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RogueLeader

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11-Jun-2015
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27-Jun-2025
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Post
#1145934
Topic
The Last Jedi : a Fan Edit <strong>Ideas</strong> thread
Time

NeverarGreat said:

My current solution would be to change the crawl so that Snoke wants Leia alive. That way the safest route to capturing her would be to run the ship out of fuel.

This isn’t a bad idea. Though why would the TIEs target the bridge then if they knew Leia might be on it?

It would require some FX work, but instead of having having them chase the Resistance in real space, you could also have the Resistance jump from system to system. Each time they jump, the First Order eventually shows up again, guns blazing, forcing the Resistance to jump again. You could still have it be a race against the clock, they’ll still eventually run out of fuel, but the amount of fuel they start out with is different, and maybe this could solve some of the current issues with the chase.

Collipso said:

I wonder where that shot that was on the trailer of Rey running with the ignited lightsaber would fit. After 2 viewing I’m pretty sure it’s not in the movie.

Youre right! It isn’t in the final movie. Apparently there was a scene where the caretaker village was in flames, and Rey is running toward the village. Not sure why it was on fire, or if it was a part of some vision.

I think it was mentioned on here before, but I believe there will be at least one deleted Luke and Rey scene on the DVD. This may or may not be related to this scene, though. Either way, I think this scene will definitely be one people will want to reinsert into the film.

Post
#1143358
Topic
The Last Jedi : a Fan Edit <strong>Ideas</strong> thread
Time

I just wanted to share my thoughts on the film and what things could be considered for future edits. Obviously these are very early thoughts and I definitely think more rewatches and getting involved in the discussion and analysis of the film is necessary. Sorry in advance for the long post.

TavorX said:

Also, I would LOVE to see someone fanedit podracers into the scene where the initial space horses are revealed.

I think a lot of hardcore fans were half expecting to see podracers! I can’t remember if it was another thread on here or on reddit, but someone made a pretty good point that podracing is kind of like the NASCAR of the Star Wars galaxy, so it probably wouldn’t be a sport the super rich would be into.

It seems almost universal that something needs to be done with the Canto Bight sequence. If someone wanted to cut the entire fathier chase sequence, they could potentially cut from DJ opening the cell door, to Finn and Rose heading to the door, then cut to their ship flying away, implying that they just followed him along and escaped together.

The problem for me, is that there are seeds that are planted into the Canto Bight sequence that holds a strong message at the end. Even though everything Finn, Rose and Poe did failed, what they did still helped light the spark of hope in the galaxy, which we see through the Force sensitive kid at the end of the film, who is wearing the Rebel ring that Rose gave him. There is a strong theme of failure in the film, and I worry that cutting too much would take away from that. Though it never hurts for someone to try and see how it feels. You could still keep broom kid at the end and just cut the shot of the ring, to keep the implication that hope is never truly gone. Or one could just end the film on the wide shot of everybody in the Falcon. Maybe there could be a good way to just trim the fat of the entire Canto Bight sequence rather than removing entire segments from it. Btw, some people seem to think that that kid is important and will play a part of IX or Rian’s trilogy, but I honestly believe his scene was just symbolic, rather than setting up some future character.

I think the floating Leia was a cool idea and I personally like it, but obviously something about it doesn’t work to have such a large negative reaction. Like someone said earlier, maybe there is a better way to cut this scene. And I think we should see how they handle Carrie’s death in IX before we implement a death for her in TLJ. There are definitely a few moments she could have died, so I think the options exist, and if they handle her passing poorly in IX, we would have already thought of some alternatives.

I think Rey being a nobody was a great idea and making her related to someone would kind of hurt the message that greatness doesn’t have to come from greatness. I know that doesn’t really explain her raw abilities, but in my mind, everyone’s connection to the Force seems to be amplified comapred to past Force users (even broom kid), so after being dormant for 50 years, besides flowing through an existing few, it is now rushing through everyone. If some kind of explanation still felt necessary by the end of the trilogy, I would, at most, possibly consider editing the vision sequences in TFA and TLJ to imply that Rey was the new incarnation of the Chosen One. Not necessarily a reincarnation of Anakin himself, rather a new person ‘chosen’ by the Force, but that could be an option. Kylo’s obsession with Vader would be ironic in that case, but could turn out weird if something does happen between him and Rey. I think it would tie the trilogies together nicely. The new trilogy would parallel the prequels, and just how Luke helped his father fulfill his destiny as the Chosen One, he is helping Rey fulfill hers. But this is just an initial thought, and I would like to see how Rey is handled in IX as well.

I personally loved Snoke getting killed the way he did, as it makes Kylo Ren a much stronger character for it, but I do think some kind of explanation of where he came from would have been nice. If they don’t really explain anything about him in IX, I think editors could consider ways to touch on his background in some way, either in the TFA crawl or Rey’s force vision maybe. I really believe he is just a powerful Force user from the Unknown Regions who was biding his time, but when the Emperor’s theme started playing in Snoke’s throne room as he was torturing Rey, I really thought for a second that they were going to play the “Palpatine clone” card from the old EU. I think either of these theories, or the idea of him being Darth Plagueis, could be implemented with some subtle hints in the films. I think it is important to consider which of these ideas benefits the saga as a whole the most, though, because II personally don’t think they all would work.

Someone mentioned this earlier, but I also have a bit of problem with Luke almost killing his nephew. I think it is implied that Luke saw the future and for a brief, desperate moment considered killing his own blood to save the rest of his students before quickly realizing that was a mistake. But I don’t think it is as clear as I would have liked, because it feels like it goes against everything he learned in the OT. If it were a younger Luke, he would have rejected the idea of Ben falling and would have had faith in his nephew, just like he did his own father. But maybe that was the point. I liked how they did Luke’s story overall, and I think Luke will be back as a spirit to guide Rey in rebuilding the Jedi, but I think this moment needs to be given some thought.

Also, I don’t think the Yoda sequence should be removed! I agree that Yoda looked off but I honestly think we’ll get used to it given time.

I liked the humor in the film, but at times there was a bit too much, so I do think trimming jokes should be considered to help keep the tone from jumping around. A little nitpick is Phasma, I definitely think her scenes in TFA and TLJ should be edited someway to make her feel less like a punk.

Someone may have mentioned this, but I don’t think anyone in the film said, “I have a bad feeling about this.” I don’t necessarily mind this because this movie was all about screwing conventions and burning down the idea of what we think Star Wars has to be, but if someone wanted to implement it in their edit, I think the easiest way to do it would be to make 3PO says it at some point. I’m sure there is a recording of Anthony Daniels saying it somewhere.

HelloGreedo, a Star Wars youtuber, said at then end of his review of the film, “When I woke up this morning, my very first thought when my head raised up from the pillow was, ‘Man, I want to see a Last Jedi fan edit.’”

Looking forward to what deleted scenes will become available to us in the coming months. I’m excited for all of your ideas for this film and the back and forth. It’s fun to talk to you all.

Post
#1140478
Topic
TFA: A Gentle Restructure (Released)
Time

Sir Ridley said:

And I’ve identified the shots needing new slow motion from the crying Rey/Falcon escape. It starts with the shot when the Falcon headlights appear and ends before the shot of the Falcon flying off in a cloud of snow. But strangely this sequence is exactly the same length as in the original movie, but they’re slightly out of sync and shots start at slightly different times so I’m not sure what has been done to that part and why.

I’ve noticed what you’re talking about, but I felt like I’ve noticed this in multiple versions of the movie. Have you checked other sources to see if it has that weird lag/effect as well? Maybe I’m wrong.

Post
#1139925
Topic
TFA: A Gentle Restructure (Released)
Time

Thanks for the responses Neverar and Hal!

Hal 9000 said:

Thanks for the feedback! I probably won’t do an updated version without a “big deal” coming along. But who knows? Maybe we’ll get one in a week or so. I’m thrilled with how V2 turned out, after I frankly regretted doing V1. You are all amazing.

Really? You regretted it? Why is that?

Yeah, I honestly think that Snoke scene is really the only important thing that could be added to Restructured. Nothing else really serves that purpose that hasn’t already been done.

Yeah, this whole process has been really fun. HOPEFULLY we won’t have to do this amount of work again for The Last Jedi, but the work can continue in Ridley and Nev’s (can I call you Nev?) own edits. And after TLJ comes out, I’m sure it will help them make decisions about what other changes to make to TFA.

darthrush said:

I’d love to see a v3 as well. I think waiting until the Last Jedi is released will give us enough information to be ready to perfect the edit with a possible v3.

Good point, Rush! TLJ might bring to light other changes that could be made for a V3.

Post
#1139903
Topic
TFA: A Gentle Restructure (Released)
Time

Just jumped around to look at most of our changes, wanted to make a few notes.

Besides a thing or two that I noticed, this edit looks super professional. FX, sound, quality, everything. It’s very impressive.

Now, the most glaring thing I noticed, and it probably was mentioned already, but the second Snoke scene after Kylo Ren interrogates Rey, it does jump back and forth between Kylo with and without his helmet. It’s not immediately noticeable, though, as it is a wide shot and a back of head shot(s). It was the major continuity error I noticed and it definitely needs to be addressed in a future edit (either Restructured or something else).

Another one that I think needs to be dealt with is the first R2 scene. You can’t hear 3PO walking away, so one moment he is there and the next moment he is gone.

I also can’t remember if a sunset color grading was supposed to be added at all for the Battle of Takodana, or that was left off the table for this edit, but I didn’t really notice a difference from the theatrical.

Also, the deleted scene with Leia. It looks really good, but I felt the shots of her after she sits down look a bit too yellow. Her face just looks a tad more yellow than any of the other resistance shots of her though. Maybe it is just me.

I don’t if what Ridley did to the slow mo shots during the Hosnian destruction was also done to that shot of Kylo Ren right before it cuts to Starkiller stuff, but if wasn’t I think it could be. It’s not bad, it kind of has a cool effect, but just wanted to see how others felt about it. If no one says anything then I wouldn’t worry about it.

Overall, I think everything looks fantastic. Job well done.

Post
#1139734
Topic
TFA: A Gentle Restructure (Released)
Time

MalàStrana said:

It is time… to watch this edit !

Congrats to everyone. It’s been very fun to follow the progress of the project with the new ideas popping here and there and the mock concepts to feed the interest all along. I never went back to the theatrical cuts of the PT after watching Hal’s versions; I’ll never go back as well to the original TFA cut with this impressive v2 (the “fanedit sfx department” is to get special praised, thanks guys !).

Agreed that Neverar, Ridley and Jack definitely deserve some praise. I would love to see your process on some of these changes. I know there are some resources available already, but maybe when you guys are working on your own edits, you’d be willing to record the process of doing some fx work. Or show us how you guys learned to do these things, if you’re self-taught or whatever. I personally want to learn how to do fx on that level, but I also think these skills can really make a big difference as far as what this community could be capable of.

Post
#1139323
Topic
TFA: A Gentle Restructure (Released)
Time

NeverarGreat said:

I just noticed a potential issue in the escape from Jakku. After they go to hyperspace, Finn tells Rey that ‘we need to get out of this system’. Yet presumably they’ve already left the system, so Finn’s not making a lot of sense. I played around with some dialogue changes, but it’s probably better to just cut the line.

They were in hyperspace for only like a minute, so you could argue that they only made it to the edge of the system before they fell back out of hyperspace, waves hand.

Yeah, the FX work that Neverar and Ridley have done blows my mind. I’m excited to see what all you guys end up doing for your own edits as well, especially after TLJ comes out. And thanks Hal for leading this project so well. We’re on the final stretch now!

Post
#1139167
Topic
TFA: A Gentle Restructure (Released)
Time

I can’t recall if the opening theme music was going to be replaced in this edit or not (I know other editors have and will replace it in their own edits). I know most people have planned to use the prequel version of the opening theme, but back when TFA came out on DVD, Adywan posted an edited version of the TFA theme that made it sound more like the London Symphony Orchestra’s versions that he planned to use for his own personal edit. Don’t know how to describe it, more “grandiose”? Anyway, I can’t remember when exactly he posted it but I went ahead and reuploaded the version he shared if anyone wanted to use it for their own or we wanted to consider using it for this version, since it is just an enhanced version of TFA’s own theme rather than using a different movie’s theme.

https://mega.nz/#!DFEgBBBY!tL7aTGM7yZGOg0UWMTj8zCzLjxahSt7jSKL7j2kP-Jg

Post
#1137532
Topic
STAR WARS: EP VI -RETURN OF THE JEDI &quot;REVISITED EDITION&quot;<strong>ADYWAN</strong> - ** PRODUCTION HAS NOW RESTARTED **
Time

adywan said:

Have a small portion of the Ewok celebration which then leads to the funeral pyre scene. This is where the Force Ghsots will appear and the film will end with Luke being alone (which in turn foreshadows TFA).

I always felt that this would be the strongest way to end it.

I thought it would be interesting if instead of fireworks going off in the sky (did the rebels bring fireworks with them or do they always carry some around?), debris from the Second Death Star was burning up in the atmosphere, like dozens of shooting stars.

But end it the way you envision it, Ady! Looking forward to whatever you do!

Post
#1137461
Topic
TFA: A Gentle Restructure (Released)
Time

DominicCobb said:

If anything I’d say we should be looking for ways to trim the scene down so it doesn’t feel like it wasn’t envisioned as part of the climax (which the Snoke music makes plainly obvious, I feel).

Instead of having Snoke say, “It is time” at the beginning, could we possibly swap it out with something like “Now, the Resistance must be destroyed before they reach Skywalker.” It would infer that Hux told him the success of the first attack, and I think he uses the word “now” in one of his scenes, I’ll have to double check where.

Or, cut that line entirely and have Hux start with, “Supreme Leader, we have tracked their reconnaissance ship to the Ileenium system.” Taking “Supreme Leader” from another scene.

Might be worth another attempt.

Post
#1136774
Topic
TFA: A Gentle Restructure (Released)
Time

Just wanted to say thanks for all of the work you guys have put into this edit over the past several months (especially Hal, SirRidley and Neverar). While I know all three of you would make different choices for you personal edits (looking forward to them as well!), it is really cool to see this level of collaboration on a project.

Also, congratulations Hal! Don’t know if you had mentioned that on here before, but that’s exciting news! Really happy for you!

Post
#1136339
Topic
TFA: A Gentle Restructure (Released)
Time

Hal 9000 said:

Though it wouldn’t be in the edit if I were forced to export what I’ve got right now at gunpoint, here’s what the Ackbar line looks like at this stage:
https://vimeo.com/245133834
password: allahu

lol, nice password

Yeah, the biggest problem being the noticeable difference between his OT and TFA voice. Didn’t someone also make a version where his line just started in the D’Qar base and then ended as radio chatter, excluding the “all craft” line entirely? Maybe cutting straight to the base was too jarring. But like you said, if we can get a solid version of the Snoke scene it won’t exactly be necessary. If you feel there are more important shots/scenes to worry about in order to complete V2 then obviously those need to be focused on. Sorry if I’m derailing the focus at all by bringing these things up.

Post
#1136330
Topic
TFA: A Gentle Restructure (Released)
Time

NeverarGreat said:

I’d probably go with the restructuring approach for Starlight, but at least the new Snoke scene keeps everything else in place.

I definitely think you should! I was originally unsure about the idea but your most recent versions have shown that it could work really well. I think your other idea, the brief Snoke scene, has an efficient, less is more, approach that fits with trying to keep this edit focused on supplementing the main change while preserving as much of the theatrical version as possible. Also, your new hyperspace shots feel super professional. Great work on that.

And Hal, if that doesn’t work I do think the dialogue would still work fine as is. Just thought it might be worth another go.

Also, was the idea of having Ackbar report to the fighters that the Oscillator was still functioning scrapped, or just put in a different place?

Post
#1136308
Topic
TFA: A Gentle Restructure (Released)
Time

I think this idea is best for V2, at least. I remember really liking Neverar’s first attempt at this when he originally posted it. Snoke and Hux basically say “The Republic is destroyed, and now we can destroy the Resistance!”, and I think it shows how useful Starkiller base is. They can destroy all their enemies at once, from across the galaxy. The Republic, the Resistance, and finally Luke (if they had ever discovered his hiding place). And with the First Order apparently being smaller than the Empire, it makes seem smarter. I think it also shows that Snoke does play a part in these machinations, rather than Hux just playing off Snoke’s fears. Here is his original version

NeverarGreat said:

Alternate take on Snoke and friends:
https://vimeo.com/221526067
Password: hux

I think going back to this simpler idea is good, but it might be worth trying to get closer to Neverar’s original dialogue. Instead of Hux saying, “The Republic, it is wreckage” you might be able to piece together the word “destroyed” from “destroy” and “droid”, then you could have “We [have] destroyed the Republic” or something similar. Hux says both ‘we’ and ‘have’ in the second Snoke scene. Cutting words together like this can be really jarring and noticeable, but it might be worth the attempt.

On another topic, regarding the Starkiller explosion, I think the reworking of the music you guys did for it was incredible work. The music always felt very victorious and triumphant to me, and even though they destroy Starkiller base, it doesn’t really feel like a complete victory in this edit (which motivated the removal of the pilot reactions at the end). Anyway, several months ago I stumbled across a YouTuber (who seems to have removed the video since then) who rescored this scene with a cue from the track Yoda and the Force. I thought it fit really well, even leading me to think it may have been used as part of the temp-track during post-production. I think the Burning Homestead cue was used in a similar way, but they liked it so much that they decided to keep it in the final cut rather than use what John Williams wrote for that part (since different music for that part appears in the soundtrack).

Anyway, I don’t want to get things sidetracked now that we’re so close, but I thought I’d share it just in case. I put off sharing it for months because I didn’t think it was relevant to the edit, but I think the more melancholic/hopeful music could fit better with the restructuring. Or maybe someone else might find use for it in their own edit. I don’t like the transition I made at the end but it could be reworked. Regardless, I definitely wanted to thank you guys for going through this process on a public forum and allowing other people to build off things you are working on; that’s how I was even able to do this in the first place.

no password
https://vimeo.com/214002065

Post
#1136297
Topic
RogueLeader's Rogue One Edit (* unfinished project *)
Time

I totally agree with you MalaStrana! I think DigMod’s edit is fantastic. I think if you were to take his edit and implement the narrative restructure, you’d have something “truly special”. The main difference is he adds an opening crawl and I don’t.

Thanks for the interest! I haven’t had a chance to re-edit the first 30 minutes yet, but in the meantime I thought I’d share two other clips from the edit. The first is an attempt to show why Chirrut might want to save Jun and Cassian from the stormtroopers a few minutes later in the film. The second is the restructuring of U-Wing conversation between the Jedha and Eadu sequences.

password: fanedit
https://vimeo.com/243090809
https://vimeo.com/243089860

Post
#1132503
Topic
RogueLeader's Rogue One Edit (* unfinished project *)
Time

jarbear said:

I think its your phone Ash, the ambient noise is there.

The first clip is great, really good editing and like the narrative based on your edit.

I will say I do agree with all what Chainsawash has said on his previous posts. I appreciate you want the air time for Saw, but it would be better to take out those scenes … especially the Gullett scene…

Lastly, having K2 silent with the bag is genius. I like it better this way!

Thanks for the input! And I’m glad you like the K2 change!

Yeah, and it seems there’s no redemption with the Bor Gullet scene. The next cut I’ll probably remove those scenes, and if people are willing to watch the first 20-30 minutes, see how it flows.

Post
#1131677
Topic
RogueLeader's Rogue One Edit (* unfinished project *)
Time

ChainsawAsh said:

Personally, I’d cut all of Saw and Bodhi’s scenes before Jyn and Cassian get to Saw’s group. This way you’d meet Saw with Jyn (you can take the shot of Saw’s legs walking from the scene where he meets Bodhi in the original version to give his meeting with Jyn a more “character introduction” feel) and Bodhi with Cassian. You can tone Bodhi’s post-Bor Gullet confusion down too.

(I would definitely cut Artoo and Threepio and Ponda Baba and Evazan’s cameos, though.)

That is a good idea as well. I think the scene is meant to show how Saw has sort of gone off the deep end, but I guess we still see that briefly when he speaks to Jyn. Even though I would hate to lose more screen time for Riz Ahmed and Forest Whittaker, it wouldn’t hurt to at least try it out and see how it feels without it.

And if enough people think I should remove the cameos I might. They’re easy enough to get rid of!

HerekittykittyX said:

Two things I would add to this take out the weird squid scene and the first clip cuts way to quickly it needs to have an audio fade or a wipe transition

Thanks for the input! I might take out the squid scene. I wonder if it would help if I made a before and after to help show how it differs from the original version at least. Also, I didn’t change how the first clip cuts away, that is how it is in the original, if you are referring to the briefing room scene.

ChainsawAsh said:

Clips look pretty damn good! There’s some dead air in the “doesn’t sound so bad” line removal that should be filled with ambient environmental audio, though, and there’s some more blending needed to smooth out the audio on some of the lines in the briefing scene. Other than that, it all looks and sounds great!

I listened to that part again and I didn’t hear any dead air, I have ambience running throughout. You may have misheard it or maybe I’m missing it! If you wouldn’t care to double check I would appreciate it. You should hear that locust-like sound all the way through.

Yeah I agree. I think I have smoothed out Mon Mothma’s “and return him to the Senate” a bit more than it is in the clip now. It is definitely a challenge because of how quickly they talk. Thanks for the input!

I think in this edit they know Galen is building the weapon, but they don’t know that Galen sent Bodhi.

This is correct, thank you for clarifying!

DigMod said:

Oops,looks like I read it wrong.

It was a lot to read so it was easy enough to miss!

Post
#1131333
Topic
RogueLeader's Rogue One Edit (* unfinished project *)
Time

Here are two clips from the edit. The first is the Yavin IV briefing room scene where they tell Jyn the plan. Now, the plan is simply to rescue the pilot and bring him to the Alliance. They’re unaware that Galen actually sent the pilot.
https://vimeo.com/243094840
password: fanedit

The second clip is the first few minutes of Jedha in the film. The first half shows the removal of K2SO’s line “That doesn’t sound so bad to me.” It isn’t a bad line, but because we are expecting a quippy line, the scene might actually play funnier if he does the unexpected and says nothing. They originally showed this scene last year at Star Wars Celebration without sound, and I think it played funnier with the audience.
The second half is Bodhi and Saw’s first scene in the film, followed by the trimmed Bor Gullet scene.
https://vimeo.com/243197525
password: fanedit

Post
#1130311
Topic
RogueLeader's Rogue One Edit (* unfinished project *)
Time

I liked Rogue One, but I definitely think that the lack of characterization and other common criticisms were justified. Without deleted scenes, you can only do so much, but I wanted to see what can be done with what we were given.

I think the biggest criticism of the film was its lack of character development. This falls hard on Jyn, especially. An informative video essay by Lessons From the Screenplay highlights the faults in the two newest Star Wars films’ central protagonists, Rey and Jyn. While Rey is another topic, Michael delves into Jyn’s character and describes her as a passive protagonist, meaning Jyn rarely makes decisions that have any influence on the story as a whole. Link to video below.

https://www.youtube.com/watch?v=gsIQa7sH5_Y&t=638s

A few months ago I also stumbled across a Tor article by Max Gladstone titled “How to Fix Rogue One with the Least Amount of Effort”. While some of his changes are impossible to make, he had some ideas that I thought could be doable. Please give it a read when you can; he explains his own ideas much more elegantly than I could.

https://www.tor.com/2017/01/05/least-effort-fixes-for-rogue-one/comment-page-1/

So, after reading these criticisms, along with many others on here and other websites, I decided to work on an edit with these major goals.

Make the first act less jumpy.
Make Jyn a more active protagonist.
Save Galen’s message as a reveal.

UPDATE: December 2019

Lately I have been thinking about revisiting Rogue One. YouTuber Nando v Movies just released a new video suggesting cuts for Rogue One (https://www.youtube.com/watch?v=Syx3CBenkz0), and it has made me want to come back to this edit. Considering my name on here is RogueLeader, I figure it would be appropriate for my first official fan edit be for Rogue One.

I’m thinking about revisiting this over the December-January 2019 holiday, so maybe I’ll make some progress on it.

I want this edit to build off of two excellent Rogue One edits, TM2YC’s Where Rebels Dare and DigitalModification’s Rise of the Rebellion, but I want the main selling point of this edit to be its focus on improving the narrative arc for Jyn Erso.
As of now, I will not be implementing an opening crawl like they do, but I may keep the wipes. Some other ideas that I want to use come from other users here, such as jarbear and krlozdac.

Some ideas I will be adding:
Potentially cut Krennic’s line “Do it” regarding killing Lyra Erso. Blatantly ordering the death of Galen’s wife seems like a bad way to get him to cooperate. Also, making her death not be directly on Krennic’s hands might help add ambiguity to Galen’s loyalties in this version of the movie.
Save Galen’s involvement as reveal, so the initial mission is only to get the pilot.
Cut all scenes of Bodhi and Saw before Jyn & Cassian meet them (Nando and ChainsawAsh idea)
As a side-effect of that idea, there will be no Bor Gullet.
Change “We’ll make sure you go free” to “[It’s] a chance for you to make a fresh start.” or “We’ll make you a fresh start.” Basically, they’ll set up Jyn with a brand new identity, not just “setting her free”.
Cut “we’re up against the clock” line, so it feels like Jyn has more of a choice.
Cut the Dr. Evazan and Ponda Baba cameo.
Have Chirrut “sense” Jyn saving the young Jedha girl, which motivates him to rescue Jyn later from the Stormtroopers.
Remove lines referring to the Death Star’s flaw as Galen’s “trap”.
Have Jyn be the one to suggest going to Eadu to rescue her father.
Cut Krennic visiting Vader on Mustafar.
Cut shots of Vader looking straight at the Tantive IV.
And there will be more various changes throughout.

I had considered removing the disc hand-off in the Vader scene to maintain continuity with A New Hope, but I will not be doing that.

Another idea I have considered is a total regrade of the film to give it a more film look, something to make it feel even more in-line with the look of A New Hope. I’m not really an expert on color grading, so if someone who is could provide some insight and ideas I would really appreciate it. Part of the reason I would like to do this is because some people might feel like the differences between Where Rebels Dare, Spark of the Rebellion, and this edit are rather minor, so something like a regrade might help make a rewatch of Rogue One with this edit a fresher experience.

Also, any thoughts on a name for this edit? I don’t want to change the name of the movie. Maybe because I want to focus on Jyn’s characterization it could be called Rogue One: Stardust Edition? Is there an edit with that name already? Or just Star Wars: Rogue One, a fan edit by Rogue Leader?

There are still some other ideas I’m floating around with, like the scene where Jyn confronts Cassian about Eadu, Jyn’s speech to the rebels, and how to cut them based off this idea of improving characterization that I have. If any of you have any other ideas you want to suggest, just let me know. Also, if there is something you’d like to see that other edits have yet to do I’d love to hear it.