oh_riginal

oh_riginal said:

TheBoost said:

oh_riginal said:

What could be cool (though unnecessary to add, admittingly) would be to see the monitor in the Falcon's cockpit when Han and Leia are figuring out where to go, as they eventually decide on Bespin as their destination.

A good reference for what the image might look like would be when Obi Wan was looking at the monitor on Amidala's ship in TPM, when he pointed out Tatooine was close enough to travel to without lightspeed.

But yeah, this wouldn't be a necessary change, but could be cool if done right. Just saying.

I don't know. That moment and when Luke's Xwing leave Dagobah and the camera stays on Yoda are perfect examples as to why ESB is the best... the film focuses on the subtlety of an actors performance instead of some special effect.

 

Well I definitely wouldn't want to change the Yoda moment. But just a slight bit of intercutting of the monitor and Han and Leia looking upon it could be cool. But as I already said, its not necessary. Just something I thought of earlier.

 

Here's a cheap, rough example of what I mean. I don't feel it takes too much from the scene at all, since its only a few seconds taken from Han and Leia's screentime in the scene.

Note: The monitor footage was taken from AOTC, so yes, I know the background doesn't match up with what is SUPPOSED to be outside the Falcon, but the monitor itself was just what I was thinking of.

http://www.youtube.com/watch?v=GnO_84jbyh4

Also, the monitor shown in TPM is more of how I would imagine it to look, but that monitor's image wasn't shown up close like the one in AOTC, otherwise I would have used that image as a better example. Sorry.

Again, just an experiment I wanted to try, to see how it would feel. I'm not suggesting it be used for ESB:R, but it's an alternate way to see the scene.

TheBoost said:

oh_riginal said:

What could be cool (though unnecessary to add, admittingly) would be to see the monitor in the Falcon's cockpit when Han and Leia are figuring out where to go, as they eventually decide on Bespin as their destination.

A good reference for what the image might look like would be when Obi Wan was looking at the monitor on Amidala's ship in TPM, when he pointed out Tatooine was close enough to travel to without lightspeed.

But yeah, this wouldn't be a necessary change, but could be cool if done right. Just saying.

I don't know. That moment and when Luke's Xwing leave Dagobah and the camera stays on Yoda are perfect examples as to why ESB is the best... the film focuses on the subtlety of an actors performance instead of some special effect.

 

Well I definitely wouldn't want to change the Yoda moment. But just a slight bit of intercutting of the monitor and Han and Leia looking upon it could be cool. But as I already said, its not necessary. Just something I thought of earlier.

What could be cool (though unnecessary to add, admittingly) would be to see the monitor in the Falcon's cockpit when Han and Leia are figuring out where to go, as they eventually decide on Bespin as their destination.

A good reference for what the image might look like would be when Obi Wan was looking at the monitor on Amidala's ship in TPM, when he pointed out Tatooine was close enough to travel to without lightspeed.

But yeah, this wouldn't be a necessary change, but could be cool if done right. Just saying.

Jedi Dark Knight said:

Or the hottest supermodels.......hahaha

Marisa Miller, hands down.

But anyway... sorry if this has been brought up before already, but will the cockpit of Boba Fett's ship be changed to match better with how it appeared in AOTC? Or is that against the "change OT to match PT" rules?

adywan said:

i'm going to maybe add a faint saber glow on lukes face only in a couple of closeups. the whole glow issue seems to have been overdone a bit in the PT but the bit where they swing the sabers around their heads in AOTC is going anyway so the other glows are so quick you hardly notice them anyway 

I did a re-edit of the duel you are referring to from AOTC, a while back. If you look at the re-edited sequence I did, the glow is still there in the two-shots, but yes, without the closeups, it is not really all that noticeable.

 http://www.youtube.com/watch?v=vlE9JBYaEFw

I still like the idea of just the faintest of a glow on Luke's face in a few of the scenes in ESB. Perhaps Vader's armor is not very reflective to the glow? I don't recall a lot of reflections on his armor in the other films, but I'd have to look again.

SithTrooper said:

SithTrooper said:

 

2) when Vader is talking to Luke on the platform (after cutting Luke's hand off) you can see the shell of Vader's helmet moving in the wind.

 

Yeh, this has been mentioned. I'm not sure if i'll be doing anything with that because we do see that the hood part of the helmet is separate and it does help show just how windy it is up there.

 

This was Ady's response as I had mentioned the helmet thing a while back.

 

And besides, isn't Vader's cape blowing in the wind enough to show that its windy?

SithTrooper said:

SithTrooper said:

 

2) when Vader is talking to Luke on the platform (after cutting Luke's hand off) you can see the shell of Vader's helmet moving in the wind.

 

Yeh, this has been mentioned. I'm not sure if i'll be doing anything with that because we do see that the hood part of the helmet is separate and it does help show just how windy it is up there.

 

This was Ady's response as I had mentioned the helmet thing a while back.

 

I have to agree with the others about making it stabilized. The point of Vader's helmet being bolted on makes perfect sense to me. Just my two cents.