That’s a very not bad idea! It’s not completely seamless, but it might be worth it for the gains. It’s so hard to gauge it since we’re already so familiar with the source and aren’t the hypothetical first-time audience.
Thanks, and that’s a very interesting idea. In the name of keeping TFA as close to itself as possible while merely implementing low-level restructuring, I think the solution already being worked toward is more appropriate for this project. I’m enjoying the approach of changing as little as possible to have the best overall effect. That said, I’d love to see what you’ve cooked up, especially the Finn line.
^Yes, true. The 3PO line will be in V2, in order to have the new R2 hard drive thing make sense. All in all, I’m happier redeeming and using it than cutting it. 😃
Here are NeverarGreat’s two R2 scenes with proper audio and fully formatted. The only thing missing is a few sound effects for BB8 (head turns and rolling away). Anyone have any isolated FX already I could use?
Password: fanedit
Cool. If we’re super lucky, the audio from the following scene can have dialogue cleanly removed so I can have seamless music and ambience during the extended bits. I’ll find out when I sit down to work on this next!
Here are the completed R2 scenes, in terms of visual effects:
Absolutely wonderful idea and execution. I’ll await final audio!
Don’t be silly. 😛
Given the restructuring of the film this project implements, the only way to remove Snoke’s identification of Kylo’s parentage would be to remove the first Snoke scene entirely. We wouldn’t meet him until a smash cut to after the interrogation scene. Even if it weren’t outside the scope of the project, it’d be a little tough to pull off at the same time as the other stuff.
But the nice thing is that this edit will be available to any and all whom would like to take or modify it further. That’s part of why I’d like to A) make it solid and seamless, and B) stick to the original focus.
Personally, I’m not interested in anything like that. It’s really about the SKB restructure in all its elegance, with a few subtle things in the same subtle vein.
That’s some really great work. I’m very open to the idea, slightly stretching the goal of the project though it might.
Sounds like a great philosophy of Vader; I really do look forward to what you end up producing along these lines.
Since you asked, my idea with LOE for Anakin was that he becomes involved in growing tensions between his loyalties to the Jedi Order, Palpatine, and Padme. He’s tossed around for a while, then Palpatine springs this nightmare on him as a manipulation. From that point on, he leans toward Palpatine and has to make the final decision when pressed during the ‘assassination attempt.’ All along, he never appears paranoid (a byproduct of changing his storyline in reshoots IMHO) until we see him talk with Padme on Mustafar, after he has steeped himself in the darkness. It’s really not that different from what ROTS was going for with Anakin, just restructured to have it make more sense, arguably reaching closer to what the pre-reshoot version might have been. In my version, as in the original, Anakin still carries that ‘slave’ mindset, seeming to crave someone being a master over him. Your version will be quite different, in subtle ways.
Do the covers I made for v1 need any updating for v2?
That’d be good, to include the final list of changes, and include credit for those who will have contributed since V1. Once that stuff has been compiled, I’ll request it; thanks!
Progress! Here’s the latest version of the Maz’s castle sequence. Thoughts?
Very nice! Unless anyone else points something out, I don’t see anything wrong with it!
Thanks for the feedback! Some of those ideas had been considered, agonized over, and decided upon in favor of what you see in the final version. I sometimes err on the side of keeping something the same as the original when it comes to a plot point, the major exception being Padme’s fate at the end of the trilogy.
The subtitles are all baked into the final versions of the edits, so feel free to translate them to Spanish if you’d like. I won’t be re-releasing them just to include that, but I’m sure there’d be a few people who would like to have them.
Lossless .mov’s would be stellar.
Anything lossless should be fine to output; ProRes is what it’ll be turned into for use.
And if you are able to place Ren’s face on additional shots from that Snoke sequence, that’d be even better!
I don’t know if not seeing the sun being drained as the x-wings approach is an error necessarily, but either way it’s not a problem introduced by our meddling, so I’m unconcerned by it.
PM me these things, people, please.
The star was still being drained during the X-wing assault in the original version.
Excuse me, no. I misspoke. I just need Sir Ridley’s work now. 😃
I think that sums it up pretty well! I’m excited for the end result; I’ve done all I can until Sir Ridley and NeverarGreat submit their puzzle pieces to have assembled, previewed, and released. I think V2 will be a substantial improvement thanks to these two.
PM sent
Would there be anything left?
+1; You’d have to rewrite the scripts.
FanEdit.org has been around for a long time, and has always been very clear about warding off piracy. With my own projects, I’ve felt comfortable featuring my real name in the edit’s credits, along with my voice as commentary in a separate audio track. I always run the anti-piracy warning at the front of the movie, hard-encoded into the file itself, as well as repeated on any text or descriptions that come along with it. Given the track record FanEdit.org has had so far, and relative popularity as a hub for this sort of thing, I think as long as you respect the rules and maintain a consistent position against any of the obvious things that would make copyright holders angry, you’ll be fine.
And, if you are just talking about downloading and watching fan edits, you’ll be fine anyway.
😃
I’m afraid the gradual fade back into proper surround at the ending of the sequence will be inevitable; it sounds much more seamless this way than not doing so. However, I will not do this for the Snoke scene right beforehand, for the reasons you outline. I will, however, have the Left and Right channels (front and rear sets) gradually become less polarized instead, to have a similar effect without letting cats and dogs live together by having dialogue in all the channels.