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CaptainFaraday

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Join date
30-Nov-2020
Last activity
24-Mar-2024
Posts
1,096

Post History

Post
#1440917
Topic
The Last Jedi: Stoic Edition (WIP)
Time

GMatias said:

CaptainFaraday said:

I’ve updated the top post to reflect what’s currently being worked on and what I currently need help with.

Should I export a workprint of the edit in its current state, with some placeholders for the things that still have to be done? I don’t know if there’d be any demand for that, but at least that way I figure people could see the majority of the completed project and decide if it’s something they want to lend a hand to or not.

I say sure!

And let me know what Throne Room shot you need in 4K and I’ll send it your way.

Thank you! It’s the shot of Snoke saying “Look here now,” before he Force-pushes Rey over to the magnifying window.

Post
#1440891
Topic
The Rise of Skywalker: Ascendant (Released)
Time

sherlockpotter said:

The trouble is, every line that Kylo says here is something to the effect of “you’ve just repressed your memory of them,” which, as Burbin so beautifully articulated, is unbelievably stupid. You’d have to change the whole conversation to undo the implications of that; and at that point, we might as well wait until Rey Nobody.

Which…actually begs a question… RogueLeader said that he had started working on this scene for Rey Nobody a while back. Depending on his vision for this scene - what it actually says for the story - could we just “Rey Nobody” this one scene, and maintain the Palpatine connection for the rest of it?

When you think about it, there are two separate, big (subjective) flaws with how they did Rey Palpatine - the first is that it means she has super blood that makes her special, rather than being special due to her own strength; but the second is that they decided to make Rey’s parents lovely, self-sacrificial folks. The two don’t necessarily have to be related. You could say that Rey’s grandpappy was Palps, without changing the fact that her parents were awful people who abandoned her. (Maybe the audience would assume the Sith like to abandon their children. Because they’re EVIL.)

So maybe we could replace this scene to avoid referencing her parents. Keep the hangar reveal “You…are a Palpatine.” And then cut Rey’s one line in the end that “My parents were strong.” It keeps the Palpatine ancestry, and it doesn’t explicitly negate either TLJ canon or TROS canon as far as her parents are concerned. For Rey Nobody then, you’d just have to also redub the Hangar scene and some of Palpy’s dialogue on Exegol, but we’d already be halfway there.

+1 to this. I couldn’t quite congeal the thought into words but you nailed it.

Post
#1440736
Topic
Godzilla Versus Megalon: Less Talking! More Fighting! More Monsters! (Released)
Time

It’s a movie intended for children about giant monsters blasting each other with energy beams and thumping each other like pro wrestlers; I left everything like that intact, and just removed things like humans shooting each other and the hero bashing a guy’s head repeatedly against the ground after he’s already stopped fighting back. Things that wouldn’t fly in a kids’ movie today for good reason.

Post
#1440643
Topic
The Last Jedi: Stoic Edition (WIP)
Time

I’ve updated the top post to reflect what’s currently being worked on and what I currently need help with.

Should I export a workprint of the edit in its current state, with some placeholders for the things that still have to be done? I don’t know if there’d be any demand for that, but at least that way I figure people could see the majority of the completed project and decide if it’s something they want to lend a hand to or not.

Post
#1440611
Topic
The Rise of Skywalker: Ascendant (Released)
Time

poppasketti said:

NeverarGreat said:

poppasketti said:

Man, it would be nice to have a whole day to revisit that “You were right” line!

Jar Jar, glad you’re stepping in and trying to make improvements!

Hal, maybe the existing line could use some EQ? I remember thinking it might be a little aggressive in the low end, and also a bit loud in the mix. Maybe turning it down would fit better. I agree the delivery is a bit flat!

I’m also not sure if this helps, but I remember back when I was doing it I found a helmeted Kylo line from the very beginning of TFA where he actually says “You are so right” to Max Von Sydow. However, they seem to have changed the filtering so much since TFA (or maybe just that one line) that I couldn’t use it for anything. But I thought I’d mention it since the line is soooo close.

Maybe Kylo changed it based on the helpful feedback of Poe. 😉

I’m just imagining Kylo pacing in his quarters: “They made fun of my mask again. That was so not wizard. I’ll show them!”

Get the Adam Driver voice AI to record it and add it to the start of TLJ or TROS, whenever the voice changed.

Post
#1440573
Topic
The Rise of Skywalker: Ascendant (Released)
Time

Cinefy said:

Theres a removed line featured in the TROS D23 Special Look, where Palpatine tells Rey “You’re journey, nears It’s end”. Any ideas where it could have possibly fit in the film. Was initially thinking it could be implemented during Rey’s vision while training in the jungle as a subtle echo of his voice calling out to her.

timestamp [1:31]
Reference: https://www.youtube.com/watch?v=3n1T3HxHd7Y

If the music can be removed from the first part, it could be good general “threatening dialogue” to fill a gap somewhere.

Post
#1440461
Topic
The Rise of Skywalker: Ascendant (Released)
Time

Chase Adams said:

CaptainFaraday said:

Unfortunately it’s a unique music track and soundscape that I don’t think is available in “clean” audio.

Pretty sure the music during the Jedi voices scene has been released, I’ll have to recheck…

Edit:

Yep
https://www.youtube.com/watch?v=qZJFjmLhQw4&list=PLWZBlPcT9yJgBixwC3IWLBEZ4_ZqbB4-i&index=29

Oh, what! How did I miss this! I was sure I’d checked every track on the OST, this is fantastic!

Post
#1440456
Topic
Godzilla Versus Megalon: Less Talking! More Fighting! More Monsters! (Released)
Time

Synopsis: When the sunken kingdom of Seatopia attacks the surface, two scientists and a young boy must help Godzilla and the robot Jet Jaguar stop the monstrous Megalon and the evil Gigan from destroying the Earth!

My five year old son recently started playing a Godzilla fighting game and decided that he loves Godzilla. But he’d never seen a Godzilla movie, so I showed him the English dub of Godzilla Versus Megalon (1973), the most child-friendly one I could think of.

But when I rewatched it, I realised it’s not quite as child-friendly as I remembered! Additionally, the parts with the human characters drag on; there’s also a lot of filler conversations, and a lot of very long shots of not much happening. I’ve cut the movie down to a lean hour of campy seventies family-friendly fun, keeping intact the excitement and danger of the humans’ story while toning down the violence and filler. It’s gone from a slog that my son patiently sits through to get to the giant monsters, to a fun romp he enjoys watching throughout.

Overall changes:

  • Cut 20 minutes from the overall runtime.
  • Minimised the humans’ screentime to give more time to the monsters fighting, while keeping the plot and entertaining human scenes intact.
  • Removed inappropriate human violence, blood, and smoking.
  • Added Gigan’s theme throughout as a leitmotif.
  • Trimmed lengthy filler shots.

Changelog:

  • Gave myself a vocal cameo in the movie somewhere.
  • Trimmed the lengthy shots surrounding the cracks in the sea opening.
  • Cut down the conversation in the car to avoid mentioning nuclear genocide and mass death.
  • Cut the lengthy shots of the car driving.
  • Removed the subplot about investigating the button and the sand.
  • Removed the car chase sequence that goes nowhere.
  • Simplified the explanation that the sand came from Easter Island.
  • Trimmed the villains’ car driving around.
  • Shortened conversation about Jet Jaguar’s technology.
  • Replaced gunshot sounds when people are hit by the smoke gun with Star Wars stun blaster sounds.
  • Simplified the radio conversation about the villains’ plan.
  • Trimmed the Seatopia cultist dancing and simplified their explanation for going to war with the surface.
  • Trimmed and re-ordered the lengthy shots leading up to Megalon’s reveal, to make the mountain explode more rapidly.
  • Combined some of the scenes of the main characters tied up in the truck and severely truncated them, including removing the filler conversation the villains have in the cab.
  • Trimmed the scene of the villain reprogramming Jet Jaguar so he just presses buttons on the computer bank, since small children don’t immediately recognise what punch-cards are any more.
  • Trimmed down the length of time the scientist character spends waking up, including cutting the villain’s unnecessary explanation about Jet Jaguar landing by the lake.
  • Trimmed the conversation about why Seatopia wants to steal “the robit.”
  • Cut the scientist slamming the villain’s head repeatedly against the floor and threatening to kill him. Now he just wins the fight and demands the information.
  • Shortened the scientist’s run down to the car, and trimmed excess shots of the car driving before the chase scene.
  • Cut the scene of the villain waking up in the lab.
  • Cut the scene of the villains fighting over what to do with the shipping container, including cutting the visible pornography on the back of the van (1973 was another time for kids’ movies, man) and the guy being thrown out to his apparent death. Now it looks like their plan was just to dump the container off the side of the dam all along, which frankly makes as much sense as their plan in the theatrical version.
  • Put the radio broadcast from the van scene over the montage as a voiceover.
  • Moved some shots forward from later in the film of Megalon destroying a few random buildings, so that the radio broadcast’s mention of Megalon destroying several buildings now refers to something we actually see onscreen.
  • Truncated the montage of the JSDF vehicles arriving.
  • Tightened the pacing on the shipping container being dumped and Megalon’s arrival.
  • Cut the truck drivers threatening the scientist with a gun.
  • Cut the trope of the car not starting.
  • Truncated the JSDF firing stuff at Megalon.
  • Trimmed the general’s conversation with the scientist, including cutting the shots of them driving to the helicopter, and trimming the shots of the helicopter taking off.
  • Trimmed the villains’ conversation to focus on summoning Gigan.
  • Added Gigan’s theme when he is summoned.
  • Trimmed the motorbike arriving at the toy store.
  • Trimmed Jet Jaguar signing to Godzilla and the lengthy shots of Godzilla swimming to Japan.
  • Truncated the sequence of the kid and the scientist sneaking up to the lab, including cutting the gratuitous shot of the villain’s eyes bleeding when hit by the toy plane.
  • Truncated the fight scene and arrival of the other scientist, downplaying the bleeding eyes and removing the shots of the scientist parking and running up the stairs.
  • Removed the villain getting squashed by a flying rock.
  • Hastened Gigan’s arrival by trimming the flashing lights sequence. Added Gigan’s theme. Also swapped some shots around to make it clear that the scene cuts back to Megalon and it isn’t Gigan suddenly destroying buildings.
  • Trimmed some of the endless generic exploding buildings when Megalon is destroying things.
  • Removed yet another long filler shot of the main characters running down that big staircase outside the lab.
  • Simplified explanation of Jet Jaguar becoming independent.
  • Cut main characters’ conversation on the jeep ride towards the Megalon and Jet Jaguar fight, as well as shortening the jeep ride and their run up the hill.
  • Simplified the conversation about Jet Jaguar’s size increase.
  • Added Gigan’s theme as he arrives and attacks Jet Jaguar.
  • Added Godzilla roaring upon arrival to the fight.
  • Cut insert shot of Godzilla’s shoulder spraying blood everywhere when cut by Gigan.
  • Severely truncated the sequence of Godzilla and Jet Jaguar being bombarded by fire and escaping.
  • Cut filler scene of Seatopian leader saying meaningless dialogue.
  • Trimmed Godzilla repeatedly smashing Megalon into the ground over and over.
  • Trimmed the montage of rocks falling into the sea.
  • Sped up the extremely lengthy shot of the dry seabed.
  • Truncated and sped up the sequence of Jet Jaguar returning to normal size.
  • Cut conversation about whether Jet Jaguar would save the world again, considering it was established immediately prior that he’s voluntarily working with the scientists again.
Post
#1440418
Topic
The Rise of Skywalker: Ascendant (Released)
Time

The puppet show is done! I can’t find the link but it’s buried somewhere in the thread.

The graffiti is currently in limbo, I’m not sure if someone is actively working on it.

I’ve gotten the new Jedi dialogue from the actor who played Sors Bandeam in ROTS, but I’m currently having trouble separating audio layers in the original scene to add it in.

Post
#1440404
Topic
The Last Jedi: Stoic Edition (WIP)
Time

Cadavra said:

It’s been a while since I last watched TLJ, so I don’t remember the exact scene well enough to know how well this would work, but just to spitball…would it be possible to cut out Maz’s hologram and show just enough of Finn, Rose, & Poe discussing the plan without her to convey the basics, then play Maz telling them how to identify the codebreaker as comm audio while their shuttle to Canto Bight is in hyperspace? Again, just a very rough idea, but might be worth experimenting with.

There wouldn’t be enough coverage in the scene to do that - plus there are other things that happen before the shuttle leaves that would have to be cut as a result. Ultimately I’m not too worried about it; it’s annoying that it’s basically a Battlefront cutscene, but it’s a pretty minor thing.