Vultural

Crisp, Quentin S - Graves

An obsession with death. Death and afterwards.
After decay and putrefaction, is there a metamorphosis, a transfiguration? Does the soul endure? And what is the soul? A construct of memory?
Damien dwells on these matters, along with similar depths.
He becomes a nurse, working at the crossroads of existence and expiration. He bears the cross of intelligence, often more a burden than a blessing.
Unlike the majority, his overwhelming curiosity compels him to activity.
This is a novel rich in thought, vivid with details. Not a page turner, either, as many passages demand reflection and contemplation.
I will likely read this again, as I suspect multiple readings will be rewarding.

Farmer, Philip Jose - The Evil In Pemberley House

What a pile of poo. At least mercifully brief at 200 pages.
American girl - distant relative of Elizabeth and Fitzwilliam D’arcy - inherits famed country manor.
The house apparently has a ghost who haunts the master/mistress three midnights every year.
Other relatives in the family tree include Lord Greystoke (AKA: the Jungle Lord), as well as the Duke of Holdernesse, so Holmes is involved - or at least his notes are consulted. Oh, and the family doctor is Dr Augustus Moran, grandson of Colonel Sebastian Moran.
Far be it from me to omit, this is also a bodice ripper, and there are several passages of stripping, whipping and squeezing.
This read like very bad fan fiction to me, yet I must confess, other readers adored it.
The mystery aspect was poorly developed.

Various (Editor: Beech, Mark) - A Miscellany Of Death And Folly

Tales of the Reaper, or those reaped, and meditations on the other side of Life.
“The Bone-Cage Blues” catches the newest arrival in Skull Town, who literally tumbles out of the sky. Nor does she belong, though rectifying that, well, there’s the rub.
Scenes of death, grotesque and hidden, are glimpsed in rare stereoscopes. Watt’s “Székely’s Last Plate” is a warning to would-be observers. Just how much do you want to see?
A trio of essays act as indexes, glossaries, or entries. One lists omens and superstitions (eg: black birds, cracked mirrors) and other things to avoid, to keep the sharp scythe at bay. Another offers brief snapshots of one of Death’s nemeses, and the activities she performs to protect her neighbors from their final breath. A third essay delves into tawdry commerce. Not so much the high cost of dying, but rather the expense of mourning.
The day was cloudless, warm. The ambitious, though shallow, man had taken a shortcut, and then, fatigued, stretched out for a midday nap. Perhaps one should not take a shortcut through a cemetery. Perhaps one ought not sleep on a grave. For there may be consequences. In Enciso’s, “A Monument,” there are indeed consequences.

Throughout, the old poem by Frye, which, sadly, I have heard far too many times, echoed.
“… Do not stand at my grave and cry;
“I am not there, I did not die.”

Lloyd, Rebecca - Mercy

The first clutch of stories are not what I would define as uncanny or strange, but rather, to paraphrase Mr. Bukowski, tales of ordinary madness. In this book, however, not so ordinary.
“Mercy” is narrated by an obsessive soul, nurturing a shrine of love, who explains his routine with detailed rationale.
The broken couple gradually circle around each other, drawn by habit and need, in “Salsa.” A friend, Janet, acts as onlooker, though she seems in the corner, leashed with her own restraints.
The builder of kites works quietly, while his eyes evaluate youthful trespassers in “The Meat Freezer.”
70 odd pages in, and new neighbors work to restore a neglected house, and repair their relationship. “What Comes” is the first tale of real unease or disturbance. on several levels, that seeps like a stain that cannot be washed clean.
In “The Bath” young John tries to help the reclusive couple. The pair are long married, though close mouthed, to the annoyance of the inquisitive. Eventually, John makes it past the front door and gazes on secrets, eccentricities, and a wet afternoon mystery.
“Gone To The Deep” is lengthy, and a satisfying release from the half glimpses that have come before.
A mounting tale of a sea spray triangle. The haunted island fisherman, torn between his passionate mainland lass and the bewitching song of the waves.
All make worthwhile reading, yet this collection never caught fire for me.

Prokudin-Gorskii, S.M. - Photographs For The Tsar

An excellent reference I consult whenever reading about pre-Revolutionary Russia.
Prokudin-Gorskii traveled Russia in a specially fitted Pullman coach, photographing the populace and wonders of the land.
Nicholas II approved this and was genuinely interested, though funding for the project ran out in 1917.
Prokudin-Gorskii was a pioneer in color photography (very expensive), and the book is full of images from 1906-1917.
That world, and the people in it, the villages, the buildings, the very landscape, vanished into the Great War, the Revolution, the Civil War, the Red Terror.
Luckily, his photos are easily found online.

Bonus!
Yes, you could Google around for images, but I have added a couple below:

Pinkhus Karlinskii, 1909

Greek tea gatherers, Kurdistan

Schoolboys with Rabbi, Sammarkand

Peasant women in the Ukraine

More? Larger? Go here – https://mashable.com/2014/09/30/russian-revolution-in-color/

Oliver, Reggie - Sea Of Blood

Packed sampler containing many of Mr. Oliver’s best works, recommended primarily to North Americans* curious about him.
This is weird fiction at its best. Tales unpleasant and unexpected balanced with many that are steeped in black humor. Quite a few more circle around the theatrical sphere. Yarns of touring actors, rotten houses, hangers on.
Readers of M.R. James will be on familiar ground and will enjoy.

• This generous, 400 page collection is readily available stateside, and more affordable that the lovely Tartarus editions. For those outside of the states, U S Postal rates are appalling.

Various (Editors: Murphy, Damian and Ghetu, Dan) - Wound Of Wounds: An Ovation To Emil Cioran

A collection of riches here, whether you are a follower of Mr. Cioran or an indifferent skeptic.
Snapshots include Thompson’s account of an encounter between Cioran and God (the Almighty wearing the skin of J S Bach) which brews cheerful cynicism with laugh out loud humor.
Mr. Isis exhibits the zoo of the extinguished and the malcontents, observed by an audience of the listless and the bored.
Rhys Hughes offers a suicide. An elaborate device of giddying complexity, and not without a fistful of chance. Rube Goldberg, shooting craps with the Reaper, would chuckle at this.
Wood’s “Dead Engrained Skin” left me reeling. Perplexed, baffled, I felt as if I were trapped in a stalled elevator with an overwrought madman philosopher. Gems of insight wash past in a cascade of words. To mangle the author, a tale best read, then “eschewed,” with the bitterest coffee.
The undead philosopher, one Mr. Cioran, debates meaning and existence in “The Funeral Cry.” He also acts as ferryman between the bigoted small town and the cruel metropolitan underbelly.
“The Infinite Error” catches a grand evacuation, poised before the selfsame ‘infinite error.’ Everything - nothing. Exuberant release, infernal blockage.
Charles Schneider mocks the writer. Frustration, indecision, doubt. He omits the joy during those rare times when words array in splendor. Then again, oh, how fleeting such joy is.

Keene, Day - League Of The Grateful Dead

Collection of hard-boiled short stories written for 1940s era pulps.
Sharp paced plots, smart mouthed guys, dealing in hot lead and a quick uppercut.
Most were private eye cases, back when the job was glamorous and paid real dough.
A lot of fun, including some great titles such as “Dead: As In Mackerel.”
Beach read when you don’t want to plow through 700 pages of teenagers realizing they are turning into their parents and will live another 60 years, or enduring another memoir of some fossil griping about how painful their childhood was. Oops, was that the grown up teenager?
League Of The Grateful Dead was cheap entertainment, not enlightenment.

Day Keene had been popular in the 30s, as well, but under his own, very Germanic name.
Once WWII commenced, he shifted to a pseudonym and never went back to his original.
In an interview, Jerry Garcia once said the band had gotten their name from a forgotten magazine story.

Dilke, Lady - The Outcast Spirit And Others

Long ago, a lady leaned over lofty balcony and beheld a company of knights.
Their upraised lances resembled a forest of ivory, and at the center was the most beautiful prince.
Behold the world of Lady Dilke, stories set in a romanticized Medieval era.
Nothing is fair in the kingdoms, however. Curses, dire prophesy and ill fortune are the lot of all.
Lady Dilke did not favor happily ever afters.
I particularly enjoyed the two longer tales, “The Hangman’s Daughter” and “The Triumph Of The Cross.”
In the former, a young noble matures with no estate, wealth or honor. Unknowingly, he forms a relationship with the hangman’s daughter, and all the ill luck that entails.
In the latter, a sorceress unthreads a royal couple, leading a kingdom to war.
Should you be in the mood for the morose fables, then these are for you.

Cave, Hugh - The Mountains Of Madness

Old school horror by the last pulp master.
Cave was 93 when this came out, his final novel, and it felt like a throwback to the past.
Dan leases a coffee plantation in Haiti and stumbles into voodoo.
A female protagonist arrives, researching an ancestor and she gets the voodoo, as well.
Much was predictable, and the writing style reflected another era.
“What was Dan doing here?” or “Again and again, how did he get from New York to St Joseph?”
Cave does a nice job of pointing clues in different directions, and keeping the reader involved.
Short at 150 pages, but about right for a pulp novel back in the 40s.
Nice finish to a long, long career.

Ghahwagi, Karim - The Liminal Void

Three souls wear witness to, and record, high crimes and atrocities.
While some crimes may be against the state, and others are vendettas or rivalries, the majority seem to have been inflicted by the authority. The Regime.
The tone is Kafka and Orwell, the domain utterly totalitarian.
How is the narrator even permitted to engage in the archiving of knowledge dangerous to the state?
Therein hangs the novella, as the trio journey from one secure location to one remote.
While broken into a handful of chapters, I still found this a churn to navigate.
The prose was … no, the syntax, the word arrangement and sentence sequence was what I found murky to read and interpret.
On reflection, I decided this must be by design, as other works I have read by Ghahwagi were easier.
If deliberate, I wondered how thin is the border between stylistic flourish and mannerisms.
Sammy Hagar fans, take note: I did not count, but the word “crimson” must be used forty times or more.
Should someone suggest leitmotif, I will shrug and agree.
I was not so much disappointed as puzzled by my reactions to this.
Other Ghahwagi works I have enjoyed greatly.

Thank you for the Witcher comments.
I’m plugging along with it, still undecided whether to nudge into the YA shelf.
I’m also still fence sitting about Expanse S04.
The ending of S03 suited me, plus I already have piles of Euro series, K-dramas, J-doramas to view.
Never enough time.

Brewer, Gil - A Taste For Sin

Jim works at a liquor store. To make ends meet, he boosts cases now and then, hoping his boss doesn’t notice.
Enter customer Felice. Nothing but firm curves under a black shirt, hitched high. White blouse, mostly unbuttoned, beckons with more moist delights.
Felice and Jim begin to yield to the electric charge between them, even though Jim knows she’s poison.
She’s 17, she’s reckless, she has a temper, she has a husband.
Yeah, that husband thing. Still, he works at the bank, he works nights, he has keys.
Jim is another of Brewer’s male losers. Guys transfixed stupid by hot snatch.
Oh, Jim comes up with a plan! Details and timetables so nothing - nothing - can go wrong.
The book hurtles at a frenetic pace, matching the Jim and Felice‘s activities every time they rip each others clothes off, which is often.
For tales of low rent lust and insane capers, Brewer is my go-to favorite.

Insole, Colin - The Rhododendron Boy

Childhood remembered.
For many of our adult years, our early days seem buried, if not forgotten.
In old age, those ghosts often return unbidden.
For the blissful, the shroud of nostalgia deceives with lollipops and laughter.
Others recall with startling clarity, ugly behavior, suffocation, and the brittle veneer of happiness.
In this, our narrator is in his 60s, perhaps older, revisiting events – an event – when his course took the errant path.
This is a terrible story of building unease, as misremembered characters saunter and stumble in a young girl’s rambling sing song.
Almost from the onset, there are shadows. Off in the corners, out of focus, their shape ungrasped.
And yet, like all horrors, more may be exposed by the end. Because you want to look.
They will crawl down your throat and disgorge their secrets.
Even on a first read, this is powerful and disturbing.
The book itself is a gorgeous piece of art. Deceptive, however, a siren who beckons into a bleak world.
The fragrance of Helen Vaughan lingers in this.

Thanks, guys.
I have the remaining Witcher episodes of S01, so I’ll probably watch.
Being based on a series of books tempts me more. Original series based on writing rooms, I shun.
Don’t know about Witcher S02 and beyond. Looking at Wiki, it appears the books have concluded.
Usually, I stick with shows one season, maybe two.
I watched all of Game Of Thrones, and God do I wish I hadn’t.

The Witcher
I have watched one episode of “The Witcher,” and it seems like a YA version of “Game Of Thrones,” albeit heavier on magic and monsters.
I’m on the fence with this, and would appreciate comments from other OT members who have finished S01.
One song in particular drew me to the series and it has become stuck in my head, so some of you may want to beware.

https://www.youtube.com/watch?v=bS4Q-WWyl3Q

I would be happy if someone could excise the Rico-Ibanez-Barcalow triangle.
Nothing satirical there, just teen pap.
Not sure what bonus footage was in the DVD. The “extra” I returned to was always the commentary.
The third film has the power suits, but, if I recall properly, insufficient budget to show a company of troopers wearing them.
No, I never had an issue with the satire.
Moreover, should someone incorporate 45’s “space command” comments into an edit, then excellent, most excellent.

I hesitate posting reviews here, which would resemble a flood
Nonetheless, this is a recent one and a suggestion for editors.
Believe me, I have searched for no-nonsense version. Where is Maniac when you need him?

Starship Trooper - 1997 - 6/10

Near-future Earth finds itself at War with planet Klendathu.
A few whisper we were the provocateurs, infringing on Klendathu territory.
Hardly cause for them to annihilate a major Earth city!
Patriotism surges, high schoolers enlist, and, whether they remember their training or not, few soldiers survive.
Intense battle sequences coupled with black satire aid this flawed SciFi.

I saw this theatrically and I remember how, at work, we jeered the soap opera romances, clichéd boot camp, and the deadly accuracy of bug farts against the sneering fleet.
Aside from Rasczak and Carl, most characters are ignorant fools, including the top brass.
Still, over the years I’ve rewatched this … what …a dozen times? More? The pezhead and his guilty pleasure.
I speed through the Rico-Ibanez-Barcalow twaddle, linger over Dizzy, and ask myself why, oh why, oh why, has no one in the fan-edit world ever given this gem an adult overhaul.

Sooner or later, someone will suggest that obscure series by James S. A. Corey.
Corey (AKA - Mark Fergus and Hawk Ostby) has, of late, seen his books adapted for television.
I recall recommending S01 and S02 over at the other joint.

Bukowski, Charles - The Captain Is Out To Lunch And The Sailors Have Taken Over The Ship

Publisher John Martin persuaded Bukowski, very late in his career, to keep a journal.
This came out posthumously.
Lot of comments about the racetrack, his neighborhood, ailments.
Some repetition, and there would be long lapses between entries (can’t tell if that was Bukowski or the editor).
One gets the feeling the writer knew his time was winding down, and he seemed to find less enjoyment in everything. Not that he was ever the beacon of merriment. As always, his observations are merciless, and skewer the facades we hide behind.
A quick read - no Chinaski - may prove better for hard fans.
Fabulous drawings by sympathetic soul, Robert Crumb.

Various (Editor: Morgan, Robert) - The Pale Illuminations

To be fair, Robert’s overview on his website captures these tales concisely.
Four longish stories that land within the “folk horror” category.
Bell’s “Labyrinth” tracks a graduate student, researching a paper on pagan sites dating from pre-Roman times, specifically the worship of Proserpina. As she pushes deeper into back country, she begins to wonder if a lingering trace survives.
Valentine’s “A Chess Game At Michaelmas” catches an unexpected match with the king.
Although set around a wooded French area, Oliver’s “The Old Man Of The Woods” seems the least folk tinged, and is more a cursed tale.
“Cropmarks” by John concerns an abandoned church, now used for Wiccan purposes. While I read, absorbed throughout, I had scant sympathy, let alone empathy for any of the characters. Their behavior borders on antics.
As with most Sarob Press titles, this quickly went OP. Copies can still be found at more or less reasonable prices from the reputable dealers.
Excellent book, this.

Personally, I keep a small timer handy.
Set mine to 2 hours, 45 minutes. Then watch my time.
Usually I can get 3 or 4 free sessions a day.
My download speed always seems to be 100 kbps.
Not terrible, but definitely throttled.
It has been an OK experience for me, as I’ve mostly sought oddities.

Dick, Philip K - Collected Stories: Vol 1 The King Of The Elves

After being disappointed by writers that tried hard to impress, yet seemed incapable of “storytelling,” I pulled out a thick tome from a master.
The earliest stories shine forth on a gleaming future, as humankind builds perfection.
Across this initial collection, however, Dick’s output darkened and SciFi utopia became dystopia.
“The Little Movement” catches a diminutive, would-be dictator before the reign.
An assassin is sent back in time to liquidate a future problem in “Expendable.” To his peril, he slowly sees rifts in the ordinary world.
“The Variable Man” is accidentally brought to a future of deadly conflict, and his presence upsets the space/time continuum.
The title story finds one Shadrach James as he befriends the weary king of the elves and his battered entourage and army. In gratitude, the king bequeaths honors and burdens.
“Colony” is a black gem of colonists and a perfect world.

Thank you for the workaround, Bluto, I appreciate that.
I try to keep an eye on my three hour limit.
As a free-loader, a mooch, I cannot really expect to receive the same quality of treatment as those paying for blocks or monthlies.
Throttled or otherwise, for me, free-usenet is more than generous.

Smith, Farah Rose - Of One Pure Will

Early on, this book irked me and I had difficulty reading it for enjoyment.
In the Introduction, the guest writer attempted to give insight and background details.
Puffy intros are common enough, yet this elaborated, giving pointers to “how” and “what” to read.
“As you are reading, ask yourself the following questions …”
I was in back in English 101, listening to a condescending professor.
Some may view this as illumination, others as spoon-feeding. I was of the latter.
How about the stories themselves? The majority are not stories per se, but prose poems.
Most detail dystopian alternate realities of pain, blood and dissolution.
If aiming for the Aesthete style, the writing is dense, though not particularly beautiful, with imagery that alternately enhances and detracts from the proceedings.
Elegant dream fragments, akin to a fractured diamond, but not classic storytelling.
The one that comes closest is “Sorcerer Machine,” though the finish was so dissatisfying I wanted to toss the book across the room.
As is often when I have such a negative reaction, I check other reviews afterward.
Mixed. Even Mr Lewis’ comments struck me as carefully chosen.