- Time
- Post link
One thing I am growing to wonder with so much heavy grading going on in movies these days is: what do the colorists who work on these movies have to say?
There’s so many talented artists who work on these films, including the color graders, and I’d love to hear more about their decisions (similar to the color grading featurette they did for the Fellowship of the Ring EE). Are the tinted highlights deliberate color choices? Are the blanket tints that increasingly appear on blu-ray releases accidents? How does a blanket tint even happen in an all digital workflow?