Oliver, Reggie - The Dreams Of Cardinal Vittorini

Oliver’s first collection for Tartarus Press is just solid in every way. Stories set among the theatre boards, others in the countryside, a few dipping into bygone times.
“Beside The Shrill Sea” is an actor’s recollections from his green youth. First roles, minor roles. The troupe. Unpleasant memories of toxic companions. The tightening of the spring until – well – I never specified the recollections were happy ones.
The painting was a curious sort. Forgotten in the manor of an aristocratic line all but tapped out. An illustration neither recognized nor valued, save by Jason, actor on location, still striving for that career break. He doubted anyone would actually miss the painting, a tranquil, bucolic scene, with an almost hypnotic allure, set “In Arcadia”. It exerts a tug, into thievery, into quieter depths.
It’s not that he was a lonely child. His parents were in the diplomatic corps, continuously abroad, while he was conveniently offloaded to boarding school. Bit of an afterthought, I suppose. Nevertheless, one of the masters takes a shine to him. Gordon and his wife Freda, a couple sophisticated and swank. Our lad is suitably impressed, yet as time rolls, his observation keens. So much so, that he spies the “Death Mask”, or the ghost in their home. Not to worry, others have witnessed it. There are ghosts seen and unseen, however, as the chic pair are also haunted. This is a poignant tale, drawing from friendship and loss, personal loss and cruel Fate.
Another inducement for this collection are the illustrations. Oliver has included line drawings (his own) prefacing each tale. And this is my only quibble, or wish if you like. Would that these were 30% larger.