canal+ = 1080i, 25fps, avc with approx 15mbps
wowow = 1080i, 29,97fps with pulldown flag, mpeg2 with approx 20mpbs
like i said before: the wowow caps are not open matte. the canal+ hd cap however is. at least for jp1 i know for sure.
harmy, this looks pretty damn nice. good job buddy :)
jurassic park trilogy wowow cap are not open matte. they are oar.
so, the dts is fully untouched or did you re-encode it?
there is a dvdr on usenet, which seams to be the ld-rip.
the tv version is a joke on the ultimate set. heavy compression artifacts, ntsc to pal tranfer without pulldown removal. a total f*** up for that matter and that's being kind.
is there a better version then this?
supersonic395 said:
Just to be clear, this track syncs with the UK Blu-ray without needing to add the delay or change the file format right?
correct, no delay if you have the u.k. blu-ray. when you mux to mkv then you don't need to change flac to wav. however, if you remux to blu-ray using tsmuxer, then you need to change the audio to wav with 48khz.
thanks for clearing that up.
to clarify...
on various blu-ray forums it was rumored that only the hong-kong blu-ray had the chorus, which was missing from the u.s. and european blu-ray, fully intact. the problem was, that no one with the disc actually confirmed or denied it. that's why i asked you, since you seam to have this disc. so in terms of proper would mean the chorus is intact.
as for the censoring of the horse falls on the u.k. bd. you can avoid this by chaning the language of your player to anything but english. this will play the movie in it's uncut state.
dj, can you confirm or deny that the hong-kong bd of conan has the proper 5.1 mix? there is still some debate on the subject and it would nice to have the final answer from someone like yourself :)
skyjedi: short answer -> no
skyjedi2005 said:
So not only can i not find the mono mix for dirty harry on the blu ray, Now i find Bullitt is also missing its original mono mix. Is this a kind of trend?
the average joe doesn't give a damn about original mixes. studios oblige and release 5.1/7.1 upmixes. luckily some studios see that it's time to revert that whole bs and include the original mixes. fox has shown a turn around for that matter. they even include lossless mono mixes on newer releases, e.g. brubaker. hopefully more studios will follow. especially universal and warner need to change their way of treating movie mixes.
if it's japanese laserdisc, then the video is ntsc and not pal. so anyone with a good player and the right capture tools can do it.
wasn't there talk about a blu-ray release with this version? i might be mistaken. if i was, then a proper preservation of a your ld would be sweet - clean sd video with lossless audio :)
mgm/sony has released james cameron’s sci-fi classic with a brand new transfer, which looks fantastic. one could argue that the inclusion of a more modern day tint, subtle but still noticeable, is a bad thing. personally i have no real problem with it.
the real problem is the omission of the original theatrical mono mix. fans have asked mgm for the inclusion since the first blu-ray release and yet again mgm ignored the fans call. but what about the 5.1 remix supervised/mixed by academy award winner gary rydstrom? is it really that bad? the answer is no. it’s a good remix, with a modern touch and a tie in with sfx of terminator 2, e.g. phaser sounds of the hunter killers. but some changes are pretty big compared to the original mix (especially the gunshot sfx change in the sarah conner killing scene) and that’s what a lot fans got on the fence. i recommend to see the new 5.1 mix as an alternate mix. nothing more, nothing less.
back to topic…
luckily the original mono mix was previously released on laserdisc and on dvd. so the preservation was rather easy. with the help of a friend, shoutouts to jj666 for his awesome syncing job, anyone with the new 2012 blu-ray release can now enjoy the lossless original theatrical mono mix.
source: the terminator thx laserdisc - pcm captured via toslink by myself
synced by jj666 to the u.k. blu-ray
release format: flac, 16bit mono at 44.1khz
download: -
_the laserdisc had different studio logos then the new u.k. blu-ray. did you change this?
yes. i have added the mgm lion logo and orion picture sounds to the mono mix, so that the audio and video match.
_
can this be synced to the u.s. blu-ray?
my audio track needs a delay of +8950ms to make it sync with the u.s. blu-ray. this delay value was confirmed by NeonBible.
why do you use flac instead of wav?
flac is a lossless codec and saves spaces. it’s practically identical to wave. you can easily transcode it to wav, if you need to. you wont loose any quality, hence lossless.
please note: if you share this on another place, then don’t forget to give credit to the people making this release possible.
holy mono batman. i'd never thought i would be able to listen to this track - EVER!!!
thanks everyone involved in making this possible :)
may i ask what the source is? 151 pages is too much to get through for this information ;)
wrong movie... this is evil dead 2 and your link shows evil dead 1 :P
there is no unrated version of evil dead 2. at least not an official one.
it was specifically synced to the u.s. blu-ray. it may work on the dvd without further adjustment. to find out, you've to try it.
of course it's dolby surround ;)
FremenDar007 said:
FLAC and not WAV?
flac = lossless and half the size. you want wav? transcode flac to wav ;)
dark_jedi said:
zeropc said:
dj, the bd audio doesn't match the hd-dvd video. you need to edit it in order make it sync. i have the dts-hd audio already synced here.
I used the UK BD because of all those kick ass extras and the 2 video's lined up perfectly, I was totally shocked I did not have to synch anything, so maybe you have to with the US BD but the UK was perfect for me.
a little update on the matter...
i extracted the dts-hd audio to mono waves from the german blu-ray (same as the uk one) and compared them to the hd-dvd audio waveforms. the audio definitely goes out of sync. so it doesn't matter if one has the audio from us or european blu-ray, they both are affected in the same way.
andrea, why don't you take the dts-hd audio from the blu-ray, instead of the hd-dvd dolby e-ac3? lossless vs lossy - i go for lossless ;)
kazoo3 said:
I have the orignal theatrical cut of Enter the Dragon on laserdisc. I made a transfer to dvd where encoded correctly with inverse telecine (IVTC).
where to upload?
any chance to capture the pcm mono mix for us?
or
eac3to terminator-mono.wav terminator-mono-fixed.wav +8950ms