Vultural

A Film Unfinished - 2010 - 7/10

Nazi film from inside the Warsaw Ghetto for an unfinished propaganda piece.
Sidewalks littered with rich citizens and corpses. Not necessarily.
Reels discovered years later indicate filmmakers set up situations, and did multiple takes.
“Rich" were actually coerced victims.
Chilling reminder that images have always been manipulated for dark agendas.

Monsieur Hulot’s Holiday - 1953 - 8/10

I try to watch this French classic every year once Summer begins to fade.
Mister Hulot goes to the coast for a week, and has a series of misadventures.
Gags, too numerous to mention, include the shark boat, the tennis match, the white horse with a grudge.
Almost completely wordless comedy, in the best tradition of Chaplin and Keaton.
Tati’s best film.

X-Company: S01 - 2015 - 6/10

Allied espionage unit runs missions in Vichy France during World War II.
Though a Canadian series (HQ also based in Canada) the team also contains French, British and Yanks.
Episodic series in the Mission Impossible (TV) vein. Meaning, the team drops in, does their thing, is extracted.
The Germans grow aware of them, especially of “Alfred” who has a photographic memory.
Indeed, Alfred is a vault of intelligence, which the Nazis value.
Series only runs three seasons, and supposedly delivers closure, though I doubt I’ll stick with it.
The look is slick, acting is professional, but with most WWII shows, I know how history will resolve.

The Flavor Of Green Tea Over Rice - 1952 - 6/10
AKA - Ochazuke No Aji // お茶漬けの味

Classic Japanese chamber drama from Ozu.
Bored, city housewife complains and badmouths her less upscale husband.
She lies to him, sets off on trips, then tries to push niece into an arranged marriage.
“Like yours? Why would I want a miserable arranged marriage like yours?”
Little in the way of tension or conflict, physical or emotional.
Restraint is the keyword, which includes camerawork.
Compositions and framing are immaculate, in static, low key story.

The History Boys - 2006 - 7/10

Talky adaptation of popular play.
Graduating class of Sheffield grammar school qualifies for Cambridge and Oxford.
Merely qualifying doesn’t guarantee entry.
There are interviews to hurdle.
A young teacher is hired on to hone skills, to show the lads can learn and think independently.
Despite a uninspired end twist, a satisfying movie, chock flash with history nuggets, wordplay, poetry and song (including George Formby!).
A powerful tonic against defeatists and yob worship.

Aguirre, Forrest - The Varvaros Ascensions

“… we build cities with stories and with people’s interpretations of such stories.”

A chances mention of a masters thesis, arcane or deranged, arouses curiosity then obsession.
The bookshop that proves to be a gateway, followed by a descent into the chaos of knowledge.
The soon-to-be grad student sees his future in sight, his professional landscape mapped out. Until the aforementioned descent which ignites a flame that purifies as it annihilates.
This book would make an ideal, if heady, introduction to the Romanian publisher of commonplace upheaval.
Mr. Aguirre shows an efficient yet unerring word sense, his descriptions evocative, often multi faceted.
Time and again, even with mundane activities, a single sentence can dance with observations:
“… I headed up a narrow stairway to an over-rated, underlit café that served overpriced sandwiches made by under-paid students …”
The second half of the book delves into what can only be called dark science, of which I shall say no more.

Suite Noire - 2009 - 6/10

Composite rating for anthology series.
Some stories are outstanding, others lackluster.
A vintner, and gourmet, murders his wife because of pathetic cooking skills.
He hires a young girl, and beats excellence from her.
Another individual accidentally kills a trapped car driver.
As he attempts to cover that up, victims mount.

An African girl arrives in France for work, a fresh chance.
The so-called work is of a horizontal nature.
A liberal radio station befriends convicts.
An illustrator experiments with African tribal magic.
The leader of a music group uses his bankrupt father to climb the ladder.
Eight stand-alone installments. All seedy and pulp influenced.

The Audience - 2013 - 7/10

Theatre junkies, assemble!
During the Covid lockdown, the National Theatre began limited airing of stage classics.
Queen Elizabeth II has held weekly meetings with the Prime Minister since Churchill.
Twelve PMs (when this was performed. Since then May and Johnson as of 2020).
Outside of the spotlight and acting out for cameras and constituencies, this show humanizes the politicians.
The Queen (Helen Mirren) has been around the block and has a wry sense of humor.

Most of the exchanges sparkle. Of particular note are talks with Wilson and Thatcher.
This strikes me as a highly “English” play.
Meaning, unless you really know British history from the 1960’s on, you will be adrift.

Uncertainty - 2009 - 4/10

A young couple (Lynn Collins & Joseph Gordon-Levitt) stand in the middle of the Brooklyn Bridge, trying to make a big decision.
The guy flips a coin … they streak off in opposite directions, into parallel stories with each other!
One is the dreaded meal with the girl’s family in Brooklyn, the other is fleeing Russian mobsters in Manhattan.
Unappealing narratives because the characters behave stupidly and make fool decisions even tourists would not.
I’d say “avoid” this one, only it was hard enough for me to find.
Makes me wonder how indie flicks make money. They never screen in theaters. Rental outlets are toast.
How do these films turn a profit for investors?

Perrier’s Bounty - 2009 - 7/10

Exceedingly black Irish comedy.
Two mob soldiers wake up Michael (by spitting pistachio shells at him) and remind him he has only a few hours to repay a financial obligation to their boss.
Burglary, beatings, gunplay follow as Michael’s predicament tailspins from bad to worse.
His estranged father appears, and his depressed female neighbor proves trigger happy.
A great shaggy dog film. Everyone who sat with me laughed out loud.
Starring Cillian Murphy, Jim Broadbent, Jodie Whittaker, Liam Cunningham.
And let’s not forget the dogs: Achilles and Apollo!

I Called Him Morgan - 2016 - 6/10

Informative biography on Jazz trumpeter, Lee Morgan, as told from fellow musicians, and the woman who killed him.
Morgan came up in the late 50’s, working with Art Blakey’s Jazz Messengers, later leading his own combos.
Photos, home movies, old newsreels, combine with recollections.
Most of the interviewees are aging, one key individual was caught a month before their death.
Should appeal to music fans, whether you are into Jazz, or not.
Admittedly, I knew of Morgan, and while roughly half of my Jazz albums are trumpet players (Miles, Louis, Chet), I only had two or three, seldom listened to, LP’s by Morgan.

The Fox With A Velvet Tail - 1971 - 6/10
AKA - El Ojo Del Huracán // In The Eye Of The Hurricane

Ruth presses husband Michele to make arrangements for their divorce.
“But I still love you!” he declares, as her robe slips off.
After an interlude, she confesses she already ‘met someone.’

Ah, the debonair playboy, who appears perfect in every regard.
Ruth is a slow learner. Not until the second attempt on her life does she grow suspicious.
Trashy Italian film carries Giallo elements, but seems more romance and mystery.
First third is fairly slow, but there is skin in abundance. Suggestive more than graphic.
Troy Howarth delivers an exhaustive audio commentary, packed with names and filmographies.
Film is not essential, but it good looking and passably coherent.

Fantastic Mr. Fox - 2009 - 7/10

Fox “settled down” after he and the missus nearly died one night at the chicken farm.
Writes for the village paper (that no one reads), has angry teenage son, and a wife who holds him to his promise of no more stealing.
As a reformed character, however, he is dissatisfied, and longs for one final heist.
Three stages - three farms - three farmers.
One farmer, in particular, is diabolically clever.
Powerhouse voice cast: George Clooney, Bill Murray, Meryl Streep, Owen Wilson, Willum Dafoe, Michael Gambon, Jason Schwartzman.
Based on Roald Dahl’s book.

You Don’t Know Jack - 2010 - 7/10

Al Pacino quite good as Jack Kevorkian, US physician who assisted 120 suicides.
With Susan Sarandon, John Goodman, Danny Huston, and … if you are over 40 … Brenda Vaccaro.
By turns funny, provocative, infuriating, sad.
Includes 10 minute documentary with cast & Dr. Kevorkian himself.
If I got a debilitating, agonizing disease I would want an exit option.
Might not take it, but I would want it available.
Overlong at 2 hours 14 minutes.

Frank Sinatra
Peggy Lee
Bessie Smith
Cristina Scabbia
Tom Jones (he was 75 when he cut his most recent album, and his pipes were still incredible)

Why Be Good? Sexuality & Censorship - 2008 - 6/10

Hugh Hefner produced documentary about risqué goings on in the Silent era and Pre Code Hollywood.
Slick rehashing of well worn terrain. Sex sells, it always has.
Folks who protested seldom went to movies anyway.
Onscreen and off, misdeeds included Fatty, the murder of William Desmond Taylor, mantraps Clara and Louise.
No mention of Convention City, Chaplin’s escapades, Gary Cooper, Flynn , etc …

Prophet’s Prey - 2015 - 5/10

Disturbing account of Warren Jeffs, leader of a distaff branch of the Church Of Latter Day Saints (Mormons).
Above, he is pictured with a fraction of his 60+ wives, the youngest was 12 when he married her.
Documentary does a good job with chronology. Even handedness is another matter.
Straight off, the score by Nick Cave, dark and forbidding from beginning to end.
I found this to be more than overly subliminal.
Jeffs is a convicted child molester, rapist and polygamist.
While the documentarian drives by the offshoot sect, no one is interviewed. Or no attempts are shown on record.
Watching left a sour taste in my mouth, and I realize others may be horrified.

Victoria & Abdul - 2017 - 6/10

Late in life, the Queen of England strikes up a friendship with a visiting Indian, Abdul Karim.
He presents the token gift during her Golden Jubilee, their eyes meet, the connection forms!
Their relationship is high lit, supporting players are sketchy, motivations unclear.
The ensuing scandal based on class, racism, and ageism is downplayed.
Interesting historical footnote, relished by Victorian enthusiasts, perhaps marginal to others.
As expected, costumes, sets and acting all top tier. Outdoor photography oft times flat. Story - fluff.
A better distillation of this story can be found within the 2014 documentary, Queen Victoria’s Letters.

All Good Things - 2010 - 6/10

Blonde, middle class Katie (Dunst) falls in love with David Marks (Gosling), über rich, heir apparent to Times Square properties.
David is a weak bundle of insecurities. Love goes astray until one night Katie disappears.
Though never tried, David, by many accounts, was believed responsible.
Based on true events.
For earnest souls who believe in Justice exists in this world - or karma - this is not your film.
Well acted, yet there was an overall coolness, an aura of disengagement, in the narrative.

Live Forever - 2003 - 8/10

Oh, to seize the moment, recognize your own time, and ride the tiger of fame.
Gleeful documentary of the 90’s rise of Britpop - Cool Britannia, focusing on the lopsided rivalry between Blur And Oasis.
Plenty of music, video clips and concert footage. Interviews with Noel Gallagher, Damon Albarn, Jarvis Cocker, Louise Wener (Sleeper), Del Naja (Massive Attack). And Liam. Abso-frakking-tutely. Liam Gallagher gabbing away is always worth your time!
Many groups barely referenced - Stone Roses, Suede, Verve. Others - where was Manic Street Preachers?
For some, the background history of the politics is distracting, others will find it helpful.

Not surprisingly, the sound was eventually appropriated and usurped by artists more accessible, less creative.
The end of Britpop seemed to be followed by all the Idol crap.
I worked at a large music shop back then, this doc is a giddy romp.

The Souvenir - 2019 - 7/10

A female student, pitching her film project, meets a member of the gentry.
She is quiet, but sunny, whereas he works for the Foreign Office and is more taciturn and secretive.
They enjoy each other and drift into a relationship.
His secrets, which viewers will quickly spot, increasingly surface, as do crises of trust.
Piercing study of the blindness of love, accepting the implausible, looking the other way.
Honor Swinton Byrne is the main protagonist. I cannot decide whether she is talented or a vacuous sponge.

Karppi - 2019 - 7/10
AKA - Deadwind

Police thriller set primarily in and around Helsinki.
A body is unearthed near a recently announced property development.
The detective assigned is freshly bereaved, her new partner, a transfer from Technical.
Character dynamics surface now and then, but the wandering trail predominates.
Clues and witness statements lead to detours and false paths.
Nevertheless, those are generally engaging, one is rather funny.
A few reviewers have compared this with The Bridge, another Scandinavian cop series.
No, not close. Karppi is not Saga, and this series is not as dark nor as grim.

Souvenir - 2016 - 6/10

New hire at the pâté factory spots a familiar face.
“Didn’t you – weren’t you … Laura?”
“No, my name is Liliane.”
Indeed, she is Laura, a forgotten singer. Our lad scores points by saying, “My Dad used to like you!”
He is 22, a boxer, while she is slightly older (in the Eurovision competition, she placed 2nd to ABBA).
Smitten, he decides Laura can make a comeback, and he can be her manager!
Lightweight fluff. Isabelle Huppert seems to be coasting in this.
Music snobs, beware songs delivered with lots of hand gestures and dramatic posing.

LV 426 (Prometheus) - TMBTM

Rearranging of Prometheus as a direct prequel to Alien.
This is a timely edit since it is apparent director Scott seems disinclined to follow the Prometheus arc any time soon.
The B-movie angle is paramount here. This has a 50’s SciFi look. Horror elements are more to the fore, as well, with an emphasis on dark undercurrents and heightened tension.
The character “David” is particularly Machiavellian here, whether by programming or faults.
The grandeur of the original is lacking, though the original was a disappointing failure of broad ambition mangled by sloppy, poorly focused writing.
Faneditor “TMBTM” has crafted a great late night ride. The last act interweaves several stories and strikes the hammer down. Strap in for high octane excitement.

Note: Some sources offer subtitles, most do not.
I converted the pgs subs to srt, then did a wee bit of editing.
My srt = https://www.addic7ed.com/movie/122414

Father Time (About Time) - NJVC

Initially, I thought this resembled a pitch for “About Time,” an interesting, if slight film from 2013. That film was leisurely to the point of lethargy. In addition, it tried, over hard, I thought, to fiddle the heartstrings.
As this edit progressed, however, I realized the story and themes had been chiseled to essentials.
For lack of a better phrase, similar to a prose poem.
Better than most, the character grasps the reward of Life is not replaying “moments” over and over, but embracing the joie de vivre.
An excellent edit with a sly, positive subtext.