Vultural

Dr. Terror’s House Of Horrors - 1965 - 6/10

The final man to enter the train compartment is Dr. Schreck, translated as Terror.
When his bag falls, tarot cards scatter out. Curious, the other passengers inquire.
And each is given a reading of their future.
Five chapter anthology is, predictably, hit or miss.
The best ones seem to be the odd numbered.
Werewolf curse, voodoo warning, vampire bride.
Always a pleasure watching Cushing and Lee.

The Winter’s Tale - 1992 - 6/10
AKA - Conte d’hiver

Part of Eric Rohmer’s “four seasons” quartet.
Young couple enjoys idyllic summer romance.
End of vacation, she gives him her address with, “Visit me as soon as you are in my town!”
Next scene = 5 years later.
Female is now a single mother with daughter who is almost 5. Hmmm.
She has two different suitors, neither of whom she is much interested in (still carries the torch).
Turns out she gave “summer fling” the wrong address.
She insists that was accidental, and has been settling for Mr Right-Now.
French fans, you know if this interests you.

Of the four “season” films (I have viewed all, and own two), I would recommend Conte d’Automne as the first title for adults to investigate, with Conte de Printemps second.

Spin A Dark Web - 1956 - 6/10
AKA - Soho Incident

“Are you a good boy? Can you do what you’re told?”
Not exactly to the first, but yes to the second.
Jim, from Canada, boxer and electrician, hunts for work in Soho.
And falls under the spell of Bella.

Her brother Rico bets on races, runs a small mob, tries to lay off the heavy stuff.
Bella is another matter, however.
Not a typical fatale, but she’s cold as stone, and manipulative.
And Jim is soon doing what she tells him to do.
This has a strong sense of place, Soho in the 1950’s.

Chicken With Plums - 2011 - 7/10
AKA - Poulet Aux Prunes

Overlooked arthouse film exudes dreamlike atmosphere.
French film, with French leads, but the setting is Tehran and so is the story.
Renowned violinist loses his will to live after his beloved instrument is destroyed.
Film tracks his final eight days, each day filled with flashbacks and music.
The tone skips from comic to poignant to heart-breaking.
One views this more for images and scenes. The color selection is radiant.

On a cerebral level, logic is subservient to plot.

• POSSIBLE SPOILERS -
  Meaning, for twenty years main character was globe-trotting concert violinist, suddenly he is a school teacher?
  Or - when he decides to die, no one intervenes to stop him?

That said, the film does state from the onset,
“Persian fairy tales always begin this way.”
Viewed that way, one should suppress skepticism and simply enjoy.

The Yellow Ticket - 1918 - 6/10
AKA - Der Gelbe Schein // The Devil’s Pawn

Sluggish melodrama of Polish Lea who adopts another’s identity to attend Saint Petersburg medical school.
A foreigner, and Jewish, she needs a “yellow ticket” to be in Russia.
She cannot afford rent, but her landlady is understanding.
Besides, the landlady runs a club akin to a sportin’ house, where Lea can be nice to the gentlemen.
Overacted throughout, but this is 1918 and a good vehicle to see Pola Negri.
Nazis tried, and failed, to destroy all copies of this.

The Witch Of King’s Cross - 2021 - 7/10

“…Touch me with tongues of black fire. Night, freakish night, sets me free."
Poet, model (for Norman Lindsay), painter, occultist, sybarite, witch.
Arrested, investigated, works confiscated, burned, careers ruined (Sir Eugene Goossens).
Splashy biography of the notorious, scandalous artist, Rosaleen Norton.

Her paintings, dense with sexuality, black magic, darkness, created a maelstrom in 1950’s Australia.
Concise documentary proves an excellent gateway for curious jades.

Aftertaste - 2020 - 6/10

End of the date, she asks him to head upstairs and wait for her.
She opens the refrigerator, then drinks a packet of blood.
First warning that something may be amiss in this relationship.
Moody short is long on style and tension, likewise conversation.
Conclusion does not proceed along traditional lines, and is somewhat frustrating.

West Of Zanzibar - 1928 - 8/10

A “friend" tells shocked husband that his wife is leaving with him.
When the husband protests, the friend pushes him off a balcony. He falls and breaks his back.
Permanently paralyzed.
Later the wife returns, only to die, leaving hubby with an illegitimate daughter to raise.
The husband vows revenge against the man who stole his wife, and against the brat.
Eventually he tracks his rival to Zanzibar. He plots revenge, using the daughter whom he had raised in a brothel.

One of the most sordid and unpleasant of all Silent films, Tod Browning’s Zanzibar still packs a wallop.
Lon Chaney amazing as embittered man, consumed by vengeance. Lionel Barrymore his slippery rival.
The opening, which I described above, takes about five minutes, and the plot moves like brushfire.
Ignore sappy ending which was likely pegged on to appease censors.
Wonderfully ugly film.

Weighell, Ron - King Satyr

If you are like me, sometimes you feel like a skin rash is imminent when reading overripe prose of Clark Ashton Smith, Ray Bradbury or Jonathan Gale. Such is the prologue of this novel, and I was fearful my flesh would rebel. Was the whole book going to be like this?
In a word, no. This is a masterful excursion – excursions – into various pasts. Chiefly the late 1960’s - 70’s, though it frequently harks back to the 1920’s or fin de siècle London.
Cyrus Burton, exposed to a fleeting summer Mystery, soon follows a path. To learn as much as he can about Alphonsus Gaunt, occult artist, in a certain sinister vogue at one point, subsequently fallen into disgraced obscurity.
Although the novel is structured along lines of the classic quest, it is jammed with historical references and studded with diversions. Who was Alphonsus Gaunt patterned after? Or Nicholas Hallam? Rosaleen Norton, was there such a person? Time and again, I paused reading to research.
“Be warned, Pagan,” said once, but implied throughout. This is a wander into the realm of satyrs, Pan, Dionysus, rites, worship. Of a world suppressed until forgotten, though, as murmured by Machen, it is merely shrouded by a flimsy veil.
Weighell’s grip on the reins is sure throughout, with casual reveals, previous seekers, and the perils of wisdom. King Satyr is a bittersweet, vibrant capstone, showing the writer at a creative peak.
This has only recently gone OP. As of this writing, copies remain available at honorable booksellers at reasonable prices.

A Summer’s Tale - 1996 - 7/10
AKA - Conte d’été

Third in Éric Rohmer’s four seasons quartet.
Shy college grad goes to the beach for a month, hoping to rendezvous with his “possible” girlfriend.
She is late. Very late. She does not write, does not phone.
While waiting, he meets two very different girls.
An impressive amount of conversation in this one.
When I grumbled no one can talk so much, I was quickly corrected.
“This was pre-texting era.” and “Oh yes we can, girls love asking questions!”
Nice looking, walkabout location scenery.
While the young man makes errors of youth, one wonders afterward if males actually learn from experiences, or resign themselves to future dealings with females.

Be Prepared! - 1923 - 6/10
AKA - Buď Připraven!

Silent film of boy scouts learning skills.
Survival, rescue, roughing it.
Film has been restored and nicely tinterd.
With a new, modernist score, which may alienate some.
Now – – on their website, they offer two versions, both with the same score.
The reconstructed scout camp side by side with an experimental montage.
This is a voyage into the video abyss, alternative transmissions from elsewhere.

https://www.filmovyprehled.cz/cs/season-of-classic-films/bud-pripraven-be-prepared

And Now For Something Completely Different - 1971 - 7/10

Ha, ha, ha. Talk about the original cheat-sheet, bingefest!
Addictive string of Monty Python sketches from the first two seasons.
If I remember correctly, this had been created (concocted) to break into the US market.
Yes, yes, the individual episodes are the best way to view Python.
This collection, however, is a barrage, moving from one laugh out loud sketch to the next.
Even if you have ‘em all, this is still worth a place in your shelf.
Suggestion: run this on a corner TV next time you host a party!

Janis - 1974 - 6/10

Early documentary on Janis Joplin, 60’s singer.
Pieced together footage (travel - interview - concert) tag along with Janis.
At times, this can be uncomfortable, excruciating even.
During an interview with Dick Cavett, she says she plans to attend her 10 year high school reunion.
She does, where the oddball in high school is shunned by her redneck classmates.
This has dated badly, because, being so close to her death in 1970, it assumes viewers “know” her story.
Her death is never mentioned, nor her sexuality, nor any of her struggles.
There has never been an in-depth documentary on Joplin; her family remains overly protective.

Let Them All Talk - 2020 - 6/10

Yes, and talk is what they do.
Meandering story of the “literary” author who takes the Queen Mary 2 as a way to cross the Atlantic.
The cabin is free, if she gives a shipboard talk or two, chats with passengers.
(I have been on QE2 crossings, and heard / chatted with authors, so this is not uncommon. Our cabin, by the way, was minuscule in comparison with those show in this.)
Two college friends, who she has not seen in 30 years, accompany her, as well as her nephew.
Talky throughout, not in a bad way, relationships are skirted, bits of history aired with a sigh.
Something between a Woody Allen film and French cinema. Fans of either ought to enjoy.
Crossings grow tedious after a few days, and the film includes that.
The “ending”, to be blunt, is quitting time. Instead of concluding, the writer and director shrug and walk off.

**A Tale Of Springtime ** - 1990 - 7/10
AKA - Conte de Printemps

First installment of Éric Rohmer’s four seasons quartet.
Journalist is away on assignment, and his girlfriend cannot abide living in his messy, dirty apartment.
She meets an exuberant younger female at a party and spends the night in the girl’s flat.
The younger girl is unhappy with the golddigger attached to her father.
The girl’s matchmaking attempt is blatant.
What always intrigues me with French fare is how individuals stroll themselves into such situations.
The women circle and spar throughout - the men are barely seen.
Well composed film, packed with nuanced conversations, yet an air of resignation may put some viewers off.

The Village Of Eight Gravestones - 1977 - 7/10
AKA - Yatsuhaka-Mura // 八つ墓村

1566. Fleeing defeat of their clan, eight samurai warriors hide in an isolated village.
      Safe, until the villagers murder them. Dying, the warriors curse the village.

Airport employee Tatsuya’s presence is requested at his childhood village.
The head of the family is running out of time, and the heir is the distantly related Tatsuya.
Within the isolated area, resentment simmers, along with envy.
And apparently, the centuries old curse remains in force, targeting Tatsuya’s family.
Atmospheric thriller doles out mysteries, shadowy characters, and high tension.
At 2+ hours, it is too long, languid at times, though there is a memorable cave sequence.

The Cellar - 2022 - 6/10

“Yes, the house is immense! We picked it up for a song, too. Fully furnished, can you imagine?
“Oh, the previous owners? Not sure, really. Something happened, I heard. Unpleasantness.”
Too late, the new owners start to delve into the history.
Try to educate themselves on the myriad of strange symbols that embellish the interior.
While the bones are derivative, give the writers B for effort, incorporating mathematics into the mix.
Explanations, resolutions are poor to nonexistent.
The portrait of the founder, could that an homage to Aickman?
Laymon torchbearers, this is not the cellar you were hoping for.

Lambert And Stamp - 2014 - 6/10

Split side documentary of duo who managed The Who, detailing the calculated rise followed by litigation.
Doc can be divided into “before Tommy” and “after Tommy.”
Meaning it is entertaining and absorbing up to that point, as the group struggles to strike maximum success.
Mostly talking head interviews, clippings, old footage, usual documentary material.
After Tommy hurls the group into Rock’s upper echelon, the narrative begins to skip over details.
There was a falling out, that is not clearly explored nor explained.
At one point the pair were discharged for “mismanagement,” though Stamp loudly protested.
Internet research indicates Mr Lambert had been skimming royalties for a substance problem.
Embezzlement?
The whole second half is filled with unanswered questions. When did Lambert die? Where? What causes?
In one scene, why did Daltrey refuse to talk with Stamp in the garden?
Stamp also died in 2012 - no mention is made of that.
Hardcore Who fans will likely enjoy this more than average viewers.
Bear in mind, this is a documentary about the managers, not the group itself.

New member, loaded the same post in four threads.

https://originaltrilogy.com/user/Cndnda/id/70315

The Trygon Factor - 1966 - 6/10

The posh manor is inhabited by eccentric aristocrats and a nunnery.
A curious alliance, which, nevertheless, draws in the tourists.
Meantime, a string of explosive robberies are occurring in London.
Before long, random corpses appear.
A lone inspector smells something amiss at the stately manor.

Edgar Wallace Krimi set in late 1960’s England.
Plot is a kind word for the erratic narrative
Cast includes Stewart Granger, Susan Hampshire and Robert Morley.
Silly, confusing, but slickly made, and I must confess I enjoyed watching.

Betta, The Gipsy - 1918 - 5/10

Creaky Silent of gypsies and gentry.
Leader of the travelers is Tempestro, who demands Betta marry him, lest he reveal her secret!
Tempestro is a bully, physically violent, and not above child kidnapping.
Story jumps around (missing reels?), and I had trouble separating female characters.
The version I saw, from CINEMATEK, offered live, onscreen piano accompaniment, although inter-titles were in French, overlaid with Dutch hardsubs.

Hitler’s Island Fortress - 2011 - 6/10

Should be of interest to History buffs and the curious.
Archaeologists unearth Nazi gun placements on Jersey.
They do a three day dig to get an inkling of what the fortifications looked like.
A few uncomfortable interviews with aging survivors, shell casings, guesses on layouts.
Otherwise, filler.
This is NOT a doc covering the years Jersey was occupied, from 1940 - 1945.

You’re Dead Hélène - 2021 - 7/10
AKA - T’es Morte Hélène

Maxime has a problem. His girlfriend, ex-girlfriend, Hélène.
Ex as in, well, she’s in the afterlife – or ought to be.
Instead, she is with Maxime. In the subway, in the cafe, on his dates.
Watching, commenting.
Stellar short rolls the gamut. Funny, sexy, gory horror, heartbreak.
Intelligent and insightful example of more with less.

The Electrical Life Of Louis Wain - 2021 - 6/10

Devotees and acolytes of Catland, this way please!
Those going, “say what?” best move along now, nothing to see.
Exaggerated tale of a whimsical soul, Louis Wain.
Failure, out of place, out of time, a talented illustrator with zero financial sense.
After the father dies, he attempts to care for his mother and five sisters (none of whom will ever marry, ever work).
He draws prodigiously, though, and his drawings of cats become a raging success … for awhile.
The film is twee and saccharine, with too many oddish characters to remember.

I married a cat person (did I ever).
I am familiar with Catland (books, prints and postcard collections).

The Atomic Submarine - 1959 - 5/10

My brother phoned me yesterday, asking me to identify a film.
(My brother is the only guy I know who does not have Internet, let alone a computer.)
“It’s black n white. Late 50’s. SciFi. Four guys enter an alien spaceship. One by one they get picked off. One guy was trying to squeeze through the closing doors when …”
I knew the scene, knew the movie. Told him I would mail him a copy, then decided to watch.

Arctic undersea shipping routes are being disrupted by mysterious force.
Couple dozen cargo vessels and shipping submarines (!) have vanished.
US Navy sends their best hunter sub to investigate.
It encounters a UFO, hiding in the Arctic ocean, scouting the Earth for colonization.
Trick lighting and almost black sets disguise minuscule budget.

Dry, over-talky, with monotone voiceovers, and a lethargic two thirds don’t help matters.
Several familiar B-movie faces in the cast, though no one a casual viewer would recognize.
Audio commentary on DVD is actually more enjoyable.