Vaderisnothayden said:
skyjedi2005 said:
seriously i wonder if that was georges acting advice for him, sneer like an asshole and whine like a spoiled rotten brat.
Honestly I think it was. I think George actually wanted what Hayden delivered, bizarre as that may seem. Not that it makes Hayden's acting any more excusable. It's not an actor doing a brilliant job playing lame.
Gary Oldman is an amazing actor. The majority of his roles were really bad roles but he made you believe them. Hayden is just bad. George's characters were never really that good it was just the actors that saved them. Liam Neeson seemed to do a really good job even though he hated his character. Same goes for Sir Alec Guinness. Christopher Lee did as good as normally but his dialogue was what killed it for me. I cringe when Leia says "you stuck up, halfwitted, scruffy looking, Nerf Herder!!!!!!" LOL. I feel so sorry for any actor in a Star Wars film. Good acting or not really the dialogue ruins it. Harrison Ford did such a good job because he said what he wanted. Mark Hammil Tried his best but in the end George Lucas wouldn't let him. If the actors had free reign on their roles imagine how it would have been. It was already amazing but anything can be improved upon. The prequels were just so Lucas dominated that nobody had a say. If it were the same people working who worked on the OT it would be different. I just think the 90's lucasfilm crew were gutless. Somebody needed to grow some balls and tell Lucas what didn't work. The PT really needed people who were actual fans of the original movies. If they were directed by people who were original fans the films would be
1. Films not digital.
2. Character driven not Effects driven (what happened GL you said 27 years ago that "A special effect is just means of telling a story, A special effect without a story is a pretty boring thing" those were the words of a once genius. I still follow those words to this day...
3. They would work with the OT not against it. It is one thing to make a prequel but to make the prequels in such a way that they don't work for the originals.