Pat-Fett said:
The cutout and the black holes in the background is a big issue I hadn't thought of. I'm thinking what I'm going to have to do is cut out the main players and Vehicles and then use photo shop to fill in the holes of the background. I'd have the player and objects moving around the background. Here's an example of a short sequence I have in mind......

What I'd do is cut out Luke and the debris in the top panel. Then with all the holes I'd fill the empty space with the same blue background. For the completed shot I have the rummble cam type effect and move Luke and the debris in an upward motion aross the background like he is being sucked up by the Force storm. I think the sequence will be my first test shot.
Also, I 've been listening to the audio drama along with the book and I've noticed a number of large addions in the RD. There are obviously parts of exposition that can be choped and I need to figure out what scenes to drop for time as well. I'm thinking that I may have to bring in elements from other comics to help fill in those extra scenes. I'm even comtemplating using footage from ROTJ for certain scenes with Mon Mothma and Admirmal Ackbar. That is if I can figure out how to edit the scene in a way that doesn't look stupid. I also need to get footage of the Bonus mission on Mon Cal in Rogue Squadron for the World Devestator scenes.
If you're going to do the whole cut out/overlay idea, take some time out to go dig out your Disney history books. Essentially, the effect you're creating is the digital equivalent of the multi-plane camera. For something like that shot with Luke and the debris, put it on three or four levels, smaller stuff in the back, Luke in the middle, bigger stuff on top, with the blue background underneath it all. Learn to think three dimensionally. You want to make it feel like there's some actual movement there, not just panning and shifting around among a flat image.
Also, considering the amount of time it takes just to listen to the audio dramas, you might want to break this down into a TV series of sorts...do them in 15 to 30 minute segments rather than trying to do the entire story in one shot. That will give you time and freedom to get feedback along the way, refine your work flow and keep people interested, waiting for the next chapter. I mean, DE was originally six comics, right? That's essentially six "episodes".