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Tiptup

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4-May-2006
Last activity
26-Apr-2012
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1,696

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Post
#297147
Topic
Potter eclipses Star Wars and Bond
Time
Originally posted by: miker71
I think movies are more design than art. Decisions about story and production design are made when transcribing from book to screenplay. And, frankly, what director can possibly hope to surpass your own imagination? So I agree that books and films are separate media - but I would stop short of calling 98% of movies 'art'. Art is the lie that makes us realise the truth. How many movies are that challenging to the human psyche?


Interesting philosophy, but one I would disagree with. "Art is the lie that makes us realize the truth," sounds good, but its not really saying anything profound in the final analysis. In actuality art conveys nothing more than what it is, and whatever a given work is that is what is true. Art can convey lies, but art itself is not a lie.
Post
#296966
Topic
John Williams BBC Documentary from 1980
Time
Wow, that was sweet. The Star Wars films owe so much to the people involved in them. John Williams is a brilliant guy. I also didn't know about Herbert Spencer being his orchestrator (though it makes sense considering how Williams had no time to orchestrate everything himself). (I also loved that short little bit with Ben Burtt working his sound effect magic.) A very well done documentary.
Post
#296843
Topic
George Lucas jealous of Irvin Kershner's Star Wars?
Time
Originally posted by: CO
I disagree with ya there Tiptup, cause SW'77 or ANH is the one that suffers with the saga now, not ESB or ROTJ. You have to look at it this way when you watch it 1-6 in that order. The story is established and focused on the jedi vs sith, not the common man like the OT established. You follow in the PT the story of Anakin, Kenobi, and QuiGon for 3 movies along with The Emperor rising to power, and then you have characters like Mace & Yoda, who are both jedi too. The only non-jedi character is Padme, and she is a queen/senator, so she has EVERYTHING to do with the politics of the rise and fall of the Empire.

Now you get to Episode IV, and all of the sudden you have this movie that deals with a bunch of common guys like Luke, Leia, and Han battling the Evil Empire, while the movie has humor spread throughout that actually makes it a pretty funny sci-fi movie in some respects. The only main character who is a jedi is Ben Kenobi. So you have an audience who has followed around the jedi/sith battle for 3 movies, and all of the sudden they are wondering what happened to Yoda & The Emperor?

On top of that they are used to huge CGI environments in the PT movies, and now are stuck in a movie on a dessert for the first hour, which luckily resembles Tatooine in TPM, and the claustophobic deathstar for the second half, something will have to give, either you love one or the other? On top of that, they followed Anakin and his story for 3 movies, and now he is in the movie for about 15 minutes?

I agree with all of this. The original Star Wars does suffer heavily from the "1-6 saga" perspective. It's definitely an incredibly different film in style and in content from the "preceding" three and its story has practically nothing to do with what they featured. It's about some nobody farm boy with piloting skills and special powers who chooses to help fight against an evil empire. With the prequels on their minds, people will be less inclined to focus on all of that and will waste the film asking stupid PT based questions. Not only that, but much of the drama for Star Wars is weakened by the fact that it no longer introduces Darth Vader, the force, Obiwan/Ben and some other things. I certainly don't want to claim that the film has gone unharmed by Lucas’ latest actions.


Originally posted by: CO
ESB/ROTJ were atleast made with the Anakin/Luke relationship in mind, and that fits with the PT movies, so in that respect they work a hell of alot better then Episode IV does. ESB has a glimpse of the Emperor, and it is about the same amount of time he gets in AOTC. It has Yoda for a huge part of the movie, so now it is dealing again with jedi issues as the MAIN story. And finally you get the Vader/Luke battle at the end which finally continues on the story of why Anakin turned in Episode III.

ESB doesn't suffer, ROTJ doesn't suffer, ANH does big time. The irony of the whole saga thing now is Lucas actually fucked up his best movie he ever directed, cause anyone who sees it 1-6 will not love it as much as someone who sees it as their 1st SW movie.


This is where I disagree. You're actually trying to say that ESB doesn't suffer from the completed saga? (I think Empire suffers from it more than even the original Star Wars does.)

Maybe you don't remember what Empire Strikes Back is about (as a film), but it certainly isn't about the damn 1-6 saga. Maybe it has more content that relates it to the PT story (particularly when you get to the fight with Vader at the end) but that story’s not what the movie is supposed to be about!

If you take some time to remember what we knew when we only had the OT, Empire was continuing the story of that farm boy and his friends (not Darth Vader and the Emperor). Darth Vader was merely an evil, monster of a man who, as far as anyone knew, had gained an obsession to find Luke. As you remember, we knew nothing about Master Yoda; all we knew was that Luke was being delayed from finding him due to the strangeness of the little green creature helping him. Meanwhile his friends (who we cared about) were in danger but they weren't anything more than friends to him (maybe Leia was a potential love interest). Luke met Leia because she was working for the Alliance, and Han, Chewie, C3PO, and R2D2 were other friends he met in his previous adventure. I see no focus on a conflict between the Jedi and the Sith.

To the degree that you argue the original Star Wars is hurt by the 1-6 saga, I can then argue that much of what made Empire important is also now obscured. It still primarily focuses on those wisecracking adventurers from the first film. All we have now, if anything, is greater amount of character drama making us more inclined to care about them. But, if we spend the whole time wondering when the PT's story will resume, Empire’s strengths will also be ignored.

Thankfully, both the original Star Wars and Empire can still shine through the distractions of the prequel trilogy in many ways. For example, Luke, Ben, Leia, Han, Chewie, and the droids are still compelling and likable characters. Also, while the fight against the Empire seems to not make as much sense when our minds are locked into the "Jedi vs. Sith" nonsense, the fight for the rebellion is still portrayed in its original form for people to immerse themselves in (if they can).

So much of what makes Star Wars an amazing film is still available to be experienced if a viewer just accepts it for what it is and lets it do its thing. The only bad part is how some of the historical revelations about Luke are ruined before they're even revealed by Ben. Thankfully we don't have too much ruined in this way and most of the character drama of the film is untouched by the prequels. However, the same cannot be said for Empire Strikes Back.

People will already know who Yoda is and will be bothered by the fact that Luke doesn't know. People will already know that Darth Vader is Luke's Father and they'll laugh at Luke for expressing horror and be annoyed by his unbelief. The fact that we have the presence of the Emperor in one scene and that we have a greater role for Vader will only serve to annoy people by pointing out how slow it takes Luke, the chosen son, to be initiated into the larger story (his destiny from birth).

So much of what made ESB the best film of the series is now meaningless. Its remaining good points are just as weakened as the original Star Wars good points (with only a lightsaber battle at the end to offset this). All of the great care the movie went through to make each important revelation special and dramatic is now for absolutely nothing and certainly of no effect. Then, to put the rotten cherry on top, the most exciting and emotionally-moving part in Empire, where Luke, Leia, and the others are escaping from Cloud City is ruined by a lame dialogue change for Darth Vader (that isn't even acted well) and a long sequence involving a shuttle landing on the Super Star destroyer!

I don't see how Empire doesn't suffer. (Certainly not how it harmonizes with the PT story.)

I suppose if you want to say that RotJ doesn't suffer then I'll be willing to agree with you more there. While the primary focus is still on Luke, Leia and Han, it shows enough of the Jedi vs. Sith story to keep the PT fan interested. Otherwise, I would argue that RotJ actually helps downplay the importance of ESB as a film by supplying relatively lame resolutions to all of its cliff hangers.

The original Star Wars can still stand on its own as a standalone story (if people can ignore the concerns of the saga). Empire Strikes Back needs the original Star Wars and a lack of prequel trilogy knowledge to remain as amazing as it was. Now, while still being a good film, Lucas has destroyed a whole lot of what made it great.
Post
#296615
Topic
George Lucas jealous of Irvin Kershner's Star Wars?
Time
Originally posted by: Scruffy
When approaching Star Wars as art, I like to think I practice connoisseurship, no matter how amateur it may be. And as a connoisseur, I feel that Empire is the best of the films, and the others succeed where they most resemble Empire. I think this is true in pretty much every respect; whether it's direction, dialogue, plot, music, set design, miniature work, costuming, sound effects, or poster art. I did not arrive at this opinion capriciously, but by plumbing the depths of the other films.

So my use of Empire as a lens to view the saga is both the result of unconscious and conscious factors. It is the "kind" of story I like, and it also compares favorably to the rest of the saga on technical grounds. In the latter case, I am not deprived of the "wealth and depth" of the rest of the saga; I could not have made my conscious choice for Empire unless I had already explored the rest of the saga.


I agree that Empire was the height of the OT Star Wars saga, but within the OT+PT saga, Empire actually kind of sucks. It's like that boring filler episode that the little kids don't really enjoy but will sit through anyways . . . .

Wow, I'm suddenly getting the feeling that George has been unconsciously trying to destroy the impact of Empire Strikes Back . . . I mean, I know that the above quote was a joke and that he doesn't really dislike Empire (nor does he really think it's the worst), but, when I think about, perhaps he subconsciously wants to tear down the movie in the eyes of popular culture. His prequels (and RotJ) make the film seem out of place and unimportant while simultaneously ruining the meaning and impact behind every revelation in the film. The two remaining strengths of Empire, its character drama and emotional impact, have been at least partially maimed in his latest edits of the film.

If it weren't for the fact that I know George Lucas better, and the fact that I know he doesn't have the attention span to carry out such a long-term vendetta, I'd almost call his mistreatment of Empire deliberate. Hell, its worked well enough on me that I'm almost on the verge of becoming a fan of the original, original Star Wars only (like Anchorhead). Perhaps his desire to make money and turn Star Wars into a money-making franchise is the external expression of his inner hatred for Empire Strikes back. It was his initial and only lasting criticism of the film, and now it's as if his desire to be right (in the end) is actually destroying what was best about it. It suddenly seems more than coincidence to me (at the moment at least). Perhaps it's so easy to believe that George Lucas hates Empire because he really does deep down.
Post
#296483
Topic
Mr. McGregor hated SW?
Time
Originally posted by: zombie84
And really, is it any wonder that he's somewhat resentful of the thing? I mean, the number of character he acted with in AOTC that never existed: Jar Jar, Dexter Jester, Yoda, all of the Kamino guys, the entire Clone War and arena sequence (basically the entire last half of the film), plus all that stuff flying a spaceship and talking to a droid. The only human contact he has in the film is two or three brief scenes with Portman and Christensen (two at the beginning of the film, plus a chase scene and one at the end), one with Christopher Lee (plus a brief stunt sequence at the end, which probably used a double), three with Mace Windu and a digital Yoda, one of which takes place in an all bluescreen stage and was filmed a year after principle photography, and one where he asks a Jedi librarian about a computer. The rest of the film is bluescreen stunts and shots of him walking and looking at stuff. And people wonder why AOTC sucked?


I know. I don't understand it when people defend AotC (though occasionally I can see how some might like it more than Episode 3).

I'm certain we don't want to turn this thread into yet another "which prequel is the worst?" thread. The collective groan emitted by originaltrilogy.com members might be more than the world could bare. But, that said, you clearly outlined how embarrassing of a role AotC must have been for McGregor. I know that for me it's certainly to the point where I don't even want to acknowledge it as a movie anymore.
Post
#296478
Topic
Mr. McGregor hated SW?
Time
Originally posted by: CO
This will be what the majority think of the PT years down the road, it will always be inferior to the OT, plain & simple.


Perhaps, but there are enough fans to give the "saga" enough geeky devotion that popular culture will move on and stop caring altogether. It's sad, but most people in the future won't sift through a bunch of crap if its not worth the time involved. Everything is a balance and even now its becoming too much work to find what was truly amazing about the original films in their time. Soon only people with film interests of an esoteric nature will give a damn.

It's kind of weird. George Lucas went out of his way in the original films to make them in a way that wouldn't look dated, even years after. Yet what we have now, with his current edits, the prequels, and his never-ending revisionism, is a complete emphasis of every aspect that made the originals dated and supposedly imperfect. George Lucas decided that Star Wars wasn't good enough and now, coming from the mess he's made, it never will be.
Post
#296454
Topic
Mr. McGregor hated SW?
Time
I don't think the opinion he gave in that article was directly about his own work in the prequels nor whether he had an enjoyable time filming them. I think the comments are directed at the final movies as a final product.

Seeing as how he was the best actor in the prequels and Obiwan was the best character, I'm happy to know that he thinks the final films weren't great (while the originals were). He'd be the one guy with the most to be proud of after all. Heh.
Post
#295846
Topic
Blu-ray Disc or HD-DVD?
Time
Originally posted by: lordjedi
They are the same on the copy protection nonsense. Look up the specs. They both have the same capabilities on that.

True, but capabilities are different from implementation.


Originally posted by: lordjedi
HD-DVD could lose and it wouldn't really bother Microsoft any. $150 million is nothing to a company with NO DEBT and BILLIONS in the bank. By having the studios split, it delays consumer adoption which in turn pushes consumers to use online capabilities instead. NetFlix and iTunes can both deliver HD content over the Internet. If those really catch on then the hi-def formats will be relegated to a niche market.

I think Microsoft wants HD-DVD to lose but not before it can cause Blu-ray to lose as well. They're so arrogant that they actually think they can somehow force movie downloads to become the home-video-market standard. As if people would currently want to download their movies onto their hard drive instead of owning a more permanent recording. Downloading media still takes too long (at least in comparison to the quality of the video/audio) and Hollywood's desired copy protection makes downloaded content that much more obnoxious. Oh, and Vista sucks ass.


Originally posted by: dumb_kid
Originally posted by: lordjediMicrosoft has ever put such nasty software on computers that was so bad that it took a reformat to get it off.


Apparently you've never used windows


lol
Post
#295624
Topic
Who got their membership pkg and "letter" from George Lucas?
Time
Originally posted by: Mielr
Originally posted by: Tiptup

Laserdisc was not capable of this and that's why non-remastered DVDs have black bars encoded into the actual movie images.

Actually - anamorphic laserdiscs did exist. Only a few titles were produced and I think they were only sold in Japan, but they were made .


Ahh, thanks for correcting me. I wasn't sure about that when I posted it, but it seemed logical to me since so many Laserdisc transfers are non-anamorphic.


Originally posted by: zombie84
Regarding the previous discussion of anamorphic 16x9--that just refers to stretching an image to fit a certain aspect ratio. Although it is true that there is no stretching in a 16x9 image on a 16x9 screen, because it fills it exactly it would not be considered letterboxed since there is no letterboxing--in that sense its not really anamorphic either since there is no re-sizing but its a better way to describe filling a screen of the same size without any loss. As I said, letterboxing is always necessary since tvs are fixed size and films come in all sorts of shapes--in theaters, the projectionist has to letterbox films too, even though 35mm prints are anamorphic; thats how the same size screen fits a 1.85 film and a 2.35 film without changing the screen, there are drawn curtains that mask the shape of the screen to fit the images, even though the silver screen is "widescreen" and "anamorphic."


Hmm, if I were going to describe non-letterboxed, non-anamorphic images without loss, I'd simply call them full-screen+original-aspect-ratio since the term anamorphic has a very precise physical meaning and should only be applied to an image that is stretched at some point along the line.
Post
#295353
Topic
Who got their membership pkg and "letter" from George Lucas?
Time
Originally posted by: zombie84
Exactly what I said before. The only 100% anamorphic image is a film with an aspect ratio of 16x9 (which I believe is 1.78). As it drifts away from this, letterboxing becomes necessary, whether it is getting narrower (ie 1.66 will have slight side letterboxing, 1.54 will have even more) or if its getting wider (ie 1.85 will have slight top/bottom letterboxing, 2:35 will have more). Its just logically impossible to do it any other way since a widescreen television has a fixed aspect ratio and films come in all sorts of tiny variances. 16x9 was chosen because it was considered the best medium since it is between the American and European academy standards (1.66 vs 1.85), thus is was the best overall choice to minimise letterboxing effect. Personally they should have just gone with the american standard since wider is being more and more accepted.


Perhaps I'm missing something, but anamorphic means that one axis of an image (horizontal or vertical) is magnified to a greater degree than its counterpart. This is used in anamorphic DVDs, for instance, to devote more resolution to the actual movie images and not waste space on black bars. Then the DVD software adjusts the image to be the right side and adds black bars on the screen (as apposed to having the black bars present in the actual, visual data.) Laserdisc was not capable of this and that's why non-remastered DVDs have black bars encoded into the actual movie images.

It would make sense that Blu-ray and HD-DVD have a similar feature that would allow non 16x9 data to be stored in an anamorphic format. A 16x9 image on a 16x9 screen would be best if it were not anamorphic (since that would stretch the image).
Post
#295269
Topic
Who got their membership pkg and "letter" from George Lucas?
Time
Originally posted by: zombie84
Regarding a 2:35 image on a 16x9 screen, its both anamorphic and letterboxed since its the only way to get an image of a different shape to fit on the screen--so yes, the tiny black bars are letterboxed. Instead of with a normal 4x3 tv where the whole image is letterboxed, 16x9 tvs can display as much of the image anamorphically as the screen permits with the remainder thus having to be letterboxed--films shot 16x9 can be true anamorphic, 1:85 will have tiny, tiny letterboxing, 2:40 will have slightly more letterboxing, and if you watch Ben Hurr in its OAR it will look even more letterboxed.


Blu-ray and HD-DVD don't support anamorphic data? In other words, since Star Wars isn't 16x9, it will have to be letterboxed in the actual, visual data contained on the discs? (An anamorphic image can't be corrected along the vertical axis and then given black bars by the playback software?)
Post
#295219
Topic
UFOs and Aliens
Time
Originally posted by: lordjedi
Originally posted by: sean wookie
I think if aliens have ever been here they would be traveling at something similar to warp drive or you know if you are moving at the speed of light time will move faster around you 50 years to you can seem to be hundredsof thousands to the out side universe.


Time doesn't move faster sean. The faster you go, the more time appears to slow down. This has actually been scientifically proven. Clocks were put onboard jet aircraft after they were synchronized with ground stations. The planes flew at high rates of speed and at the end of the experiment, the clocks on the planes were millionths of a second behind. That's not much, but it proved the validity of Einsteins theory.


It's a bit more complicated than that actually. Based upon what I guess Sean was referring to, he's actually right to a degree (though science is pretty sure that we cannot reach the speed of light).

According to the theory of Special Relativity, anytime you observe something moving, its time must be moving slower in comparison to your own position's time. So, if we were to say that you left the earth in a rocket ship and came close to the speed of light (in comparison to the earth), you'd then see time on earth as if it were moving slower (and people on the earth would observe the same about you). However, a single moving position does not completely describe the way its entire frame of reference will intersect an observer's frame of reference. To make a long story short (the long story being Lorentz contraction) you're actually moving into parts of the moving position's entire frame that are farther in the future than it is. In our example this means that if you were to decelerate back to a speed that is seemingly at rest with the earth's position, you'd observe the outside universe as having aged far faster than you. (Your clocks will have moved more slowly in comparison to the outside world.) So, as Sean said, if you were moving at the right speed and you accelerate and decelerate at the right moments, 50 years (to you) could be hundreds of thousands of years to some other frame of reference.
Post
#294989
Topic
Who got their membership pkg and "letter" from George Lucas?
Time
The thing about those strange Star Wars fans is that they're a copy of Trekkies. It's like George Lucas is trying to turn Star Wars into Star Trek. Something that is very enjoyable at points, but also something that is filled with a lot of crap and never seems to end. In that atmosphere, an average nobody walking around in a stormtrooper outfit is actually one of the high points.
Post
#294986
Topic
Children of Men
Time
I just saw this movie yesterday. (Searched to see if there were any other threads for it.)

Very well made in the way it focused on essentials. I enjoyed how it seemed to be a journey for the main character as you cared about him and what he was doing. I liked how his outlook changed over the film and I think the ending was perfect in that sense. I don't know if the story was intended to be that way, but that's what I got out of it.
Post
#294637
Topic
I say forget the OOT on DVD, lets target HD-DVD/Blue Ray Now
Time
Originally posted by: Davis
I think the issue will be that HD-DVD is not a noticeable difference from DVD for most consumers (not home theatre buffs). You need a BIG widescreen TV to see a difference, and considering that many DVD's still look darned good on those displays, I don't think most people will like rebuying movies they already have in a digital format.

It's definitely not the jump that videotape to DVD was.


Good point. But, still, larger displays are becoming less expensive. Eventually I might be able to afford one myself.
Post
#294492
Topic
Harry Potter and the Deathly Hallows - my fan screenplay
Time
Originally posted by: Gaffer Tape
And I also loved the Hogwarts March when Harry reappeared after the graveyard. The counterpoint of the music to the emotion was done so well that it actually made me cry the first two times I saw it.


Yes, that was done very well and got to me in the same way. Makes me think that if the graveyard itself had been more sad that the tragic return would have been even more powerful. Still, I can't complain about the film. I liked it a lot. I've seen it four times now since it came out and I'm still enjoying it.
Post
#294418
Topic
Harry Potter and the Deathly Hallows - my fan screenplay
Time
Originally posted by: Marvolo
I really don't know. I wish I did so I could get over it, but something about it just irks me. I think it might be, because it was more of an action score than an epic, sweeping score. I like music that can make you cry. Something that really tears at your emotions and I didn't feel that with GOF. This is the type of music I like: Message For The Queen


Interesting debate. I remember the music being good in GoF, but I don't think it matched the story in an emotional sense. I remember that when I was reading GoF and the wands made their connection at the end, I was shaking with shock, sadness, and tension during that entire scene. I actually went so far as to invent a haunting Phoenix birdsong on the spot and it gave me goosebumps. The movie seemed to have completely forgotten about the birdsong at that part, however. It seemed to miss much of the dark, somber mood of that battle. That made me disappointed. A sad but powerful song was best suited there.

The movie captured Goblet's humor and the nature of the tri-wizard tests perfectly though, and the final battle still works very well despite not being what I would have wanted.
Post
#294327
Topic
I say forget the OOT on DVD, lets target HD-DVD/Blue Ray Now
Time
Originally posted by: zombie84
Well, that depends on when you define the war "over". If its the actual ceasing of production of HD-DVD products then it could be as late as early 2009. But in a practicaly sense it will be early 2008. Most stores don't even stock them anymore. Target doesn't, and Walmart is phasing out HD-DVD too IIRC. Blockbuster cancelled HD-DVD and now carries Blu Ray only. Hardware and software of Blu-Ray outsells its competitor by a 3-1 margin. All the studio's but one are behind Blu-Ray, while HD-DVD i believe only has one exclusive (and multiple studios that outright refuse to support it). Hardware price cuts have resulted in no third-party manufacturers. And Microsoft admitted that it wanted disk-based home video to die. Eek. And this is not only well before this holiday season but before many of the studios supporting Blu-Ray have begun releasing their gigantic classics catalog (The Searchers is the only one so far I believe)--when the software floodgates open this shopping season it will be Blu-Ray fever. So, in a practical sense, HD-DVD will be obsolete by the new year, but I would suspect that there will still be a faint trickle of releases up until the end of next year before the plug is officially pulled.


I hope that's true. Neither format truly excites me, but if I'm going to be stuck with one, Blu-ray is technically better and I'd rather have that dominate. It may come with more copy-protection crap, but that will still be bypassed quickly (I'm sure) and homemade content will be nicer on Blu-ray.
Post
#294325
Topic
Harry Potter and the Deathly Hallows - my fan screenplay
Time
Originally posted by: Gaffer Tape
Mike Newell did a great job with Goblet of Fire. I felt he was able to maintain everything that was truly important as well as add in several little touches that set it apart.


I agree completely. Goblet of Fire was my favorite book and the movie captured so much of what made it good. it wasn't how I would have done everything, but there's nothing I can directly complain about.

This last book was good too. So many of the scenes at the end were making me sob practically. Two parts even made me laugh and cry at the same time. When the movie for the seventh book is made, it needs to follow the book well. Rowling has definitely cemented herself as one of my favorite story-inventors ever.