Vultural

Yakuza Goddess: Erotic Code Of Honor - 1973 - 6/10
AKA - Yakuza Kannon: Iro Jingi // やくざ観音　情女仁義

A monk rescues a young woman from a group of mob enforcers.
Soon afterward, they succumb to fevered passions and share fluids beside a raging waterfall.
She is the daughter of a Yakuza boss – and – as it turns out, half sister to the monk.
Shame, guilt, mortification? Nope. Instead, “Oh, that explains why we are attracted to each other!”
Their couplings rollick along, amidst chases and intergang shootouts.
The artistry in this pinku leaves a lot to be desired.
Any sequence with bush brushing is obscured by a big black square.

French Sex Murders - 1972 - 5/10
AKA - Casa d’appuntamento

Watchable Italian Giallo revolving around, surprise, a serial killer!
After an opening leap from the Eiffel Tower, flashbacks swirl.
The villain is especially despicable as he is swiping jewels from the church. Stealing from God!
Then, in a very wise move, he decides to hide in a sporting house packed with juicy hotties.

Five minutes later, he is on the run again. This time for murder!
He better flee quick because Humphrey Bogart is on his tail.

Bogie lookalike Roberto Sacchi plays the police inspector and is the main reason to watch this confused mess.
Oh, yes, Anita Ekberg is the brothel madam, and the professor’s assistant resembles Carl Sagan.
There is a decent amount of nudity, coupling, chases, stabbings, beheadings.
The pace percolates briskly. Even when flaws and plot gaps a mile wide, we could not nitpick them because another crazy scene crashed and we were lured back in.
One sorry movie that will appeal to - - you know who you are.

Faneditors, take note

Eden And After - 1970 - 7/10
AKA - L’éden et Après

Audacious, challenging, at times perplexing story will baffle many, put others to sleep.
For people who do not like foreign cinema, French films, this is a poster child for every element you hate.
There is next to no plot. College students chill in a museum construct cafe, attend classes, engage in sexual politics (meaning a load of nudity and talking).
At its core, this is a mystery. One coed owns a valuable painting from her uncle, a deceased artist.
They steal it, or try to steal it, transport her to Algeria, there is a doppelganger, murders, vague resolutions.
A flood of images, difficult ambiant score, this can be a hypnotic ride if you immerse yourself.
I quite enjoyed this - but - everyone else watching with me walked. Beware.

… stay with me …

N. a Pris les Dés… - 1971 - 5/10
AKA - N. Took The Dice

So … director Robbe-Grillet took his previous film, Eden And After, recut it, inserted outtakes and additional footage, then recombined it into … a … an almost incomprehensible muddle.
Nevertheless, for those who enjoy experimental cinema, there is quite a bit to appreciate.
This moves differently, and is like a fable being told by our narrator, “N”
It is more hallucinatory. Ofttimes, the doings in the desert mirror cafe sequences.
Concepts of doppelgangers and parallel realities
Unlike the previous version, there is no nudity.
I would recommend viewing this one after the earlier film.

Aquarela - 2018 - 6/10

Visual presentation of water. Icebound, sheets of rain, rising floodwaters.
Message film showing the influence of global warming on water.
The first 49 minutes reveal autos crashing through once solid ice short-cuts, and glaciers calving icebergs.
Followed by rain swept seas. Finally, submerged towns and residences.
Politicians are doubtless working round the clock to reverse potential catastrophe.
Waterworld came out in 1995, in case someone argues we never saw this coming.

The City And The City - 2018 - 7/10

Inspired, tech-noir adaptation of China Miéville’s novel.
A murder is committed in Ul Qoma, the body is dumped in Besźel.
Very tricky situation this, as both cities occupy the same geographical space, though in different dimensions / realities / planes.
Inhabitants of Besźel are forbidden to view Ul Qoma, and vice versa.
Anyone caught “seeing” will be dealt with brutally. Both cities are police states, maintaining rocky order.
A Besźel inspector is assigned the murder case, and he must navigate around politicians, extremist groups, archaeologists, capitalists, and the secretive, ever-present Control agency, Breach.
This recalls divided cities such as Berlin or Jerusalem, as well as nebulous worlds of Kafka and PK Dick.
Challenging and intellectually superior to countless copper programs.

Portrait de la Jeune Fille en Feu - 2019 - 7/10
AKA - Portrait Of A Lady On Fire

A female painter takes a commission to paint an unwilling subject.
The subject, Héloïse, is intended in marriage to a Milanese noble, per review of the portrait of her.

Héloïse lives on an island in Brittany. The household, one gathers, has seen better days.
Reviews have trumpeted the forbidden love angle, but that is only a part of a mix that combines romance, exploration and discovery.
(Male reviewers often jump in breathless exclamations whenever they see females in physical relationships. LGBT likewise shout, “Us! Us! Us!”, though they are under-represented so I understand the reaction more.)

Sets are austere, settings range from bright, windy shoreline to candle lit chambers.
The pace is unhurried, in this story of expressions, observation and self-awareness.

The Villainess - 2017 - 5/10

The opening barrage of this S Korean actioner is straight out of a shooter game.
An army of thugs, assailants, scientists, get blasted n sliced. Our p.o.v. charges down hallways, into rooms.
After an 8" adrenaline rush, the scene, and our character, shifts to a laboratory inside an assassin training ground.
Viewers who saw La Femme Nikita or remakes Point Of No Return and Black Cat, or TV knockoffs Nikita or Little Girl K will recognize this heavily used concept.
All that’s needed is a tired middle section with a love interest, maybe a child - - No way! Check both!
The action sequences are impressive, if overlong, and seem more mechanically chop socky than wushu.
Also, Ok-bin Kim lacks the oomph to carry the film.
Nevertheless, for viewers unacquainted with earlier films who hunger for fighting, this’ll be OK.

Russia’s Lost Princesses - 2014 - 6/10

Two part documentary on the overlooked Romanovs.
Not the doomed, dim-witted Nicholas, the hysterical Alexandria, or Alexei, the bleeder.
No, OTMA, or Olga, Tatiana, Maria and Anastasia.
This gives a decent telling of the fraying Romanov dynasty, the dual cataclysms of World War I and the Russian Revolution, and the cancer that was Rasputin.
Aside from the usual talking heads, narration is supported with diary entries, photos of the girls, and home movies.
Thing is - in two hours presentation, only about 27 minute seems specific to the daughters, and their cloistered upbringing.

Rivers Edge Okawabata Detective Agency - 2014 - 7/10
AKA - Ribasu Ejji Ookawabata Tanteisha // リバースエッジ 大川端探偵社

Late night J-dorama of tiny detective group that seems to specialize in peculiar requests.
A client wants ramen that tastes like it did 40 years ago, another wants to know the voice behind the fun fair announcements, another seeks a long gone, third level pop idol singer.
The boss has unspoken connections with yakuza families, the main investigator has premonitions, the office girl is a hooker by trade.
Generally, they satisfy client requests, though solutions are often unwelcome.
“Be careful what you ask for,” applies.
Note - Being a late night program, there are some sexual scenes that may offend a few.

The Miniaturist - 2017 - 6/10

Young bride moves into her wealthy husband’s home in 17th century Amsterdam.
Along with queen of the household, his sister.
The home is a dark cavern of shadows and secrets, and the bride is out of her depth.
For a wedding gift, she receives a large doll house.
As miniature furnishings, dolls, accessories arrive - unordered - mysteries surface.
Stylish costumer that feels unfinished. Revelations lack punch.
Viewers with knowledge of The Eighty Years War (of which I am not) might appreciate the military and politician details that fill the story.

The Century That Wrote Itself - 2013 - 6/10

Century, meaning the 17th (1600’s if this is easier), and the writers, the English.
Presented by Adam Nicolson, this does not follow the poets or novelists.
No, for the most part, he selects ordinary people, writing diaries, letters, journals.
As more are able to read and write, and as delivery methods improve, communication explodes.
This propulsive juggernaut of all this knowledge will lead to our modern era.
So … the skeptical may have to suspend a bit with this, and E03 is marred by fluff.
E02, however, “The Rewritten Universe” excels!
The beginning finds diarist Ralph Josselin recording his daily life, piously thanking God for even the most trivial occurrences in a world mysterious and dangerous, only to conclude with Isaac Newton attempting to understand the mechanics behind the Divine design.

Byleth, Il Demone dell’Incesto - 1972 - 5/10
AKA - Byleth, The Demon Of Incest

Dolores, the busy village prostitute, is savagely murdered after another sensual transaction.
Next comes, well, let’s not get premature with the slippery details.
Rather, focus on Barbara, returning from England and continental travels.
To the glistening delight of her brother, Duke Lionello.
The siblings display a very cozy relationship.
Unfortunately, Barbara returns with a new husband, and Lionello becomes curious.

Abundant, full figured nudity camouflage a thin, derivative whodunit.
Pace plods along, but the scenery is lush (including the nude sybarites).
Midway, the script offers a macabre suggestion, but it doesn’t really help.

Strange Aeons - 2005 - 4/10

Anthropology professor (at Miskatonic U), watches helplessly as unsettling new student, Asenath Waite, seduces and weds his assistant.
There are gates to be opened, Shuggoths to be unleashed! And she needs a thick headed male helpmate.
Horror film is fairly faithful to HPL’s “The Thing On The Doorstep.”
Script tries to juice proceedings with nudity and coupling, but dawdles throughout.
Directing is indifferent, acting mannered, sets remind one of cheap sheets hotel.

I noted the low IMDB rating beforehand, yet watched nevertheless.
Fools clutch their hopes.
Actually, with that title, I wondered if this might be based on Robert Bloch’s “Strange Eons.”
Not to be, though that novel, its plot stuffed with references to HPL himself and his Mythos, and would make an excellent intro to that world.
This one, however, is another missed Mythos dud.

Citizen Jane: Battle For The City - 2016 - 7/10

Jane Jacobs takes on Robert Moses, staunch believer in urban renewal (ie: negro removal).
In the 50’s and 60’s, Moses was extremely influential and powerful, annihilating neighborhoods, replacing them with overpasses, bypasses, highways. Cars vs people.
Rough, albeit safe, blocks were leveled and high rise tenements erected. Crime exploded.
This occurred not only in Gotham, but across the States.
Moses crushed opposition: business owners, neighborhood groups, politicos.
Jacobs and her supporters took his machine on, over and over.
^

Note: I have been in numerous battles against the faceless, imperious palisade.
City Hall, highway developers, zoning flunkies, employing different tactics depending.
Sometimes victory, other times defeat. You must contest, however, (not mere petitions, either, get your ass in motion) or they will simply walk over your rights.
Jacobs is inspirational, and essential viewing for anyone taking on "the man”.

The Aeronauts - 2019 - 6/10

“Inspired by true events” *
Victorian scientist James Glaisher believes the upper atmosphere holds keys to predicting the weather.
In scientific circles he is scoffed and ridiculed.
Not to fear, he finds a partner in balloonist, crowd performer, Amanda Wren.
Personality clashes notwithstanding, an ascent is guaranteed.
The photography, the cloud photography, is spectacular, begging for a huge screen.
As entertainment, this is OK, unless you cannot bear the opening ten minutes.
Historic accuracy? Well …

• There was an actual James Glaisher, who actually did cross the 30,000 foot level.
  NOT with Amanda Wren, however, but with Henry Tracey Coxwell, preeminent balloonist of the era.
  If politically correct, gender whitewashing sticks in your craw, you might want to pass this by.
  Should you be hungry for a popcorn film, this fluff will satisfy.

Lady Frankenstein - 1971 - 5/10
AKA - La Figlia di Frankenstein

Body snatchers deliver another casket to the spacious castle.
Villagers even know who lives there, one Baron Frankenstein, whose history is known.
What is less known is that he had a daughter, who returns after becoming a surgeon.
Some money was spent on casting, dollops more on costumes and sets.
The plot, which could have been penned by an eight year old, is of the creation of a tall “monster” who swiftly escapes and roams the countryside killing everyone he sees.
Not Universal, let alone Hammer, but the sexual encounters are plentiful and a few over the top.

Black Magic: Part 2 - 1976 - 6/10
AKA - Gōu Hún Jiàng Tóu// 勾魂降頭

In name sequel to the 1975 feature boasts the same cast, though in different roles.
Here, Lieh Lo plays the scowling, evil magician who needs breast milk to remain young.
Using blood magic, the shaman gains control over females, then increases their milk production by mixing their pubic hair into a potion and having them drink.
If one perishes, no biggee, he just turns them into zombies and adds to his cellar collection.
The film has a dozen ideas and plots, and is equal measures manic and zany.
Events bound at a breathneck pace in this laugh out loud and terribly politically incorrect film.
Meaning, even our “heroes” display a profound lack of restraint (midnight graverobbing, anyone?).
Wonderful.

The Kindness Of Strangers - 2019 - 6/10

A woman flees from her physically abusive husband, along with her two small sons.
Soon enough, we realize he is a cop and possesses all sorts of ways to track them down.
Shutting the credit cards, getting the parked car impounded.
Wait! though, she has gone to New York City, That most generous and hospitable of burgs to hide in.
While she and the boys struggle somewhat, they find many open doors.
A concurrent story follows a newly released convict, who is offered the manager post of an upscale restaurant.
Additional characters and narratives weave and tangle.
Fairy tale, set in Manhattan, sugarcoats the plight of true homelessness.

Two O’Clock Courage - 1945 - 6/10

Gent staggers along darkened street, a nasty gash in his head.
Fortunately, an attractive female cabbie picks him up, realizes he has amnesia, then takes a shine to him.
Because … a high profile murder has been committed and he could be suspect Number One!
Tom Conway in easy going B-film mystery, with many pluses for Noir fans.
This has one of Jane Greer’s earliest roles, Anthony Mann directs, Jean Brooks has a key part.
There are comic elements, so while this has the Noir look, as well as an edge, this is more light hearted.

Watching this reminded me how astonishing the output was of this generation of players.
Most worked in films (later TV), radio shows, theatre boards, even commercials.
Richard Lane, for example, who plays a nosy reporter in this, had 176 acting roles, countless OTR shows, and was Los Angles announcer for roller derby as well as wrestling matches.

Dark Matter - 2015 - 5/10

SciFi programmer that borrows from other, better, series.
Out in the galaxy, six shipmates wake from cryo-sleep, discovering their memories have been wiped.
Not to worry, the interstellar void has the internet.
Soon enough they discover they are wanted mercenaries!
Like all poorly written stereotypes (are they bad souls or good), they squabble, bond, reveal their pasts.
Hey - what about that memory loss?
The ship, the Raza, is spacious, with wide walkways, large quarters (with showers!).
Oh, and ducts, the kind one can crawl around in. Everyone still uses handguns, too. Really?
Appears the so-called creators swiped from Firefly, an altogether superior show.
Turkey leftovers for non-demanding souls. S02? Not for me.

Ewers, Hanns Heinz - The Hearts Of Kings

I had finished Ewers’ The Sorcerer’s Apprentice, including the historical extras found in the fat Side Real Press edition. On Side Real’s website, I found a link to AJNA Bound, and there, this book.
Slim book, nicely presented, with illustrations that match the darkly amusing novelette.
An elderly, perhaps dying, artist summons the Duke of Orléans, son of the King.
He has a life’s work of paintings he wishes to sell, and he informs the Duke that he, acting for the State, will pay his price.
The compositions, as described, and as illustrated, are repellent and yet irresistible.
The young Duke, a stand in for you and I, is slow to grasp exactly what is on offer.
Short decadent tale, told with glee by a madman.

Mr. Sunshine - 2018 - 8/10
AKA - Miseuteo Syeonsyain // 미스터 션샤인

High stakes K-drama set primarily in the early 1900’s, a few years before the Sino-Russian War.
In the 1870’s, slave boy, Choi Yu-jin escapes a death sentence and goes to America.
Flash ahead a few decades, and Eugene Choi, Marine Captain, is assigned to the US legation in Korea.
The small nation is filled with would-be partners: the English, Russians, Americans, Japanese.
Seeking control.
Friendships and alliances ebb and surge, knives are drawn to carve up the country.

More than most K-dramas, the characters are nuanced and well developed.
Attention to detail is astounding. The series looks like a million bucks.
In line with historical events, the tone grows increasingly fatalistic and foreboding, and begins to deliver one emotional punch after another.

Several romances (this is a K-drama!), in between a lot of “history.”
The personages and facts are as shifty as modern history.
There was a Righteous Army, there was a war between Russia and Japan.
And Koreans fought desperately to retain their sovereignty.
Yet the globe has a dire history of the small oppressed by the powerful.

Underverden - 2017 - 6/10
AKA - Darkland

Late Liam Neeson territory here, without Mr. Neeson himself.
Meaning, the path of bloody revenge.
After Yasin botches a bank robbery, he is brutally murdered.
His older brother, a heart surgeon, begins to investigate.
Dr. Zaid, violently warned off, opts to train his fighting skills.
Yes, just what your own family physician or dentist would do.
Not a bad film, helped by a 80’s synth score and a cadre of baddies.
Aside from the suspension of disbelief, which is considerable, the “heroic” Zaid, is, in many ways, less sympathetic than the head villain.

Steep - 2007 - 6/10

Documentary catches the “extreme sport” of steep downhill skiing.
I found the early section more enjoyable.
The pioneers in the early 70’s who skied the Grand Teton and Chamonix.
Hard core guys who climbed to the top, then leapt forth.

55 minutes in, however, we hit the later crew. Moneymakers.
Guys who ascend using helicopters, one who jumps with a parachute.
The phrase “film season” is mentioned in the same breath with “performing.”
Cashing in, the elite daredevils ferry rich turistas into back ranges and peddle exclusivity.

These shows, along with numerous Mount Everest docs, inspire self centered smurfs to demand this experience.
Endless lines up Everest, a chain of helicopters in Alaska, followed by,
“Oops, I done fall! Hep me! Hep! How am I gonna pay? I’m entitled! Hep!”

I Remember You - 2017 - 6/10
AKA - Ég man þig

Young married couple and female friend decide to rehab a derelict building into a summer B n B.
The building and abandoned church are on a remote Icelandic isle.
Concurrently, an elderly woman commits suicide in a church leaving authorities a puzzle.
Solid mystery creeps into haunting territory.
One individual in particular seems cursed, or they possess second sight.
Two thirds in, an odd, perhaps Icelandic theory mixes with perceived Christian symbolism.
Nothing too original here. Atmospheric surroundings, and narrative jumps should hold your attention.