Vultural

Robin And Marian - 1976 - 6/10

As in Robin Hood and Maid Marian, well past their youth.
Aged now, Robin returns from yet another Crusade, and finds Marian in a convent, the Sheriff of Nottingham in control.
The band of “merry men” are now, like Robin, old and tired.
Sister Marian, casts a suspicious eye at the old love who so casually abandoned her, twenty years earlier.
The story, perhaps reflecting the characters, is suffused with twilight and sunset.
Sean Connery and Audrey Hepburn have undeniable chemistry, however.
The pitch for this must have sounded terrific, although afterwards, you will run for Errol Flynn.

A Bigger Splash - 2015 - 7/10

Deliciously unpleasant story of pop idol secluding herself on remote Pantelleria after vocal surgery.
Intruders arrive. Her ex (manager/lover/producer) with his sullen daughter.

Ralph Fiennes excels as hyper-kinetic, limelight hogging noise unit.
High energy, passive aggressive, pushy, sarcastic, manipulative, utterly toxic.
One of those souls who demand the spotlight, even though his gifts are minimal.
Fiennes’ character unsettles everyone. His relationship with his daughter is uncomfortably cozy.
One wonders why the “normal” individuals endure him, though that is obliquely explained.
Warning, characters throughout are trolls or door mats.
Though not written by her, material evocative of Patricia Highsmith novels.

Phillips, Thomas - Sentimentality

Beneath all the social preening lurks banality and mediocrity. Such is worse, corrosive even, when the most limited of souls are regarded as “influencers,” major and minor.
Or are smug, petty bullies.
Fortunately, for the blissfully ignorant, there is Honorine. Librarian by day, murderer at night (I write librarian, yet Honorine’s duties suggest she is a page).
She whiles away her free time reading quality books, the literary genre, and viewing arthouse films. Isabelle Huppert is a favorite (as she is with me).

“…The library has been quiet of late. I worry about reading, the loss of reading, or its denigration at the hands of developmentally-arrested hordes whose attention to language is so crippled as to resemble the salted slug…But you can always count on the homeless to make an appearance. Perhaps there will come a time when they’re the only ones left who remember books while everyone else is so deep into constantly updating screens and sound bite expression, so hot-rodded with chips just under the skin for quick access to goods and services that they will have lost all sense of artfully-sculpted word collections…”

Hovering nearby is her husband. Ex-husband, actually. Well, if you want to be technical, dead husband. This is no ghost story, nor a supernatural one, so perhaps he is her better angel. Her outlook, bleak and jaded, could use tempering.

“… The dumbing down (of history), as it happens, has always been here, like weather patterns, craving things, and all-too-human power dynamics. All the points in history of this or that politician (even cave people had politicians) towing the line of fascist tendencies that obviously require citizens to severely limit the scope of what they absorb as truth…”

Sentimentality runs this course throughout. Meditations on social shortcomings, providing justification for messy liquidations.
This is a ferocious satire, so dark and so intelligent, one may miss the black laughter. In gallows humor, this echoes his In This Glass House. Both are delicious pleasures for misanthropes.

Without Warning - 1952 - 6/10

Blonde bar-crawlers are being stalked by a serial killer.
Stabbed to death with scissors like weapon.
Labeled Noir, but it falls into the thriller / police procedural category.
We see the killer early on, a social misfit and a loner.
Then an omniscient voice follows from one department to another of crack Los Angeles police.
Prints, fabric analysis, head shrinker (profiler not a term yet).
Predictable, though one wonders how high the body count will rise.
Most of the women have bad Phyllis Dietrichson hairdos.

The Namesake - 2006 - 7/10

Young Gogol and father out on the beach.
Named after his father’s favorite author, he is born in the USA, but maintains Bengali roots.
Not so much a coming of age tale, instead showing his relations with family and girlfriends.
The latter are a series of cultural misunderstandings, and the lure of the old flame.
Leisurely paced film should resonate with all immigrants, from whatever nation.
Sidetrips to Delhi beautifully shot, whereas New York seems in eternal winter.

Grace Of My Heart - 1996 - 6/10

Aspiring singer wins a talent contest, leading to a recording deal.
A year on, still no record, she is persuaded to be a songwriter.
Fanciful retelling of Carole King and her years in the Brill Building.
Knowledgeable souls may glimpse “versions” of Phil Spector, Gerry Goffin, Brian Wilson, Lesley Gore …
The Brill material is fun, if fantasy. West Coast act drags the film down.
Too long, and possibly made ten years too late.
Hey, and a shoutout to WKEE! Remember, O’Shea loves you best.

Who Killed Teddy Bear - 1965 - 7/10

Aspiring actress Norah (Juliet Prowse) finds a DJ gig at a busy New York nightclub.
Someone, however, is stalking her, and keeps phoning her home, then the club.
Club owner (Elaine Stritch) offers streetwise advice, waiter (Sal Mineo) is also sympathetic.
Much is part and parcel of New York in the 60’s, a seedy, abrasive environment.
Police try to help, but they are cynical and overworked.
Film is adept at offering various suspects.
One also gets an eye-opening look at Broadway, and current shows, as Norah walks from one audition to another.
Likewise, Times Square, with its burlesque clubs, XXX theaters, adult bookstores.
Sal Mineo in peak form in this part Noir, part grindhouse, pure sleaze, leaving us as voyeurs of perverse sexuality.

Strangerland - 2015 - 6/10

City family relocates to small town oblivion and have trouble fitting in.
They had to leave the big city after their underage daughter got into trouble with a male teacher.
In the new redneck burg, she skips in skimpy clothes in front of new males. Making friends.
One morning, daughter and son have disappeared into the Outback.
Parents (Joseph Fiennes and Nicole Kidman) enlist the locals to start searching.
Dust and sand seem to be everywhere in this, and no one has air-conditioning!
None of the residents want to help those entitled city types. There is an undercurrent of class distinction and simmering resentment. Caught in the middle is the local cop (Hugo Weaving).
The married couple seem to harbor several dark secrets, of which only half emerge.
Brooding character studies, with mysteries partially resolved.

Men Of Crisis, The Harvey Wallinger Story - 1972 - 6/10

I ought to award this eight more points for sheer chutzpah.
In this, one of the most obscure of Allen films, he distills his dislike of Nixon into a barbed satire.
Predating Zelig by two decades, he constructs a faux documentary, that, I suspect, many would believe.
Nixon had been reelected by a substantial margin in 1972, which might be why PBS refused to air this.

Grant, Charles L - The Soft Whisper Of The Dead

Supposedly the first part of a trilogy, this actually reads like the sequel to The Dark Cry Of The Moon.
Chief Lucas Stockton is now an older man, while Ned, last seen as a boy in Dark Cry is now an adult.
In this outing, the undead arrive in Oxrun Station.
A pale, not seen by day, old friend of our heroine, and an elegant count.
Bodies are soon discovered, throats gashed or ripped out.
As before, R. J. Krupowicz provides highly stylized illustrations that serve better this time around.
Very quick read, that feels much like Salem’s Lot lite.
Enjoyable, if not essential horror reading.

Train To Busan - 2016 - 6/10
AKA - Busanhaeng / 부 산 행

Zombies pack a high speed train!
I mean, really, do you need to know more?
Cities are over run with ravenous dead!
Surviving passengers must fight their way to forward compartments!!
Zombies are of the sprinter variety and only eat “live” meat, not zombie meat.
Unlike similar train flick Snowpiercer which I jeered, I liked this better.

Venus Of The South Seas - 1924 - 5/10

John Royal owns an island, where happy natives deep water dive for pearls.
On day, daughter Shona will inherit everything.
So, shifty skipper Drake decides to woo and marry the future heiress.
Melodrama enhanced by several lengthy underwater scenes.
Plus, midway there is a fairytale of Princess Gwytha asking the Little Mermaid to help her rescue the Prince of Dreams.

Deadly Tropics - 2019 - 6/10
AKA - Tropiques Criminels

After a career disgrace, Sainte-Rose and her two teenage children relocate to Martinique.
She is the new police commander, assigned the usual TV stereotyped colleagues.
Crime series, the stories are one-offs, so no soap opera arc to follow.
Murders aplenty, though the settings are postcard beautiful.
Series could be an advertisement from the tourist board, especially for viewers freezing in January.
Clean sidewalks, sunny waters, lush, green leaves.
What really caught my eye is how THIN everyone is.
There is a S02.

The Iron Rose - 1973 - 7/10
AKA - La Rose du Fer // The Rose Of Iron

Moody, minimalist Jean Rollin film.
When most think of this director’s oeuvre, key words are vampires and lesbians.
None of that here. In fact, this does not even qualify as Horror.
During a wedding banquet, a young male guest stands up and delivers a poem on death.
Applause across the room. French aplomb.
Moved, a pretty girl agrees to share a bicycle date with him the next day.
He pedals to a cemetery and in they stroll. The cemetery is magnificent, by the way. A third character.
The pair have a picnic, enjoy themselves in a crypt, fail to hear the clock strike 12 - strike 2 - strike 5.
Gates are locked and the couple discover they are utterly lost.
Warning - There is next to no plot in this. Iron Rose is pure mood and atmosphere.
Typical of Rollin’s work, a dreamlike quality suffuses the look.
The couple wander the tombstones and lose their direction, on several levels.
Again, this is not a horror film.
Scenes are laden with symbolism, some discernible, others a mystery.
Fans of the director should seek this out. Newcomers ought to find an alternative.

The Picture Of Dorian Gray - 2021 - 6/10

Oscar Wilde’s decadent tale plugs into the digital age.
Here, Dorian is a cross between a heavy tweeter and social influencer.
Followers increase exponentially, after Dorian’s dark bargain.
In this, however, his online image always stays fresh, charming, while his true face displays corruption.
An early Covid pandemic play attempt, and one of the better ones.
The narrative is composed of interviews and archival footage of Dorian, Basil and Sybil.
Those familiar with the source will notice, possibly delight in, the modifications to the narrative.

Pictures Only - 2021 - 7/10

Louise faces a rent increase, AND her job at the Institute has been downsized.
Family depends on her income, and the classifieds aren’t enticing.
Then her friend Jo tells her Uncle Booker may be hiring.
That proves to be a major career shift.
Terrific slice of life short. Well cast with thoughtful costumes and set design.
This evokes the 1950’s. Clothes, hairstyles, and folks dressed to the nines.

And Soon The Darkness - 1970 - 6/10

Slow burn thriller, set in rural France.
Two young English nurses are cycling through the countryside.
After an argument, they separate and one disappears.
From this point, tension mounts.
Strangers, the woods, even the language barrier, show how out of her depth is the single female.
At 90”, this still feels overlong, owing to slow pacing and limited narrative.
The French dialogue is NOT subtitled, which is a plus, as you are as lost as the tourist girls.

Take A Girl Like You - 1969 - 6/10

British romantic comedy of cavalier bachelor Oliver Reed meeting Hayley Mills (AKA - Miss Virgin).
Story is scant more than flirting, groping, blue-balled frustration.
Noel Harrison plays rich playboy hoping to save his manor from council airport expansion.
He also displays a lighter touch with the ladies, most of whom (with the exception of Miss Mills) are eager for the impromptu romp, no matter the settings.
Very Swinging 60’s attitude pervades, though Reed seems way too old for the role.
To be fair, this was probably filmed in '68 and Reed would have been 30. He looks 45, however.
Watch for Penelope Keith as - surprise - a Tory poll worker.

Meade, L T - The Brotherhood Of The Seven Kings

Crackerjack of a yarn, first published in The Strand in 1898.
Norman Head, affluent man about town, relates youthful mistakes. Falling in love with a beautiful, diabolical female, Madame Koluchy, who also masterminds the sinister organization known as the Brotherhood Of Kings.
Published in monthly installments, this is an inventive series of deadly stratagems. Some thwarted, others chillingly carried out.
Blackmail, kidnappings, assassination, theft, murders.
Madame Koluchy, influential with social elites and prominent individuals, is entrusted by most, her terrible activities perceived by few.
The came before The Sorceress Of The Strand, and while there are similarities between the two malevolent females, and the serial structure, this is the grimmer work.
With both works, Sidney Padget provides numerous illustrations.
Holmes’ fans, rejoice! Those who relish late Victorian, Edwardian cliffhangers, this is easily found.

Crumb - 1994 - 7/10

First rate profile of Robert Crumb, cartoonist, historian.
From 1960’s San Francisco (Fritz The Cat, Big Brother’s “Cheap Thrills”) to his more personal comics after he relocated to France.
Not only Robert, but his family: Mom, and brothers Charles and Maxon. Talented, but dysfunctional.
Topics range from childhood, to obsessions, to scathing observations.
An ultimate outsider, who became successful.
Essential, especially for artists who are told they are “too weird.”

Expensive Women - 1931 - 6/10

Early Pre-Code melodrama opens with woman in lingerie chatting with friend in bathtub.
Plot meanders into bored rich types, quite the thing in the Great Depression, who drink and party all day.
Heiress Dolores Costello meets composer William Warren and they seem a good fit,

Until she meets his younger friend, a dashing but weak willed gentleman.
Affairs, guilt, oh-so-adult agreements while everyone drinks and dances and laughs.
With something like this I usually end up looking at gowns and set-design.
Interiors all seem to be so white back then.
Photography is period “silver screen” though all shots of Costello and her campy friend (Polly Walters) soft focus.
One of the party goers resembles Wini Shaw (“Lullaby Of Broadway") though I could find no confirmation of such.

Lots of spam from ishaj in OFF TOPIC Media.

The Girl Cut In Two - 2007 - 6/10
AKA - La Fille Coupée en Deux

Girl in question is local weathergirl chased by an aged roué and a young wastrel.
In the best ménage à trois traditions, the female attempts to navigate both males.
The provincial town is rather small, however.
The older man, a writer, frequents a sybaritic den with other dissolutes.
The younger man is spoiled, insecure, prone to violence.
Talky (as expected), laced with bedroom politics and petty rivalries.

Note - I braced myself for another French talk-o-drama.
During opening credits, I announced aloud,
“Look, Mathilda May!”
“Who’s that?” asked one of the girls.
“Brilliant thespian,” I said. “She starred in the classic Lifeforce.”
“Oh? Any good?”
“Unforgettable.”

Lipstick - 1976 - 6/10

I remember watching this when it came out, disappointed that it was glossy exploitation.
Why rewatch decades later? IQ of Cheez Whiz, I suppose.
Fashion model catches the eye of her young sister’s music teacher.
Relationship quickly plunges down, “I thought her no meant yes,” territory.
Meaning forced sex and subsequent drama.
Then, as now, it can be maddeningly difficult for females to receive a fair judgment.
Ending(s) remain a one-two hop of implausible contrivances for me.
Breakout role, hoped for by Margaux Hemingway, boosted younger sister Mariel instead.

A Wicked Woman - 1958 - 6/10
AKA - Dokufu Takahashi Oden / Poisonous Woman / 高橋 お伝

Busy account of very lively girl, Oden.
After shoplifting a jewelry store, she is “apprehended” by a young policeman.
She begs him to let her rest at her home before going to the station.
At home, she enfolds him with the sticky petals and seduces him.
An official perceives her character and forces her into becoming both mistress and procurer for his slave trade.
Oh yes, she also has two husbands tucked away.
All in the first 30 minutes! Long takes make film feel slow at times, though.
Based - believe it or not - on a true individual.