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mcfly89

User Group
Members
Join date
28-Mar-2006
Last activity
16-Oct-2023
Posts
215

Post History

Post
#239262
Topic
Where to find TV EDITS?
Time
Is there any website that keeps track of extended TV edits and when they air? I'd love to preserve some of these, but most of them are VHS dubs from 10+ years ago. I didn't realize my Ace Ventura SLP VHS had extra scenes until I bought the DVD! If only I knew, I'd have captured directly to DV and made a proper preservation. Do the extended versions re-air?
Post
#227634
Topic
DVD Printing
Time
I'm just curious how you guys print to your DVDs. I know sticky labels can be dangerous and peel off inside your player, but I've also heard cheaper on-disc printers don't work well. I used to work for a production company and we had a high-end Diskmaker Duplicator/Printer but it was a piece of crap and they coded the printer to only accept print cartridges purchased from them, which were a tad expensive.

So, anyone have any tips for getting good cheap prints?
Post
#197415
Topic
Star Wars: Full Frame + Widescreen = ?
Time
There's nothing wrong with the widescreen image, but the full frame laserdisc image is much higher resolution, because it makes full use of the pixels offered by laserdisc. Since widescreen laserdiscs are not anamorphic, the black bars are taking up valuable space. If you crop the full frame image into the widescreen image and make an anamorphic DVD, you'd have more pixels (and a clearer image) for half of the picture. The other half (the left and right edges) would retain its lower resolution, since the full frame image is missing that part of the picture. The question is: would the combination of the two look awkward?
Post
#197227
Topic
Star Wars: Full Frame + Widescreen = ?
Time
If the PAL laserdiscs are the highest quality copies of the pre-special edition Star Wars movies, and widescreen bars are matted (not anamorphic) so we lose a huge chunk of the picture, would it be possible to make a hybrid cut merging the full frame PAL Star Wars with the Widescreen? What would this look like?

I'm just wondering if anyone has tried this before. I'm also guessing the full frame versions are pan and scan, which would mean that the full frame would have to be matted overtop of the widescreen and aligned shot by shot. Sounds pretty painstaking, but possibly the closest we can get to a higher resolution picture without using the DVD releases.

What do you think?
Post
#196432
Topic
External video capture devices (non-DV, non-mpeg) ?
Time
I'm not sure about the Dazzle products. I think Dazzle's DV Bridge converts analog to DV, and captures over firewire, maintaining the red chroma compression problem. You don't wanna go uncompressed, trust me. I used to work for a production company, and my uncompressed SD cost a pretty penny. High system specs are a must, the SD capture card is expensive, and you need a RAID to capture the video. Oh, and one minute is over 800 MB! Only someone who'd plunk down $15,000 for a Japanese Laserdisc player should consider this option.

I'm wondering the same thing as you: How to make Laserdisc and VHS edits without going to DV. Do the Laserdisc preservations (Star Wars, Blade Runner, etc.) sidestep this by capturing directly to the MPEG2 using an external hardware card, so no editing/recompression is neccessary? I noticed OCPMovie's "Classic Editions" (AMAZING as they were) had serious antialiasing issues. Is that a side-effect of editing in DV? I'd love to see comparisons of MPEG2s made from DV captures and MPEG2s encoded on-the-fly by a breakout card.

One more question: If the source is DVD (as in OCPMovie's case) why not edit the exact MPEG2s ripped from the disc? You'd need to recompress when you output, but you need to do that anyway to fit on a 4.3GB disc.