- Post
- #1661634
- Topic
- Complete Comparison of Special Edition Visual Changes
- Link
- https://originaltrilogy.com/post/id/1661634/action/topic#1661634
- Time
Thanks for 15 years of comparisons!
https://bsky.app/profile/starwarsviscomp.com/post/3lyd7ypmn7s2f
Thanks for 15 years of comparisons!
https://bsky.app/profile/starwarsviscomp.com/post/3lyd7ypmn7s2f
I am using several sources because the colours in most restorations are incorrect.
Incorrect according to what? What are you using as your colour reference that shows every other release as incorrect?
Also, I still don’t believe you that these 2012 Swedish 35mm scans from either 1996 or 1997 or 1998, or whatever year you keep moving them to, are real. Why has no one else heard of them before?
because they are fan made and private? why are you so insisting here?
I think because you’re the only person in the Star Wars community who has access to these scans!
Director said:
SOURCES
4th film: specific clips from the 1997 home video widescreen release. about 10 minutes in total from what fans call 4k1997_iv. about 5 minutes from Harmy’s respecialised. 10 minutes of 2006 bonus disc footage, and the rest from a fanmade scan.
5th film: 1997 home video widescreen release. nothing from 4k1997_v as the audio is converted to German in my editor. 10 minutes from 2006 bonus disc. 3 minutes of adywan’s reconstruction. the rest from a fanmade scan.
6th film: 30 minutes of 4k1997_vi, 7 minutes of 2006 bonus disc, clips from home video widescreen release, not full, because I can’t find the home video widescreen releases anywhere. the rest from a fanmade scan.
I still don’t understand why you’re using parts of multiple versions of the 97SE, including other respecialized. What is your project doing that the existing projects didn’t accomplish?
I am using several sources because the colours in most restorations are incorrect.
You could color grade whichever source you prefer to look the way you want without pulling entire sequences from mismatched quality sources, though.
Director said:
SOURCES
4th film: specific clips from the 1997 home video widescreen release. about 10 minutes in total from what fans call 4k1997_iv. about 5 minutes from Harmy’s respecialised. 10 minutes of 2006 bonus disc footage, and the rest from a fanmade scan.
5th film: 1997 home video widescreen release. nothing from 4k1997_v as the audio is converted to German in my editor. 10 minutes from 2006 bonus disc. 3 minutes of adywan’s reconstruction. the rest from a fanmade scan.
6th film: 30 minutes of 4k1997_vi, 7 minutes of 2006 bonus disc, clips from home video widescreen release, not full, because I can’t find the home video widescreen releases anywhere. the rest from a fanmade scan.
I still don’t understand why you’re using parts of multiple versions of the 97SE, including other respecialized. What is your project doing that the existing projects didn’t accomplish?
Upload a video preview, we’re eager to see what you’re working on! What’s most interesting is what you’re doing to improve on the laserdisc releases you’re already using as sources, when on their own they appear to meet your goal of the “nostalgia” of 480p.
Could you actually list the sources you used for this project, please? As per the Site Rules for Fan Projects:-
I’m pretty sure that we established he is using 4K97, but for some reason he is being coy about it.
Well they downscaled it because how could it be better than SD?
Hello guys, I am new to this forum and recently have been doing a late of research on the original unaltered theatrical versions of Star Wars. I have also downloaded the Puggo Grande trilogy as an MP4 and I have watched it on my iMac’s QuickTime Player. I have enjoyed watching the trilogy however it kind of really upsets me how they’re only in a 480p video quality. I got the idea that I could use sowtware and programs such as iMovie, DaVinci Resolve Studios, etc. to upscale the videos to 4K or even 8K if possible and use the upscales as digital high quality raw print scans to create my own preservation. I own the 2019 digital Blu-Ray version of the trilogy and the 1997 Special Edition Fullscreen VHS tapes that are almost in mint condition. I also plan to by getting a copy of the 1995 VHS tapes boxset. I have been inspired by old post made by Puggo - Jar Jar’s Yoda, team_negative1, Harmy, Laserman, Zion, etc. I plan to make this fan preservation the same quality as, if possible better than, Harmy’s Despecialized Edition. This is a dream come true for me, however in order to do this it’s going to take a lot of money, I estimate $200,000 give or take. First I need to get 12TB iCloud+ since I’m going to be doing this on my iMac. Not to mention expensive of the shelf software. When I finishing the preservation (If I even do it, life is hard) I plan on buying a PC and transferring the preservation there and upscale it again. I plan on starting this project asap. However, I will need a lot of help and money to do this. If anybody has any helpful advice please let me know, thank you. Also if anybody has a new mint condition copy of the 1995 Star Wars VHS tapes boxset, please lot me know.
I… what? No. That’s not how anything works.
This is still happening? Has anyone actually downloaded these to even see what they are?
I tried to do that for Revisited once, but I didn’t realize how much work pan and scan actually is. I imagine it’s something that can be automated now, but I have enough projects.
I can… try to do a read through of the script if you’d like! LOL
There is a subtle change made to R2 in this shot in the 2019 transfer, in case you didn’t know. Will you be using it for ANH:R HD? I know it’s not much of a change, but it’s still a change.
Probably a “fix” more than a “change”, I’m sure Ady would have done the same himself.
I have logged it for examination for VisComps.
Honestly, I’m starting to get very fearful right now.
What are you talking about? Are you ok?
Sorry, I just feel extremely worried about all these things that kept getting in the way of the Revisited edits being finished.
Pretty selfish viewpoint, no? Not “I’m worried about adywan” but “I’m worried I won’t get to see Revisited.”
To be fair, it’s entirely possible that Adywan has been working on Revisited for this user’s entire life. 😉
I keep the Wordpress updated to include the latest updates from Ady, but that’s not widely shared.
Ady comes in with updates every few months, he doesn’t interact on the forum much at this point in the process.
Ady has been planning this edit for at least seven and a half years. I doubt anyone can say anything he hasn’t already considered, or hasn’t been mentioned in this thread over the last 150 pages.
There’s probably a thread or you can make one for that kind of thing. I wonder who the “industry professionals” are.
I have no idea.
They’re talking about Team Negative 1, surely.
I have to admit it would be pretty funny if he saw someone’s random email and was like ‘oh okay, why not’.
Yeah, emailing the CEO is not the way.
I find it funny how the compositing error survived the 2004/11 SE and 2012/19 SE, given how much attention was paid to recompositing shots in ROTJ.
There are only a handful of space shots recomposited for any RotJ SE. I’ll spare the whole list, but overall they seem pleased with most of the VFX in RotJ.
I’m good with the idea that the shuttle is coming from the opposite side of the DS2.
I can’t believe I didn’t cover the dead end/hanger in my Wired article. In short, they had a hanger in 1976, they had stormtroopers, they could have done this if that was the plan. The same two troopers wearing the wrong helmet copy and pasted a hundred times was just proving that they could to this for the prequels if they wanted to for clones. Cutting the existing troopers out without the help of a bluescreen was a test to see if they needed to depend on bluescreens for the prequels. It’s a bad idea poorly executed only added to test prequel technology, just like most of the other SE changes.
OMG thats sooooo cool, haha it would be so funny to imagine hundreds of clones just coping 2 or three peoples actions over and over. Your link doesn’t work btw
Fixed the link.
I can’t believe I didn’t cover the dead end/hanger in my Wired article. In short, they had a hanger in 1976, they had stormtroopers, they could have done this if that was the plan. The same two troopers wearing the wrong helmet copy and pasted a hundred times was just proving that they could to this for the prequels if they wanted to for clones. Cutting the existing troopers out without the help of a bluescreen was a test to see if they needed to depend on bluescreens for the prequels. It’s a bad idea poorly executed only added to test prequel technology, just like most of the other SE changes.
Is there a visual comparisons for ESB:R? There are so many changes that it’s almost hard to spot them all.
Ady said he was going to do one because he didn’t think anyone but him could do it. So I was leaving it to him!
Maybe we (“the community”) should start on one anyway. Wouldn’t want to slow his progress down on the other films!
Maybe I will, as is my custom.
Is there a visual comparisons for ESB:R? There are so many changes that it’s almost hard to spot them all.
Ady said he was going to do one because he didn’t think anyone but him could do it. So I was leaving it to him!
I do not understand what is happening here. So you got full film scans (from the Team Negative One forums?), and then you color corrected them, then un-color corrected them, they compressed them to DVD resolution?
Advertising costs money. And the hashtag is #ReleaseTheOriginalTrilogy. It’s in the title of this thread. It’s been in use for years. I sell merch with the text on it.
You’re not inventing anything new or trying something the rest of us haven’t. Literally half of this thread is Jason describing what people should do.
You can use whatever hashtag you want, but don’t harass people with it, and don’t think it’ll make a difference. I had a popular Twitter account and wrote a 20 page article for Wired.com establishing the #ReleaseTheOriginalTrilogy hashtag and very few people but me EVER used it.
Hashtags aren’t the answer. It’s convincing a company to go against the wishes of its founder, which no tweet is going to fix. Most people who work for the company agree with us, but it doesn’t change the fact that ultimately they don’t want to go against Lucas.
I just don’t want you or anyone else to re-invent the wheel and think we’ll end up somewhere different.