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alexp120

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Members
Join date
16-Feb-2015
Last activity
24-Apr-2024
Posts
308

Post History

Post
#1288915
Topic
Screening of the Original Version of STAR WARS July at Stockton, CA
Time

Cthulhunicron said:

So yeah, I drove an hour today to get to the theater, only to discover they’re showing the 1997 version. Disappointing, but not terribly unexpected.

Are you saying that you didn’t read the July 5th post on this thread that told you that the '97 version was the one that the Fox Theatre was screening?

Laserschwert said:

Just when we thought they’ve turned around:

Post
#1287164
Topic
Help Me Understand Empire Strikes Back?
Time

You haven’t said how have you seen this movie—on a laptop, smartphone, a small TV screen, tablet?

If that is how you watched it, I don’t blame you for not getting into. Most of the special effects in it deserves to be seen on a larger canvas.

I’m a Gen X’er and the first time I’ve seen this movie was on the big screen at the time that it came out. Being that it was my first Star Wars film, I totally enjoyed the Han and Leia bickering, 3PO’s prissiness, the running gag on the Falcon’s mishaps, and the music score. The more I watched it, the more discoveries I’ve made.

However, I totally understand why you would feel indifferent about a movie where many people you know praised it. I have that same feeling with “Do The Right Thing.” I saw it once, I hated it, and I never saw it again, despite the honors the film got over the years.

On the other hand, I saw “Alien 3” on the big-screen and I didn’t like it because I expected to be at the level of “Aliens.” But, because I liked the Elliot Goldenthal music score, I saw the film again a few years later and, somehow, I enjoyed the film’s “killing its victims, one-by-one” approach, like in the first “Alien” film.

So, I wouldn’t worry about you’re not liking ESB. My advice is to take a long break from this movie and let it disappear from your memory.

If this “your-not-liking-ESB-but-others-do” thing still bothers you, then schedule a time to watch the film, once more. This time, take some friends along, and go to a theatre to see it on a big-screen, preferably from a film print. If that is not option, then find a concert venue where the film is shown while a large orchestra performs the music score on stage. Maybe with all the scenery being enlarged, and with high fidelity sound, the film can finally speak to you.

Post
#1287133
Topic
Screening of the Original Version of STAR WARS July at Stockton, CA
Time

Here is what might be the source of @hiphats information, this SoundCloud podcast.

https://soundcloud.com/mat-as-antonio-bombal/mabhollywood-on-kahi-am-and-fm-auburn-052419-aladdin-booksmart-1977-star-wars-episode-iv-a-new-hope?utm_source=soundcloud&utm_campaign=share&utm_medium=twitter

The master of ceremonies for this event, Mathia Bombal, begins discussing the Star Wars screening at the 8:29 mark.

Here are the highlights:

Matia Bombal said:

…the folks at the Friends of the Fox Movie Classics Series are working very hard to have one of the closest possible to the original 1977 release presented there…

Mr. Bombal adds,

Matia Bombal said:

We’re going to find the closet thing we can to the original Star Wars from 1977 and that’s what we’ll show on this very special occasion. Star Wars. Episode IV. A New Hope.

That doesn’t sound like the Fox Theatre has the 1977 version, yet.

So I take this with a grain of salt.

Post
#1285617
Topic
Harmy's STAR WARS Despecialized Edition HD - V2.7 - MKV (Released)
Time

@nafroe:
No, you are not blind and you should be skeptical.

Here is what might be the source of @hiphats information, this SoundCloud podcast.

https://soundcloud.com/mat-as-antonio-bombal/mabhollywood-on-kahi-am-and-fm-auburn-052419-aladdin-booksmart-1977-star-wars-episode-iv-a-new-hope?utm_source=soundcloud&utm_campaign=share&utm_medium=twitter

This “Matias Bombal” begins discussing the Star Wars screening at the 8:29 mark.

Here are the highlights:

Matia Bombal said:

…the folks at the Friends of the Fox Movie Classics Series are working very hard to have one of the closest possible to the original 1977 release presented there…

Mr. Bombal adds,

Matia Bombal said:

We’re going to find the closet thing we can to the original Star Wars from 1977 and that’s what we’ll show on this very special occasion. Star Wars. Episode IV. A New Hope.

That doesn’t sound like the Fox Theatre has the 1977 version, yet.

So I take this with a grain of salt.

Post
#1282327
Topic
The Phantom Menace - Theatrical version scanned in 4K (a WIP)
Time

Morphzero said:

Is there going to be a Grindhouse release of this?

I second that.

The Gen X’ers and Millennials, here, first saw the TPM on the big screen via 35mm prints. Despite the film’s short-comings—for me, it was the lack of humor…JarJar’s comic relief wasn’t enough—seeing those random flashes of dust-marks, and reel-change cue marks on TPM, would bring me back to a happier time at the movies.

Post
#1282011
Topic
Info Wanted: AOTC score questions
Time

SomethingStarWarsRelated said:

What does it mean when music is “tracked”? Because, apparently there was a lot of it in this movie. I know chunks of TPM were used. And I know pieces of the actual soundtrack were not used.

Actually, the meaning that ‘tracking’ references is the practice of using music that is not written exclusively for the film that is being worked on. It can be music from other films, classical or contemporary music that has been released commercially (the film, ‘2001: A Space Odyssey’ is a good example), or even pop music–old and new.

There was a separate release of the AOTC soundtrack CD with one bonus track, "On The Conveyor Belt," that was sold exclusively by the store-chain, Target.

Post
#1280667
Topic
ZigZig's THE PHANTOM MENACE Theatrical reconstruction 1080p – (V1.0 a WIP)
Time

ZigZig said:
I have the chance to use a forthcoming 4K format scan of the original 35mm

ZigZig said:
…a Kodak 2382 lowfade in very good condition.

Perhaps it is too early to answer this, but will there be a grindhouse release–with skip-frames, random dirt-spots, and reel-change cue marks?

Post
#1279061
Topic
Denoise, Regrain And CC of ESB Grindhouse (Released)
Time

Dreamaster wrote the source in the very first post of this thread.

Dreamaster said:

After fighting with doing some correction by hand, I got to thinking more and more about Dr. Dre’s color tool, so I finally got up the courage to ask him for a copy, and then went and watched Williarob’s tutorial on how to use it. Around this point, Williarob sent me the Prores files for the Grindhouse project so that I can make adjustments reel by reel and work from the original source. In order to use Dr. Dre’s tool, I needed to match frames of the Grindhouse reels to identical frames from another source. I had two sources to work from, Adywan’s 1080p 1997 SE version, and Harmy’s version. I specifically looked for places where both Harmy’s and Adywan’s were as close as possible for the first pass “reel” correction of each reel. As an example, the shot I chose for Reel1 was this one:

Post
#1266914
Topic
Info: STAR WARS Trilogy 1997 SE DTS Discs (on ebay)
Time

One of our former members, Jetrell Fo, has acquired the CD-ROM Cinema DTS discs of all the Star Wars films, I-VI, and has shared them to the community.

You may read about our usage here:

https://originaltrilogy.com/topic/The-1997-Star-Wars-Special-Edition-Trilogy-Preservation-Standards-Thread-Work-In-Progress/id/14647/page/1

and here:

https://originaltrilogy.com/topic/Star-Wars-1997-DTS-CD-ROMs/id/14241/page/1

I’ve acquired them through via download from the usenet circuit in the form of an ISO disc image.

Post
#1262311
Topic
The GOUT Sync Thread
Time

arnautovic said:
Hi, friend, can you send me a PM to download these audio tracks for ESB Renegade Grindhouse v1?
I would really appreciate it.
Thanks!

You would be better-off seeking-out Dreamaster’s color regarded “Renegade Grindhouse”
https://originaltrilogy.com/topic/Denoise-Regrain-And-CC-of-ESB-Grindhouse/id/55093
Among the things that Dreamaster has done to the “Grindhouse” print, he has GOUT-sync’d it, so, that you can mux the audio tracks from the ESB-Despecialized edition to the 35mm release print-scan with no out-of-sync issues.

arnautovic said:

Hi,
Could you pass me these castillian audio tracks to synchronize with return of the jedi 4k83?
Thanks.

If you have the Despecialized edition of ROTJ, use the castillian audio tracks from that to mux with the 4K83.

Post
#1254820
Topic
RotLA: Live-to-Projection Concert Ticket Give-a-way
Time

I still have that one ticket to give away—for free—and not one member has PM’d me.

The thought occurred to me that members may feel uncomfortable PM’ing me their real names just to let me know that they’re interested in the ticket.

How about this: Just PM me that you’re interested, but don’t give me your outside name. When I PM back to the first interested person, I will, then, ask for that person’s first and last name and e-mail address, as it appears in the person’s Ticketmaster account, so, that I can do the transfer of ownership. This way, I only have one person’s real name and not several.

Will that work?

Post
#1254752
Topic
Star Wars Film Concert Series (Released)
Time

Those of you in or around the Indianapolis, IN area: You can get 20% off the ticket price for this SW:ANH-Live-to-Projection concert.

https://www.indianapolissymphony.org/event-detail/star-wars-new-hope?utm_source=wordfly&utm_medium=email&utm_campaign=11-8-18StarWarsPromo&utm_content=version_A&cluid=alexp1138%40gmail.com&20278

There’s a few orchestra-center seats available for that night’s concert.

Post
#1254450
Topic
RotLA: Live-to-Projection Concert Ticket Give-a-way
Time

I know it’s short notice but I’m giving away a ticket for Raiders of the Lost Ark: Live-to-Projection concert featuring the American Youth Symphony Orchestra, conducted by Carlos Izcaray, at the Royce Hall-UCLA. Los Angeles, CA for this Sunday, November 11, 2018 at 4pm.

https://aysymphony.org/2018/09/21/raiders/

The “ticket” is a downloading PDF that you would have to print yourself. Ticketmaster handled the ticket sales on behalf of the AYSO. According to Ticketmaster’s policy, I would have to transfer the ownership of the ticket to a member with a Ticketmaster account. So, I would need to have the name and e-mail address of that member with the Ticketmaster account to do the transfer. If I’m successful at that, you’ll receive an e-mail notification from Ticketmaster that there’s a ticket for you and you would have to log-in to your Ticketmaster account to get it.

At this time, please SEND ME A PM if you’re interested and I’ll respond to one of you.

When you have your ticket, I can’t tell you what you can do with it, but I hope that you won’t resell it and, instead, just go to the concert and enjoy yourself.

Post
#1251349
Topic
The Phantom Menace on 35mm (* unfinished project *)
Time

alexp120 said:

As a form of self-torture–watching a partial of a print that I’ll never see as a whole, I’ve sync’d both the 5.1 Cinema DTS and the 6.1 DTS ES sound mixes to Reel 5 and watched them on my 51.5 inch screen TV.

Here is a folder of these DTS bitstreams sync’d-up to Reel 5. All the streams have been edited to fit this reel, as it is missing 14 frames—not counting the first and last shots of the reel.

https://fex.net/376695969795 (now, deleted)
Note: Since the MKV file that RU.08 provided us is set at 24fps and the DTS bitstreams are sync to 23.976 fps content, the mkv file has to be formatted from 24 fps to 23.976fps before muxing.

By chance, I went to the said link and I noticed that the file size of each file reads ‘0.’ So, if any of you have downloaded these files and found nothing in the .dts contaniers, I apologize for that.

Here is the new link for these files, that totals 607MB

https://fex.net/687220727885

Funny how none of you called me out on it, earlier. Oh, well.

Post
#1250004
Topic
The Phantom Menace on 35mm (* unfinished project *)
Time

RU.08 said:

Poita said OK so here it is-

https://we.tl/t-eyzjTRA6Nq
https://we.tl/t-QbGtJE4xya
https://we.tl/t-uJp2DkyP3u

1080p at bluray bitrate. It’s 7-zipped with no password and a checksum file in case you get a bad part.

The MKV file is labeled…

 tpm r5

I thought it was Reel 5, but it’s actually Reel 6.

Here is a visual breakdown of the reels. Left picture=First shot of the reel. Right picture=Last shot of the reel.
Reel 1

Reel 2

Reel 3

Reel 4

Reel 5

Reel 6

Reel 7

I’ve based this information on the CinemaDTS discs. Each .AUD file represents a reel. The file is labeled “R1T5” for Reel 1, “R2T5” for Reel 2, etc. I listened to a snippet of the beginning and end of each audio file, opened the theatrical-cut video file and identified the audio within the video file by the aid of the running time of each .AUD audio file.