Vultural

Rise Of The Nazis: S02-03 - 2022 - 6/10

Unexpected followup to the first series, which was superb
This one promises well, as S02, “Dictators At War” zeroes in on Hitler and Stalin.
As a result, we receive insights on Stalin, Molotov, and Zhukov.
Producers rush the pace, however, and after two episodes the Soviet Union is barely mentioned.
E03 offers the White Rose resistance as well as Colonel Stauffenberg, no Stalin.

The third season was something of a disappointment.
Talking heads, “experts”, dominated this trio of episodes relating to the downfall.
Key members of Hitler’s inner circle were psychologically analyzed.
Speer, Eva Braun, and Admiral Karl Dönitz receive more due than is customary.
All too often, the presenters voice speculation and second-guessing.
A few come across as judgmental.
Such is their privilege, though one expects more objectivity in a documentary, instead of righteous opinion.
I’d suggest stick with S01, and dispense with later series unless you are a hardcore history buff.

Subtitles = https://subscene.com/subtitles/rise-of-the-nazis/english/2971584

The Commitments - 1991 - 7/10

Jimmy decides to manage a soul band in Dublin.
Problem, there is no soul band, so he decides to form one.
Adverts, auditions, rehearsals, disastrous gigs.
Experienced viewers can easily predict how feel-good this will go.
Think again, Farquar, as Jimmy has unerringly selected individuals who detest each other.
Songs are first rate. Very funny film, although some of the Irish humor escapes me.
Film debut of Maria Doyle (Kennedy).

Wicker Park - 2004 - 6/10

Remake of L’appartement (1996).
Matthew thinks he spies an old flame, Lisa, in a Chicago restaurant.
That flame is strong as he puts his life, and career, on hold.
Although the real mystery is why Lisa originally disappeared, this US version flirts with romantic territory.
I would rarely suggest this, but it might be better to view Wicker Park first, then L’appartement a few years later.
The US version is a fine thriller in its own right, but is a lesser film than the original.
Aside from Diane Kruger, there is simply not the talent.

An Unmarried Woman - 1978 - 6/10

Early empowerment film, back when the ERA still seemed possible.
Martin leaves Erica for young stuff.
She is cut adrift, and even though an artist (Alan Bates) soon beckons, she experiences independence.
Unfortunately, this has dated somewhat, and modern audiences may not grasp how unusual this was.
Women were not in the workforce to the extent they are today.
Jobs were part-time things, or temporary. Being alone, after a certain age, garnered social stigma.
Still, reentering dating in your 40’s or later, remains awkward and daunting even now.
This is Jill Clayburgh’s film, period, and she deserved all the acclaim she received.

Cornwall And Devon Walks With Julia Bradbury - 2020 - 6/10

“Wow! Would you look at that!” Later, “My God, look at this!”
And so it goes.
Julia Bradbury, who I have enjoyed in previous docs, has developed chronic jabberjaw.
She comes across as an American teenage cheerleader on cocaine.
Besides constant camera mugging, she is incapable of simply appreciating the obvious.
Whenever she is with anyone, Julia is at least 3 dB louder than they are.
More than once, you can see guides or guests, put off, who refuse to engage with her.
Score is for breathtaking scenery.
Advice. If you go on a walk with Julia, wear earplugs. She cannot help herself.

Nathalie - 2003 - 6/10

Catherine, learning her husband is cheating, hires a hooker to “test him” and report.
Yes, like in real life. Most would hire a detective, but not here.
The plot lurches between absurd and unbelievable like a drunk trying to pass a sobriety walk.
Catherine (a wasted Fanny Ardant) is a folly of insecurity, while the hooker spins tales from the side of her mouth, and I found her impossible to believe from one moment to the next.
Not particularly suspenseful. Not erotic, either.
Excellent cast wasted in film that promises more than it delivers.

Oliphant, Margaret - The Library Window

The young girl is recuperating at her Aunt Mary’s in Edinburgh.
While we are never directly told what her ailment is, in time one might infer it is a nervous condition. Overwrought emotions necessitating peace and quiet. Or a change of scenery.
Aunt Mary and her friends are older, a merry lot, and while the young woman overhears conversations, she refuses to be drawn in.
Besides, she is preoccupied with staring at the window across the street.
As summer days lengthen, she begins to discern the interior of the room across the way. Furniture, paintings, bookshelves packed with volumes, perhaps even an occupant?
This is the gradual unfolding of a haunting. Not a ghost, nor supernatural, but this is a finely crafted tale of things seen, and unseen.
This is not one that packs a punch or delivers a jolt, but leaves the reader with a held breath of the unexplained.

Ian McKellen On Stage - 2021 - 8/10

With a large steamer trunk filled with a few props. McKellen gives a tour de force.
One man play consists of two halves and a brief, very brief, intermission.
First half touches on childhood, growing up, interest in theatre, and film work.
Those anticipating Tolkien will not be disappointed.
The half is theatre oriented. Old playhouses, rep, colleagues.
Second half: Shakespeare, every single play.
Quotes, performances, myths.
A masterclass. Theatre buffs, a must!

Life Is A Bed Of Roses - 1983 - 5/10
AKA - La Vie Est Un Roman

French arthouse territory with three concurrent plots.
One is set on either side of WWI as rich idealist plans to create Utopia.
Following war, he perseveres and creates a mad version of harmony.
Another narrative follows modern day learning institute (set in unfinished Utopia castle).
Third is dreamlike world where children, dressed as play actors, sing, do beheadings, and shift between first narrative and the second.
In all narratives, characters burst into song.
According to what I read (after being thoroughly confused by this), director Resnais was showing characters striving for happiness and harmony.
Most of the happiness resembles the sexual sort.
Bit of a slog for me, though the '20’s section was visually striking.

I have bought Titan books before, so I had a look around their site.
They have put out limited editions before, with little fanfare.
Not sure if the publisher would bother this time, as the signatures would raise the price to a princely ransom.
Still, worth checking periodically for you folks with deep pockets.

Caliber 9 - 1972 - 6/10
AKA - Milano Calibro 9

Barely released from prison, Ugo is picked up by henchmen and taken to the junkyard.
“Where’s the money you stole?” they demand, between beatings.
Ugo consistently declares he knows nothing about nothing.
Not that it’s the money to the big boss, the Americano, it’s the principle.
So begins the long game. Ugo, the Americano and his thugs, the organized wealthy behind them, and law enforcement, struggling to find a weak point.
Great Euro-Crime outing boasts graphic violence, sex, nudity, as well as a plot that keep one wondering until the last scene begins to play.

Arthur & George - 2015 - 6/10

Three part series featuring famous sleuth, Arthur Conan Doyle.
Sherlock mania in full swing, Sir Arthur is recently widowed and suffers depression.
He receives a letter from a recently released convict, hopeful solicitor, asking to Doyle review his conviction.
Martin Clunes makes a crisp Doyle. Costuming seems impeccable and most of the goings-on take Doyle and his secretary outside of London, so plenty of afternoon and full sun framing.
Story springs the odd turn here and there, but nothing too far fetched.
Because … yes, inspired by true events!
The young solicitor, Doyle’s interest, and subsequent law change were all true.
Everything else onscreen, say dialogue or additional characters? No, sorry, pure writer’s imagination.
Entertaining, if starchy, and at three parts not an endless soaper.

A Taste Of Christmas - 2020 - 4/10
AKA - Christmas Romance Al Dente

City girl Natalie does event planning, pet-sitting, gift buying, home delivery, etc ….
A veritable Jaclyn of all trades.
When her aunt, opening a small town restaurant, gets stuck in snow covered Roma, Natalie rushes to the tiny town where, go figure, the hunky Italian chef has arrived.
Christmas, cooking and romance. Keen eyed viewers might smell a formula.

I think … however … what happened was, the writer died.
The producer had already hired actors, bought skillets and aprons, and decided to wing it.
He finished the script with assistance from Ruff. Man’s nest friend.
“Listen, Ruff, they burn food, right?” – “Which sets off the smoke detector, boss!”
“Good job! Kitchen sink springs a leak.” – “And leaks explode everywhere!”
“Great, Ruff! Cinema connoisseurs will recognize an homage to “A Plumbing We Will Go.”
“The peoples should be opposite, right boss? They don’t like how the other smells.”
“In humans, opposites attract. That’s why we get divorced or kill each other.”
“How about puppies, boss?” – “We call ours kids. We find some teens so cute you could choke.”
Missing anything? Well, when the foxy Italian female sings, her voice is pure Nashville.
Nia Vardalos, featured heavily in ad slicks, is barely here.
Midway, I paused and advised Zelda this would not become a holiday repeat.
She tried to reply, through laughter, tears running down her face.
“This is one of the worst films I’ve seen in my life.”

Janis: Little Girl Blue - 2015 - 6/10

Another documentary on 60’s icon Janis Joplin, forty odd years dead.
Does a good job talking with relics and survivors, unearthing a couple forgotten souls.
Copies of letters, photos, the usual concert footage, augmented with a lot of the Festival Express tour.
That was a train tour across Canada with Grateful Dead, The Band, Buddy Guy, Flying Burrito Brothers, Delaney & Bonnie. (In fact, curious souls would be well advised to seek out 2003 doc Festival Express, a better film than this one.)
The earliest doc, Janis - The Way She Was from 1974, was slightly more sanitized than this (blame family white washing), but there were more survivors and their memories fresher.
Myth blurs with history, and this doc seems overlaid with a golden haze of nostalgia.

Carol - 2015 - 7/10

Gorgeous film of attraction leading into fling.
Younger female meets older female. Age difference, wealth difference, class difference.
The foolish heart that learns through experience.
Set in early 1950’s New York, the look is a fashion catalogue. Clothes, hairstyle, makeup.
Director Todd Haynes shot in Super 16 so there is grain in the film.
Some critics have likened this to Sirk, but I think they are in error.
Sirk’s films are often high-voltage melodramas, and Carol is a subdued mood piece.
Social constrictions abound and repercussions for deviating from the norm glide quietly in the background.

Standing Woman - 2021 - 6/10

Chances are the first lot are felons: Murderers, rapists, kidnappers, violent prone.
Followed by burglars, robbers, drug dealers, thieves.
Being planted, every one.
Then drug users, petty shoplifters, folks who run a stop sign.
Next the complainers, those who criticize the government, the individualists.
Where will it end? Well, we all want a better world, don’t we?

QE2: The Final Voyage - 2009 - 6/10

Limited audience for this. Documentary about the final trip of the Cunard liner, QE2.
History - highlights - final run from Southampton to Dubai, interspersed with passenger recollections.
“Limited audience” is a bit fuzzy, though, as the doc states that over a million people have sailed the vessel.
Likely millions more have cruised from port to port.
Belated souvenir for those who walked the Queen Elizabeth 2 gangplank.
Perhaps of interest for those who wonder what the “posh boat” was about.

^

I was actually one of those million souls, who sailed the QE2.
For our 20th anniversary, I booked passage, managing to keep it a secret from Zelda.
Our cabin, barely above the water line, was minuscule and barely within our financial means.
I paid extra for a porthole, which, owing to extremely rough seas, was sealed with a steel plate for the duration.
Unlike cruise ships, dinner was black tie, tux or suits for men, gowns for women.
Dinner was also 6:00 PM or 8:00 PM. Period.
When I advised the agent we would prefer 6:00, he adamantly opposed.
“What’s so bad about 6:00?” I asked. - - “Wheelchairs and walkers.” - - Dinner at 8:00 it was.
By sheer luck, the trip was movie themed. Telluride honchos brought a dozen not-yet-released films.
Speakers included Peter Bogdanovich, Ken Burns, Roger Ebert, Paul Schrader, Chuck Jones.
You could catch lectures or simply share a private conversation in one of the many pubs.
The North Atlantic was rough, the ship groaned and shuddered most of the crossing.
Numerous passengers were seasick.
One of our dinner companions was a young Air Force officer. One evening he confessed that while jogging on rain soaked decks, he had slipped and had almost slid overboard. None would have noticed his disappearance.
Intrigued, we asked our guest officer if this had ever happened. He smiled and gestured indifferently.
“How soon before anyone realized?” Zelda pressed.
The officer gingerly wiped his mouth with his napkin. “It would be altogether rude of a guest to leave unannounced,” he smiled. “Terribly poor manners.”
For our 25th anniversary, we sailed again. I booked an interior room and paid a quarter of what I had before.
We were seasoned travelers by then, also less wide-eyed.
We noticed, while the QE2 was still the same, the vibe was different.
Carnival had purchased the line, and crustier Brits commented about slipping standards.
No Telluride theme, no famous speakers. Instead of ships officers, our dinner table included a blustery Teamster who always got red-faced drunk before he arrived.
Hard to blame new ownership. You could visit Vegas twice, each stay would differ.
Nonetheless, both were magical trips, which I never regretted spending money on.
^

Outrage - 1950 - 6/10

Ann has just gotten engaged. Head in the clouds, she heads home through the factory distract.
Is observed, followed, chased, raped (although that word is never spoken).

In later times there would be support groups, counselors.
Yet in 1950, there is stigma. Neighbors and coworkers watch, point, whisper.
So Ann bolts, hops the Los Angeles bound bus, gets off in nowhere.
Reinvents herself with a new name.
Noirish “message” film, packs a nice punch, and while still informed by the white bread mores and restrictions of the 1950‘s, this is still relevant today. Sadly.

Toast Of London: S01 - 2012 - 7/10

Perhaps an acquired taste, but if you are one for British humor, this is a gem.
Steven Toast is a journeyman actor, clearly on the downside of his career.
He does voiceover work, TV work when available, indie movies, theatre boards.
Currently his is acting in what is considered one of the worst plays ever.
He is pompous, cocksure (in more ways than one as there is a lot of rogering in this series), extremely annoying to those around him, and tearfully funny as episodes build.
This is packed with theatre jokes and many guest stars.
For a half hour show, it is generous with plot and laughs.
Example - In the S01 finale, Toast auditions for - he wrongly assumes 007 - and screws that up.

Next, he loses a fortune to Lloyd Webber playing poker. He runs from a hit man, shags a rival’s wife, finds time to act in his nude musical, and mangle his voiceover work. Awesome Bond opening credits!
Priceless satire.

Touch And Go - 1991 - 6/10
AKA - Yi chu ji fa // 翻天鵝

After showering in front of the whole street, cafe worker Fat Goose witnesses a cop killing.
Life expectancy for crime witnesses runs between days and hours.
Especially after the squad house gives Fat Goose and number and advises him to phone if he’s about to get killed.
The criminals are unstoppable, and soon begin terrorizing and liquidating.

Odd Ringo Lam film with Sammo Hung as bumbling, frightened witness.
Hung excellent in sloppy, comical fight sequences (I have never cared for these).
Brutal action does not mesh with silliness.
Irene Wan shines as the illegal migrant in uneven film.

Wild Things - 1998 - 6/10

Kelly and Suzie have a plan. Involves a slight case of murder.
But they know a cop, a dirty one. And a popular teacher, easy to shag.
Thing is, the participants are all sharpers, wary and calculating.
Delicious Neo-Noir thriller set in the swamps.
Narrative packed with twists and hairpin turns.
Bill Murray memorable as sleaze bag attorney, but the whole cast is top of their game.
Steamy, sexy, wickedly crafted.

Kurokôchi - 2013 - 7/10
AKA - クロコーチ

Sleazy, dishonest, crooked, scheming, even murderous.
Barely comes close to describing the used car ethics of Detective Kurokôchi.

He extorts money from politicians, covers-up killings by businessmen, blackmails anyone he can slip the wedge under.
For all that, he is almost a breath of fresh air in the entrenched law enforcement hierarchy.
And, as the 10 episode series unfolds, he digs deeper and deeper into a long buried mystery.
The 300 Million Yen Bank Robbery of 1968 (actual event).
Forces behind the vanished monies, one soon realizes, are powerful and secure.
Nevertheless, they never take the shifty Kurokôchi for granted.
He is partnered with a by-the-book individual, whom he shamelessly exploits.
Very much a game of lies, knives and smiles. Irresistible!

Checkpoint - 2022 - 6/10

“Go. Seek penance. Reveal your worth.”
The man wakes in the wilderness, an extraordinarily dangerous environment.
Where he dies. Again and again and again.
Each time, learning and advancing towards an uncertain goal.
Survival short, a brutal riff on Groundhog Day, drives hard and does not outstay its welcome.
Lost me with the ending, though.

Bukowski, Charles - Hot Water Music

Chinaski attends the reading by a rival poet, untalented yet wildly popular. One masterpiece proceeds:

“East of the Suez of my heart
begins a buzzing, buzzing, buzzing
sombre still, still sombre
and suddenly Summer comes home
straight on through like a
Quarterback sneak on the one yard line
of my heart!”

Thirty plus stories from 1983. The majority are funny, though often fading at the end like a drunk passing out.
Chances encounters in the cheap bar. Arguments over breakfast. Fistfights in the alley
Winning on the horses, losing everything. Wading from one stinking cesspool of a job to another.
How hard does your own life blow, loser?

Invasion Of The Bee Girls - 1973 - 6/10

“Zzzzz” aired in 1964 on The Outer Limits.
The beehive designs a young queen to resemble a human for interspecies mating.

Great plan? Well, her target is a stuffy professor, loyal to his wife.
In the end, our young queen shrugs and gives up, unaware she could have scored with any horny teenager, rowdy fratboy, jock, the mailman, postman, you name it.
Because the young queen is an exotic hottie.
Fast forward a decade, and I imagine producers revamped this concept for the trashy drive-in thriller, Invasion Of The Bee Girls.
These worker bees are far more successful with male / female mating.
For those less knowledgeable about bees, male drones, during a successful romp have a highly sensitive appendage broken off, and they die.
After a tumble in this flick, menfolk likewise perish, though we are not told how.
As more men succumb to the throes of ecstasy, a government agent teams up with a curvy bee specialist.
Alert viewers might well speculate that once her eyeglasses come off, so will a whole lot more.
That fails to reckon with the Bee Girls strategy of transforming more human females into, you got it, sexually voracious mantraps.

Resistance is futile, future honeypot.
Fun, sexy nonsense with flesh and adult situations.
Newer DVD miss some nudity but look better than previous DVD that had the extra bits.