Drama wise that sounds great but I’m not sure how that would make Pasana more distinct from all the other sand planets? I think people were thinking more along the lines of changing the sand colour.
Here’s what I intend as the final look and ordering of the Ach-To sequence. I tried to add a very subtle purple to the sunrise. (Any footage before or after the sequence is not color corrected in this clip, nor is the saber flashback.)
https://drive.google.com/file/d/16kfx-ovM2HjYCqiexhK76qnAAIuq-guZ/view?usp=drivesdk
Looks great, I do like the pink sunrise and I’m happy to call this one done if everyone agrees 😃
100% Dude. You’ve done an incredible job with this.
Hal, The second island transition sound is very jumbled by the fade-out in my headphones. You may wanna extend the first part and fade-out just before the note comes in after Rey says “I won’t let it happen”? The added Luke line also sounds very bass-heavy compared to the next line. Did you use the new EQ audio by ThisIsCreation?
Can you imagine the day when we can all sit back and watch the complete revisited OT and these sequels as one huge marathon! 😍
So how’s the puppet work going? MR better not be giving excuses like “sleep” and “Sanity”
I can’t give those excuses because I have neither! haha, the puppet show is out of my hands now. It’s down to whoever is making the puppets 😉
I’ve just laid up the Ahch-To night shots but don’t have the energy to sort the audio. Thankfully the construction outside my house finished today so I’ll hopefully get sleep and sanity back soon 😄
I’m losing track of threads but were there talks on here about the early duel between Rey and Kylo on the ship? I was just wondering if anyone fancied tackling the continuity error of the Sith Dagger disappearing for the last shot?
I’ve made a clean .psd high res image if anyone wants to turn it into a 3d image and animate in After Effects?
I don’t think so, I had to lower the gain by -14 or something but it still stood out way more than the original.
Thanks for doing another pass. I’ll check it out tomorrow.
The line “A thousand generations…” and “you’ll take two Sabers…” always bugged me. I wanted to find a way of removing them both but this worked out so well it actually compliments the 1000 generation line and sets up the force ghosts for later. Whoop WHoop!
It sounds like the S is clipping?
I’ve just packed up for the day but if Nev gets back to me soon I’ll sync up the shot when I have it.
I have changed this whole sequence so I’m not sure how close this clip is to the original anymore. I’m sure others can just trim the parts out that suit.
That almost never works without it being noticable. The good part about this clip is that 3/4 of it Rey is virtually still, it’s just bring up from 53% to 100% without it looking unnatural. Keyframes are weird when it comes to speed. They split rather than an in and out point.
Thanks, it was the first time I’ve had to change the timing within the sequence. It’s not very precise but I’m sure there’s a more visual way of doing it somehow.
Yeah, I’m hoping Nev catches my PM at some point.
MR, do you think you could apply the slowdown to a clip I can send that has Nev’s color correction?
(There would be no hurry.)
I’ve PM Nev to do one small colour change in that clip. Once that’s done I’ll overlay it to this whole scene.
Awesome! Cheers guys. I’ve just posted a direct link on The Last Hope thread. FYI, I’m running out of space on my drive so it won’t be there forever.
It seems to be going down pretty well so here is a direct googledrive link to stop any pixelation from Youtube https://drive.google.com/file/d/1BK-GG8PBCY81AbtzlEBcbNpcaswzlrfB/view?usp=sharing
I use a guy called Ian-Luke Chenet. He’s pretty awesome. He made this https://www.youtube.com/watch?v=FRbbvsxXaBs
I may have been looking at this for far too many hours but I’m not happy with the timing change on Rey’s close-up. I’ve had to slow parts down to almost 50% just to get the sequence timing right.
I’m open to scrutiny on this one…?
https://originaltrilogy.com/post/id/1417302/action/topic#1417302
Poppa, I did exactly as you instructed but the audio was still playing in the left speaker despite being in a dedicated center channel. It works fine with left or right setting but it won’t isolate to the center channel for some reason?
ThisIsCreation the new EQ track seems to have the gain turned up to 11. I’m getting a lot of hissing from that clip when I import it to PP so I wasn’t able to match the current dialogue levels with your effort.
Here’s an update anyway…
Changed the timing of the sequence so it’s a little tighter.
Removed Lukes Close-up
Changed the timing on Rey’s close-up to match the new dialogue.
I’ve played it over and over again and as much as I REALLY wanted to keep the close up on Luke as he says “but this is your fight” I’m gonna ditch it on my next pass and just change the timing on Rey’s close up. That way I can tighten up the audio and seamlessly go into her standing up as if the say “I don’t have the way finder” as her last excuse to be negative. Luke gives her one more reassuring smile and says “You have everything you need”. The emotion seems perfect running it that way.
I’ll see if I can do another pass tomorrow…
Is Nev finished with the colour correction of this scene or is someone else picking up the gauntlet?
Yeah, I was just focusing on the audio for that clip. I ran out of time to properly sync the visual. I’ll take another run at it when I get time.
Nice! I’ve not used that before. When I back up and running would you like to take a look at a few other audio clips for me?
The line was in stereo so I had to export it to audition and convert it to mono for it to sound right. If anyone knows how to do this within premiere please let me know.
I agree with ThisIsCreation. Great job, MR! I think the line and pacing feels right, but the cutting back and forth to Luke is a bit abrupt. The second cut to Luke feels like it’s clearly the same camera move as the first. Can you hold on Rey instead of cutting back for “This is your fight”? I think it’s better to see Rey for this line, anyway, so we can see he thinking it over.
I’ll reply to this here as I know Hal isn’t entertaining thing edition.
I totally agree. I obsess over little things like this but I ran out of time today. I really wanted to keep on Luke as he says “This is your fight” but we’d have to stay on Rey too long if I removed it and her expression doesn’t change to suit the dialogue. I think there is a tweak to be had in this clip though. I’ll take another stab at it when I can.
Thanks man. What program/technic did you use?
Awesome! Cheers dude, I’ll give it a try. 👍🏼
I don’t have my headphone unpacked but if you think you can make it sound better go right ahead.
Jar Jar, I already made a mini track, cheers.
Jarbear, Exactly! Rather than holding the audience hand and explaining every step of the way, we actually get an “Oh Yeah!” Moment when Rey uses Leias Saber this way.
You guys made me unpack my computer for THIS!!! haha.
The line was in stereo so I had to export it to audition and convert it to mono for it to sound right. If anyone knows how to do this within premiere please let me know. Also, have to do the same with “This is your fight” and denoise the soundtrack to clean it up.
I still wanna tweak the shot timings but I think this works well. https://originaltrilogy.com/post/id/1417183/action/topic#1417183