doubleofive said:
You can watch the enhanced special features without watching the movie. But that's not the point.
I wondered if that was the option I saw. Thanks for the clarification.
I can tell you that the Bootleg Director is not me, that much I know.
That does narrow it down.
As for act breaks, I'd break it down like this:
Act 1: Extraction and Building the Dream Team
Act 2: The first two levels of the Dream
Act 3: The snow level / Limbo
I might even be convinced that Limbo might be the entire third act. It definately ties up all of the plot points.
What do you see as the central problem? I think this question is a tad problematic since, depending on your interpretation of the film, it could be very different.
The central problem of Inception is definitely "inception", but really whose? Fischer's, as the straight interp of the movie would have you believe? Or Cobb's?
If you say that Fischer's inception is the main problem of the film, then the movie is structured around the heist just like you'd think it would be. Everything after Fischer's realization is just epilogue/wrapup. Cobb's character issues are wrapped up, but that is not the "main problem." BUT! If you follow the other theory- that all of the events are controlled to correct Cobb's problems... then the epilogue/wrapup is actually still the resolution of the problem and therefore still part of Act 3.
Are both interpretations valid? Is it possible to say that the movie does indeed contain 2 parallel 3-Act structures- one for Fischer's problem/AKA the heist and the other for Cobb's problem, but only if you track with the nonconventional theory of the ending?
Interpretation 1:
The problem: Cobb and co are hired to "do a job" on Fischer.
Act 1- Introductions: The rules of dreams are introduced, some action is played out, most of the main characters are introduced, and Cobb accepts the job. Cobb's "can't return home problem" is introduced.
I'm not sure if Ariadne's joining the team is Act 1 or 2. Probably 1, but I don't think that's a necessary interpretation. Usually there is some small resolution that marks the end of Act 1- maybe it's Ariadne coming back or the idea that everything is in place for the heist.
Act 2- The Problem Gets Worse: Certainly, within minutes of entering Fischer's dream, the problem gets worse. Fischer is armed, Saito gets shot, Mal is more malificent, and we and the characters learn there is a deeper risk of death/insanity than we were previously lead to believe. The Mr. X scenario wasn't in the plan and that might not go well. And perhaps the coup de gracé- They miss the kick.
This makes for a relatively short Act 2. With so much to introduce in Act 1, perhaps Act 2 was shorter to compensate. Also, I'm not actually looking at scene start times, so maybe it's not as short as I think...
Act 3- The Problem gets resolved: Arthur figures out how to create a gravity free kick, Eames kills everybody, but Mal shoots Fischer. (This could be where Act 2 ends- the actual lowest spot. And then, 005, you'd be right about Limbo being pretty much Act 3, but then Act 3 is actually very short. ) Ariadne and Cobb go to limbo to rescue Fischer, Cobb explains his issues with Mal, and then conquers them, Fischer is rescued and solves his issue with his father, which ends the heist.
Epilogue- The Mopup: Cobb saved Saito, Cobb and Saito remain sane, Cobb returns to the US, and Cobb is reuinited with his kids.
OR IS HE?
Interpretation 2:
I'll type up next.