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thorr

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Join date
7-Sep-2008
Last activity
28-Mar-2025
Posts
449

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Post
#770927
Topic
Star Wars GOUT in HD using super resolution algorithm (* unfinished project *)
Time

Would it be beneficial to recapture the video from a laserdisc?  In other words, would that eliminate the aliasing?  I would think so unless the laserdiscs themselves are poorly authored.  Theoretically in a perfect world, the interlacing could be removed using 3:2 pulldown if it was authored and captured properly.

Post
#770309
Topic
Star Wars GOUT in HD using super resolution algorithm (* unfinished project *)
Time

I think both look good and if I had to pick one, it would be tough but would go with Laserdisc Master's based on those screenshots.  It seems like there is a bit more clarity/vibrance to the image despite the additional noise.  However, if one was better at hiding the aliasing than the other, I would easily pick that one.  DrDre, can you dial back the denoising a bit?  It might give yours the edge in that case (no pun intended).

Looking at R2 in the first screenshot, it looks like there is more detail in the rectangular lights section of his chrome head for example.

Post
#769588
Topic
Star Wars GOUT in HD using super resolution algorithm (* unfinished project *)
Time

I'm back - things seem to be friendly again (except for an obvious exception that I don't quite understand but whatever).

The latest version looks pretty great given the source material.  I was wondering about the scroll at the beginning.  It seems to have a lot of ringing in the lettering.  Is that in the source, or is that from sharpening?

Regarding the aliasing (no I won't let it rest until it is solved), I remember ATI coming out with something called "motion adaptive de-interlacing" in their video card drivers back when video card technology was really taking off.  That technology might work well here.  Here is how you do it (lol): http://www.google.com/patents/US6459455

Thanks,
Michael

Post
#769067
Topic
Team Negative1 - The Empire Strikes Back 1980 - 35mm Theatrical Version (Released)
Time

team_negative1 said:

I think all of you know that these are just temporary comparisons intended to show the results of the cleanup. We don't put up all the disclaimers anymore, because people tend not to read them.

The final versions will have some color correction done to them.

Contrast and brightness will be adjusted also. See the latest example of the Star Wars clips.

 Great!  I figured speak now or forever hold my peace.  While I am at it, some of the corners are round so I would suggest cropping a bit tighter so they are square.  ;-)  I really love the work you are doing, and I am just giving my feedback to help maximize the quality of the final product.

Post
#768905
Topic
Team Negative1 - The Empire Strikes Back 1980 - 35mm Theatrical Version (Released)
Time

These pictures illustrate exactly the issue I wanted to point out.  There are details in the darker areas that are being crushed into black (the first picture has more details than the second in each pair)...

Picture 1: whole left side is dark and you can't see the trees

Picture 2: bottom right corner can't see anything

Picture 3: bottom right corner, can't see the engine

Picture 4: Looks ok

Picture 5: Bottom area between the guys is to dark and can't see the details

Picture 6: Top area is too dark.  Is that a guy in the upper left corner or what?

Picture 7: same as picture 6 (duplicate)?

Picture 8: Can't see details in Dark Vader ;-)

Hope this helps!  Otherwise it looks great!  Just boost the lower end to not crush the dark areas into black.  In Adobe Levels, move the left arrow over to the right when stuff starts showing up on the curve to make the black stuff black, then move the middle arrow to the left a bit to boost the dark areas up so they aren't so dark.

Post
#768853
Topic
Star Wars GOUT in HD using super resolution algorithm (* unfinished project *)
Time

Darth Mallwalker said:

thorr said:

[...] check it vs. the Blu-ray which most likely is correct.

LOL

 LOL - agreed.  :-)  I only mentioned it because it is the easiest (cough, somewhat high quality, cough) source to check.  A properly scanned film frame properly anamorphically stretched is your best bet but harder to come by.

Post
#768820
Topic
Star Wars GOUT in HD using super resolution algorithm (* unfinished project *)
Time

DrDre, I understand what you are saying, believe me. You may have achieved the nearly correct aspect ratio in terms of the pixels, but it is possible that you may not have achieved the correct stretching of the image either vertically or horizontally.  The only way to really know is to check it vs. the Blu-ray which most likely is correct.  If people are fatter or skinnier or shorter or taller than the blu-ray, then it is not correct, regardless of the aspect ratio of the pixels.  I was working on restoring the Star Wars Special Edition trailer from 35mm film and got a lot of it done.  It was up to ME how tightly I cropped it and what aspect ratio of pixels I chose.  In terms of the AR of the pixels I chose 2.35:1, but that doesn't mean I had to.  There was some of the picture getting cropped on the edges so the corners would not be rounded and have part of the film edges showing. 

Post
#768731
Topic
Star Wars GOUT in HD using super resolution algorithm (* unfinished project *)
Time

Regarding AR, I agree with Laserdisc Master.  I have past experience in that area and 720x480 is normal.  The pixels are non-square but it doesn't make them wrong.  To put the issue to rest, do a three way screenshot comparison between the blu-ray and your two methods and see which one overlays on top of the blu-ray better.

Regarding AA, like I said, you could do a mask of the area where the AA is obvious and just lose the detail in those specific spots in the frame.  The detail is gone anyway if it is all jaggies.  Of course that is a ton more work than just a script and is probably not worth the effort given the other projects going on in parallel.

Post
#768656
Topic
Star Wars GOUT in HD using super resolution algorithm (* unfinished project *)
Time

You guys should work together and scene by scene each of you post your best effort (and of course get the aspect ratio in agreement with each other) and then choose which version is best for each scene.  If you don't agree, then let us choose :-).  In my opinion the jaggies are totally distracting, so whenever there are jaggies, do what it takes to get rid of them (maybe do a mask of the problem areas and mix two versions in the same frames).  Also, waxy smooth and glossy is not good either.  Over-sharpened with halos is bad too.

Post
#767589
Topic
Star Wars GOUT in HD using super resolution algorithm (* unfinished project *)
Time

From my second link: "Frames that are detected as combed are smart deinterlaced. The deinterlacing is adaptive, i.e., only the portions of a frame that are combed will be deinterlaced. This means that full detail is retained in static picture areas."

It seems like that would help because the frames are still combed (in the source as you mentioned). 

Post
#767553
Topic
Star Wars GOUT in HD using super resolution algorithm (* unfinished project *)
Time

I have been meaning to ask this, but I just wanted to be sure that you guys are doing 3:2 pulldown which converts it from 29.97 FPS to 23.976 FPS.  That should get rid of the interlacing in theory.

Edit:  I just looked and you are both providing 23.976 FPS versions so that answers that question.

In my opinion the SR7 stuff looks like it recovers more details but the combing is bad.  If you could do SR7 plus decombing, it might do the trick.

http://avisynth.nl/index.php/Decomb

Not sure if there are other plugins that do decombing by looking at the picture and finding problem areas but leaving the rest untouched.

Hope that helps.

Edit 2: this might do the trick: http://neuron2.net/decomb/decombnew.html

Post
#766984
Topic
Star Wars GOUT in HD using super resolution algorithm (* unfinished project *)
Time

I watched the 10 minute video and it looks mostly good, except there are interlacing artifacts which are distracting.  The screenshot comparison that Laserdisc Master put shortly afterward look better I think, but they are missing some stars.  Any chance of making a 10 minute clip of that one so we can see it in motion?  And what is that awful "HDTV" stuff with the blue mess and dislocated engines?

Thanks for sharing all the great work guys!

Mike

Post
#765576
Topic
Star Wars Battlefront
Time

Tyrphanax said:

Stood in line for the panel for this for more hours than I want to remember and then our little group got shut out about two feet from the door, so we didn't get in and didn't get the sweet shirt.

 Same thing happened to me.  Now I am really bummed knowing I could have had a shirt too.  There was probably about 20 to 30 people in front of me when they stopped letting people in completely.  I probably saw you there when I was looking through the people ahead of me trying to see if there was any hope to get in.

I really liked Battlefront 1 and I didn't like 2 as much.  I played 1 maybe a year or two ago and it still worked.  There was one server with about 15 people on it.  :-)

Post
#765364
Topic
The official "Who is going to Star Wars Celebration, Anaheim California, April 2015?" thread
Time

Speaking of lost stuff from Empire, I just came across this while searching for the lost music.  I hadn't seen this before and it is pretty cool (read about and watch all of the videos): http://www.cultofmac.com/289915/rediscovered-empire-strikes-back-trailer-features-lost-footage-luke-leia-making/

Post
#765363
Topic
The official "Who is going to Star Wars Celebration, Anaheim California, April 2015?" thread
Time

Ronster said:

GlastoEls said:

My highlights thus far:


3) Empire Strikes Back lost music with David W Collins

 GlastoEls is there any chance you can tell me about number 3 please. Empire Strikes Back Lost music?

 I was at that panel also.  John Williams originally created music for many of the scenes that now have no music.  For example, several scenes on Hoth in the rebel hideout.  There is a lot of ambience but no music.  They played clips showing how it is now, and again with the music put back in.  The way it is now, the music fades out and back in at certain points usually at new scenes.  With all of the original music put back in, it keeps going and is timed pretty much perfectly with where the music fades back in.  They made it sound like the lost music has been available for some time and he simply mixed it back into the movie to illustrate how the scene would have been with the music in place.  It totally changed the vibe of the scene and they were right to remove the music.  It was more powerful not having it at certain places.

So, it seems that anyone who has the lost music could recreate this if they wanted.

Edit: Found this and I didn't listen to it but it seems like the same thing we witnessed except this version doesn't have the video:http://www.shotglassdigital.com/2014/06/05/lost-music-returned-to-empire-strikes-back-on-sw-oxygen/