Molly

From what I've seen so far, it already does.

A JPG.  Looks like what it is purported to be.  I will say no more.

With MKV, at least, you can set any aspect ratio you want (I believe it stores a "preferred display resolution").  x264 itself seems to support storing PAR or DAR as a fraction, and this is kept when muxing as an avi or mp4.  I have some 720x480/4:3 MP4s.  I'm not sure how good the software support for these features is though...MPlayer handles it fine and that's all I've used for the better part of a decade.

MP4 and MKV (usual formats for HD stuff) seem to be even more flexible than VOB, as they store the aspect ratio as, I think, a fraction and not just a couple preset values.

Yeah.  It's got some issues other than being a WMV, 320x240, watermarked ("DBZimran") and sourced from mediocre encodes of the DVDs from Spain (which the encoder mistakenly refers to as coming from Latin America)...but I have access to them and have been using them.  Episode 2 that I've done is based on a different, .MP4 source.

A friend has been providing me some source for working with this, and it actually looks like (unlike Dragon Ball which was dubbed on a cut and sped-up French master, and Dragon Ball Z which was dubbed, oddly enough, mostly on the dub already done and edited for TV by Funimation) Ocean’s dub of Dragon Ball GT was produced as an uncut dub (apart from episode title cards), and originally even left the OPED in Japanese (as do some European releases of the same series).

I have decided that it may be easier AND more productive to try to fix this dub up, as it appears to need much less work.  But I will source what I can, with a possible mind for making dvdisos, while in the meantime I add it as a third track to MKVs which I already encoded a few years ago from the “Dragon Box GT-hen”.

Of the 64 eps of this relatively “short” series (as far as Dragon Ball goes - DB is 153 eps and DBZ is 291), 2 eps are already completely synched.  I lose the “In another time and space” opening, however.  Title cards having been cut out, I used Funimation’s remixed dub as a source for audio here - it’s the original BGM for the title cards, with no voice over.

Ooh, eyecatches!  DO WANT

I wonder  how it would look to encode it to a max-4400 MB 264/aac mp4, if that would help any considering the noise?

At least in 1985, it wasn't uncommon to have a "terminal" which the user sat in front of hooked up to a "mainframe" which did the actual work... the terminal was basically a monitor and keyboard and some glue hardware.

This is a terminal.

The shot of the three dogs is one of the comparison shots I used to identify it.

There's two different versions of Lady and the Tramp that were shot in 1955.

Most editions, even 4:3, are of the scope (2.55:1) version; one release (the one the  screencaps come from) is from the actual "Academy" (1.37:1) version, and not a crop.

Didn't have a lot of luck.  It gave some bizarre chroma artifacting when I tried to ivtc the output.

I might need to install avisynth/vdub. (don't like to do that because it's non-native.)

If it works it's definitely worth a try.  Isn't that how the WorkPrinter scans 16mm reels, take a shot, advance one frame, take another?

I think drf may have finally found the Academy Lady.  I'm sending him my first capture but I'm making a few more captures to try to noise-average  (something I don't have a lot of expertise with).

Go with the 1980/1983 logos, though, not the 1995 ones.

muddyknees2000 said:

Heres what the cover art is supposed to look like for the laserdisc with the 1958 cut of Sleepy Hollow on it:

Looks like a Prince and the Pauper LD, by the title?

So it's like the French version that called him Chiquetabac (Chewtobacco) ?

I have a rough draft of the first ep of this prepared (the screenshot is from this draft copy).  The Hawaii subs are on Hulu though I have no way to whack them so I can transcribe them at leisure.  The dub it on MegaUpload atm (with AC3 audio) and I am whacking every episode.  I’ve gotten TV rips off Nyaa although I plan to replace them with R2 DVDISOs as soon as the opportunity avails itself.

I’ve been trying to type up, edit and retime the Hawaii subs, synch up the dub, and make dual audio versions, which will hopefully culminate in a set of dvdisos I plan to torrent, as well as smaller MKVs.

(This is using the TV rip.  The subs are in text format, which is intentionally kept simple because of the limits of the DVD authoring software I have and will be using to actually prepare the DVDs.)

The irony being the mix considered "definitive" by Lucas in 1977 *did* have the tractor beam line.

.dlc is jdownloader encrypted linklist file.

In some places PT Williams reminds me more of Danny Elfman.

So the trick was basically noise averaging?

Deadman switch, right?

Better than "A New Hope Enhanced Redone Original"

*runs*

Decomb Telecide ftw.