren’t”? That’s an interesting idea.

It’s not exactly that, but I’ve tried cobbling something together through sentence mixing. I don’t think it quite sounds right but maybe someone better with audio could take a stab at it. Could this be a good use case for AI?https://drive.google.com/file/d/1RkCrYS16oduwY3fCLmUbkxXAKzjgLhAV/view?usp=sharing

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BrotherOfSasquatch said:

What about “The only family you have…” door opens “Is here.”

It could almost be really ominous if done right.

I like this idea.

“It’s like rhymetry. They poem.” - Leorge Gucas

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 (Edited)

My first time looking at this thread, and I’ve now caught up. Really enjoying what’s going on here.

Octorox said:

Here’s a mockup of the hangar scene, using a combination of ideas from DominicCobb’s workprint and my previous mockup. I think “you will kill Palpatine” could sound better, but this was quick and dirty, so I just took it from Dom’s workprint as-is.

https://drive.google.com/file/d/14Qju_dgRTU7ABPhcyQ3wtIv8mXs6kB-t/view?usp=sharing

The “DARK POWER” line in this sounds so insanely natural, I was shocked. I love it. It works well to get this new dark side idea across. He says it with the perfect amount of umph to make the loud music swell and extreme Rey closeup actually work in a truly impactful way (compared to previous attempts on this thread from like over a year ago, imo.) So I really hope this can stay in a “finalized” version of this.

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Another thing I should mention is that I have some sort of strange obsession with Palpy’s “Luke Skywalker was saved by his father. The only family you have here… is me…” line.
Because even watching in the theater, I remember thinking about how that line could work in a Rey Nobody version of it. If she’s not related to him in this hypothetical, The Emperor would have been meaning it in an ominous formality type of way. Not literally. (As well as basically meaning not having anyone around to back her up, like Luke did (until Ben comes in to be Rey’s ‘Vader’ almost.) But you get the idea.)

I just really liked this line for that. Something that is so obviously talking about Rey Palpatine in the theatrical, but also could work just as well in a Rey Nobody version. My interest in seeing a Rey Nobody edit realized, lies heavily in how much one can drastically change the story with very minimal alterations. Being able to keep (almost) entire “Rey Palpatine” lines without her being literally related would just be so neat. At least to me, lol.

But hey, I’ll even settle for a happy middle ground. (I can understand why it doesn’t totally make literal sense to have him say that strange sentence in a Rey Nobody cut, lol. And if you’re someone who doesn’t have my weird fascination, then yeah… yeesh.)
Like, for example, I quite like the idea of cutting the line to where it’s simply “Luke Skywalker was saved by his father…The only family you have…” all ominously. (as has been mentioned before on a previous page. I think it works better conceptually than him literally saying “…is here.” But will have to maybe see which one works better in an actual edit.)
And then the camera pans up to look up at her “new family” getting helplessly attacked by the bad guys. That definitely works as well, albeit for a different than what I explained a paragraph or twelve ago. But still a strong (probably even stronger) reason. Especially with The Emperor referring to her friends up there as her new family again later in the scene. Keeping the line mostly intact, while also removing the slightly confusing way he phrased it. That works for me.

Point is; (jeez, as if it’s not clear enough) the more theatrical stuff still in this, the better, to me.

Save the Sebastian Shaw Ghost! Save the dream…!

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Please don’t let this version die! All these ideas sound great!

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So, here’s something interesting that may or may not work better with the potential Rey Nobody version: BBGhost has worked on a version of the “Be With Me” scene that gets rid of the Jedi Voices for his all-in-one edit. With this, some additional editing could be done to make it so Rey see/hears things from HER past/the people she loves rather than the Ghosts of the Jedi Order. In that way, she uses her own strength or whatever to get up and defeat Palpatine rather than relying on Force Voices/Ghosts.

Of course, I’m not saying this should fully be the way to go for this edit. I love the Voices/Ghosts and I know a lot of people have spent a lot of time and effort getting them right. But, I do like that the option is out there for potential editors.

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Good shout out! I was going to actually comment on your work, bbghost! It definitely gives the scene a different feeling without the voices, doesn’t it? Like Sasquatch said, seeing the ghosts in Ascendant is a really cool payoff that helps imply that their intervention might ensure Palpatine DEFINITELY won’t come back again, but I do think this also fits well with the whole premise of a Rey Nobody edit. Whether Rey sees/heard her new family instead of the Jedi, she hears new Jedi voices that encourage her differently, or maybe she hears nothing, something like that could play really well I think.

I was also going to mention that I think I’ve thought of a way to handle the Force bond duel scene in a way that Rey’s parents aren’t brought up at all. I was stuck for so long because I was attached to keep the pacing as close to the theatrical as possible, but looking back at how Dom did it in his work print, I think you could do the same thing, but replace the one or two lines (and one quick vision) of Rey’s parents with the ominous future Exegol battle.

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RogueLeader said:

I was also going to mention that I think I’ve thought of a way to handle the Force bond duel scene in a way that Rey’s parents aren’t brought up at all. I was stuck for so long because I was attached to keep the pacing as close to the theatrical as possible, but looking back at how Dom did it in his work print, I think you could do the same thing, but replace the one or two lines (and one quick vision) of Rey’s parents with the ominous future Exegol battle.

Ooh… Man, I feel like things are coming together for this!

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 (Edited)

Wow I really love that as its own thing. I’m annoyed now, lol. I like the ghosts showing up for the sake of the entire saga’s storyline, but this feels so much more powerful for Rey’s personal journey.

And I kinda like it being in service of Rey, so… uh ohhh… not sure what I prefer. 😳

Should a Jedi’s personal journey be above all else?

Save the Sebastian Shaw Ghost! Save the dream…!

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Ah, it feels like Christmas 😊 Everything here is developing exactly how I imagine it!

I’m actually in the process of incorporating the changes listed here (by RougeLeader and octorox) into my edit. That works quite well, but it feels like Rey’s agenda seem a bit thin.
So my idea was to base her motivation more around her identity crisis. RL’s idea for the Force Bond duel would actually be such a move: Kylo pouring gas on the fire that is her inner conflict (her fear of losing her friends/family, fear of her feelings, fear of her dark visions). Kylo fuels these fears, which he is familiar with (because he sees into her).

What I personally think should also be important is that Kylo’s agenda is not neglected: What is his motivation for this? I feel that Rey and Kylo’s character arcs and development mesh directly. For me, the “dyad” is the symbiosis between the two: where doubts grow in Rey, doubts also grow in Kylo; her pull to the dark, his pull to the light.

I’m looking forward to whatever you cook together, RougeLeader! You are the man!

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RogueLeader said:
I was also going to mention that I think I’ve thought of a way to handle the Force bond duel scene in a way that Rey’s parents aren’t brought up at all. I was stuck for so long because I was attached to keep the pacing as close to the theatrical as possible, but looking back at how Dom did it in his work print, I think you could do the same thing, but replace the one or two lines (and one quick vision) of Rey’s parents with the ominous future Exegol battle.

I’d be interested in seeing this, but imo the reveal that Palpatine had Rey’s parents killed is kind of necessary for the plot to hang together. Anything that reduces the retcon of Rey’s parents being angels is worthwhile in my book though.

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Yes, you do have to cut a few things to remove the connections between Rey and Ochi’s ship and dagger, but I think Rey can be equally motivated to kill Palpatine if he is just a threat to her friends.

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I just got caught up on this thread, there’s some incredible work going on.

I’ve been trying to figure out how to do a Rey Nobody edit, but also have Leia die at the beginning of the film to remove the awkward/macabre digital Carrie Fisher scenes and add some weight to the beginning of the film.

I think the best course of action, given the clips I’ve seen, is to stick with the “Palpatine wants you to kill him and take the throne” angle. I think focusing on the darkness building in Rey and the light building in Ben is the most thematically interesting version of the story, and opens up a lot of possibilities. I also think that to reinforce that, it would be interesting to re-edit the Death Star fight so that Ben doesn’t hesitate killing Rey because of Leia’s intervention, but because the pull of the light stops him from doing it. Then Rey gives into the dark and stabs Kylo. Drama ensues.

Anyway, I will probably make a separate post about my Rey Nobody/No Leia ideas, but I’m really glad I found this thread, and I look forward to seeing what you all come up with.

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Only seen TROS once, and it was HAL9000s edit, so this might not be plausible;

but why not end TLJ with Palpatine on his TROS throne - eyes closed, seeing Lukes death, followed by a sinister smile. It would at least end the previous installment on a cliffhanger that full-on reveal Palpatine’s return, and heavily suggest that Palpatine waited for Luke to perish before making his move (much like Voldemort would have Dumbledore killed by his servants before actually taking on the wizarding world).

It would at least not make the hard opening of TROS with the dumb “AND HERE GUYS - OUT OF F NOWHERE - IS SIDIOUS AGAIN! HES BACK”. It’s just so in-your-face and insulting that no matter how much you try to subtly foreshadow his return with Emperor laughters or music in the background it just does not do his return justice. With this approach, at least you tell the audience that he’s back with two iron balls rather than hiding behind an unfinished script and no goal in sight. The ending of TLJ is horrible anyway since it is never done justice, so win-win.

Also, for TROS itself: who the f built Palpatines ships? As i recall it is never explained (stupid comic books to justify bad screen writing does not count) and therefore a fanedit could subtly try to make it make sense. My idea would be to have B1 droids in the background in one scene - suggesting Palpatine created his Trade Federation army to create new ships. Having alien creatures or Stormtroopers do it is just not plausible. Machines and droids tho, are. Perhaps some Geonosians flying around in the background as well?

Just my two cents.

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bbghost said:

Thanks for the shoutout, BS. I’d be happy to provide the separate audio layers (music, “force” sfx, breathing) if anyone would like want to use it as a basis for their own edit once it’s fully done:

https://vimeo.com/549085645

Yeah this actually works surprisingly well. I think there’s a scene in DOTF where the Force sort of connects all the present day heroes? It was an idea I had thought about way back when, if instead of her hearing the voices of all the Jedi, she hears the voices of her friends, and that’s what gave her the strength. Completely forgot about that. Would be interested to see how it could be accomplished!

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DominicCobb said:

bbghost said:

Thanks for the shoutout, BS. I’d be happy to provide the separate audio layers (music, “force” sfx, breathing) if anyone would like want to use it as a basis for their own edit once it’s fully done:

https://vimeo.com/549085645

Yeah this actually works surprisingly well. I think there’s a scene in DOTF where the Force sort of connects all the present day heroes? It was an idea I had thought about way back when, if instead of her hearing the voices of all the Jedi, she hears the voices of her friends, and that’s what gave her the strength. Completely forgot about that. Would be interested to see how it could be accomplished!

Since they were half heartedly pushing the Rey/Finn force connection, could it just be his voice that’s encouraging her to get up? That would sort of pay off that random story thread they didn’t do anything with.

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SpenceEdit said:

DominicCobb said:

bbghost said:

Thanks for the shoutout, BS. I’d be happy to provide the separate audio layers (music, “force” sfx, breathing) if anyone would like want to use it as a basis for their own edit once it’s fully done:

https://vimeo.com/549085645

Yeah this actually works surprisingly well. I think there’s a scene in DOTF where the Force sort of connects all the present day heroes? It was an idea I had thought about way back when, if instead of her hearing the voices of all the Jedi, she hears the voices of her friends, and that’s what gave her the strength. Completely forgot about that. Would be interested to see how it could be accomplished!

Since they were half heartedly pushing the Rey/Finn force connection, could it just be his voice that’s encouraging her to get up? That would sort of pay off that random story thread they didn’t do anything with.

I feel like it would take more than half an ass’s set up to make that feel earned by the end of a film. I can’t think of any accompanying Finn footage that would work especially well either. But audio maybe? IDK. There’s a lot you can do there, as is my intention in creating the blank slate of the scene for people.

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bbghost said:

SpenceEdit said:

DominicCobb said:

bbghost said:

Thanks for the shoutout, BS. I’d be happy to provide the separate audio layers (music, “force” sfx, breathing) if anyone would like want to use it as a basis for their own edit once it’s fully done:

https://vimeo.com/549085645

Yeah this actually works surprisingly well. I think there’s a scene in DOTF where the Force sort of connects all the present day heroes? It was an idea I had thought about way back when, if instead of her hearing the voices of all the Jedi, she hears the voices of her friends, and that’s what gave her the strength. Completely forgot about that. Would be interested to see how it could be accomplished!

Since they were half heartedly pushing the Rey/Finn force connection, could it just be his voice that’s encouraging her to get up? That would sort of pay off that random story thread they didn’t do anything with.

I feel like it would take more than half an ass’s set up to make that feel earned by the end of a film. I can’t think of any accompanying Finn footage that would work especially well either. But audio maybe? IDK. There’s a lot you can do there, as is my intention in creating the blank slate of the scene for people.

Yeah I’m sure there’s not much that could be done with it, I just hate that it’s such a waste of an interesting concept.

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I posted this on other threads, so sorry if it sounds like spamming. This site creates AI generated voices, and one of them is from Adam Driver. Maybe it could help creating one or two voice lines for this version of the Rey Nobody edit:

https://fakeyou.com/?vocodes=1

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 (Edited)

Okay I have had way too much fun with that thing. It belongs in the Worst Edit Ideas thread because there is so much you can do with it but probably shouldn’t. Thank you for posting it.