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Jar Jar Bricks

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15-Jun-2019
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22-Oct-2025
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Post
#1429383
Topic
The Rise of Skywalker: Ascendant (Released)
Time

sherlockpotter said:

But again, in regards to saving her friends, none of this has any relevance to the themes of the film. This is when those themes are supposed to come to their conclusion; but instead of talking about Rey’s anger, or her heritage, or anything like that, J.J. and Chris are just like, “Meh, you better kill him Rey, or else all of your friends are gonna die.”

I would say one of the themes of the film is confronting fear. In this moment, Rey is presented with two options: kill Palpatine to possibly save her friends, or deny him and risk losing her friends. I would say that thematically it does make sense. It’s about the fear of loss, and learning to let others have some control, because the civilian fleet does show up to save the day without Rey’s help.

In fact, the fear of loss leading you to do stupid things is thematically extremely relevant to the saga as a whole. It’s perfect the way it is. It’s why I’ll also always insist on keeping Leia sensing the death of her son.

Post
#1429380
Topic
The Rise of Skywalker: Ascendant (Released)
Time

jarbear said:

Sherlock I completely agree with your assessment in regards to the logic behind it all, but specifically more about the transfer crap for me. Fortunately, I think … it isn’t explained in the movie about “Strike me down with hate and that allows me to transfer” as that is explained outside of the movie (Please correct me if I am wrong). By the movie’s logic, Palpy can transfer … mostly by being struck down by someone (though he somehow transfer from DSII … just don’t think too hard on it.)

Please remind me, but the whole exegol scene with Rey there doesn’t have Palp mention/explaining/talking about the transfer to Rey? If it isn’t mentioned at all at that point, then for Rey’s knowledge and understanding, Palp is saying “You strike me down by this ritual, then you get to have the throne … AKA you kill the boss you take over …” and not “You strike me down by this ritual, I/we/sith will utterly possess you and you get the throne as MeWeSith Lady” then Rey would have a reason to do it … since “I would be the boss, I can call off the destroyers.” That would make sense for her to decide/reason on why to do it, and we the audience are like “oh no, it’s a trap!”

He does mention transfer to Rey. “Your hatred, your anger, you want to kill me. That is what I want. You and I will be one.” So clearly hatred and anger are necessary for the process. Because we moved the rest of that line to Kylo at the beginning, it also makes it so that Rey believes that her spirit would be merged with his. And as I said previously, that is false, but also she might imagine that she would have some autonomy/control.

And axlanian, I only brought that up because in that moment Palpatine is defenseless. To quote Anakin, “It’s not the Jedi way” to kill somebody like that.

Post
#1429366
Topic
The Rise of Skywalker: Ascendant (Released)
Time

sherlockpotter said:

  • Tapping into Rey’s personal darkness - she wouldn’t be killing Palps for selfish or evil reasons, she’d be killing him to save her friends, despite the cost to herself. That’s, like, prime Jedi material, right there. At that point, for those reasons, it’s selfish if she doesn’t immediately decapitate him.

Killing him wouldn’t save her friends. They have already been ordered to deploy, and killing the guy in charge wouldn’t change anything. Also, by your logic, Anakin was justified in trying to save his wife from death by killing the Jedi.

The difference here is that Rey has no idea that Palpatine would gain full control over her body. She was never told anything about essence transfer. The only thing Palpy has revealed to her is that “you and I will be one”, which is a lie by Palps. By that logic, Rey might assume that she has some autonomy. Whereas with Kylo, Palp’s tells him “Kill me, and my spirit will pass into you” which is a clearer description of possession.

Post
#1429290
Topic
STAR WARS: EP IV 2004 <strong>REVISITED</strong> ADYWAN *<em>1080p HD VERSION NOW IN PRODUCTION</em>
Time

SilverStormX said:

Do we know what the status is on the Cantina Arm, the one Obi-Wan chops off? With Ponda Baba’s Rogue One appearance it seems the original arm is the official one, which arm will appear in Revisited HD? Either way I like the change of the cauterized wound on the severed arm.

I feel like most Rogue One edits remove that cameo so it needn’t dictate this edit.

Post
#1429012
Topic
The Rise of Skywalker: Ascendant (Released)
Time

NeverarGreat said:

Dat_SW_Guy said:

Heres a test VFX shot of Rey shooting out Force Lightning instead of the Force Push to signify her instability, the compression makes it look slightly weird but it’s okay: https://streamable.com/cqtffo

I think for the effect to work seamlessly it would need to be more subtle, like tiny tendrils running along her fingers like in the Palpatine scene accompanied by a little sound effect. If the effect gets large enough that Rey would have noticed it visually, it’s gone to far imo.

If she doesn’t notice it then it completely negates the entire point of the proposed change. It’s meant to give her another reason to leave to Ahch-To.

Post
#1428995
Topic
The Rise of Skywalker: Ascendant (Released)
Time

I’m so happy Hal is using those new trooper lines about the Knights. It sounds fantastic!

I’m also surprised how quickly somebody came up with some visual effects for the Rey lightning. I’m gonna agree with jarbear that it might be interesting to see a bit of lightning arcing towards Finn, because how it is right now has the second shot seemingly “forget” about the lightning as if it was a VFX mistake. Otherwise, it looks amazing!

Post
#1428916
Topic
The Rise of Skywalker: Ascendant (Released)
Time

Sherlock, just so you know, I liked the idea so much myself that I actually slid it into my novelization. I feel like there needs to be a little bit more there than Rey fatally wounding Kylo for her to consider abandoning everything and going to Exegol. If she does the same thing that she does with Chewie except with Finn, it would be a really convincing reason for her to believe that she thinks she needs to abandon the fight before she completely loses control of herself.

Also, and I mentioned this before, but it gives Finn’s presence a purpose there. Before, he’s just there to scream “Rey!” If this were implemented, he would be the catalyst that causes her outburst.

Post
#1428837
Topic
Star Wars: <strong>The Rise Of Skywalker</strong> Redux Ideas thread
Time

CaptainFaraday said:

Here’s an idea: Alternate Ascension. Someone should take all the ideas that were considered but ultimately decided against for Ascendant - even ones you don’t necessarily agree with - and put all of those into an edit. A mirror image of Ascendant, if you will. There’s certainly no shortage of ideas to implement.

That’s basically what poppasketti did with TLJ Rekindled. And arguable his edit ended up more popular than Hal’s.

Post
#1428791
Topic
The Rise of Skywalker: Ascendant (Released)
Time

EddieDean said:

Just thinking about the VFX here, if it’s possible/wanted to go with more of a blast, something more like Snoke’s quick little floor zap that he uses on Kylo might be better or more appropriate than a traditional channel of lightning.

That was actually the original idea as well. It wouldn’t hurt to rip the original sound effects from TLJ imo, but Sherlock didn’t like that for some reason. Either that or just do the hand crackle.

Post
#1428774
Topic
The Rise of Skywalker: Ascendant (Released)
Time

Cinefy said:

Hal 9000 said:

Yeah, I see no reason to add a hand. lol

And I hate to be a wet blanket, but Rey using lightning on Finn doesn’t strike me as feeling right for that moment. It could’ve been scripted that way, but with what we have to work with Finn still flies backward and Rey doesn’t blink about any of it.

Yeah I’m not a big fan of Rey using force lighting on Finn, feel like it would probably look weird especially since ILM force lighting is hard to replicate unless you do it in Nuke

At this point we aren’t talking about her electrocuting him, but rather her fingers would crackle with lightning. It would give the impression that she is using the dark side to push him back.

And yeah, I don’t see why people are degrading this idea so much. In the original film, there is literally NO purpose to Finn going after her. At least this way it would let the audience know that she’s losing it.

And as for her reaction to what she does, she’s taking out her regrets and frustrations by swinging her lightsaber on Kylo. At least that’s what the original novelization said.

Post
#1428773
Topic
Deepfake Ideas - Index and Discussion
Time

CaptainFaraday said:

Fiendish Droid Leader said:

If you’re listing samples in the main post, you might as well link to these:
Young Ian McDiarmid on Rey’s Dad: https://www.youtube.com/watch?v=rjT1DhfTIoo
Palpatine clones on Exegol: https://originaltrilogy.com/post/id/1340464/action/topic#1340464

I can’t tell any difference from the original on the Rey’s Dad one, I’m afraid! Still, a good find that someone has at least attempted it.

I don’t believe they did a very good job on that one. The machine needed more source material of his face. Then again, not sure where you could get that for a young Ian McDiarmid.

Post
#1428641
Topic
The Rise of Skywalker: Ascendant (Released)
Time

sherlockpotter said:

The problem is though, that the possession concept itself is shit. If killing Palpy allows him to possess you, the writers have created a no-win scenario. At that point, the only option for resolving anything is to gloss over the idea entirely. Rey decides that she’ll let Palpy take her over (because that will somehow allow her to control the fleet, even though Palpatine will be the one in control?), but then she senses Ben, and is like “Well shoot, what am I doing? This is a terrible idea!” But then as soon as Ben joins her, they’re about to kill him together anyway. And then Rey ends up killing Palpatine, but he doesn’t possess anyone. He just dies.

You have to kill him with the dark side in order to be possessed. And thankfully the Force ghosts we added in serve a purpose beyond fan service: they hold Palpatine’s spirit in place so it’s finally destroyed.

There are ways for it all to make sense, but unfortunately the writers didn’t take the time to think about them. I could explain more of what they are, but whatever.

Post
#1428625
Topic
The Rise of Skywalker: Ascendant (Released)
Time

It’s a blatant contradiction no matter which way you spin it, Sherlock.

"Kill me, and my spirit will pass into you "

Later…

“We’ll kill him together and take the throne.”

To be clear, I still want Kylo to know about essence transfer from the get-go. But obviously that second line was written with the idea that Kylo himself doesn’t know about it.

Post
#1428614
Topic
The Rise of Skywalker: Ascendant (Released)
Time

KumoNin said:

Another thing I noticed: Kylo says “we’ll kill him and take the throne” to Rey (hangar), but doesn’t he already know, in this version, that killing him means spirit transfer?

I agree 100% with modifying this line. In my novelization I replaced it with “We’ll defeat him and take the fleet” but obviously that is a lot harder to do. I could check out what lines I’ve got, though.

Also, Testing, I have no idea what the point of your suggestion is.

Post
#1428583
Topic
The Rise of Skywalker: Ascendant (Released)
Time

The way we have things rn is actually how it is ordered in the novelization. This works better because:

  1. It makes no sense that they could identify the necklace practically the second Kylo grabs it. At least with the gap it’s slightly more believable.
  2. Poe says that there are always random First Order patrols in crowds like on Pasaana. There are mostly Aki-Aki there, so when this patrolling trooper sees a strange group of people running, it makes sense that he would ask them to stop and show some identification.
Post
#1428399
Topic
The Rise of Skywalker: Ascendant (Released)
Time

sherlockpotter said:

Well, I have no idea how to actually add the lightning into the shot; but I was able to add the sound effects of Rey’s lightning from earlier into the scene. If anyone who knows how to do the lightning effect wants to take over from here, that would be amazing!

https://drive.google.com/file/d/1AehZ3R_NrH07XrvPbF1NvbtZFxzZfDP2/view?usp=sharing

Seeing this scene again makes me realize the potential here. I love it.

I wonder if the sound effects from Snoke in TLJ would be more fitting though, since that’s the attack we’re trying to replicate.

Post
#1428296
Topic
The Rise of Skywalker: Ascendant (Released)
Time

Am I the only one who was surprised to learn that Pryde was in the Steadfast (First Order Destroyer) during the battle of Exegol? For the longest time I thought he was just in a Final Order command ship.

Honestly, it kinda makes Finn knowing which ship had the signal through the Force super stupid. Like, of course the ship that looks nothing like the others has the signal.

Post
#1428254
Topic
The Rise of Skywalker Expanded Edition by Rae Carson: The &quot;Tragedy of Vader&quot; Edit (v2 NOW AVAILABLE)
Time

Here is the ending. For context, Ben runs away from Rey after healing her because he doesn’t believe he deserves her love. He decides he needs to learn how to forgive himself first.

The Millennium Falcon flew over a Jawa sandcrawler. The twin suns of Tatooine had yet to show their faces, but early-morning light washed the land below in pink and white. Rey was glad to be doing something besides her grueling New Republic duties. Something special.

It had been months since the battle of Exegol. Ben had declined all of Rey’s attempts at establishing a Force connection. When she told Lando that he was still alive, he told her that he had made the right call by hiding away. He claimed there was no way the galaxy would accept Ben, as much as he himself wished they would. That he would have been tried for his crimes and locked in a prison for the rest of his life.

Rey believed there had to be another way. But Ben was not why she had traveled to Tatooine. It was for his family.

The Falcon touched down on an empty desert plain. Rey and BB-8 descended the ramp and squinted against the reflected light on the sand. The place was so stark, the ground so bleached, it was almost like the salt flats of Hiila Basin back on Jakku.

Rey stepped forward, toward a domed adobe building jutting from the sand. Only BB-8 accompanied her. All her friends had offered to come with her, but Finn insisted they stay behind. He understood that she needed to do this alone.

She carried three lightsabers with her. Her own, which she had recently fully constructed, was hooked to her belt. She carried the other two in her haversack.

The adobe building had an arched doorway, but years of wind and sand had half buried it. There’d be no accessing the Lars homestead that way.

Moisture vaporators rose in the distance at irregular intervals, tall spindly towers much like the wind-grain traps on Pasaana. It felt like so long ago already. The intervals were irregular, she realized, because some had fallen over.

She stepped past the building and discovered what appeared to be a large sinkhole, half filled with sand. A closer look revealed an arched window and a half-covered door at the base of the sinkhole, built into adobe walls.

At her feet lay a tower panel from one of the fallen vaporators, slightly curved, large enough for one person to sit. She yanked it aside, turned it around, and aimed. A few hours from now, the metal would be too hot to touch. Until then, it would make a perfect sand sled.

She climbed in, drew up her knees, and pushed off. The sled whipped down a sand drift into the heart of the sinkhole, where it gently collided with the base of a broken condenser tower. Rey stepped out and looked around.

So many memories here. She could feel them - yearning, loss, worry, desperation, love - and not just Luke’s. Multiple generations of Skywalkers had been to this place.

A cave-like entrance in the wall drew her forward. As she passed into shadow and her eyes adjusted, she noted a long dining table, covered with dust. She ran a finger through the dust, tracing a line of soft blue. Luke had dined here. And also - she reached out, sensing - Anakin?

An adjoining alcove contained some kind of beverage dispenser, but most of the levers and paneling had been scavenged, probably by local Jawas. A single tall beverage cup made of plastex lay on its side, oddly pristine.

She wandered around for a few more minutes and discovered what used to be a speeder garage, Luke’s sleeping loft, and the remains of an electrostatic repeller that had probably kept sand and dust away for years.

Other rooms remained inaccessible to her, their entrances buried in drifts.

Rey stood in the center for a while, taking it all in. Would she have turned out differently? If she’d been raised in a real home like this, by her parents if they hadn’t been forced to live in hiding?

Perhaps not. The family she’d been seeking had been ahead of her the whole time. And it still had room to grow. She wouldn’t change a thing about her origins.

The cracked adobe walls and jutting pipes made for an easy climb back up. She reached the top and pulled Luke’s and Leia’s lightsabers from her haversack. Holding them side by side in her hand, she gazed down at them for a long moment. They’d belonged to her teachers. Her family.

She placed them on the ground, and wrapped them gently into a small package using some fabric and a leather strip. Calling on the power of the Force, she pushed, and the lightsabers sank, lower and lower until the ground had fully welcomed them, shrouding them in cool, quiet rest.

Rey stood, pulling out her own lightsaber. She ignited it. Her lightsaber glowed white-gold, and she gazed at it for a long moment. According to the Jedi texts, its color meant she was a protector, a sentinel. She could see why that role fit her now.

The lightsaber was single-bladed, with an outer casing and emitter salvaged from her quarterstaff. The final result felt like the exact inverse of the lightsaber held by the dark Rey of her vision, and she loved it. It was beautiful, it fit so perfectly in her hand, and she would carry it for the rest of her life.

“Hello!” came a strange voice, and she turned. An old human woman approached, skin wrinkled from decades of sunlight, her hood pulled up against the elements. She held the reins of a tall, lanky etobi, probably on her way to a nearby trading post.

“There’s been no one for so long,” she said. “Who are you?”

“I’m Rey,” she said.

“Rey who?” the old woman asked.

Just Rey, she thought to herself. That’s all she’d ever be. And maybe that was enough.

Rey was suddenly made aware of another presence. She turned her head.

A strange hermit was approaching. He was already close to them, his tall form swiftly wading through the sand. He wore long desert robes, and his head was wrapped in a turban, disguising his features.

“Now who’s this?” the old woman said.

As he got closer, Rey noticed a trinket hanging around his neck - one she recognized from… the Steadfast. She instantly knew who this unusual, Tatooinian hermit was. She could sense it now. She ran to him.

“Ben!” she called out, arms wide.

Ben Solo removed the turban from his face, revealing a wide, suntanned smile. He laughed as Rey wrapped her arms around him in a tight hug. He wrapped his arms around her in return.

But Rey remembered that he had left her. That he had ignored her attempts to reach out to him. She backed away from his embrace.

“Why did you leave me?” she asked, her voice tinged with frustration.

“I’ll never leave you again,” Ben replied as he removed his necklace. “I kept this for you. So you’d remember me.”

Rey allowed Ben to gently place the japor snippet around her neck. It felt strange for him to be placing a necklace on her instead of ripping one off. But Kylo Ren was a different person, and she needed to start remembering that. Kylo Ren was dead, and Ben Solo was alive.

She took Ben’s hand earnestly.

The old woman approached them. “Who are you people?”

“I’m Rey Solo,” Rey replied without hesitation. “This is Ben Solo.”

“Young lovers,” the old woman scoffed, shaking her head. “See you two around?” And she hobbled off without even bothering to share her own name.

BB-8 rolled toward them apprehensively, wary of the perceived stranger standing next to Rey. Ben grinned at the little droid, reaching out his tan hand to pet him. He flinched, warbling a question at Rey.

“It’s okay, Beebee-Ate,” Rey answered. “Everything’s going to be okay.”

Tatooine’s twin suns had risen above the horizon. The two halves of the dyad embraced each other under the light of dawn. At the homestead of one of the greatest Jedi, a new order was rising. The order of Skywalker.

A new home.


First comes the day
Then comes the night.
After the darkness
Shines through the light.
The difference, they say,
Is only made right
By the resolving of gray
Through refined Jedi sight.

-Journal of the Whills, 7:477

Post
#1428204
Topic
The Rise of Skywalker: Ascendant (Released)
Time

Artan42 said:

In the regular cut, the voices are fine because The World Between Worlds has already been established but any pre-OT Jedi coming back as physical ghosts doesn’t fit with what we’ve seen (excluding Qui-Gon and possibly Ahsoka).

Interestingly enough, the novelization pretty much flat out tells the reader that the voices are coming from the World Between Worlds. Which does mean it’s different than Force ghosts. More has to do with potential realities, pasts, and futures.

Post
#1428156
Topic
The Rise of Skywalker: Ascendant (Released)
Time

Peonthegrate said:

May I ask what edit of ROTJ you have that has that?

Yes, it’s Return of the Jedi Remastered by Darthrush. My only problem with it is that it has the Shaw ghost, but I just need to get around to editing the special edition change in.

It removes a lot of the film, but that’s fine by me because I don’t really like ROTJ besides the Luke/Vader stuff.