Anakin Starkiller

Deep Breath is a bore already, and it certainly doesn’t need 76 minutes, so you could easily cannibalize bits of it to sprinkle throughout Series 7 to establish that she’s still living in Victorian London. The Crimson Horror would flow very naturally with that, being the equivalent of modern day stories for other companions. It’d be nice if we could show or at least imply her family living in that time (and remove them from Time of the Doctor, of course). The Bells of Saint John could be moved to right before Name of the Doctor, and Danny Pink could be introduced there. Nightmare in Silver could be edited so that the children she’s babysitting are from Victorian Times, with a line to address their modern wardrobe (and Clara, for that matter). Then by Day of the Doctor she’s all settled in modern times in the hopes of winning the heart of Danny Pink, and Series 8, minus the bits moved to 7, plays out the same as in canon.

On a different note, in Time of the Doctor, instead of the resetting of his regeneration cycle causing the Eleventh Doctor to rejuvenate momentarily before regenerating, have him actually regenerates atop the bell tower, and simply using the holograms from the otherwise pointless “I’m naked” scene to appear as his young self with a prerecorded message from his old self while he’s really the Twelve Doctor momentarily dazed from his regeneration.

I don’t think the Jedi should be sent to find Anakin, only for the council to change their minds. Not only that, but it’d be weird for the Jedi to be able locate all Force-sensitive children in the Galaxy (although TCW says just that). Besides, I think Anakin works best as someone they find along the way. Thus, if you want to leave all of Naboo to the end, start with the Queen’s ship landing on Tatooine for the same reason it did in the canon cut; they were escaping Naboo with the Queen to take her to Coruscant but were shot down and need a new hyperdrive. Plus, you could open with an action scene that way (them escaping the Trade Federation).

The reason ANH gets away with the slow Tatooine bits is that aside from the opening scene, there isn’t any action prior to it, so there isn’t much momentum to kill. The Prequels, or at least two of them, sandwich Coruscant snoozefests in the middle between two stretches of thrilling action sequences.

I guess that’s fair to an extent, but still not worth much.

Which finale? Name of the Doctor? She’d have to be settled in by Day of the Doctor.

I haven’t seen Whoflix’s edits, but I’ve heard some bad things about them. Also heard they wrote off the show when the Doctor became a woman.

Or in other words, one and a half Doctors.

If you’re mad the new Ghostbusters or Doctor Who star women, there’s something wrong with you. It’s okay to be mad about other aspects of those things, but complaining about gender swaps is not only sexist but above all else really petty. I don’t see reason to believe Alien wouldn’t work with a male Ripley, but then again, I haven’t actually seen it, so I can’t really say.

So I was gonna watch Harry Potter, but then realized I had to get early tomorrow, so I shouldn’t go to bed so late. Now I realize I made a mistake and I actually could have easily watched the film without any worries about getting enough sleep, but now it’s too late. Groan

What if Clara didn’t die in The Snowmen, we skip the Impossible Girl arc, and Clara decides to stay in modern times to be with Danny Pink?

My issue is not that it breaks established continuity, but that you don’t provide the appropriate alternate continuity to follow-up this change.

It’s the only TV opening that I consider legitimately bad. The music is nothing terrible, especially compared to the awful that came right before it, but it’s not very good. The visuals, however, good god, the visuals. They ought to fire the guy who made that (and hire the one did the “Ink” titles, while they’re at it). It’s just so terrible.

I wonder if it’d be possible to squeeze an extra episode of Code Lyoko out of the cutscenes from Quest for Infinity. Aside from the translation scenes, they look exactly like the show, and feature additional replikas.

Are you gonna do anything about that sad excuse for an opening?

Why would you want Grace to live? There’s no reason for it, and it would mess up the other episodes.

they coodbbe trying to replicate that.

Congradulations. You’ve just invented a new word. Trump would be proud.

BTW, did you guys hear the rumor about Matt Smith playing a Knight of Ren with a lightsaber?! KoR with lightsabers would be a dream come true for me.

Added Fred and George’s game theme to two scenes.

https://www.youtube.com/watch?v=n_qQ7NsZp3I

https://www.youtube.com/watch?v=eI5VhX0_9ZU

So I finished watching Scott Pilgrim a few days ago, and while it was mostly perfect, I will say the music was pretty forgettable. I think there’s potential in an edit that rescores the film. Staying within the theme of rock and video games, potential songs include Misery Business, Blitz It!, Make a Move, Mario Minor, and Mega Man 2 Wily Castle 1.

Regarding the whol “desert planets being a dime a dozen” thing, there’s also Savareen. Like every other aspect of the movie (except Beckett), the planets in Solo really sucked. Another desert, another snowy planet, etcetera.

Repetition can be a problem, as in the case of superweapons, but with Tatooine, all it does is make a supposedly backwater planet more important than it should be. It doesn’t make the audience feel cheated like with the superweapons.

It’s a way of saying “this planet is the most uninteresting thing in the Galaxy; there are hundreds just like it”. But yeah, I would like to give each desert planet personality. Or maybe just stick to all three being Tatooine. Regardless, I’m not gonna leave it as lopsided as it currently is with 2/3 being Tatooine. Learn poetry, damn it.

So a robot uprising leads to a zombie apocalypse and not a robot apocalypse? How does that work?

Taking a page from Jakku and the ST, what if Anakin’s home planet wasn’t Tatooine. It feels weird having Jakku as the protagonist’s home desert planet without it being Tatooine, but with Anakin from a different planet as well as making Tatooine feel less like some special place where lead Jedi come from. This would only affect Episode I, as Shmi would still on Tatooine in Episode II because of the Lars. Watto having sold her, it’s easy to imagine she might’ve been taken offworld.

Personally, I love Vader’s red eyes, and would actually rather add them to the film. They match his lightsaber, making for a more unified design.

Yeah, it did, but shockingly, none of it felt like save for one level on D’Qar. I’m also shocked that despite the large gap between the two games’ development, there are some assets like music and animations carried over directly from TCW. Specificly, I’m referring to the animation of stabbing a lightsaber into a walls, and the Imperial Elevader March. I must’ve played these games relatively close together to notice that. I agree TCW is underrated. It has the most sophisticated gameplay of the bunch. TFA has all the quicktime clutter I hate about the modern games.

Yeah, it’s like they were doing the innovation they were used to doing under George but the new management said “Nah, let’s just remake ANH”. It’s sad, really.

I would’ve included the OT with Lego TFA, the PT with Lego TLJ, and the spinoffs with Lego IX, and then merge them altogether for Lego SW The Even More Complete Saga, with some added CW levels.