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Hal 9000

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Join date
14-Oct-2003
Last activity
18-Dec-2025
Posts
11,383

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Post
#1138439
Topic
TFA: A Gentle Restructure (Released)
Time

You guys are giving me a lot to work on this morning! I won’t be able to edit further until Thursday morning, at which point I will need to begin exporting in order to have this out ahead of TLJ.

Ridley said the Maz’s Castle sequence is about to be uploaded, and I think at this point we are scrambling for the Snoke scene. That’s all that now remains!
I mean this sincerely and in a good way: this project is a collaboration through and through, and I will reflect whatever consensus is reached about this Snoke scene, be it an existing approach or something new.

Mala, if I am able to provide you a shit-video-quality version sometime Friday, do you think it’d be a quick job to sync subs for this in time? (Those could come later if need be.)

JEDIT: phat fingers

Post
#1136745
Topic
TFA: A Gentle Restructure (Released)
Time

Yes, that’s everything I have on my list that I still need. I’d also like to get this out ahead of TLJ. Ideally, it’d be the final version, but it’d be foolish to say that until seeing what TLJ provides us. (I know my life will be radically different after my wife and I have our first child in February.)

I’d say for the Snoke scene, the only thing we’d need is to have the first shot, made to look like Hux is standing there rather than Ren. (If possible; I don’t know how you pull off graphical wizardry like this.) I will try out DominicCobb’s idea for the music for this scene either tomorrow or Saturday.

Once all the ingredients are present, I will hustle to get it put together and encoded.

Post
#1136335
Topic
TFA: A Gentle Restructure (Released)
Time

It’s subjective, of course, but that line doesn’t really work for me. Feels off in delivery and wording.
About the Ackbar line, I think it remains a hypothetical idea. If we use this new Snoke scene, I don’t think it’d make sense to use that line, as the X-Wing fighters noticing the hole in the oscillator would be later, where it originally featured in the theatrical version.

DominicCobb said:

Don’t know if you missed this:

Indeed, I did. Thank you. Here’s a link: https://www.dropbox.com/s/qdu82vtvenj87ne/TFA SKB restructure%233C737CB.mov?dl=0

Post
#1136320
Topic
TFA: A Gentle Restructure (Released)
Time

Well, it sounds like people are voicing a strong preference for the Hux and Snoke scene rather than the proposed re-restructure of the Resistance and Starkiller bases.
I don’t think I’ll be using the Yoda score for the ending, but appreciate the idea. I’m skeptical of sentence mixing Hux but I could give it an earnest try and see how it turns out.
Anyone have any ideas for a brief musical sting for the ending of the Snoke scene? I’ll have to skim the OST and see what I can find.

Post
#1136173
Topic
TFA: A Gentle Restructure (Released)
Time

Here’s another attempt at that little scene. I added some faint distant explosion sounds when we cut back to Finn and Rey, as well as using audio of Finn breathing heavily from earlier in the film (as in the previous clip I posted). I tried to thread the needle with the music as we transition into Snoke, and I think it’s much better than the initial mockup.

https://vimeo.com/245068520
password: monkey

Post
#1135974
Topic
TFA: A Gentle Restructure (Released)
Time

I’m not sure about the idea for restructuring Rey’s escape for the moment, but here is what NeverarGreat’s proposed ordering of scenes would look like:

Resistance Base
Weapon Charging
Battle Plans
Farewells
Interrogation
Snoke
Landing at Lightspeed

password for all clips: scene

https://vimeo.com/244917129
https://vimeo.com/244935753
https://vimeo.com/244935797

Post
#1135860
Topic
Star Wars Episode III: Labyrinth Of Evil (Released)
Time

I thought I had, too. Damn. I honestly cannot recall all the various iterations and versions of the opening crawl that I went through. I believe I used JackPumpkinHead’s Blender template for the final version due to an overall better-looking crawl, and likely didn’t notice the reversion to a less than ideal title font.
I’m sorry, but it looks like that’s going to have to be a minor flub that remains in the final version, as I cannot go back on it now.
The good news is that V3 appears to be the most recent version without this issue, and one could easily splice together the video tracks of it and V4.2 at the end of the first full shot of the film, as the frame count should be identical.
Anyone know a way to do this without reencoding? All I know is to convert to ProRes and reencode. Worst case scenario, if it bugs you enough, would be to do this, which ought to work.

Post
#1135682
Topic
TFA: A Gentle Restructure (Released)
Time

Hmmm… that ordering is probably the least problematic way to include the Republic/Resistance tension you brought up, though I share your reservations about it, but it might be okay to be away from Rey for a while if it sidesteps the other problems.

Meanwhile, here’s an earnest attempt at an earlier, alternate solution to this problem:
https://vimeo.com/244748972
password: snoke

JEDIT: NeverarGreat, that clip contains some interesting ideas. I like how you have Rey gradually discover her abilities, and build tension as Kylo Ren stomps toward her cell.

Post
#1135629
Topic
TFA: A Gentle Restructure (Released)
Time

Hmmmm… that’s not really much better. Poe starts talking immediately, so I’m afraid it’s going to feel less than ideal to transition into that scene from any other than the weapon charging scene. (The audio at the end of that scene is the same audio that transitions into that scene originally.)
I’d say, “Oh, well,” but you bring up a good point that the First Order probably should express awareness of the Resistance base’s location at some point.

Post
#1135529
Topic
TFA: A Gentle Restructure (Released)
Time

NeverarGreat said:

On a different note, and maybe for V3, is the issue of the First Order knowing the location of the Resistance Base. This will still need to be explained somehow. Previously I’ve tried to include a scene where Hux talks to Snoke after the Oscillator attack and they decide to destroy the Resistance. However in addition to requiring all-new Hux dialogue this has the issue of diminishing one of the benefits of this edit which differentiates itself from ANH.

Another solution would be to rearrange some scenes so that both the Republic and the Ileenium system are potential targets at the same time. Here’s how it could work:

(Optional) Move the first Snoke scene (and the reveal of the Starkiller) to just after the introduction of Leia. This makes more sense anyway, since the Finalizer should have been hunting for the Falcon instead of returning to base for a few lines of exposition. The scene would play out exactly as before except without the line “The droid we seek is on board the Millennium Falcon in the hands of…”. The reason for moving this is so that Snoke’s dialogue is re-contextualized to imply that he knows about Kylo’s abandoning of the droid.

Hux goes to oversee preparations, and the Starkiller charging sequence happens just before Rey’s interrogation, with the target being the Republic as usual.

After the interrogation, the scene with Snoke would be similar to the theatrical version:
“The scavenger resisted you!”
“She is strong with the Force! Untrained but stronger than she knows.”
“Ren believed that the girl was all we needed. As a result, the droid has been returned to the hands of the enemy. They may have the map already.”
“Then the Resistance must be destroyed before they get to Skywalker.”
“We have their position. We tracked their reconnaissance ship to the Ileenium system.”
“Good. Then we will crush them once and for all.”
“Supreme Leader. I can get the map from the girl. I just need your guidance.”
“If what you say about this girl is true, bring her to me.”

Finally, keeping the 30 seconds to fire scene with Hux would clearly establish that the weapon was still operational, and had enough juice for another shot.

I can think of several more benefits to this rearrangement. First, Snoke is not being kept in the dark about Kylo’s abandoning the quest for the droid - Hux merely hammers home the point that Ren’s plan had failed. Second, the choice of which planet to destroy first is left ambiguous and it’s reasonable to assume that the decision would be left in Hux’s court. This gives the character real consequences for his hubris, since he was aware of the threat posed by the Resistance and destroys the Republic first anyway. Third, since there are now two planets at stake, a first-time audience may be truly worried for Leia’s fate, especially if they know that a major character is killed in the third act. Fourth, the extended Hosnian destruction sequence would gain a new meaning as characters on D’Qar realized that they might be victims of the first firing.

Finally, the decision of Hux and the ambiguity of the target system could not happen with ‘another Death Star’ - this dramatic situation could only occur with this type of hyper-lightspeed weapon. In other words, the Starkiller might finally live up to its potential in this edit.

I was able to interact with this idea some this morning. When implementing it, I did not find it useful to make the changes suggested that involve Kylo Ren and Snoke dancing around the issue of the droid, so I left these alone.
For the two Snoke scenes, this means I actually would not need to change anything at all from the theatrical, unless I change the first scene’s position. (Though this would be difficult to do without making for a less-than-perfect scene transition or two.)

So, for this experimental structuring, I left the first Snoke scene exactly as the theatrical version has it, including its position directly after the rathtar sequence. Hux advocates for using the weapon to destroy the Republic, and is given the OK.
[Han Solo and company go to Takodana, they meet Maz, Rey runs off into the woods, the First Order kidnap Rey, and Han speaks with Leia.]
[All the stuff at the Resistance base takes place, from our spruced up deleted scene to Han and Leia talking about their son and wanting him back.]
Then, we transition to Hux delivering his speech and the weapon begins charging.
CUT to Ren interrogating Rey. As in the theatrical, this scene cuts to the second scene with Snoke, Ren, and Hux, in which they plan to “crush” the Resistance. Rey escapes her cell, and Kylo Ren throws a fit when he finds out. Two stormtroopers think better of walking down that hallway, and turn around.
Then we transition (rather abruptly, as it is in my timeline at present) to the Resistance base where they are deliberating about Starkiller Base.
The edit goes on as normal from here, launching their attack. SKB destroys the Republic right after Han Solo is killed, and they destroy it afterward. (Though in this scenario, Hux would still tell them to “prepare to fire” during the trench run.)

Well, that’s certainly an interesting proposal. On the plus side, it actually would allow the final product to be less edited from the theatrical, with more material retained. It is a rather elegant idea on paper. My primary concern at this point is whether it can be implemented in a way that looks and sounds pleasing and not jarring. Here are a few clips of the various scene transitions that would need to occur. The worst is the transition from Rey’s escape to the Resistance briefing.

password for both clips: great

First two new scene transitions: into and out from the speech
https://vimeo.com/244674325

Third, most problematic scene transition:
https://vimeo.com/244674630