Make Luke have a Force chat scene with Ahsoka, played by a cosplayer in a conveniently generic forest. Because Ahsoka oh so cool and amazing she has to be in the movies, right?
Greedo doesn’t need time travel to be around in ANH. He aged quite normally.
Okay but what would any of this achieve? Leave it as Han’ backstory and move on.
What other avenues can we pursue for getting a little more Dooku in TPM?
What other movies was he in?
Dialogue can be salvaged, and if he’s got a “fantasy” look to him, a hologram can be made to cover up the costume.
There’s Lord of the Rings, but with the long hair it would be painfully obvious where it’s taken from.
Leia being Luke’s brother at all, snip.
Obi-Wan and Qui-Gon shouldn’t be master/student as this contradicts what was stated in TESB but as friends or as two Jedi who work together with Yoda being the one who instructed Obi-Wan or both of them.
I’d rather change the Originals to not contradict the Prequels if the alternative is going through those mental gymnastics.
Rebels shows how people on Lothal feel but not how people anywhere else feel.
Rebels is a Disney era production…
What exactly did Kerr change?
That would’ve been cool. Just a “Fuck it, if I’m going down, I’m taking the Galaxy down with me” situation. Maybe him a big nebula that zaps ships.
Darth Millenial…lol
That’s actually the name of a real Sith in Legends.
https://www.youtube.com/watch?v=1WsMSkXog5s&ab_channel=Mistphy
I don’t give a shit about Christopher Nolan, and I doubt he cares about Star Wars. All he does is guys in suits in cities with a muted cold color palette. It’s just not interesting. The grounded feel of the Dark Knight Trilogy was certainly interesting as a novelty, but at the end of the day, I’d rather the Burton films’ look.
Climactic battle of the trilogy is Rey piloting a giant robot and punching Snokezilla into oblivion.
God, now I wish we’d gotten that movie instead.
I feel the opposite way, Burbin. I think that Palpatine was a bad villain for TROS precisely because he came completely out of nowhere. Removing all connections to Snoke and the First Order would only make it seem more random.
It’s like if the Empire were the main villains of ANH and ESB, and then they were sidelined in ROTJ by the Yuuzhan Vong coming out of nowhere. It would be completely nonsensical.
No, that’d be fun. I actually think the Vong coming outta nowhere in IX and having the Resistance and First Order team up fight them would’ve worked great.
TROS would have been a perfect movie for me if the Emperor stayed dead.
Someone is working on an edit that removes him.
With all due respect to his efforts, I feel that is an excessive amount of fan service.
The whole concept of intercutting RotS and the Siege of Mandalore is already a lot of fanservice.
Did you tell the inspector that it was sold like that? They might give you advise on how to report them.
But why?
I feel like it’s stronger if he’s actively trying to think of something casual and relaxing, like watching space anime. It gives the impression he’s trying to relax but can’t because he’s in such a horrible situation.
Some of these shot have a little too much added contrast. Tatooine should instead have more saturation in the sky.
I hope there’s an option to disable QTEs. Those drive me nuts and they use them constantly in modern Lego games.
I know you won’t. I just wanted to congratulate you on the stunning color grade.
The frame comparisons are dead. I’d love to see what the color grade looks like.
While I don’t care for any of your story edits, your color grade (aside from a few shots) is amazing. I’d love to have just a raw version of the SE to work from with that color grade, although I’m guessing that’s not really an option. Ah well, no worries. I can color correct it myself.
Speaking of the ending, the music transition into “Directed by JJ Abrams” still feels weird. I know it’s been discussed a lot, so sorry if it’s already been decided upon and everything. It’s, like, abrupt and there is no flow or the usual “jolt” feeling you get when the credits roll. It just feels jarring and jump cut in the audio. I’m sure it’s incredibly difficult to get a proper timing with what appears to be two seperate audio tracks, but it’s just not feeling right.
Could it just be because of how we’re hearing the music as the Falcon is slowly entering hyperspace? Is the timing just all out of whack for my liking?
I made a cut of the ending with quieter music rather than standard SW fanfare, but I get the impression that’s not what you’re asking for.
Yeah, Trevorrow’s initial script for TROS was written more than a year before the release of TLJ, and the same applies to TLJ as well. Watching the first two movies and then reading Trevorrow’s first draft, there’s a clear through-line in the entire trilogy. It’s just that Carrie Fisher’s death threw a spanner in the works.
Yes, there is a through-line, but Carrie Fisher’s death is irrelevant. Leia’s role in the trilogy has always been fairly minor, and her role in DotF could have easily been rewritten around the footage they had. Lucasfilm clearly had a problem with the script itself. I’m inclined to believe it’s the way it handled Kylo.