- Post
- #206231
- Topic
- The Thief and the Cobbler: Recobbled Director's Cut (Released)
- Link
- https://originaltrilogy.com/post/id/206231/action/topic#206231
- Time
I completely reanimated the hell out of this shot, and the start of the one that follows it:

In this shot, King Nod's mouth has been redrawn to be closed instead of open. His hand is touching Yumyum when before it was down. Yumyum's hands are slightly up when they were down.
When necessary I redrew King Nod's eyelids also. The main goal was the mouth. I used this shot to show him saying "Had I a son I would send him on this perilous journey" .... that's not what he's actually saying, and the lips were making it obvious. So I redrew the lips to match what I wanted him to say. A few closed mouths for "p" and teeth for "s" and you've got yourself lip sync. But why change hand positions for both characters? Because the shot I was working from was shorter than I needed, I ran it backwards at one point, and I wanted to make it less awkward that I was running it backwards, and suddenly speeding it up ... by keeping the hand positions steady at the right moment, it's less obvious when the film switches from backwards to forwards (and speeds up or slows down), and is more natural. It hides the edits I did to make the lip sync work.
Now, the next shot ...

I recreated the first few frames of the next shot entirely, because I wanted it to have perfect continuity with the previous shot. For the next shot, Yumyum saying "Father - I can handle it" I was using footage from a completely different part of the scene. So, to make it match, I've Photoshopped King Nod's expression (poorly drawn as he is here by Calvert's team) to match the last frame of the other shot, and pasted in an entirely different Yumyum, stolen from the other shot. I use Yumyums from the other shot for a while, and then invisibly at one point it becomes the shot as it was. It's seamless and looks great.
These being pretty poor Calvert shots, it's not high art, but it certainly makes the scene work like gangbusters, the way I want it to.
Yeah, this was a crazy thing to do, but the edit's coming to a close and I wanted to go out with a bang.
Ever onward, ever upward ...