I was willing to put up with JJ Abram’s bullshit for one movie, to get things going. Bringing him back was a mistake, driven by a prior mistake of not allowing the film to be postponed in light of Carrie’s passing and/or whatever was wrong with Trevorrow.
Palpatine returning was poooooooop.
(Just kidding)
There’s definitely an investment on the front end. 😕
Are you using my lossless audio output?
Just kidding. But it’s always been a difference between films, not something on Ridley’s end.
I don’t think I would have that kind of time. I just looked at the resultant video file, and checked every transition point between multiple clips.
Well, then I like it. Intentional throwback or not.
What makes it worse is that it’s not bad in the way that makes fanediting it fun.
Right.
I could give Resolve a try. As long as I can do what I’ve done with audio using a conventional timeline setup, the rest should be easy.
Have Rey be Palpatine’s granddaughter, and he tries to possess her.
Yeah. It seems like there’s no good options for editing anymore. The hell if I’m going to pay a subscription fee, which would make the software cost an infinite amount of money as far as I’m concerned.
I could navigate around FCPX fine if I had to for video, but I’m not sure how to translate the nuance I’ve been able to achieve via FCP7. As things stand, it should do for future projects to lay out the sequence in 7, and do the audio. Then I’ll send the sequence to X for further processing and exporting.
I don’t think I’d go back to Windows. That’d feel like moving to Asia or something; unfamiliar and foreign to me. Macs aren’t magical or anything, but they’re familiar and feel somewhat wholesome or solid to me. They can be a pain in the ass sometimes, like with this stuff. Windows 10 or whatever the OS is up to now could probably still run Bonzi Buddy from 1998 if one wanted it to.
I can export audio from FCP7 just fine so I’m only migrating over the visual sequence. I think I’ve got it ironed out and can export a candidate. I don’t doubt there’ll be some things to spot and fix, though.
I’ll take it! FCPX doesn’t work the same way so I’ll take yours and if it looks right that’ll do for me. Thanks, man.
THE EMPIRE STRIKES BACK
A NEW HOPE
RETURN OF THE JEDI
THE LAST JEDI
REVENGE OF THE SITH
THE FORCE AWAKENS
THE PHANTOM MENACE
THE RISE OF SKYWALKER
ATTACK OF THE CLONESPSYCHO_DAYV SOCK CONFIRMED! 😉
Just going with how the titles appear in the crawls. If I were a sock I’m a hell of a sock. A Force sock!
Would your software allow you to export a LUT of your overall color correction to the movie?
Exactly.
Shitty double post
/r/shittyaskscience may have some necromancy techniques you can use.
They’re almost hybrid versions of each other already! But I’m glad you’re able to do that, and that you won’t have to start from scratch.
In migrating my video sequence to FCPX, I will need to re-do the color correction. So, does anyone already have a LUT I could apply to the film? Worth checking since that’s an option with FCPX.
TFA V4 (fixed) is up on the usual places. 😃
lol
The blood flows back into his head.
11:55
THE EMPIRE STRIKES BACK
A NEW HOPE
RETURN OF THE JEDI
THE LAST JEDI
REVENGE OF THE SITH
THE FORCE AWAKENS
THE PHANTOM MENACE
THE RISE OF SKYWALKER
ATTACK OF THE CLONES
I’m sure this wasn’t intentional, but I always felt like the flash that occurs when Han shoots the door on his freighter after Chewie is shot in TFA looks just like the thing that would have masked a jump cut back in the day. Felt retro.
