I didn’t know movies shot on Super 35 actually had prints like this, I assumed they would be anamorphic prints instead
if you want to know the person to contact just let me know in PM
I would love information on the restore including the original music.
Seasons 3-6 and 9 are completely done, seasons 1 and 2 are having some work redone on them, I’m working on season 10 and my friend is working on seasons 1, 2, 7, and 8
Nicolas Cage said:
PM Links For Top Gun 2.0 Stereo Mix & Days of Thunder 2.0 Stereo Mix & The Longest Day 4.0 & 2.0 Stereo Mix & Taxi Driver 1976 2.0 Stereo Mix & Rocky 1976 2.0 Dual Mono Mix & Taxi Driver 1976 Audio Commentary With Paul Schrader & Taxi Driver 1976 Audio Commentary With Professor (Film Studies & Digital Media at Georgia Institute of Technology) Robert Kolker & Taxi Driver 1976 Audio Commentary With Director Martin Scorsese & Screenwriter Paul Schrader & Scarface 1983 4.0 & 2.0 Stereo Mix
please stop spamming this thread
can I have a link?
Honestly I prefer 4K77/4K83 over despecialized, the despecialized editions are a good effort but they’re clearly frankenstein edits and at times it really shows. They also use sources that are inherently sharpened and noise reduced.
Notice how in this frame alone how Luke’s face looks extremely waxy on the despecialized edition but far more organic on 4K83.
While it is true that 4K77 has inconsistent quality and graininess in its presentation, you got to understand how this movie was shot and made. It didn’t have as fancy filmstock like Empire or Jedi did, and all of the effects and desert scenes didn’t help things either. A lot of the inconsistencies have to do with how the movie was shot rather than the print itself.
So once again, despecialized is a good effort but I think if you want the true versions as seen in theaters back in the 70s and 80s then 4K77/4K83 are more for you.
I’m sure some of you have stated this before but I’ll go ahead and say it anyway
I highly doubt Cameron is the reason why the current BD editions exclude the mono track, from what it seems he really only cares about visuals and doesn’t care so much about audio, just to at least want his movies to sound good. He also seemingly allowed it to be included on the old DVD releases and never asked for a newer DVD master and not include it (the 2006 BD even uses the same master as the 2001 DVD and he didn’t seem to insist on leaving off the mono track)
I suspect it’s most likely MGM’s laziness is the reason why the mono track isn’t restored considering this isn’t the first time an earlier DVD release of theirs had a mono track and the subsequent blu-ray edition of the same title excluded it in favor of a 5.1 track (just look at Red Dawn and In the Heat of the Night (pre-Criterion) to name a couple of examples)
If Arrow is working on a 4K of this movie it would most likely include the mono track
Is the TV pilot retained as a movie on this release or split?
How did you deal with the altered frame jump?
What’s your opinion on the BD in terms of picture quality?
One of my friends wasn’t a fan of it
was there ever a home video release in the theatrical ratio?
The lossless dual mono track on the WAC blu-ray of Don’t Be Afraid of the Dark sounds astonishing
It’s hissy and sounds really clear and crisp as a result, thank fuck they didn’t nuke it with hiss reduction
I’m curious about how the stereo upmix from the first DVD sounds then
Idk sadly about that last part
It actually depends on what platform as well, season 3 had four hour long episodes and they’re preserved that way on DVD and Prime, but Hulu has all four of them in their two part versions
Along with that the last two episodes from season 2 on Hulu are the syndicated edits and Prime/DVD have both episodes uncut
Really the only episode I know of that’s in two parts everywhere is South of the Border from season 2, other than the original NBC broadcast the only way to have the uncut version is on DVD, and that has a few song changes
I have located what I needed, the versions of both of the season 1 episodes on Aussie iTunes are uncut with original music
I know I’ve frequented that blog
ok here you go, I didn’t have the video finished yet
the sound of the shotgun falling to the ground, Max falling on the car, and the bird wing noises are all not in this version, which is a recording of an Australian broadcast from 1985
meaning they were never in the Aussie track to begin with, they were first added to the US dub, the region 2 DVD has an altered mono track and the Kino release is correct
with the exception of putting the clips together, I didn’t touch the recording at all (I even left in the PAL speed up), the first clip is to showcase it’s from a broadcast (yes the Superman theme was always there, it was added by the channel who aired this) and the last clip at the end is to show that it does in fact have the Aussie dialogue
The recent 4K release of Mad Max restores the proper Aussie mono mix
The comparison video floating around is misleading, the sound effects that it claims are missing were never there to begin with
They were added for the US dub originally, the European DVD is a weird hybrid that utilizes the Aussie dialogue but uses a few of the US mix sound effects
If anyone doesn’t believe me I actually have proof about this
that LD from the 90s is overrated though, it of course has the theatrical version but the quality is terrible and for a long while the sound falls out of sync, very sloppy release
the Kino mono is superior
there was a planned 4K of this title from Kino but sadly it got cancelled a few months ago
The Mondo transfer uses the same 4K master but it’s unfaithful to the original prints and looks too purple, the MGM BD from 2014 tries but fails to replicate the original theatrical color timing (which was extremely yellow) and instead looks more brownish than anything, Kino’s dials back the yellow but as a result what looks like a blue tint covers a lot of the picture and affects the black levels
Between these three though I’d say the Kino one is the best since it also has the original mono track and something at least close to the theatrical version
The BD master for American Graffiti was an entirely new master that was supervised by Lucas himself
But unfortunately after he approved it was when Universal ruined it with their routine sharpening and heavy filtering
The scene surprisingly is intact on the Amazon Prime version of the movie
one interesting thing I noticed was the green was dialed back on the remastered 1080p disk, unfortunately has a poor encode