), the tele from television is pronounced like "tell a" or "tella" (almost a short "a" sound on the second "e"). The same for cine in cinema, in the U.S. it's pronounced "sin a" or "sina" (again a short "a" type of sound is on the "e"). So unless there is specific confirmation from movie industry experts to the contrary (and just about everyone here seems to be saying from everything they've heard that it's definitely not "tele seen"), in the U.S. telecine would be pronounced "tella sina" (with both "e's" after the "L" having a sound similar to a short "a"). Need I suggest that you make multiple redundant backups of everything related to the project onto blank CD's and/or DVD's so that it would be impossible for any such thing to happen again? 
In any case, they were certainly never intended to be seen, so naturally we want to make the restored version look the way it was intended to look at theaters on opening day, that means no matte lines. What we're talking about is a fan modification (for use by existing owners) by someone who knows how to do such a thing to transfer and then to perfectly sync the full PCM soundtrack (as opposed to low bit-rate DD) with the video. Which I have no idea how to do, nor do I have a DVD burner with which to do it. How is the synchronization going, how closely are you able to match it up to the exact same soundtrack synchronization to the video that the official DVD set has? All of us can relate to the frustration caused by Lucas not releasing a new high quality transfer (yet) of the unaltered Star Wars trilogy on DVD. None of us like it one bit, which is why we're here on this site talking about this in the first place. But one way or another we will get one, it's just a matter of time. We are going to win in the end. So let's focus on the good news we've had with restoration projects like this lately.