ChainsawAsh said:
I don't know where that could have been introduced. It's possible that it was taken from a print that had been projected, and somehow the aperture gate or an extra-hot bulb damaged the film
This had crossed my mind but I really dont think this is it since this workprint wouldnt have got too many plays in a theater for one, and two I havent seen anything like this first hand when working with film, if it gets too hot it burns, pretty simple...remember plates on 35mm projectors are not the same as the 70mm ones, cause the 35mm have to deal with both flat and scope
I'd say it's more likely a flaw in the 70mm blow-up process (the workprint was blown up to 70mm by accident and shown in the early nineties - I believe they meant to do a blow-up of the theatrical cut, but something got mixed up and they ended up with the workprint) than anything else
Are you positive about this? I was under the impression that the print used was an original early 80s 70mm workprint and not a restrike of an older print revived. From what I remember, the workprints were owned by theaters and in the 90s they started to show them again, select nights, WB caught wind of this and made the D cut of the movie
It could also be due to the film scanner used to transfer the print to digital, but based on the rest of the set's level of quality I doubt this to be the case.
Remember tho, the rest of the movies scanned were 35mm, while the WP was 70mm....this is what raised my suspicions that someone screwed the pooch and didnt notice it til it was too late and tried to correct for it as best they could.....see the documentary on the WP disc 5 and you will see what I mean