pobbard said:
towne32 said:
I wish the DC didn’t retain the shot of Zod levitating the shotgun. I believe there’s a fan edit that makes it look like Zod uses super-speed to retrieve the gun instead – that’s clever!
And while I like the memory kiss over repeating the end of S1, part of me wonders if the Supes/Lois storyline shouldn’t just end with the balcony breakup. Too depressing, I know… but narratively, it’s elegant.
Booshman did the super speed trick.
In my edit, when Zod says “A weapon of some sort” after the shot of the cop holding the gun, and the other cop sticking his head out of the car, I cut to Zod using his heat vision, the cop in the car trying to hide in the car (when Non approaches) and then a stock footage video I found of a similar looking car blowing up in a similar location. Then cut back to the establishing shot in reverse and then cut to the villains flying away. Oh, and those 2 cops obviously don’t show up anywhere in the entire Idaho scenes.
As for the ending. my edit uses the Lester amnesia kiss scene, but instead I changed the music so that it’s a happy moment when they kiss, and after they kiss I use the RIC line where Lois says “I won’t tell anyone who you are” while Perry is watching from his office, shrugs his shoulders, and walks away. Cue some NYC establishing shots for a sunset, fade to black. Fade in to the next morning and we go to the DC “pizza scene”, with some more revisions so that it seems like Lois still knows his secret and is ok with it, and they play along like 2 lovers with a secret.
“You know you’re really super…”
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Clark looks at her with a cautious look like “Waitamimute”
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Lois gives him a thumbs up and smiles.
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Clark walks away and Lois starts typing.
