I also attended the IMAX event. Definitely looking forward to seeing the whole film in IMAX.
They’d have to put Daniel Logan in a wig for live action Omega. =P
This quote fro Temeura seems to indicate we’ll at least see what he was up to between ROTJ and Mando, if we don’t go back even further.
I’m sure we’ll see Boba escaping the Sarlacc pit, which makes me wonder - which version of it are they going to use? The one which is basically a hole or the one with a beak? (Not that anyone on here needs the special edition changes explained to them)
As we’ve seen/heard with the ‘Han shoots first’ scene in Solo, and the original Krayt dragon sound effect being used for The Marshal, writers and directors of new Star Wars projects tend to be more nostalgic for the original editions and remember the controversy that started in 1997. However, to avoid audience confusion, my guess is they’ll use the beaky SE sarlacc. Assuming we see a sarlacc at all, this should be our most clear pointer as to whether Disney/Lucasfilm are treating the special editions are the canon versions, although it won’t be definitive. It’s more likely that creators will use the special editions for reference when casual/younger fans would be confused and the OOT for reference otherwise. Still an interesting question.
They could just shoot the Sarlacc from a distance and Fett comes flying out and lands on the dunes. Doesn’t that silly beak they added only pop out when it’s eating?
Like the Krayt dragon’s roars were a mix of all of the different versions, I can see them opting to do the same with the sarlaac. First show it as the classic pit and then have the beak emerge to spat Fett out.
Why aren’t they in The Volume? They have four of them don’t they?
They touted “The Volume” a lot during promotions for The Mandalorian but they still used traditional blue and green chroma key when appropriate throughout both seasons. It just depends on what’s best for the shot, whether it’s lighting or if the Volume stage isn’t big enough for what they need to do.
Jar Jar Bricks said:
Knight of Kalee said:
Further, removing the dialogue doesn’t solve the problem of gathering such a large force so quickly. You would need added scenes to do that.
To clarify, I’m not proposing a better justification for assembling the fleet so quickly. I’m proposing eliminating the very idea that the fleet was assembled so quickly to begin with, but rather that it was already assembled by the time TROS begins. Poe’s lines are a hurdle to this change because, as one of the Resistance’s top leaders (and THE co-General by the time of the final battle), he would presumably have some idea of the fleet’s actual size.
Yeah, this make sense. I honestly expected Lando or Poe would transmit an inspiring message to the worlds much like Ezra or Mon Mothma did in Rebels, asking them to meet Lando at some kind of rendezvous point. Not saying all the people in the galaxy wouldn’t be instantly swayed by Lando’s charm but it feels a bit of a reach to think the Falcon visited the systems one by one (considering most of them were also besieged by First Order forces) in such a short span.
This is the canon answer. He went in person to a few places but he beamed an inspirational message to the rest.
If you rode Star Tours when TROS released you got to see Lando’s message and everything.
Here’s a link to it if anyone is interested.
I really hope we’ll get a Mandalorian update for Star Tours.
Wow I am blown away by the new puppet shot, that is truly fantastic work!
I had to go back and watch the original scene in the movie to remember what was replaced there and I saw a way to potentially extend that scene and tie it into the ending even more.
I was thinking something like this:
- Rey stumbles upon the puppet show with Luke facing down the walker
- She’s approached by Nambi Ghima and asked what her family name is
- Rey admits she doesn’t have one and then hears the puppeteer say “Skywalker”
- Cut to puppet Luke facing off with Kylo (as suggested by Sherlock)
- Rey senses his presence and runs off to ForceTime™ with him
So basically hold off the Skywalker name drop until it would be most impactful. But I don’t know how viable this would be to pull off, you’d need some reaction shots of Rey. Her original reaction to sensing Kylo would work perfectly for hearing “Skywalker” but then going from that to her running off would need some kind of padding.
But anyway, all the props to RogueLeader, Faraday and everyone else that worked on the puppet shot!
Marvel Studios’ Eternals | Official Teaser
Check out this remake of a deleted scene from one of the still lost episodes:
AHSOKA’S DECISION - Deleted Clone Wars Scene Remake [4K]
It’s amazing how the quality of fan projects continues to rise over time.
Marvel Studios Celebrates The Movies
I just don’t understand how something like this makes it through quality control.
Marvel Studios’ Shang-Chi and the Legend of the Ten Rings - Official Teaser
Having appearances from characters from the books would be a little tricky as this series is set at the tail end of the High Republic era, close to 200 years after where the books currently are. Burryaga could work since Wookiees are so long lived but I don’t know that they would want to tie their hands like that. As that would mean you now know he survives up to that time and that would undercut any tension from stories with him in it that precede it.
This … kinda makes me mad.
The end of a Saga, the last movie of a “connected” series (9 movies in total) should answer questions at the end … not leave more questions…
It’s a trademark of all Abrams productions. It’s why I was mortified when I found out he was being tapped for the Sequel Trilogy.
The puppet show has to end with this right?
With the last appearance of Vader’s Castle!
Jar Jar Bricks said:
I guess you could make the argument for Rey not showing up. Luke kinda messed up by convincing her to leave Ahch-To, come to think of it. Ben likely would have realized Rey wasn’t on Exegol, and the two of them would have just chilled elsewhere while the Resistance launched an attack on Exegol.
Fairly certain that Finn, Poe, and co. would have gotten rid of all the Star Destroyers in that battle. Their actions never relied on the Palpatine interactions, did they?
Oh boy, I’m never going to be able to forget this plot hole now.
There would never have been a battle since Rey is the one that showed them how to reach Exegol.
That would have left the Final Order fleet free reign to fully deploy and spread out across the galaxy destroying countless worlds and then holding a proverbial blaster to the head of the galaxy.
I’ve been playing a lot of Old Republic stuff lately and it’s struck me how much of TROS seems to have been inspired by elements from it.
There’s a Force bond between two characters in the original game that is very similar to the dyad.
In the second game there’s the threat of the true Sith Empire hiding out in the Unknown Regions.
And in SWTOR there’s this concept called the Voice of the Emperor or Emperor’s Voice:
Through Sith magic and the long-lost technique of transfer essence, the Sith Emperor transferred his consciousness and life force into a host body, allowing him to interact with the world as more than just his true state as a being of pure Force energy. The host’s mind was completely suppressed, crushed beneath the weight of the Emperor’s mind, and their body literally became the Sith’s own. The Emperor utilized many Voices of different species, genders, and ages throughout his lifetime, transferring his consciousness and powers from body to body as his hosts succumbed to the ravaging effects of the dark side.
Which immediately made me think of Snoke.
SPOILERS for episode 5:
I have never seen the X-men films, so Evan Peters’ appearance didn’t do much for me - I was kinda hoping for Aaron Taylor Johnson, actually. I also feel out of my depth when it comes to the influence of the comics, which I’ve never read (neither of these things are criticisms of the show obviously!) I’ve had a great time experiencing the show as it has progressed, with all the twists and turns, and from what I can glean from wise comic experts, I believe the explanation that Wanda is solely responsible for Westview is misleading. ‘Agnes’ and a certain character called Mephisto might be in on it too…
I’ve followed all of 20th Century Fox Marvel films from the beginning. The reveal of the X-Men Quicksilver was absolutely mind blowing. The coming Multiverse is going to be epic.
Hey guys, this thread is way to long to get a hint of how things are going, but is this cut finished?
You should always check a project’s first post, most are pretty good about keeping the status of their projects updated there.
Wow that second episode is a major step up. Their animation skills are definitely improving and the aesthetic is really forming now. It’s like an 80s film from Nelvana. Which is right up my alley, I love it.
Has anyone else been following Wandavision?
The last two episodes have been fastastic, especially the end of the latest episode!
If you examine the line carefully:
“Arfour, scramble code five to Coruscant, care of the Old Folks’ Home.”
He’s calling himself the Old Folks’ Home, he doesn’t want the Confederacy or any other nosey snoopers knowing that it’s him sending a message to the temple.
Oh, I get the excitement. “Here he comes!” “They did it!” ect.
But I’m reading reviews that seem to think Luke came outta nowhere & was out of place.
That’s what I don’t understand. I don’t think it was overly telegraphed that it’d be Luke, but if you know the OT, it’s just the logical conclusion. It’s organic to the world at this point in the timeline.
I think reactions like that come from people who still aren’t even sure when the show is actually set.
only true fans know why this is christmas themed
(which is most people on this thread)
Wookieepedia says: The Holiday Special aired in the United States on November 17, 1978. Not really Christmas!
It’s about Christmas (life day)
The modern interpretation of Life Day is that it’s a Christmas analog but given its airdate, it’s a better fit for the American Thanksgiving.
Adding to the evidence is that Christmas was officially recognized as a holiday in that galaxy, far, far away as can be seen here.
I’m really unhappy with the characterization they gave him. He’s already the cold, calculist Jedi Master, the one that fails Ben and prompts the ST into existence, and… that’s not Luke. Luke is all about emotions and attachments, that’s how he saved his father’s soul. He went against his masters, he was a truly unorthodox Jedi, that’s how he won. He won through love, he understands that that’s what the Jedi are all about, so that’s how his Jedi Order should be. And that character would never remove Grogu, an infant, from the care of a loving father figure, because he knows the importance of such a figure. That was my biggest - and only - problem with TLJ Luke too (that got a pass because Hamill’s just so fantastic). I buy depressed/disillusioned Luke, that’s an extremely emotional Luke, but I don’t buy how he got there, and it’s already showing here. How he seems to have become a cold, detached Jedi, without the love and compassion that won the revolution and his father’s heart in ROTJ. That’s exactly why the PT Jedi failed and exactly why he fails in the post-ROTJ world, but it goes directly against his character IMO.
I’m surprised, to me the Luke from this episode is the exact same Luke we last saw in ROTJ. First, let’s address that Grogu is in fact a danger to those around him. We’ve already seen this when he force choked Cara Dune last season over an arm wrestling match. He’s spent decades alone and afraid and needs guidance on how to control his emotions or he runs a very high risk of either falling to the darkside and/or hurting someone by accident.
Now getting back to Luke. Luke doesn’t just show up and snatch Grogu and run off. He’s there because Grogu called out for help on Tython. And Grogu wants to go with him as is made clear in the dialog of that scene. What you interpret as cold and detached, I interpret as the serenity he carried himself with through Return of the Jedi. Throughout that scene Luke is very warm and reassuring with both Mando and Grogu. He assures Mando that he will protect the child with his life, he reasserts why it’s so important that Grogu complete his training. He gives them all the time they need to say goodbye for now. And he continues to reassure Mando with a “see he’ll be okay” look while Grogu is interacting with Artoo.
It was all consistent with the compassionate Luke I know from the end of the Original Trilogy.