Vultural

Nectar - 2014 - 6/10

Attendants stimulate the queen, who exudes honey, or nectar.
Which is collected, stored, eventually making its way to the outside humankind hive.
Health of depends on the queen, otherwise the community perishes.
Arthouse allegory with an evocative sound field (should be boosted substantially).
Mirroring the cityscape with the honeycomb subtly done.

Fake - 2024 - 7/10

Better late than never for Birdie, disappointed in love and a nest of insecurities.
Enter Joe Burt into her life. Handsome, filthy rich, bubbling with enthusiasm and bold vision.
Thing is … he’s not exactly dependable.
He forgets dates, cancels meetings, although there are always reasonable excuses.
Every time Birdie doubts, questions him, it backfires and her guilt intensifies.
I mean, he’s such a great guy! A real catch. No matter what her intuition says.

Traveling Saleslady - 1935 - 6/10

The stolid toothpaste brand faces an upstart.
Cocktail, and yes, those are the flavors the rival offers.
Unbeknownst to the big brand boss, the salesperson spearheading the opposition is his own daughter.
Yes, a mere female. The sex that knows nothing about business.
Brisk RomCom is simply a vehicle for Joan Blondell, queen of the bygone Pre-Code.
No one else matches her charisma in this.
Oh, would that this had been filmed a year or so earlier, before the Code.

Looks like an improvement on the original.

Eugenie de Sade - 1973 - 6/10

Eugénie’s stepfather, Albert, writer of erotica, initiates her into a world of seduction, torture, murder.
She proves a willing, even eager accomplice.
At first, they are careful, covering their tracks, creating alibis.
Gradually, more experienced, confident, they grow careless.
Jess Franco’s film of sexual gamesmanship, based on de Sade, is well composed and structured.
Plus, he is blessed with Soledad Miranda, whose presence is palpable throughout.
The stars were aligned for her at this point (1970), and a bright film future loomed.

Love Birds - 2011 - 6/10

Innocuous RomCom triangle.
A native Kiwi, recently dumped by his aspirational girlfriend.
An English Rose transplant, wary of messy entanglements.
And a duck.
If a joke, this would start “A Kiwi, a Rose and duck entered the bar …”
Not on par with classic RomComs of the 80’s and 90’s, but still an OK date flick.
Note: our male protagonist has a serious Queen fixation. Prepare for Freddie.

oojason said:

^ https://appleinsider.com/articles/25/08/09/you-had-mail-aol-finally-discontinues-dial-up-internet-service
 

Always a weird reminder that AOL is still around.
If I had saved those discs that came in the mail, I could probably resell them to collectors on eBay.
I have 1-2 friends who still have an AOL email address.

For Those In Peril - 2013 - 6/10

Aaron, lone survivor of a fishing disaster, suffers ever more.
The community refuses to accept him, he hears his brother, old fables haunt him.
Fisherman superstition means he will never be permitted onboard again.
He cannot recall the incident, which many refuse to believe.
Listed as folk-horror, this is a pure descent down survivor’s guilt.
Slow, with pregnant pauses, unexplained meanderings.

Ludwig - 2025 - 6/10

After his police inspector brother vanishes, John takes his place.
Inside the department, outside in the field.
Solving seemingly impossible cases.
Which is what he did beforehand, as John is Ludwig, premier puzzle maker.
Weekly stand-alone mysteries are good, all “locked-room”.
Overlook the implausibility that none of the colleagues noticed their boss was now “different”.
The overall arc? I doubt producers will sort that.

Blueprint For Robbery - 1961 - 6/10

Fine caper flick, based on the Brink’s Robbery.
Financial backers contact one to assemble and lead a crew.
Observe the premises, plan meticulously, rehearse, do the job.
An inverted police procedural, where we watch the bad guys execute the heist.
Then they have to wait three and a half years.
Which proves so hard.

La Belle Cérébrale - 1968 - 6/10
AKA - The Beautiful Intellectual

Martine, model for a painter is on her break.
While he babbles on the phone, she listens, eats a pear, lets her mind wander.
Nice juxtaposition of the banal conversation with her vivid imagination.
I used TurboScribe to capture the phone talk, then tidied up.
Not ideal, but serviceable.
English subtitles = https://sub-scene.com/subtitle/3364066

The Night Doctor - 2022 - 7/10
AKA - Médecin de Nuit

Also called the patron saint of junkies, Dr. Mikaël routinely prescribes Subutex to help them withdraw.
Health officials are investigating the sheer number of scripts he issues … with good reason.
Mikaël is flawed and compromised, committed and faithless.
Neo-Noir set in the gloomy nightscape.
Even during wild revels and celebrations a fog of despair seeps into everything.
A few have complained about predictability. Noir, Neo-Noir, there is always a fatalistic element.
Mikaël, like all of us, cannot escape his Fate.

Mystery Of Mr. Wong - 1939 - 6/10

He knew his life was imperiled once he sought the precious Eye Of The Daughter Of The Moon.
In his possession, Brandon showed Mr Wong the note suggesting who his killer would be.
Alas, the murder occurs and the note vanishes.
Nevertheless, there are a clutch of suspects, with various motives.
Typical of the 1930’s, police are hardnosed. Better, there are two esteemed criminologists on the scene.
Fast paced B-mystery should fill a late afternoon.
Understand, yellowface was more common and sadly acceptable back then.

Keyes, Thom - All Night Stand

Tawdry slice of exploitation, very much of the moment.
The scene, the tail end of the British Invasion. Second generation charge after the first wave.
In this case, The Score, five man group of mixed sods.
Five sections, one per member. With lead singer Roy, look sharp. He gets LSD (lead singer disease) and bails for the solo spotlight.
Lead guitarist Dave is interested in scrubbers (groupies) and thrills.
Mick, shy and beautiful, seems bored and bookish.
Nick, moody, bitter, is the group’s main scribe, while Gerry holds things together.
Along the way, they perform in Hamburg, tour the States, meet an icon American singer (who goes by one name), release blockbuster albums, get tagged for a film.
If you are old enough, you will spy enough references and might wonder how the author escaped lawsuits.
My bride, who bought this when it came out in 1967, worried how misogynistic it might read today.
There’s a fair amount, but female characters misbehave as urgently and blatantly.
According to the book, All Night Stand would soon be a film. Never happened. I suspect Privilege came out. A few years later, That’ll Be The Day.
Enjoyment / appreciation of this might depend on how steeped you are in the Sixties.

Fawlty Towers: The Play - 2024 - 7/10

Three episodes (Hotel Inspectors, The Germans, Mrs Richards “What!!”) sequenced for a busy three days at the Torquey seaside hotel.
John Cleese introduces the comedy to a boisterous audience, then he is seen no more.
Adam Jackson-Smith has Basil Fawlty nailed, straight down to the gangly leg movements.
Anna-Jane Casey effortlessly delivers Sybil’s sniggering laugh, and spectacularly reduces her husband.
Perfect for fans of the original. You’ll wish you were in the Apollo Theatre that night.

Alien Earth - 2025 - 6/10

Above, meet-cute moment when Daisy meets Wendy.
Backup. Returning to Earth, a Weyland-Yutani research vessel crashes into Prodigy territory.
Prodigy is an upstart mega-corporation, developing synthetic humans.
Anyhoo, the vessel has alien critters. W-T wants them returned, Prodigy says “finders keepers.”
Sounds like plenty of potential meat on the narrative bones.
Except, producers opted to focus most of this bloat-fest on teenyboppers.
Children, encased in synthetic teenage bodies.
On the plus side, this is the first Alien franchise outing where W-Y employees aren’t the stupidest in the room.
Are writers truly this unimaginative? Or do they pander to LCD?
One excellent episode (E05), sandwiched between middling and lackluster, indicates what coulda / shoulda been.

Violent Rome - 1975 - 6/10
AKA - Roma Violenta

After bus hijackers kill a passenger for loose change, Betti and his team crack down.
A bank robbery results in even more mano a mano violence.
Ultimately, the inspector joins forces with a vigilante group.
You got it, this plot bounces more than a monkey given a bag of cocaine-laced Tootsie Rolls.
Exciting, very pulpy, dripping with sadism and vengeance.
This jump-started the career of Maurizio Merli, who played a fistful of tough cops until the end.

Moonshine - 1918 - 6/10

There’s riches in them thar hills, ‘specially swishing in them home brewed jugs.
Revenooers Fatty and Buster summon reinforcements (I reckon 50 outta that Ford).
For all that, Fatty gets captured! ‘Cept, imprisonment proves a lush life.

Fatty gets the best lines, Buster dazzles with the stunts.
Two-reeler skedaddles along, has its moments.

A Pure Formality - 1994 - 7/10
AKA - Una Pura Formalità

Police find the man walking a lonely road in the middle of a downpour.
No papers, no excuses why he is out. They detain him at the station and await the inspector.
Follows, a lengthy interrogation of Onoff, the famous novelist.
Whose answers mix lies, mistakes, flashbacks, and quotes from his books.
Difficult to ascertain whether he is devious or clouded by alcohol and trauma.
Polanski and Depardieu spar back and forth in claustrophobic, psychological thriller.
Slow going at times, but enjoyable for the acting, as well as the sodden interior.

Midnight Mary - 1933 - 6/10

Sentencing begins and Mary is secluded in a chamber with the bailiff.
There, she flashbacks to the progression of her life, the route to the hangman.
A young child, orphaned early, drawn into a bad crowd.
Even the promise of a good soul redeeming her twists sadly.
Never much of a Loretta Young fan myself, she is all but irresistible in this.
Taboo filled Pre-Code, makes a good pairing with Baby Face (1933).

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The Master And Margarita - 2024 - 7/10
AKA - Mастер и Mаргарита

Sprawling adaptation of Bulgakov’s novel.
The writer suffers a bad week. His play on Pilate is canceled. Then he is kicked from the writer’s guild.
Girlfriend Margarita, mistress / muse, his only faithful ally, encourages him to write a novel.
In it, Woland, the Devil, comes to Moscow to expose the hypocrisy of the literati.
Since the CCCP is an atheistic society, they should not believe in God nor the Devil.
But lo, the machinations of evil run wild with laughable results.
The writer, meanwhile, begins to mix fiction with his own situation (not uncommon, I fear).
Heady cinema, with multiple layers.
Surprised this was made during the current Russian government.

The Saint In London - 1939 - 6/10

Templar is approached by a government friend and asked to investigate one Mr Lang.
Soon turns out Lang has his hands in all sorts of nasty pies.
Early on, Simon (suave George Sanders) hires a valet whose last place of residence was San Quentin.
Also a female admirer, determined to help.
Unlike a lot of private eye flicks, Templar here relies on his support team (who are not mere comic relief).
The police likewise are pretty sharp, as are the villains, especially Mr Lang.

The Vampire Of Düsseldorf - 1965 - 6/10
AKA - Le Vampire de Düsseldorf

There is a serial killer prowling the streets, so the young ladies feel safe with a handsome escort.
Except, after one is safely home, he asks the other female to go to the midnight park.
Where, it turns out, he suffers deadly impulses, and carries a knife.
He is also a steady regular at the Eldorado cabaret, where the sexy Anna arouses his desire.

Based on Peter Kürten, this well captures the shaky Weimar era.
Seedy clubs, economic and political strife, casual violence from the SA.
One establishment featured numbered table phones for assignations (similar to Berlin’s Resi).
Moody cinema, with a mannered performance by Robert Hossein that may not suit all tastes.