- Post
- #62204
- Topic
- My own edit of Episode I (my 'The Perfect Edit') (Completed)
- Link
- https://originaltrilogy.com/post/id/62204/action/topic#62204
- Time

Obi-wonton
- User Group
- Members
- Join date
- 16-Jul-2004
- Last activity
- 14-Jan-2006
- Posts
- 453
Post History
- Post
- #61404
- Topic
- pictures of dual layer set
- Link
- https://originaltrilogy.com/post/id/61404/action/topic#61404
- Time
- Post
- #60813
- Topic
- Episodes 7,8,9?
- Link
- https://originaltrilogy.com/post/id/60813/action/topic#60813
- Time
- Post
- #60782
- Topic
- MagnoliaFan Edits: Ep I "Balance Of The Force", and Ep II "The Clone War" (Released)
- Link
- https://originaltrilogy.com/post/id/60782/action/topic#60782
- Time
- Post
- #60777
- Topic
- Does anyone have any Deleted Scenes for the Original Trilogy?
- Link
- https://originaltrilogy.com/post/id/60777/action/topic#60777
- Time
- Post
- #60773
- Topic
- Does anyone have any Deleted Scenes for the Original Trilogy?
- Link
- https://originaltrilogy.com/post/id/60773/action/topic#60773
- Time
Quote
Originally posted by: Mr.Coffee
Not the "Lost Cut", which DOES NOT exist!
UMMM...ok
well this may interest you.
lost cut existing...
The best look at the Lost Cut of Star Wars so far, without being able to actually see the footage itself, comes from the aforementioned Dr. David West Reynolds, archaeologist and Star Wars fanatic; a lethal combination that contains aspects of two of Lucasfilm's best known film series. The reason Reynolds knows so much about this subject is that he's actually seen this elusive Lost Cut, having been allowed to extricate it from the depths of the Lucasfilm archives, much like the remains of an Egyptian mummy. After a little maintenance and dusting off, the reels of film were once again exposed to light and projected on a wall for careful analysis and research.
UMMM...
percolate on that coffee

- Post
- #60513
- Topic
- MagnoliaFan Edits: Ep I "Balance Of The Force", and Ep II "The Clone War" (Released)
- Link
- https://originaltrilogy.com/post/id/60513/action/topic#60513
- Time
I found an article on Senses Of Cinema that says this...
A.I.'s naysayers sometimes admitted an almost androidal sangfroid, to the point of saying they just couldn't feel for David (Haley Joel Osment) because he's a robot, albeit an advanced model designed to love parents who've lost children in a near-future plague. Alas, the critical resistance is real. But they are not. Could they get away with that sort of dull literal-mindedness writing about any other art-form but movies? For starters, seeing David as merely mechanical and finally unworthy of emotional investment denies the basis of representational art and metaphor. This dumbfounding objection offends the essence of storytelling. Should a child detach from Pinocchio's fate because he is, after all, just wood? Isn't E.T. at best a believable fantasy, at worst a teardrop-proof rubber puppet? A modest proposal: David's most obvious meaning is Man. He's an avatar of human experience, yearning, and will to perfect himself before his Creator. With A.I. Spielberg tells the oldest newest story: Man's search for meaning.
By far the most common critical obfuscation, to avoid engaging the film on its own terms, involved the pitting of Kubrick against Spielberg, specifically suggesting that their ideas irreconcilably clash. That would be a legitimate approach if only they knew what they were talking about – that is, if A.I. weren't entirely, unmistakably Spielbergian, if not the summation of his art. Spielberg, the ecumenical, theistic humanist and modestly wise optimist (one humorist found the two perfect words, “elfin and rabbinic”) favours the more “open” cinematic style characteristic of Jean Renoir. That means appreciating such glorious moments as a mother and son looking upon each other with exquisite devotion not for a strictly circumscribed narrative meaning but for a certain, more ineffable beauty and emotion, the way audiences once generously engaged movies with the aesthetic qualities of How Green Was My Valley (John Ford, 1941) – and favorably compared its then old-fashioned tableaux vivants to the contemporary “closed” Citizen Kane (Orson Welles, 1941). Here Spielberg uses his passion and great gift to syncretise story elements that certainly don't clash on the screen and only seem dissonant in the abstract – as if one entered with Kubrick's unmade movie already firmly in one's mind. It's not terribly important that the movie explores notions and images which intrigued Kubrick, the agnostic misanthrope who gravitated to the deterministic style of Fritz Lang. Kubrick and Spielberg would have formed completely unique creatures from the same clay. There's more to the authentic style of real artists than superficial treatment of plot points. Note that Kubrick stayed interested in A.I. for 20 years – but not so interested that he actually made the film. In the end he wanted Spielberg to direct it, too.
With Spielberg's opening of A.I. we see why. And, in any case, likely Kubrickian elements remain: The tramways fellated by obscenely gaping mouths, for example, could be transporting riders to the milk bar of A Clockwork Orange (Stanley Kubrick, 1970). In Spielberg's 1941 (1979) Slim Pickens is practically a movie-length homage to his character in Kubrick's Dr Strangelove (1963). What of it? Kubrick's movies are distinctly different from Spielberg's, works of a brilliant, cynical satirist whose artistic downfall was an unceasing irony. Displaced as animus against Spielberg, the vehement abreaction to A.I. begins the embalming of Kubrick, worshipped by critics who no longer have to sit through the movies they invariably dismissed as too long, too boring, too cerebral, too... Ironic, isn't it? “In irony man annihilates what he posits within one and the same act,” Sartre wrote on the subject of Bad Faith. “He leads us to believe in order not to be believed.” A Kubrick A.I. may have been above and beyond belief, perhaps ending in the ironic, frigid futility of faith, David frozen dead, like Jack at the end of The Shining (Stanley Kubrick, 1980), for eternity.
Spielberg sees not an ending but a beginning in that image – the Blue Fairy/Our Lady icon ever smiling and welcoming, David's eyes open and fixed upon her for 2,000 years, a superhuman act of monk-like devotion, imperfect man's perfection of a prayer that outlives history. In Spielberg's intriguing coda, the alien (or unrecognisably evolved robot that provocatively resembles the Giacometti curves of the mecha manufacturer's logo icon), whom we discover to be narrating the story, says that man's unique spirit radiated across the universe, interpenetrating and binding all things, leading them to hope that humans were “the key.” So Love is the energy that can be created but not destroyed. And it is certainly not wasted upon David. But a scientist poses a “moral question” early on: What is the responsibility of the creator to love the creation? Even if a robot can love humans, can humans learn to love them back?
- Post
- #60553
- Topic
- Does anyone have any Deleted Scenes for the Original Trilogy?
- Link
- https://originaltrilogy.com/post/id/60553/action/topic#60553
- Time
- Post
- #60550
- Topic
- Episodes 7,8,9?
- Link
- https://originaltrilogy.com/post/id/60550/action/topic#60550
- Time
- Post
- #60510
- Topic
- Does anyone have any Deleted Scenes for the Original Trilogy?
- Link
- https://originaltrilogy.com/post/id/60510/action/topic#60510
- Time
- Post
- #60506
- Topic
- Episodes 7,8,9?
- Link
- https://originaltrilogy.com/post/id/60506/action/topic#60506
- Time

- Post
- #60369
- Topic
- MagnoliaFan Edits: Ep I "Balance Of The Force", and Ep II "The Clone War" (Released)
- Link
- https://originaltrilogy.com/post/id/60369/action/topic#60369
- Time
- Post
- #60340
- Topic
- MagnoliaFan Edits: Ep I "Balance Of The Force", and Ep II "The Clone War" (Released)
- Link
- https://originaltrilogy.com/post/id/60340/action/topic#60340
- Time
Re-edits - Brotherhood of the Wolf, Matrix Trilogy, A.I., Dune
Just some thoughts on the subject by you would be interesting.
- Post
- #60372
- Topic
- Longer thread counts on each page
- Link
- https://originaltrilogy.com/post/id/60372/action/topic#60372
- Time
- Post
- #60370
- Topic
- Episodes 7,8,9?
- Link
- https://originaltrilogy.com/post/id/60370/action/topic#60370
- Time

Is that face photorealistic enough?

Or how about the landscape here and camera effects of focus/out-of-focus?
I understand what you guys are saying. But again, people like the PT, people like the Clone Wars cartoon I'd take this over those anyday with a great story and it doesn't have to be Luke, Han, Leia, etc. Just set way in the future just like KOTOR was set way in the past.
- Post
- #60367
- Topic
- Does anyone have any Deleted Scenes for the Original Trilogy?
- Link
- https://originaltrilogy.com/post/id/60367/action/topic#60367
- Time
Luke its interesting you mentioned the SS and Lucas given his roots. I posted this on a different thread...
I found this on another board. Interesting post this guy made...
The mother of all sci fi movies. Really is about World War 2. The Empire / Rebel conflict parallels the Axis / Allies. The Millenium Falcon is just a B52, and Han a bomber pilot. Notice how the locales translate to the arenas the war was fought: the deserts of Africa, the forests of the Ardennes and Europe, and the tundra of Russia. We get tanks, squadron fighters, the bushido code of the Japanese, the polished techno-evil of the Nazis, the terrorizing, hypnotic power of Adolf Hitler (very similar-sounding to Darth Vader), and throughout, the mysticism of Judeo-Christianity, i.e. the plight of the chosen ones. Luke and Leia are Biblical / Semitic names. Of course, when I was 8, all I saw at the time was the greatest spectacle I ever experienced in a movie theater. It completely changed my life, and I understood what movies are supposed to be about. Lucas really did something special with this film. But the underlying text would make an interesting thesis though.
Jimbo Luke is right they have different voices and in fact in the original movie, which was originally intended to be the only movie and not episode IV, they were emotional, suprised, had different voices, etc. Don't give Lucas too much credit with this planned it all along crap.
- Post
- #60339
- Topic
- Episodes 7,8,9?
- Link
- https://originaltrilogy.com/post/id/60339/action/topic#60339
- Time
Now like I said if Lucas could do Zahn or stories to that level and do 7,8,9 and do live action and lot less cartoony, slapstick, Jar-Jar crap then I am all in. Something like ESB (which Lucas didn't write, wonder why its sooo good) would be great for 7,8,9. I am there but to have crap that is live action like a TV show, the PT, or whatever I'd take Zahn meets Final Fantasy anyday. Get it out of Lucas' hands!!!!
BTW, the final fantasy is supposedly just being released on PSP clearly a strong selling point when it ships. Obviously they will release it on DVD eventually (more $$$) and obviously people will figure out how to rip it to DVD before then. As it stands that movie and the Metal Gear game are going to push a lot of units at ship time.
- Post
- #60269
- Topic
- Wolfman Back In?
- Link
- https://originaltrilogy.com/post/id/60269/action/topic#60269
- Time
What about the praying mantis instead of the wolfman?

Mantis - Kiti Keedkak
- Post
- #60267
- Topic
- 2004 OT DVD release continuity error?!
- Link
- https://originaltrilogy.com/post/id/60267/action/topic#60267
- Time
- Post
- #60266
- Topic
- Episodes 7,8,9?
- Link
- https://originaltrilogy.com/post/id/60266/action/topic#60266
- Time
Final Fantasy Advent Children Screens


Are you kidding, none of you would want this? I mean granted I would love a big budget live action 7,8,9 (DONE RIGHT, not like the PT), but if not I would certainly take CG animation. The PT already is largely CG, so get rid of the couple of live action characters and go for continuity, haha.
- Post
- #60264
- Topic
- Does anyone have any Deleted Scenes for the Original Trilogy?
- Link
- https://originaltrilogy.com/post/id/60264/action/topic#60264
- Time
I stumbled on this from a websearch, check this out...
- Post
- #60262
- Topic
- DUAL LAYER SET's will hit soon - but be skeptical!
- Link
- https://originaltrilogy.com/post/id/60262/action/topic#60262
- Time
$68 dual layer DVD burner
Dual Layer supported DVD "backup" software
- Post
- #59744
- Topic
- The Forgotten Scenes
- Link
- https://originaltrilogy.com/post/id/59744/action/topic#59744
- Time
The first scene is cut and splice to make what was supposed to be the celebration scene at the end of ROTJ (using a variety of sources). Not pretty mind you, but interesting (though of course now we'll get it for real in the new box set anyway, but it may differ to the one now).
Same with the next part which is an intro which is hugely missing in the cut of A new Hope we've seen, using bad deleted footage, screentests etc. in a way that makes it interesting to see (if even in a shady way) and hear what we missed and think about they way it was originally intended from scripts.
- Post
- #59589
- Topic
- I think I will start a new web site, called...
- Link
- https://originaltrilogy.com/post/id/59589/action/topic#59589
- Time
- Post
- #59501
- Topic
- George Lucas supports this site and its cause...
- Link
- https://originaltrilogy.com/post/id/59501/action/topic#59501
- Time