Fortune Teller - 2020 - 6/10
Tense horror short of the paper fortune teller.
You know, that innocent childhood playtoy?
Always unwise to peer into the future, I say.
Nevertheless, people never learn.
Subs = https://subscene.com/subtitles/the-fortune-teller/english/2798193
The Final Girls - 2015 - 7/10
Intelligent, funny, loving tribute to slasher films of the 80’s.
From opening “Camp Bloodbath” trailer, to synth music, tunes by Kim Carnes and Warrant, to key ingredients of masked psychopath, keen edged weapon, horny teenagers, empty campground, this film scores again and again.
Tone jumps from howlingly funny to bittersweet, often in a heartbeat.
The mother-daughter element, which breaks formula rules, is very potent.
What is so enjoyable is the script is whip-smart, ironic and reverent.
You can tell the creators have a true fondness for the genre.
DO NOT VIEW THE TRAILER!! It reveals the whole story and many of the surprise jokes.
Black Tight Killers - 1966 - 7/10
AKA - Ore ni Sawaru to Abunaize / 俺にさわると危ないぜ
Passenger invites the stewardess out to dinner.
While dining, she notices a man spying on them from the shadows.
Her date (the airline passenger), a war photographer, chases after the shadowy man.
Only to see him murdered in the alley by three women wearing leather jackets and black tights.
Meanwhile, the stewardess is kidnapped by the yakuza.
This is the first five minutes! The photographer is soon pursued by police, yakuza, American mobsters, and the lethal lovelies, the black tight killers.
The story - with a half dozen plots - explodes at breakneck speed.
Groovy music, wildly inventive camera work, and fountains of color.
One scene: Our hero, an often thickheaded sort, get rescued frequently.
A sportscar driving hottie bails him out then asks if she can spend the night,
“Because I spent all day playing golf and it’s too late to face my parents.”
Yes, he buys that excuse.
Once at his place, in bed, she’s cold. “Could you bring a blanket? And yourself?”
Naturally he takes advantage of the situation only to begin screaming in pain.
“Ninja trick,” she purrs, “octopus pot. Now talk.”
“You’re one of them! Oww!! You’re one of the black tight killers!”
“Talk. Or I tighten the octopus pot … like this. Tighten more and you die.”
Of course he talks. He shouts.
Just one of dozens of wild scenes in crazed spoof of action movies.
Ferry Cross The Mersey - 1964 - 6/10
Overlooked jewel that came out during the British Invasion, but was NOT released in the States.
Gerry Marsden and mates are art students by day, musicians at night.
A fellow student, and very posh bird, takes interest and finds the lads a manager.
Now, if they could only nail the upcoming Merseybeat competition.
Film is shot in and around Liverpool, including the ferry.
Plot is innocuous, though seldom dull.
This is packed, packed, with musical numbers. The Pacemakers’ finale seems to have been filmed very close to an extraordinarily hot crowd. There is a real sense of frantic energy.
While not at the level of A Hard Day’s Night, it is superior to Catch Us If You Can.
One number was filmed inside the Cavern Club.
Fellow performers seen during the film include Cilla Black, The Fourmost, The Black Knights, Earl Royce And The Olympics, The Blackwells.
Be Kind, Rewind - 2008 - 7/10
Video store memories.
Two pezheads accidentally erase the tapes.
With fools’ inspiration, they opt to reshoot films using themselves and locals.
The results, at the very least, are atrocious. Yet in the so bad, they are funny category.
This film beams innocence. A lessor narrative would be snarky or smugly ironic.
The charm of characters and stories shines though.
Aspiring faneditors, get your sweded fix here.
Manhattan Murder Mystery - 1993 - 7/10
Allen and Keaton play a long married couple.
After a neighbor dies, Keaton grows suspicious that the widower does not grieve enough.
Perhaps even, he killed his wife!
Allen tries to inject reason into her thoughts, but she is headstrong.
And, as I have often discovered, never dismiss female intuition.
Delicate balance of comedy, mystery, and fondness for old cinema and OTR.
For the curious, this is a “good” Allen vehicle.
Theatreland - 2009 - 7/10
Behind the scenes series examines upcoming performances at Theatre Royal Haymarket.
Even before opening, the first play is sold out, “Waiting For Godot” with Ian McKellen and Patrick Stewart.
Backstage means observing the grips, ushers, managers, designers.
From repairs to excited brushes with the famous.
Alert! The complete “Waiting For Godot” is NOT included.
Overlong by two episodes, the final episodes show the hectic mounting of the next production, “Breakfast At Tiffany’s.”
One gets the sense the latter has a rocky future.
High-Rise - 2015 - 5/10
After equipment malfunctions and breakdowns, residents of an exclusive apartment tower break into class tribalism.
From the onset, there seem to be glitches and warning signs, yet tenants flood in.
Based on a J G Ballard novel, the setting is symbolic of Thatcher Britain or Reagan America.
Everyone out for themselves.
With few exceptions, characters are cold, bored, self-absorbed, or disengaged.
The more affluent or status-worthy reside in upper floors, lower orders near street level.
This is a major flaw. In all exclusive communities, low rents are not tolerated.
The descent into dystopia is abrupt. When violence mounts, no one phones police, no one flees.
Heavy handed allegory with paper thin characters.
Happening - 2021 - 7/10
AKA - L’événement
Anna discovers she is pregnant, all but a death blow to her ambition to be a teacher.
She asks around, tying to find a solution, but this is 1963 and no one will help her.
Abortion in France was illegal, those who even gave advice could be sent to prison.
As is ever the case, the sperm provider bears no responsibility.
Weeks glide by, while at school her grades worsen.
Wrenching drama will resonate with some.
Orange - 2015 - 6/10
AKA - Orenji // オレンジ
Adolescent fairy tale, told to maximize emotional impact.
Walking to school, Naho finds in her purse a letter from her future self.
Ten years older, suffering regrets.
Her letter tells her things that are going to happen, things she must try to prevent.
Inside the classroom, the new transfer student is introduced, and as the letter predicts, events begin to unroll.
A story of desperately trying to avoid Fate, or to swerve the path, and the ramifications.
School is idealized, with little drama and resentment.
The concept of a clutch of honest friends supporting each other is rare, though I did witness such on occasion.
High Tension - 2003 - 5/10
AKA - Haute Tension
Slasher film of two females who visit one of their parents in remote farmland France.
Access is through dirt road and seemingly endless cornfield.
They arrive late at night, say hello, then everyone goes to sleep.
No one hears the rusted work van arrive, nor hear the heavyset man approach the house.
The intruder’s motivations are vague, though a reason teases out midway.
Film suffers structural problems as it is carnage heavy in the beginning, then plods for forty minutes.
There is an unexpected and terrific “turn” near the end.
Unfortunately, I started applying logic at that point and the whole film collapsed for me.
Yummy - 2019 - 6/10
Alison has found a budget hospital for her procedure.
In a decision that will horrify the casual fratboy, she opts for breast reduction, from F to B.
She fails to consider, when you go budget, you get what you pay for.
“You think, maybe, we can get out of here?”
Medical experiments gone awry soon lead to corridors packed with ravening corpses.
The kind that chomp down and spread the infection.
Splatter horror, spliced with twisted, laugh out loud moments.
The Nest Of The Cuckoo Birds - 1965 - 5/10
Agent Johnson is assigned to infiltrate a vicious gang in the Everglades.
So much for that. Next scene, he is fleeing for his precious life.
Hounds, criminals and shotguns in hot pursuit, Johnson weaves through alligators and cottonmouths, before finding refuge at the Cuckoo Bird Inn.
The owner, Mrs. Pratt, is an ex-showgirl and a crazed religious zealot. Handyman Alfred wants Johnson outta there.
Then there’s an insane daughter, locked upstairs and chained to the floor.
Oh yeah, and a wandering female, stark naked, except for a face mask and big ole knife.
Acting is over the top, though one grows accustomed to it, as well as the banal dialogue.
If you make it midway, hang around for the chapel of mannequins.
Stunningly restoration by Nicolas Winding Refn is the one to catch.
Subs = https://subscene.com/subtitles/the-nest-of-the-cuckoo-birds/english/2793980
Ingrid Bergman: In Her Own Words - 2015 - 7/10
AKA - Jag är Ingrid
Less a documentary about the movie career, but more a behind the doors personal look.
For a Bergman fan, there is wonderful material here. Old photos, home movies taken by her father, as well as Ingrid herself who was quite the home movie buff. A trove of correspondence with lifelong Swedish friends. Recollections from her four children.
What emerges, however, is the story of a loner and perhaps a lonely soul.
Bergman moves from Sweden to Hollywood to Italy to England. In two moves, she leaves her children behind.
Always, though, she takes her bulging collection of photos, letters and home movies.
One wonders if, for the woman orphaned early, those physical memories were more important than anything else.
Graves, Clotilde - A Vanished Hand
Melissa Edmundson has done a stellar job here, gathering Clotilde Graves’ supernatural tales into a choice collection. Indeed, this could easily fit into Richard Dalby’s “Mistresses Of The Macabre” series.
A diverse assortment, with little thematic repetition.
“How The Mistress Came Home” catches the young bride, arriving to the great house ahead of the carriage, throwing the staff into consternation. Funny, sad, funny again.
“A Spirit Elopement” is more cautionary, about summoned spectres who then tend to stick around. Warning, you mess with the unknown, chances are unknown consequences await.
Pining for your lost love, or lover? After the death of his love, Daymond never dated, never married. He remained steadfast to his memory. Yet in “A Vanished Hand” the ghost unexpectedly returns, with no understanding of time. Worse, Daymond’s recollections appear to be skewed.
“The Compleat Housewife” finds another new bride taking possession of the manor, and the fabled recipe book. The book, though, belongs to the unquiet ghost of the estate, who takes a surprising shine to the young girl, helping her with a legendary banquet. By turns funny, before darkening.
Straight up adventure follows in “The Mother Of Turquoise.” Men, camels and equipment journey deep into the desert, searching for the precious lode. Haggard on a small scale, rousing stuff.
Love makes promises, true love most of all. “Dark Dawn” charts one such declaration from Corporal Cane to his beloved Temperance, before he marches off to war.
Edmundson provides an illuminating introduction. And! there are two profiles at the end, with one being an observation of Graves’ alter ego, Richard Dehan.
The Three-Sided Mirror - 1927 - 6/10
AKA - La Glace A Trois Faces
Story of Paul Morand, Jazz Age playboy.
He strings three ladies along, Pearl being the most expensive and high maintenance.
For Paul, there are endless lovelies available, so each vignette is a weary end.
Breakups dismissive, casual, scornful.
Jean Epstein silent uses double exposures to memorable effect, showing inner thoughts and premonitions.
Later, there are jump cuts and brief edits, which would not be common for decades.
I was unable to sync subs, though the version I saw, the intertitles were spoken aloud by Jean-Pierre Aumont.
Elegant film.
Codici: A Mob Story (Capitolo Due) - 2022 - 6/10
During a funeral, a meeting is arranged between a mob boss and an emissary.
Questions regarding impulse decisions, unfortunate outcomes.
Brooding crime short from B.A. Productions is dialogue driven.
Violence is understated, acting and photography professional.
Subs = https://www.mediafire.com/file/1dsiv9fsiq2ximr/Codici_A_Mob_Story_Capitolo_Due_-_2022.srt
Crosswinds - 1951 - 6/10
Those interested in an old-fashioned adventure (and pen pal correspondence), read on.
Small time skipper, with a really nice boat, gets fleeced out of same boat by good natured con man.
A hunt for hidden pearls lands him into trouble with the local constabulary.
Next, the skipper teams up with a pair of genial swindlers.
Everyone soon hurries to the crash site of a plane packed with gold bullion.
The coordinates are in crocodile infested waters, patrolled by a village of head-hunters!
Solid cast (John Payne, Forrest Tucker, Rhonda Fleming) are suitably middle aged weary.
Alliances form and break as all aboard maneuver for that gold, and dodge spears, arrows, blow darts, and those ever chomping crocodiles.
Old school in every sense of the word.
Observant viewers will note underwater scenes take place in the exact same location each time.
Though supposedly set in New Guinea, opening credits listed Weeki Wachee, a real place I used to visit as a kid.
Weeki Wachee, still flourishing in Florida, is tourist trap famed for its “live mermaids” underwater act.
In fact - and sorry for digressing - you can write the mermaids and they will write you back!
The park refers to this as - I kid you not - “Tail Mail.”
Misha Of The Wolves - 2021 - 7/10
In 1944, Nazis seize 7 year old Misha’s parents, ship them to the camps, place her with a Belgium family.
Still, she wants her real parents! So, on foot, she sets off into the wilderness to find them.
She lives off the land, steals food from farmers, witnesses war atrocities.
More importantly, she is a adopted by a pack of wolves, who treat her as a cub and share food with her.
In the late 1990’s her amazing memoir is published. Worldwide, she is acclaimed and lauded.
After all, her survival was astounding.
Skeptics, cynics, scoffers, doubters, those who wonder at the veracity of miracle stories …
This one’s for you.
Murder In Lisieux - 2019 - 6/10
AKA - Les Ombres de Lisieux
Inside the convent, the statue of a saint comes to life.
Wait a minute, there’s a corpse concealed inside that statue!
At which point, the usual male / female detective duo arrive.
Who was the victim? Why was she murdered? Who killed her?
The convent setting provides a twist, as do the sisters.
The mother superior and male detective have a loose connection (fans of DI Cromwell and Mother Helen, not here).
Aside from the nunnery, routine French crime mystery.
How To Be Bohemian - 2015 - 6/10
How indeed? Is there even such a thing anymore?
Three part series hosted by Victoria Coren Mitchell.
First episode offers historical perspective of early 19th century Paris Decadents, popularized in famous book, “La Vie de Bohème.” Followed by London types, Pre-Raphaelites and Aesthetes, think Wilde and Beardsley.
Second episode focuses on Bloomsbury Group and the “bright young things.”
The first episode were creative souls, striving against social norms, working for success on their own terms.
The second were mostly rich, privileged souls with affluent bank accounts.
Third episode begins at the 60’s, sweeps to today. Creative types followed by wannabees.
Bohemia commodified and sold to middle class and hipsters who hope “looking unique” is the same as “being unique."
Numerous talking heads throughout. Some informed, some funny, others are aging, pretentious old farts.
Host Mitchell comes off as a bit bourgeois, though that is actually refreshing in light of affected posing elsewhere.
Poseurs, pretenders, limited sorts roundly loathed by all.
Hard Boiled - 1992 - 7/10
AKA - Lat Sau San Taam // 辣手神探
Action seekers, you better have seen this five times already!
Triad gang is smuggling weapons into Hong Kong.
Police aren’t powerless, yet they seem two steps behind.
Aside from maverick cop, Tequila. (Following The Killer, this propelled Chow Yun Fat to global stardom.)
Also receiving accolades were Tony Leung as the undercover cop, and Anthony Wong, the mob boss.
What really stood out – and still stands out – are the action sequences.
Imaginative, dazzling, superbly choreographed, they put to shame other so-called action films.
One of many titles that put Hong Kong on cinema’s map … for awhile.
Looking For Mr. Goodbar - 1977 - 6/10
Theresa, schoolteacher by day, clubrat by night, sleeping around, popping pills.
Part of this is her blossoming out of an ugly girl adolescence, and rebellion against her uptight Catholic family.
Bar shots and club scenes are alright. The “adult” stuff is listless (though Gere has energy to spare) .
Keaton was acclaimed, since this was a real break from her Woody Allen roles, but I didn’t get her.
Day time: passionate. Dating scene: disinterested, bored, the proverbial dead fish lay. Quaaludes?
Dreary, moralizing film proves a real downer.
Loose sex in the ‘70’s (pre-AIDS) was shallow, freewheeling, and much more fun.
Plastic - 2014 - 4/10
Expected disappointment with this one, and duly received.
Caper heist with cardboard characters, plot holes an eight year old could spot, useless scenery, MOR tunes.
UK con men quartet get in trouble with small time Eastern European boss and his two thugs.
Yep, four good guys vs three villains. Guys, acquire handguns, target practice, or press in foreheads.
Easy, Barney.
These supposed “good” hoods - who steal credit cards and rip off rubes - are naive 20 year olds.
Still, in less than two weeks they work out how to heist $2 M, vacation in Miami, hire a private jet!!
So smart, so special.
Despite arguments, colossal errors, wayward romance, “the plan” unfolds.
Predictable - boring - with contempt for viewer IQ.
I keep hoping. First time I heard of the Gilbey brothers was Rise Of The Footsoldier, a cracking good mobster flick.
Firm member becomes enforcer then accumulates power. Damn good film.
Next, A Lonely Place To Die with stupid, baked-potatoes-for-brains, hikers stumbling across kidnapping plot.
Every character had zero common sense and negative likability.
Plastic is yet another step down into comatose creativity.
Guy Ritchie without style.
How To Survive The End Of The World - 2013 - 6/10
AKA - Evacuate Earth
Multi-episode documentary mixes science with speculation.
What if … the planet were struck with a global pandemic (this aired 2013).
Or flood waters covered the earth, or the orbit shifted, moving us away from the sun.
Or weather turns wilder, deadlier.
Experts describe scenarios and possible solutions.
The add-on episode, encounter with a neutron star, lives up to the alternate “Evacuate Earth” title.
It was also wise enough to pinpoint those who, during rescue, would push themselves to the front of the line.
The wealthy, who may lack necessary skill-sets. And politicians, who excel at provoking conflict.
Curiously, what is not delineated is irreversible, runaway global warming. Oh, the irony.