This user has been banned.
Sorry. I will do so in future. But coltonlolz has been necrobumping so many threads that I thought everyone had noticed.
pittrek said:OK, seriously, I HAVE to ask - why the f**k do you keep bumping these old threads with your useless comments?
It's classic troll behavior. I'm amazed he's still here.
Lil Brutto, are you working with bavaleone?
Lil Brutto said:Stretched frame issue is captured within the individual frame of ProRes HQ.
I don't understand this sentence.
Space Kaijuu said:I don't have the Japanese audio but a kind donor, who wishes to remain anonymous, has provided me with a rip of the stereo LPCM audio from the Japanese Laserdisc.
That's fantastic because the LD that has PCM is extremely expensive. Do you plan to sync the PCM to the BD?
It seems that you have synced the mono PCM to the Mondo BD, filling in the missing scenes with downmixed English 5.1 generated by Rigby Reardon's track. That's nice, but I want the US theatrical cut rather than the Italian theatrical cut.
bavaleone said:
Chewtobacca said:
PDB and I were working on a similar project to eurospec19. .. The plan was for one of us to then use the lossy English mono on the DVD (resampled to 44.1kHz) as a guide track and edit the PCM to fit it..."
Chewtobacca, I've done this bit (although I did in 48kHz) and PDB should have a copy by now, so maybe you can finish it off.
bavaleone said:
The laserdisc PCM was synced once, using cool edit pro to match it with the English 5.1 downmix audio track that had previously been synced to the mondo blu.
I'm confused. If you have synced the audio to match the English track that was synced to the Mondo BD, then you haven't already "done this bit". If you have also synced it to match the original R1 MGM DVD of the US theatrical, which is what I was referring to, then you haven't synced it once: you've synced it twice – to two different releases.
Why would you resample the DVD audio to 44.1kHz? Are you planning to keep the LD audio at 44.1kHz?
Yes. That's the reason.
^ Yes. Andrea, I think we have reached the stage at which you have to decide which you like the best and encode. Otherwise, we'll end up going round in circles.
Oh, I thought you were using the BD earlier in the thread. I'll see if I can find the commentary for you and upload it.
Did you sync the PCM twice – once to the DVD and once to the Mondo BD? What program did you use?
That sounds good, Andrea. Why can't you simply demux the commentary from the BD?
Andrea, delete some PMs, so I can send you another one. I'm glad you found the Italian track. Did you take it from a DVD? It's kind of funny that you were looking for that one.
_,,,^..^,,,_ said:Chewtobacca, I'm warning you... you must be careful in the future... you should subscribe to all my project threads... (^^,) (^^,) (^^,)
I would if you didn't post so damned many of them and actually got off your backside and finished a project once in a while. :p :D :-)
(Yes. I realized you were joking.)
PDB and I were working on a similar project to eurospec19. The US theatrical cut is our favorite version of the film too, so I wrote an Avisynth script cutting the Mondo BD to fit the old R1 DVD. The plan was for one of us to use the lossy English mono on the DVD (resampled to 44.1kHz) as a guide track and edit the PCM to fit it, but I think real life caught up with both of us!
Here is my script. It inserts black where there are alternate takes or where shots run on far longer on the DVD.
BD=DGSource().BilinearResize(720,480)
Blank=BlankClip(BD, length=5, color=$000000).KillAudio()
Blank2=BlankClip(BD, length=104, color=$000000).KillAudio()
Blank3=BlankClip(BD, length=154, color=$000000).KillAudio()#lean forward with cigar
Blank4=BlankClip(BD, length=101, color=$000000).KillAudio()#fat man pulling back
Blank5=BlankClip(BD, length=388, color=$000000).KillAudio()#missing shots
Blank6=BlankClip(BD, length=157, color=$000000).KillAudio()#Tuco's scream
Blank7=BlankClip(BD, length=836, color=$000000).KillAudio()#end
BD2= \
BD.Trim(46,1943) ++ \
BD.Trim(1942,4290) ++ \
BD.Trim(4287,8332).Loop(11,8332,8332) ++ \
BD.Trim(8333,8420) ++ \
BD.Trim(8431,18337) ++ \
BD.Trim(18337,27526) ++ \
BD.Trim(27528,27592) ++ \
BD.Trim(27594,27709) ++ \
BD.Trim(27887,35091) ++ \
BD.Trim(35093,35776) ++ \
BD.Trim(35778,38945) ++ \
BD.Trim(38947,39298) ++ \
BD.Trim(39298,39299) ++ \
BD.Trim(39299,52741) ++ \
BD.Trim(52741,55198).Loop(13,55198,55198) ++ \
BD.Trim(55199,58874) ++ \
BD.Trim(59278,61624) ++ \
BD.Trim(61626,61689) ++ \
BD.Trim(61698,62547) ++ \
BD.Trim(62618,66805) ++ \
BD.Trim(72988,78811) ++ \
BD.Trim(78811,80513) ++ \
BD.Trim(80513,85404) ++ \
BD.Trim(88647,90039) ++ \
BD.Trim(90041,101224).Loop(36,101224,101224) ++ \
BD.Trim(103503,114152).FadeIn(16).Loop(29,114152,114152) ++ \
BD.Trim(114153,120103) ++ \
BD.Trim(120105,123961) ++ \
BD.Trim(125084,136930) ++ \
BD.Trim(136932,141918) ++ \
BD.Trim(141920,142123) ++ \
Blank ++ \
BD.Trim(142124,143003) ++ \
BD.Trim(143284,143685) ++ \
BD.Trim(143687,143780) ++ \
BD.Trim(143783,143971) ++ \
BD.Trim(143974,144789) ++ \
Blank2 ++ \
BD.Trim(143004,143197) ++ \
BD.Trim(143199,143283) ++ \
BD.Trim(145612,145883) ++ \
BD.Trim(146949,147366) ++ \
BD.Trim(144790,144942) ++ \
BD.Trim(144945,145066) ++ \
BD.Trim(145072,145275) ++ \
BD.Trim(145279,145375) ++ \
BD.Trim(145379,145610) ++ \
BD.Trim(145885,146149) ++ \
BD.Trim(146153,146313) ++ \
BD.Trim(146320,146386) ++ \
BD.Trim(146388,146945) ++ \
BD.Trim(147369,147920) ++ \
Blank3 ++ \
Blank4 ++ \
BD.Trim(148022,149152) ++ \
BD.Trim(149158,155597) ++ \
BD.Trim(158099,158483) ++ \
BD.Trim(158483,170208) ++ \
BD.Trim(170210,171366) ++ \
BD.Trim(171377,176827) ++ \
BD.Trim(176829,189380) ++ \
BD.Trim(190776,206328) ++ \
BD.Trim(206328,206494) ++ \
BD.Trim(206494,206844) ++ \
BD.Trim(207750,208144) ++ \
BD.Trim(208145,210057) ++ \
BD.Trim(210131,210384) ++ \
BD.Trim(210384,210593) ++ \
BD.Trim(210593,211869) ++ \
BD.Trim(211872,211964).Loop(3,211964,211964) ++ \
BD.Trim(211965,212075) ++ \
BD.Trim(212077,214136) ++ \
BD.Trim(214136,217264) ++ \
BD.Trim(217267,219638) ++ \
BD.Trim(219653,229952) ++ \
BD.Trim(229952,239116) ++ \
BD.Trim(239119,239277) ++ \
BD.Trim(239279,239882).Loop(3,239882,239882) ++ \
BD.Trim(239883,244746) ++ \
Blank5 ++ \
BD.Trim(244747,248624) ++ \
Blank6 ++ \
BD.Trim(248781,0) ++ \
Blank7
DVD=Mpeg2source().TFM().TDecimate()
StackVertical(DVD,BD2)
I have some color-corrected clips taken from the UK BD that I spliced in to cover the blank sections, but the results of the color correction are hit and miss. Wherever possible I avoided replacing material from the Mondo BD, so there are a few compromises, as you can see.
Andrea, I'm uploading German DTS-HD MA 5.1 and DTS 2.0 tracks that I've synced to the 35th Anniversary BD. I'll PM you with links when they're done. Thanks go to The Aluminum Falcon for letting me know that you needed German audio.
Did anyone manage to download and extract the '97 SE of SW? It would be great if someone did so and still has the archive.
Thanks, Andrea. :)
The standard version of The Robe would be fantastic. Why the studio went to the trouble of adding it to the disc as a PiP track without providing the option to watch it is beyond me. I'd have been content simply to see it, even if it were in 480i.
So far, I love the colors.
You could try using par2cmdline to create pars.
I don't think TTT and RotK are worth the time.
I'm happy enough. :-) We'll wait for bkev and Doctor M to weigh in.
It hasn't worked. The new pars view all the rars as incomplete; consequently, there are not enough pars to repair the archive.
I'd say so – more or less. They look slightly different, but there's no great change in color timing as there is with FotR.
kk650 said:
In that case it doesn't appear to have been reencoded. It still has the black bars on the top and bottom and its been encoded with mpeg-2 like all transport streams.
Not all transport streams contain MPEG-2 video, but thank you again for the information. It appears that only the upscaled scenes have been re-encoded.
Recompressed means re-encoded. Thanks for the information on the grain structure.