NFBisms

Dude, if you have to work this hard to get even one person to agree with you…

aww i less than 3 you too luke ❤️

Look, I love her, I really do - but she really needs to go away.

What makes ROTS worse for me is that it’s “good” mainly for events that would have happened regardless of the movie they were delivered in. And it all pretty much falls flat even with that advantage.

Neerb said:
The reason the novel clarifies he’s a clone is because if he were Palps’ biological son, Palpatine would have had to have banged Rey’s grandma sometime during the late Empire, which is a gross thought we don’t need some EU writer detailing for us down the line.

speak for yourself damn

I think Succession should take it for music, but Mando’s score was actually really good too.

poppasketti said:

Hal, I know you’ve been through the ringer on this one, but Icecream’s on to something:

https://vimeo.com/455161553/e970f0efaf

If this wasn’t a Star Wars movie, I genuinely think that’d work for me better than the original score.

I actually did do some work on Obi-Wan and Padme, particularly with these two clips:

Obi-Wan doesn’t want to kill Anakin

Pre-duel confrontation

It’s nowhere near as much as I did with Anakin, but their motivations in the third act are pretty fundamentally changed from the theatrical. It’s a reversal: Padme is the one who stands up to Anakin, while Obi-Wan is whose reluctant and remorseful. I don’t know if that’s what you meant, but I do think that lines up a bit more with the OT.

Having to write that up is literally the epitome of the problem btw

edit: not to mention how that “solution” almost makes it worse. “ben got lucky, dw about it we’re moving on”

i am both thoroughly impressed and absolutely hating the progression of this technology

The Last Kingdom on Netflix! It’s super addicting. It has some problems but is one of those rare cases for me where the issues are eclipsed entirely by how fun it is. It moves very fast and relies on an almost perfect/universally loved protagonist, but it’s hard not to be invested in spite of all that. I’d say the condensed plot and character development are almost an asset because some of it wouldn’t land as well if we were allowed to stew on it for more than an episode.

Charming, if not shallow characters - but all very interesting in their own right - placed into wildly entertaining plotlines. I like it.

Console exclusive video games are not really anti-consumer

I’ll miss seeing your lovely posts snooker! You were one of the nicest most supportive members here, and I found your sensibilities regarding the franchise refreshing in contrast to a lot of other SW fans.

While we’re at it, I feel like I’ve been in the same boat as snooker for a while now - I just don’t have the willpower to not check this site as part of some boredom autopilot. I haven’t really updated my edits in while because I’m just so burnt out on Star Wars. I pretty much shitpost to make myself feel involved, but I can’t say I really am. If it weren’t for people waiting on my finished edits to use in their own projects I’d probably be gone by now too lmao.

calling it now, Trace and Rafa will be regular characters

I think both Johnson and Lucas overthought it.

fmalover said:

I don’t know why punk rock music is so popular. It’s all the same tempo, same notes, same chords, and in the case of the Sex Pistols in particular, they only had the most basic understanding of how to play musical instruments.

Seriously, why is there so much hype around such a rudimentary type of music?

It’s cathartic I guess. Like, ideally it’s the musical[sic] equivalent of letting out some anger and pretty much all of it out on the instruments. It’ll sound like it. That’s what’s fun about it, but also lends itself to lyrical subject matter that would sound odd in other genres.

I’m pretty much down for any genre of music tbh, they all have their place and purpose that other sounds won’t. I wouldn’t listen to R&B to get hyped up, for example. And you can’t hip or hop to classical music.

Kylo Bylo

I would definitely watch an edit of those Ewok movies + ROTJ!

hey i found some sith whispers from kotor

Anakin Starkiller said:
I 100% believed he was trying to tell Rey he loved her and was shocked to find people read it differently. I may not have picked up on Stormpilot, but Finn’s simp act is hard to miss. Why else would he rush over to the Death Star ruins?

That subplot is basically jealous Han thinks Leia loves Luke in ROTJ lmao

I don’t know, if Finn’s simp act is supposedly telegraphing a romance, then all of the Finn/Poe stuff has more weight, because it’s more overt than that little un-reciprocated crush. But I digress.

Klaud Squad here:

Idk if Klaud was supposed to be removed completely or not, but he’s still in one shot during the beginning Falcon chase, falling over with his classic Awed-Klaud™ face

Anakin Starkiller said:

Look, I’m not opposed to Stormpilot, but at the end of the day I never picked up on any signs, and I say this as a Reylo fan. Maybe I’m just too straight to ever pick up on gay hints. Harley and Ivy seemed outta nowhere to me in Harley Quinn so…

I don’t think you have to be gay to feel any of that tension bro. xP

Yeah, I wasn’t really thinking about any of that when working on this to be honest. The movie is what it is, and pretty much everything about this edit is coming from a different place creatively than “righting its wrongs.” (Which makes it a lot of fun to work on!)

That said, Maul probably won’t be in this edit for reasons along those lines. If there’s one thing I think they “should have” done, it’s make Qira’s decision to leave Han entirely her own. Of course Han may think she up and abandoned him, but we know she was trying to protect him. I think it would’ve been really interesting and heartbreaking if Qira ultimately decided she wanted Dryden’s throne more than she wanted to be with Han, and that’s why she leaves. It’d really hammer in how much she’s changed and moved on, and I feel even has roots in her yearning for more back on Corellia.

I think that fits the melancholy of Coaxium Bebop really nicely, and even mirrors the themes of Spike Spiegel’s own stunted emotionality from the original show. Han living in the past, falls into cynicism as a defense mechanism for all his hurt, and that follows him even into his backslide around TFA times.

Ideally, I’d like this to be almost a critique of Han’s character.

Thanks everyone for the encouragement on this pretty obscure idea!

For an update, those 15 minutes have been tweaked a bit since I posted. I’ve added (back? I had to re-foley myself) some sound in the later parts of the clip and swapped out approximately the last third of “Elm” used with another portion of it. I just thought that it got a little repetitive at the end, so I use the guitar plucking from this point in the track. You’ll hear in the full edit I will release.

In the meantime, Here’s a rough draft of the next 13 minutes

Tracks:
Farewell Blues
You Make Me Cool
Too Good Too Bad
Stella By Moor
Green Bird

I don’t want to end up posting part after part before it’s fully done, but I did feel iffy about this immediate next portion. Levels, dialogue isolation, etc. I also wasn’t so sure about my usage of Green Bird, I feel like I might be stretching the premise thin here? Anyway, thoughts would help.

Not gonna lie, until the previous post I definitely thought we were talking about Yoda looking stoned.

EDIT: not that he does (look stoned)

EDIT EDIT: ok not that that isn’t normal for him