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13-Dec-2011
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22-Jan-2019
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Post
#1263882
Topic
Han - Solo Movie ** Spoilers **
Time

Just watched Solo on Netflix. I chuckled a few times, but was mostly bored. It wasn’t as joyless or tedious as Rogue One, but still didn’t really offer anything new or interesting. Too much action with characters I didn’t really care about.

I wish Han and Lando had a few more scenes together. Their on-screen chemistry was pretty good. I’m glad that the movie didn’t feel the need to end in a giant space battle.

Having Darth Maul as the Crimson Whatever was pointless and eye-roll inducing. And L3 was completely insufferable.

Post
#1263559
Topic
Obi_Wan's Reaction in Star Wars IV
Time

oojason said:

His acting ability in the Trilogy and many other quality films he often lifts the scenes he is in, or the film itself - where conveying emotions, strength or resonance of character, or bringing innovation to his craft he was a step or 3 ahead of many actors around him.

Except in ROTJ, where he appears to convey no emotion at all and could only be bothered to show up if he was allowed to sit through all of his dialogue. Actually if you compare his sitting exposition scene in Star Wars to his sitting exposition scene in Jedi, it’s a great example of the gravitas that great acting can lend to otherwise mundane exposition contrasted with mundane exposition that’s just being phoned in.

His performance in Star Wars is remarkable though. He almost does make you believe in the Force. He definitely tempers Mark Hammil’s performance, which would probably be a little grating without the wizened Obi-Wan as a foil of sorts. He kind of sells that movie for me.

Post
#1262740
Topic
4k77 - shot by shot color grading
Time

screams in the void said:

I find your argument vague and unconvincing .And I actually said that I believe that SOME are production photos but not all . Again , where is the PROOF ? all I have been presented with is conjecture and opinion so far .And regardless , the colors in the bottom image look great , why not use the storybook photos for color reference ? The picture on the bottom looks far clearer to me and has a lot of natural dusky sunlight showing on Luke .I have heard film makers refer to sunset shots like this as " magic hour " and I see it far more clearly on the storybook photo than the grainy , uncleaned deleted footage which is just one screenshot you posted among dozens which make up the scene on film .If I wanted to make a painting , or even re create a cleaned up or restoration of that deleted scene , I would definitely refer to the storybook photo for things like color temperature , saturation , hue , value etc .

Sorry, I thought you were convinced that ALL the photos were still frames from the movie. But the above example is definite proof that there are some (at least one) production photos used in the story book. I agree that the story book photo is much more pleasing color and contrast-wise than the screen grab I provided.

Forgive me for assuming your obstinacy.

Post
#1260815
Topic
Episode VIII : The Last Jedi - Discussion * <strong><em>SPOILER THREAD</em></strong> *
Time

screams in the void said:

^ that is a super callous response

If you’re one who assumes the worst of people, I can see how it might seem that way. That was certainly not my intention, though I probably should have been more specific in my response.

Neverar submitted his crawl as an improvement to Yotsuya’s attempt at rewriting the crawl. I found it to be confusing with the implied relationship between the Republic and the New Jedi Order and someone infiltrating the Senate. None of which is touched on in the actual movie. I had to read the crawl a few times to try and make sense of it, that’s all. I wasn’t trying to put down Neverar.

Post
#1260734
Topic
Episode VIII : The Last Jedi - Discussion * <strong><em>SPOILER THREAD</em></strong> *
Time

NeverarGreat said:

yotsuya said:

NeverarGreat said:

yotsuya said:

rodneyfaile said:

Luke Skywalker has vanished.
In his absence, the sinister
FIRST ORDER has risen from
the ashes of the Empire
and will not rest until
Skywalker, the last Jedi,
has been destroyed.

With the support of the
REPUBLIC, General Leia Organa
leads a brave RESISTANCE.
She is desperate to find her
brother Luke and gain his
help in restoring peace
and justice to the galaxy.

Leia has sent her most daring
pilot on a secret mission
to Jakku, where an old ally
has discovered a clue to
Luke’s whereabouts…

compared to…

It is a period of civil war.
Rebel spaceships, striking
from a hidden base, have won
their first victory against
the evil Galactic Empire.

During the battle, Rebel
spies managed to steal secret
plans to the Empire’s
ultimate weapon, the DEATH
STAR, an armored space
station with enough power to
destroy an entire planet.

Pursued by the Empire’s
sinister agents, Princess
Leia races home aboard her
starship, custodian of the
stolen plans that can save
her people and restore
freedom to the galaxy…

See how the stage is set by the original crawl. The players are easy to understand and clearly delineated. In TFA the setup is more complex, but rather than go into any part except the First Order, it is all about Luke. TLJ does a better job…

The FIRST ORDER reigns.
Having decimated the peaceful
Republic, Supreme Leader Snoke
now deploys the merciless
legions to seize military
control of the galaxy.

Only General Leia Organa’s
band of RESISTANCE fighters
stand against the rising
tyranny, certain that Jedi
Master Luke Skywalker will
return and restore a spark of
hope to the fight.

But the Resistance has been
exposed. As the First Order
speeds toward the rebel base,
the brave heroes mount a
desperate escape…

The original crawl is a masterclass in efficient exposition. In three paragraphs we know everything we need to know about the conflict. Of course, this wouldn’t be possible without the galactic situation being simple to begin with. The Empire, which controls the galaxy, has a weapon with clearly defined power. The Rebellion, clearly not a major threat due to their lack of victories thus far, has nevertheless gained an opportunity to destroy this weapon. Then establish the princess and the crawl is perfect.

In short:
The Empire
The Death Star
The Death Star as a formidable weapon
The Rebellion
The Princess
The attack
The plans
The Empire’s sinister agents

TFA on the other hand is a complicated situation. For my fanedit I’ve tried to rewrite the crawl over a hundred times, and I’ve come to the conclusion that minus a missing scene that further explains the galaxy, three paragraphs just can’t cut it.

TFA tries to establish:

Luke and his disappearance
The First Order
The origin of the First Order from the Empire
The First Order’s need to kill Luke
The Republic
The Resistance
Leia
The best pilot
Luke as the last Jedi
Jedi as protectors of the galaxy
Leia as Luke’s sister
Jakku
Leia’s old ally

And this is really not even enough exposition, because you still need:

How the First Order arose
Why Luke is gone
Why Luke is important
The Starkiller
How the Starkiller is possible
The relative power of the Republic vs the Resistance and the First Order
…among other things.

I disagree what the crawl has to explain. It has to cover:
The Republic
The First Order
The Resistance
the basic issue and goals of them
and setup the story

Luke and Starkiller aren’t all that important to get the story moving where the Death Star was because the plans were the driving force of the ANH.

I came up with this which covers why the Republic is weak, where the first order came from, what the resistance is doing and why the Republic isn’t. It only gets to Luke as part of the immediate goal of helping Leia. Let me know what you think. It is the same length as most of the crawls.

THE FORCE AWAKENS

For three decades the REPUBLIC has struggled to rebuild. Out on the rim a remnant of the Empire has been reforged as the FIRST ORDER, bent on galactic conquest.

General Leia Organa and her brave band of RESISTANCE have held back the First Order’s advance while the Republic leaders refuse to take the threat seriously.

Following the betrayal of his star pupil, Luke Skywalker vanished. Leia, desperate for his help, has sent a daring pilot to recover a clue to his whereabouts from an old ally…

That is a very comprehensive crawl, and quite effective in its broad strokes.
Of course there are issues with some of the ‘Star Warsy-ness’ of the language, but the biggest issue I see is in the final paragraph. In the best Star Wars crawls the paragraphs form a miniature three act structure of their own. For example, in the original crawl the first paragraph establishes the two players and the inciting incident, the second paragraph explores the nature of the threat, and the third paragraph uses elements from the previous two in order to craft a compelling scenario to be explored throughout the film. This third paragraph can of course introduce more specifics and even new characters, but rarely does it introduce the focus of the story.

For this reason, I don’t think that Luke and the Jedi can be relegated to the end of the crawl. Here’s my new take on an ideal crawl:

The galaxy is in crisis.
Agents of the fallen Empire
have destroyed the fledgling
Jedi Order of the Republic.

Fearing that these agents
have infiltrated even the
Republic Senate, General
Leia Organa mobilizes a
covert RESISTANCE to
counter this Imperial threat,
now known throughout the
galaxy as the vengeful
FIRST ORDER.

Believing that the master
of the Jedi still survives,
Leia sends her most daring
pilot to discover his
whereabouts and return
the light of peace and
justice to the darkening
stars…

This crawl is super confusing.

Post
#1260501
Topic
Thoughts on Star Wars Titles
Time

ray_afraid said:

I think The Empire Strikes Back is a good title, especially for a sequel, but I really don’t like any of the titles very much.

The more I think about The Empire Strikes Back as a film title, the sillier it sounds. People tout Empire as a darker, more serious film (which it is), but it may have the goofiest, most pulpy title of any SW film.

That said, it’s sufficiently vague which seems like something you’d want in a film title. Something like The First Order Makes Chase apart from being kind of boring, is far too literal. The goal shouldn’t be to summarize the plot in the film’s title, but rather to create intrigue. Viewed through this lens, The Last Jedi kind of works perfectly, begging the question “Who is the last Jedi?”

Post
#1260450
Topic
Episode VIII : The Last Jedi - Discussion * <strong><em>SPOILER THREAD</em></strong> *
Time

I think the displeasure with TLJ goes beyond people not liking it because it’s the “dark middle chapter”. I’m sure audiences expected it to be just that. For all of the things that The Last Jedi does brilliantly (and there are several), the sad truth is that it’s not written half as well as Empire.

Empire’s script and story are simple and tight, with snappy dialogue that doesn’t feel forced and as few characters as are necessary to drive the story. The Last Jedi feels bloated by comparison with one-too-many story lines, humor that falls flat and too many unnecessary new characters that are given far too much screen time.

I love many facets of The Last Jedi, but some scenes just make me groan. I really don’t see it gaining the same level of appreciation over time as Empire did.

Post
#1260231
Topic
Episode VIII : The Last Jedi - Discussion * <strong><em>SPOILER THREAD</em></strong> *
Time

oojason said:

pleasehello said:

DrDre said:

I would agree with the self-reliant part, but I would not say that she’s all that confident, or believes in herself. She searching for an identity, and freely admits she doesn’t understand what’s happening to her. Her running off to save Kylo from Snoke is as brash and reckless as Luke’s attempt to save his friends from Vader’s clutches in TESB, only somehow Luke ends up hanging upside down below a city in the clouds minus one limb praying to be saved, while Rey conveniently escapes in Snoke’s shuttle, and arrives in time to save her friends with an awesome display of the Force.

This is one of my biggest problems with the sequel trilogy. It’s not necessarily Rey’s quick grasp of Jedi techniques or that she’s overpowered. It’s that she (the main protagonist of the movies) is never, ever, ever in trouble. She’s never in a situation in which she needs the help of her friends.

Never, ever, ever in trouble? 😉

For TFA, until she ‘let in the Force’ during the saber battle with Kylo it looked like she was lost… Nor did it look great during the interrogation scene with Kylo before that (as well as being somewhat easily captured by him in the forest - being frozen mid-air).

The Throne Room with Snoke in TLJ - completely out of her depth and about to be easily killed until Kylo turns against his master, and seemed to me she was in trouble vs the many Guards until she teamed up with Kylo against them. She required Luke’s help to teach her what the Force was actually about, prior to this.

Ha! A bit hyperbolic I guess. The throne room scene is the only time she ever really needs someone’s help to get out of a tricky spot. She has no shortage of internal struggle, which is great. But at the end of the day, her self-reliance (and there’s nothing wrong with self reliance) doesn’t make for great drama, nor does it make her very relatable. I’ve never felt that she was in any real, imminent peril.

Post
#1260216
Topic
Episode VIII : The Last Jedi - Discussion * <strong><em>SPOILER THREAD</em></strong> *
Time

DrDre said:

I would agree with the self-reliant part, but I would not say that she’s all that confident, or believes in herself. She searching for an identity, and freely admits she doesn’t understand what’s happening to her. Her running off to save Kylo from Snoke is as brash and reckless as Luke’s attempt to save his friends from Vader’s clutches in TESB, only somehow Luke ends up hanging upside down below a city in the clouds minus one limb praying to be saved, while Rey conveniently escapes in Snoke’s shuttle, and arrives in time to save her friends with an awesome display of the Force.

This is one of my biggest problems with the sequel trilogy. It’s not necessarily Rey’s quick grasp of Jedi techniques or that she’s overpowered. It’s that she (the main protagonist of the movies) is never, ever, ever in trouble. She’s never in a situation in which she needs the help of her friends. She’s never in a situation where the audience worries about her and I think that’s kind of a barrier to the audience really connecting with her.

Post
#1259885
Topic
Episode IX - Discussion * <strong><em>SPOILER THREAD</em></strong> *
Time

nl0428 said:

pleasehello said:

Anakin Starkiller said:

nevertheless I don’t think it’ll be an issue as Rian didn’t stray too far from TFA’s style to begin with.

Actually, I was very confused as to why people acted like the arguably out-of-place humor of TLJ was new. To me, it was just a continuation of the sometimes borderline parody tone of TFA. Totally seamless.

Yeah both film have comedy, but not all comedy is the same. The comedy in TLJ was noticeably different to me.

The Abrams and Kasdan team understood how to write dialogue and especially comedy that is more consistent with the OT, which borrows heavily from old Hollywood and especially the screwball comedies of that era. By comparison, many of The Last Jedi’s dialogue and comedic moments are less quick-fire screwball banter and more rooted in more recent popular culture (crank calls, your mama jokes, literally brushing-it-off; some of the jokes felt like modern memes) and stuck out to me immediately.

All film is subjective.

Yes. But I think that oversimplifies the very real differences between the two movies.

Why make an attempt at analysis if the conversation just stops at “all film is subjective”?

Post
#1259874
Topic
Episode IX - Discussion * <strong><em>SPOILER THREAD</em></strong> *
Time

Anakin Starkiller said:

nevertheless I don’t think it’ll be an issue as Rian didn’t stray too far from TFA’s style to begin with.

Actually, I was very confused as to why people acted like the arguably out-of-place humor of TLJ was new. To me, it was just a continuation of the sometimes borderline parody tone of TFA. Totally seamless.

Yeah both film have comedy, but not all comedy is the same. The comedy in TLJ was noticeably different to me.

The Abrams and Kasdan team understood how to write dialogue and especially comedy that is more consistent with the OT, which borrows heavily from old Hollywood and especially the screwball comedies of that era. By comparison, many of The Last Jedi’s dialogue and comedic moments are less quick-fire screwball banter and more rooted in more recent popular culture (crank calls, your mama jokes, literally brushing-it-off; some of the jokes felt like modern memes) and stuck out to me immediately.

Post
#1259776
Topic
Episode IX - Discussion * <strong><em>SPOILER THREAD</em></strong> *
Time

ChainsawAsh said:

DominicCobb said:

ChainsawAsh said:

DominicCobb said:

pleasehello said:

Anakin Starkiller said:

In the end, I’m happier with Abrams at the helm, but it’s worth remembering his strength lies in setting up plots, not resolving them. I remember someone on this forum saying they’d get a “sadistic satisfaction” out of seeing Abrams resolve his own story.

Oh shit. If history is any indicator, J.J. is going to kill the entire cast of characters and have them meet up again in some weird non-denominational purgatory.

I’ll never understand why this myth persists.

What do you mean? That’s what happened at the end of Lost (though saying he “killed the characters” isn’t super accurate, as they all died when they died, even if it was decades after their time on the island of natural causes) - the flash sideways stuff in the final season is literally a non-denominational purgatory where all the characters eventually meet after their deaths before they all move on to heaven or whatever after the last of them dies on Earth.

Not saying that anything like that will happen in IX, but I’m not sure why you think that’s a myth about Lost. Unless you’re talking about the myth that the island was purgatory and they were all dead the whole time, but that’s not what Starkiller was saying.

That’s not the myth I was talking about (he described it more or less accurately, as you mention). The myth is that JJ Abrams had anything to do with it.

Ah, okay, my mistake. You’re definitely right about that.

I had no idea he only wrote the pilot. Anyway it was just a dumb joke.

Post
#1259755
Topic
Episode IX - Discussion * <strong><em>SPOILER THREAD</em></strong> *
Time

Anakin Starkiller said:

In the end, I’m happier with Abrams at the helm, but it’s worth remembering his strength lies in setting up plots, not resolving them. I remember someone on this forum saying they’d get a “sadistic satisfaction” out of seeing Abrams resolve his own story.

Oh shit. If history is any indicator, J.J. is going to kill the entire cast of characters and have them meet up again in some weird non-denominational purgatory.

Post
#1259292
Topic
Episode IX - Discussion * <strong><em>SPOILER THREAD</em></strong> *
Time

DominicCobb said:

Well I guess then the difference in approach is that the output and structure of the two franchises are different and call for different things (lots and lots of movies for the MCU, some movies and many other things for SW).

I don’t really see the need for a “narrative lead.”

I don’t really see the need for Star Wars to have an intertwining cinematic universe, which often comes at the expense of making coherent movies.

Post
#1259186
Topic
The Last Jedi: Rekindled (RELEASED!)
Time

ziggyonice said:

Finn & Rose escaping the Star Destroyer feels rather rushed. It’s just a little too fast and seems obvious that something was cut here. I’m not sure how to fix that exactly, but it’s just something I felt that needed mentioning.

I felt the same thing when I made my fan edit. I did a version where I cut the Phasma fight and when I watched the whole movie back it felt incomplete. Their escape was too quick, too easy and there was no closure or sense of any accomplishment. So I went back and added a shortened down version of the Phasma fight which cuts out the BB8 walker stuff. There’s a couple awkward edits, but the scene feels more complete.

All this is to say that there’s no perfect solution to this scene, but Poppasketti’s edit showcases some really great work and is probably the best I have yet to see. Except for my own of course 😉

Post
#1259184
Topic
your thoughts: Did Disney kill star wars because it sounds like they did with the last jedi solo and resistance.
Time

fmalover said:

Yeah but it’s made clear the FO took over the Galaxy in just one week or so. Couldn’t a galaxy spanning government come up with a decent military budget for defence and protection? Did all systems meekly surrender without a fight? Or the NR is completely devoid of any armed forces? IDK, just can’t wrap my head around that.

These are questions without answers. It’s clear that neither J.J. nor Rian cared about expounding on any of this stuff when they wrote VII and VIII.

Post
#1258819
Topic
Episode IX - Discussion * <strong><em>SPOILER THREAD</em></strong> *
Time

DominicCobb said:

Tobar said:

You guys put far too much weight into the Story Group. They’re mainly there as advisors. The two that do the most heavy lifting are Pablo and Leland and they just ensure that whatever a project’s director/writer is doing is consistent with the established lore. And there they’re fairly powerless. See: the Starkiller’s carnage being seen from Takodana and Holdo’s last stand. There is no grand road map, they’re just doing things project to project.

They’re development executives.

Fancy word for advisers 😉

Post
#1258818
Topic
Episode IX - Discussion * <strong><em>SPOILER THREAD</em></strong> *
Time

Tobar said:

You guys put far too much weight into the Story Group. They’re mainly there as advisors. The two that do the most heavy lifting are Pablo and Leland and they just ensure that whatever a project’s director/writer is doing is consistent with the established lore. And there they’re fairly powerless. See: the Starkiller’s carnage being seen from Takodana and Holdo’s last stand. There is no grand road map, they’re just doing things project to project.

I think this is correct. They’re mostly there just put their stamp of approval on what the writer/director comes up with. I think it’s pretty clear there isn’t a road map for these films and there’s no way that J.J. “Mystery Box” Abrams had a plan for how the loose ends he left in TFA would be tied up.

Post
#1258795
Topic
Episode IX - Discussion * <strong><em>SPOILER THREAD</em></strong> *
Time

nl0428 said:

pleasehello said:

I have much less interest in seeing IX than I did in VIII. The main reason for this, and one of my biggest gripes with The Last Jedi is that it didn’t really leave any loose ends. That’s kind of an issue if you want to generate anticipation for your next film.

I am really for excited for Episode IX. In fact, it’s been reported by Collider that we may be seeing footage of Episode IX this December!

Yeah, I’m sure any forthcoming trailers will ramp up my excitement. More than anything else, the one thing I want to see in Ep. IX is ghost Luke haunting Kylo Ren. After that, I’m good.

Post
#1258791
Topic
Episode IX - Discussion * <strong><em>SPOILER THREAD</em></strong> *
Time

nl0428 said:

Anakin Starkiller said:

Regardless, the real reason people don’t see as one vision is because TLJ seems to go against everything TFA values.

It’s upsetting to me that Episode IX is already being hated on before it’s released. I loved both The Force Awakens and The Last Jedi, but there is no disconnect between them. The Last Jedi expanded so much on the Star Wars legacy and mythology, something that will help Star Wars still keep going on for another forty years without being worn out. There are many people out there who were disappointed with Episode VIII simply because the film didn’t play out as the movie they wrote in their head leading up to its release. The extreme reactions are ridiculous, unbearable, and disgusting for their behavior for not liking the movie.

I have much less interest in seeing IX than I did in VIII. The main reason for this, and one of my biggest gripes with The Last Jedi is that it didn’t really leave any loose ends. That’s kind of an issue if you want to generate anticipation for your next film.

I really liked the story and characters in TLJ (except for Finn’s story, which I think was a little half-baked). In that respect I agree that there really isn’t a disconnect between TLJ and the preceding film. But I think there is definitely a tonal dissonance between the two films.

J.J. understands how to write dialogue and especially comedy that is more consistent with the OT, which borrows heavily from old Hollywood and especially the screwball comedies of that era. By comparison, many of The Last Jedi’s dialogue and comedic moments are less quick-fire screwball banter and more rooted in recent popular culture (crank calls, your mama jokes, literally brushing-it-off) and stuck out to me immediately. Now that we’re going back to J.J. for IX, it kind of ensures that VIII will be the kind of strange black sheep of the Sequel Trilogy.

Post
#1258660
Topic
Episode IX - Discussion * <strong><em>SPOILER THREAD</em></strong> *
Time

lpd said:

nl0428 said:

lpd said:

Don’t know if this has been said before but I have a sneaky feeling Rey is the child of Q’ira. Darth Maul created life ala Plaeguies. Don’t say much on the site anymore just thought I’d chime in with my theory after reading some of your thoughts.

I believe that the story arc of Rey’s parents are finished. Rey even told Ben that she knew they were nobody the whole time deep inside her, despite that she didn’t want to believe it. Daisy Ridley even confirmed in an interview with Rolling Stone a couple of months after the release of The Last Jedi that the revelation of her parents in VIII is what she was told from the beginning when she signed on to the trilogy. I personally like the direction of her parents being irrelevant, but I’m sorry to you and anyone holding on that she was related to a familiar character from the past.

Just don’t know to be honest, its been shown since star wars 77 and especially over the last two movies that its really being changed and evolving on the move. ie:It really didn’t have an arc. Each movie is being written on the fly. I really think that’s why that scene was thrown on the end of Solo.
But what do I know?

An interesting theory. Though it seems like a bad idea to tie Rey to some character from a movie that nobody saw, who has never been mentioned in and is only tangentially related to the numbered movies. “Solo” bombed pretty hard and I don’t think Disney will want to remind everyone of it.

I personally think it would be inappropriate and would lessen my appreciation for the ST.