- Post
- #1582510
- Topic
- The Rise of Skywalker: Ascendant (Released)
- Link
- https://originaltrilogy.com/post/id/1582510/action/topic#1582510
- Time
That sounds great!
That sounds great!
JJB, I am finding that the “I appear to be some sort of spy” line takes just a little too long to fit into the moment properly.
Could we try a few alts for this one that are a little shorter? Maybe “Some sort of spy, I think” or something like that?
PMs sent.
PM sent.
Yes, awesome! Y’know, I would be happy to receive as many lines and ideas for lines for 3PO that you can come up with.
You got it.
That’ll be a ‘take the day off work’ kind of day.
PM sent.
Boy, did we ever do the sequels! Link has all of them.
Especially since no version of Solo I’d ever want to see would keep the Darth Maul scene, I just thought it was perfect to use the music from it. There was a TROS TV spot that had a little DOTF music playing over a snipped of the duel too.
Edit: I? We? I can’t remember anymore.
Awesome, thanks! I’ll see how it plays but I agree that it oughtta make that little gap in the music feel better.
And that podcast episode was fun to hear. They focused on Spence’s edit ‘The Final Order,’ acknowledging this project as its source material and sort of talking about both at once.
That ought to be a fun listen!
And can someone isolate the drums from that? I like the idea and it wouldn’t feel like tracked music from TPM if it’s just the drums.
I… don’t think a force vision of Chewie sounds too exciting though.
While I am reviewing the project… did you say that the Zorri lines could not be gotten how you would want them? Does that mean you don’t think the changes to Poe’s backstory would work?
And do you think we could still try a line for Kylo Ren to suggest that the dagger “revealed” her parents’ fate to Rey? (The line should not be this verbose, but the idea is the dagger is not her parents’ murder weapon but a dark side relic that shows people things because… reasons.)
EDIT: Actually, the line about Skywalker sounds really good! I see what you mean about the voice modulation, but at least for an isolated line that takes place not in close-up, I don’t think it’s a problem. So that line works, in any event!
Would it work to add some hint about one of her attachments prompting her sudden resignation from her training? Or that she was taken by her emotions or something to account for the look on her face?
“She was quick to learn in our training. Leia sensed something she feared: the death/loss of her son. She turned aside from her Jedi path to serve the galaxy through diplomacy. In her life, Leia lost everything, and everyone, but she still chose to love. A thousand generations live in you now. But this is your fight. You’ll take both sabers to Exegol.”
This avoids some AI to have to mix in seamlessly in the same location (Luke in room, not in flashback), and maybe lets us get what we want without pressing our luck.
Also, I pulled up and played with the alternate Kylo Ren lines, and I don’t think any of them are improvements, at least as I am able to do anything with them. The “Captain Hux” line I can’t seem to get the reverb to sound good, whereas RogueLeader had supplied me with processed audio to work with. The dyad line delivery is not as good as the line in the film, and I feel that out of what is available the patch job sound better overall. Also, I think your prior “You were right” still sounds perfectly good without leaving anything wanting. I hope that doesn’t come across poorly; I appreciate working on these, and it is good to have alts.
Thanks for sharing! Always good to hear of these being enjoyed.
I like that. Hard to imagine that we’ve made the Leia knowing about Rey being a Palpatine into something I kinda like.
And you say that dialogue is inspired from the DOTF script?
Trying to think of a line of dialogue to perfectly thread the needle to replace “Leia knew it too” without implying she or Luke knew during the events of TLJ.
I can’t begin to imagine the tedium involved. Fantastic, and will be wonderful to see.
I’m not sure why that would be. I suppose you could try remuxing it to only include the main audio track.
PMs sent.
I’ll PM you.
Fair enough. I’m not planning to hurry through that, though. It’ll just take as long as it takes. It’s very difficult to find any time at all to work on these things anymore. Even though these are important to me.
Status report after nearly a month. The quarters scene will be extremely difficult to get a clean track without voices since most of Kylo’s dialogue can be heard in all five normal channels. It might be more cost-effective for you to give me the lines and sequencing that you want, and let me try to bake it together. That would let me be a little more conniving.
The first line, “What’s troubling you” is okay, but it seems like a net neutral with the scene, risking use of AI voice without gaining much.
Second line I still feel needs to be specified impeccably in order to work. I mean the wording when I say that, but that particular AI line delivery sounds fake.
Is the idea here that Leia forsook her own Jedi training out of fear that her own darkness could prevail? And so when she sensed or learned of Rey’s lineage, it’s meaningful for her to push for a different choice than she made?
The one-frame error has been corrected, and the edit has been reuploaded to everywhere it was.
That’s right, to just let Palpatine simply want to kill her without a reveal about wanting her alive, which… doesn’t really seem to impact the plot much.
The AI voices takes it into Jeff Goldblum territory of focusing on whether we should rather than just whether we could. It’s a good position to be in, though!