- Post
- #296751
- Topic
- Jericho
- Link
- https://originaltrilogy.com/post/id/296751/action/topic#296751
- Time

PaulisDead2221
- User Group
- Members
- Join date
- 3-Nov-2005
- Last activity
- 6-Mar-2024
- Posts
- 548
Post History
- Post
- #296445
- Topic
- Star Wars DVD Covers
- Link
- https://originaltrilogy.com/post/id/296445/action/topic#296445
- Time
- Post
- #296196
- Topic
- Lightsaber in space...
- Link
- https://originaltrilogy.com/post/id/296196/action/topic#296196
- Time
"Well, we were playing with it outside, and it just..."
- Post
- #295420
- Topic
- Info Wanted: Star Tours
- Link
- https://originaltrilogy.com/post/id/295420/action/topic#295420
- Time

- Post
- #295207
- Topic
- Star Wars - The Vintage Edit (* unfinished project *)
- Link
- https://originaltrilogy.com/post/id/295207/action/topic#295207
- Time
I've updated the initial post to contain screen-shots sourced from an actual encode, instead of a bitmap off my time-line in premiere. So this is what it actually looks like and would look like on DVD. There's oodles of little flukes to go back and fix, but those are some screen-shots of where things have improved.
A friend of mine and I watched my ESB edit on his big screen TV. Obviously I saw all the places where I need to improve, but the overall experience of seeing something I made on somebody else's screen was awesome

- Post
- #295095
- Topic
- Who got their membership pkg and "letter" from George Lucas?
- Link
- https://originaltrilogy.com/post/id/295095/action/topic#295095
- Time
If Lucasfilm won't give Star Wars what it needs, then we'll just have to.

I'm sorry, it's just when you watch your own DE-SEing project with a friend of yours on his HD television, with the real Fett speaking right now cue, and everything with a place and everything in its place, when you leave your disc there for your friend to have, and print out for him the cover art you yourself created, and when you give it to him he's all "Dude sweet!", and when days later he's watching the film yet again with the isolated score, and all this you yourself put together, and have everything you need to do it two more times (three times cause you're convinced you could still do better with the one that's done!), and have everything you need to give it to the whole world with an internet connection, well fuck.
No, it won't be perfect, it won't be perfect until Lucasfilm does a proper transfer from the original negatives once again. And if he's actually taped over his copy, then another can be easily salvaged from deep within the safe, secure, environment-controlled vaults of the British Film Institute or the American Film Institute. Now come on people, cheer the fuck up.
- Post
- #294931
- Topic
- Who got their membership pkg and "letter" from George Lucas?
- Link
- https://originaltrilogy.com/post/id/294931/action/topic#294931
- Time
- Post
- #294904
- Topic
- //Star Wars Begins\\: HD Version Now on Vimeo
- Link
- https://originaltrilogy.com/post/id/294904/action/topic#294904
- Time

- Post
- #294644
- Topic
- Info Wanted: Pittrek's "pure" '04 DVD/GOUT hybrid OT project...
- Link
- https://originaltrilogy.com/post/id/294644/action/topic#294644
- Time

OCP's classic edition 2.0 for ANH is (currently

- Post
- #294374
- Topic
- 2007 Star Wars DVD Collection Release
- Link
- https://originaltrilogy.com/post/id/294374/action/topic#294374
- Time
- Post
- #293745
- Topic
- STAR WARS: EP IV 2004 <strong>REVISITED</strong> ADYWAN *<em>1080p HD VERSION NOW IN PRODUCTION</em>
- Link
- https://originaltrilogy.com/post/id/293745/action/topic#293745
- Time

When Tarkin discovers that the rebels have gained access to the cell block corridor, Vader says "They must be attempting to return the stolen plans to the Princess, she may yet be some use to us." I was thinking about lines of dialog that don't make any sense (like threepio saying there'll be no escape for the princess this time, which you've cut), that maybe it would improve the film if Vader didn't make such a stupid assumption. I checked your first post and this change isn't there, but if you're looking for some of those silly little lines/scenes to cut, that could be one.
- Post
- #293520
- Topic
- Star Wars - The Vintage Edit (* unfinished project *)
- Link
- https://originaltrilogy.com/post/id/293520/action/topic#293520
- Time

So....my encode went...okay. What does anybody know about WookieGroomer's HD thang. So it's the combined efforts of a number of HD broadcasts? Is this just to eliminate broadcast glitches? How do people like the quality of the encoding? Many artifacts? I know they're mostly unavoidable with a broadcast signal, but just wondering from anybody who's seen them.
It's just so grainy right now. I know part of this is probably coming from how filter heavy the process from the original file all the way down to the encode, so in that respect I might need to rethink how I do the actual color correction. I might also rethink about when I resize the image, cause I get some stair-casing when I let Premiere do the resizing, when maybe it's a better idea to resize first with a good avisynth resizer.
Well I learned a lot from this first 3-day debacle! And I've got some new ideas and I'm gonna get back on track. Screener getting held off for a bit cause this one sucks too bad. It needs to be as good as I think I can get it, that way the standard of the critiques will go up as well.
But for tonight...Simpsons Movie. I hope it's great...oh it won't be. It hasn't been great since season 10...can only hope

- Post
- #293515
- Topic
- Kubrick: Vinyl Trilogy (Released)
- Link
- https://originaltrilogy.com/post/id/293515/action/topic#293515
- Time
Oh....
Just five films? Coincidentally the three I was interested in are the first three. Now how do I get these onto DVD9 in 480p?!
- Post
- #293087
- Topic
- Star Wars - The Vintage Edit (* unfinished project *)
- Link
- https://originaltrilogy.com/post/id/293087/action/topic#293087
- Time
Obstacles of Doom:
-Opening shot (repainting that stuff) I'm playing with some methods outside of actually shelling out for After Effects, and it should work out soon.
-Original crawl (where are you Swehanzon?)

-Some matte fixes of my own are failing when encoded, like not lined up correctly...god damn lying preview window.
-And I don't know exactly how I'm going to pull off a 5.1 1977 mix, or a 5.1 mix at all without resorting to some sort of "heresy mix" just for the sake of a 5.1 mix as per standard DVDs for classic films. Neil's disc (or as he prefers, "the disc he received"

In somewhat related news: I've got HD The Empire Strikes Back already, and I'm downloading HD Return of the Jedi as we speak (hey seeders!), so at least I can complete the trilogy. Yes, everything is proceeding as I have foreseen...muahahhaaha!
- Post
- #293068
- Topic
- The Mono Mix Restoration Project (Released)
- Link
- https://originaltrilogy.com/post/id/293068/action/topic#293068
- Time
So is this a pcm file that can just be dropped in sync real quick with the GOUT? That is what the first page says of course, but of course there was some discussion since then. Did it end up as a simple uncompressed .wav file?
- Post
- #292333
- Topic
- Star Wars DVD Covers
- Link
- https://originaltrilogy.com/post/id/292333/action/topic#292333
- Time

A New Hope
The Empire Strikes Back
Return of the Jedi
So does anybody have anything crazy and new? There must be some untapped artwork out there.
- Post
- #292077
- Topic
- .: The Lancer DVD Project :. (* unfinished project *)
- Link
- https://originaltrilogy.com/post/id/292077/action/topic#292077
- Time
- Post
- #291955
- Topic
- Star Wars - The Vintage Edit (* unfinished project *)
- Link
- https://originaltrilogy.com/post/id/291955/action/topic#291955
- Time
- Post
- #291687
- Topic
- Star Wars - The Vintage Edit (* unfinished project *)
- Link
- https://originaltrilogy.com/post/id/291687/action/topic#291687
- Time
- Post
- #291648
- Topic
- Star Wars - The Vintage Edit (* unfinished project *)
- Link
- https://originaltrilogy.com/post/id/291648/action/topic#291648
- Time

1. I need some volunteers to look over a DVD screener of my final footage. I just need a few fresh eyes. Should have proper equipment for the job, be willing to go into extreme detail at what you see wrong, specific pointers, etc. Free copy of the final project to these people for a good and hard critique. I'll put a nice time-code on it and everything so it looks like an official screener DVD.

2. Also, and this is a stretch, but a volunteer to do some of these damn matte fixes. It's a bunch of the perspective fixes on the cell block corridor. If someone wanted to re-matte in the original backdrop into the first 5 or 6 times they fixed the perspective in 2004, free copy of the final project.


Problems aside, it's all going good. Little before and after action (contrast in my color corrected frame is too high sorry...but it's still an improvement):


- Post
- #291432
- Topic
- //Star Wars Begins\\: HD Version Now on Vimeo
- Link
- https://originaltrilogy.com/post/id/291432/action/topic#291432
- Time

Starting Wars
Building Empire
Returning to Jedi
It's got perfect uniformity and parallel structure, but then again, what the hell does that mean...?
These kind of things are always fun for a documentary
- Post
- #291018
- Topic
- Info: Auto-correction from SE colours to GOUT colours (lots of information)
- Link
- https://originaltrilogy.com/post/id/291018/action/topic#291018
- Time
- Post
- #291017
- Topic
- MECO's rare ESB 10" record (Released)
- Link
- https://originaltrilogy.com/post/id/291017/action/topic#291017
- Time
[edit: well it was on at the end of page 1...]
in the end, it isn't too much about what we can hear rather than what it is whether we hear it or not. MP3 IS compressed, and vinyl sound or other analog recordings are NOT compressed, they emulate true sound. Though I know I can't tell the difference, it is just technically so.

Actually, in my Spanish class, we used to play a lot of Spanish songs, by Latin pop artists. They were all on these burned CDs, and most of them were God awful mp3s and I could hear all sorts of artifacts while listening to them (I actually pointed it out one day and realized I was the only one who cared). I don't know how old the CDs were, and therefore how old the codec was, but still.
Are .ac3 files 16 bit? Doesn't that mean it's just CD quality audio?
- Post
- #290923
- Topic
- .: The Lancer DVD Project :. (* unfinished project *)
- Link
- https://originaltrilogy.com/post/id/290923/action/topic#290923
- Time
- Post
- #290922
- Topic
- Star Wars - The Vintage Edit (* unfinished project *)
- Link
- https://originaltrilogy.com/post/id/290922/action/topic#290922
- Time
Originally posted by: pittrek
Well, the method I've mentioned makes exactly what I have written, simply takes the GOUT video as the base layer, and puts over this layer the same video from the 2004 release with black being transparent. That's why the code doesn't work.
Both Layer and ColorKeyMask expect a clip as their parameter, and not an avs script, so you should have it ALL in one script, and you should start it with for example
GOUT = mpeg2source("path_to_GOUT_clip.d2v")
SE = mpeg2source("path_to_SE_clip.d2v")
GOUT = GOUT.Trim(..., ...) #the start and end frames if you want to do it only with one scene
SE = SE.Trim(... , ...) #the same
GOUT = Crop(... , ... , ... , ...).Lanczos4Resize(720, ...) # crop it and resize, the numbers are depending on the format you're using (NTSC / PAL)
#and later use
Layer(GOUT, ColorKeyMask(SE, $000000, 10), "add", 255, 0, 0)
That's one method. If you don't wanna do it this way, tellan wrote a couple of month ago a different method on chroma keying in his "Lancer project" thread. Maybe it's worth reading.
Well, the method I've mentioned makes exactly what I have written, simply takes the GOUT video as the base layer, and puts over this layer the same video from the 2004 release with black being transparent. That's why the code doesn't work.
Both Layer and ColorKeyMask expect a clip as their parameter, and not an avs script, so you should have it ALL in one script, and you should start it with for example
GOUT = mpeg2source("path_to_GOUT_clip.d2v")
SE = mpeg2source("path_to_SE_clip.d2v")
GOUT = GOUT.Trim(..., ...) #the start and end frames if you want to do it only with one scene
SE = SE.Trim(... , ...) #the same
GOUT = Crop(... , ... , ... , ...).Lanczos4Resize(720, ...) # crop it and resize, the numbers are depending on the format you're using (NTSC / PAL)
#and later use
Layer(GOUT, ColorKeyMask(SE, $000000, 10), "add", 255, 0, 0)
That's one method. If you don't wanna do it this way, tellan wrote a couple of month ago a different method on chroma keying in his "Lancer project" thread. Maybe it's worth reading.
Tellan's actually what gave me the idea, and it was he that said that it probably could be done in avisynth, he just used his editing program.
Oh Jesus I'm retarded, d2v files. Ha ha. Well I finally got it working and I don't think I'm getting anything out of it. I can't get the tolerance and saturation intensity and all that balanced so that the shots work. There simply aren't enough stars in that shot in the 2004 footage to be gained without other elements beginning to glow and bleed outside the matte lines on the top layer. I'm still working on it.