Vultural

Three Cases Of Murder - 1955 - 6/10

Trio of stories, one slightly supernatural, one a murder mystery, one surreal.
In the first, the inhabitant of a museum painting repeatedly “steps out” of the canvas to furnish his abode.
Whimsy, with an unpleasant, nonchalant edge.
The second is of boyhood friends, now business partners.
One is the drab hard worker, the other is charismatic, especially to the ladies.
And when the shy soul introduces his glamorous new girlfriend to his partner …
The finale, with headliner Orson Welles, is one of guilt.

After a political leader crushes a rival, does he suffer remorse?
That especially rings false (politicians with guilt, with consciences?)
Weird fantasy sequences compensate, yet this is the weakest.

Shin Shinobi No Mono (3) - 1963 - 7/10
AKA - 新忍びの者

Although not the final film in the series, this is the final of the Goermon trilogy.
By far, this is the most compelling, packed with intrigue, questionable history, and stealthy action.
Here, Goemon continues to be driven by vengeance for the murder of his wife and child.
There is no “magic” in the trilogy, yet the production values are first rate, and the characters - if you can keep up with them - are well defined and absorbing.
Furthermore, Raizo Ichikawa’s character grows from brash, talented warrior to a thoughtful, if cynical veteran.
Viewers steeped in Japanese jidaigeki cinema, can discern the transition of Ichikawa’s Goemon into Nemuri.
An outstanding introduction to chambara.

Book Club - 2015 - 6/10

The ladies start their book club in the late 1930’s, early 1940’s.
Over sixty years, they have been together, many of them for longer than their marriages.
Along the way, they discuss pivotal books, historical highlights, life in Washington DC.
As a documentary, this is hardly incisive.
Yet as the “human experience” this is life-affirming.

Clearly, the ladies are from a much earlier era, when people stayed put and held tight to each other.
Only caveat with the film is that the ladies’ names were not indicated while they spoke.

Miss Bala - 2012 - 6/10

Mexican film about aspiring beauty contestant getting embroiled with the drug cartel.
Narrative begins plausibly as two girls hurry to the cattle call, and line up for their big break.
That night, they go to a party thrown by police and federal drug agents.
Who in their right mind would attend a DEA shebang?
The main girl gradually gets sucked into a war between gangs and cops,
all the while showing up for her beauty contest appearances!
After awhile, realism gave way to allegory.
One of those “interesting” flicks; worth seeing and recommending, but more arthouse than grindhouse.

Goku, Body Snatcher From Hell - 1968 - 5/10
AKA - Kyuketsuki Gokemidoro // 吸血鬼ゴケミドロ

This starts so promising, too.
Passengers on an airliner include a professional hitman (with his weapons) and a young psycho with a bomb.
As the jet hurtles into reddening skies, birds hurl themselves against the fuselage, and then a flying saucer!
This is too much, and the aircraft crash lands in nowhere.
The alien craft lands, as well, and wouldn’t you know it, they are hostile aliens.
Alas, the aliens are but a sideplot as survivors squabble, argue, and turn on each other.
Yes, 1968, not the current era. Human antics never change.
Cheesy special effects and hammy acting cannot enliven a script that grows dull and preachy.

Love Wedding Repeat - 2020 - 5/10

A man shares a fabulous few days with his sister’s best friend.
Chemistry, sparks, the works. Yet he bungles the parting, and she gets away.
Three years on, at his sister’s wedding, the flame returns.
Rom com is a showcase for formulaic writing.
Quirky, broad based characters – check.
Preposterous situations – check.
Wait, there’s not enough plot! How about, at the end, we hit RESET and start again, and change one bit.
(The reset has been used in dozens of films, my favorite being Run, Lola, Run.)
Inoffensive date flick … mmm … watchable / forgettable.

A Night To Remember - 1958 - 7/10

Classic British film of the Titanic’s maiden, and last, voyage.
Well cast ensemble of upper and lower class, crews and captains.
Unlike later productions, rather reserved, displaying impeccable British understatement.
Far less dramas and emotional outbursts.

The Gatekeepers - 2012 - 7/10

Documentary interviewing six former heads of Israel’s Shin Bet, and the endless problems stemming from the Palestine occupation.
All calmly, matter of fact, discuss assassination, interrogation, torture.
Refreshing candor and bluntness.
Men express genuine surprise when peace accords were reached in Oslo, only to watch it all unravel.
None hold back on pin-pointing the chief instigators and enablers for war and terror:
Hamas, Islamic Jihad, religious West Bank settlers, gutless Prime Ministers.
Nominated for an Academy Award, lost to the feel-good, crowd pleaser, Sugarman.
Kinda says it all.

Innocents With Dirty Hands - 1975 - 6/10
AKA - Les Innocents Aux Mains Sales

This feels like two filmed tacked together.
The first half, an intense thriller, finds a young wife and her lover plotting to murder the older husband.
A tale as old as dirt, and yet, there is a problem with the body, and the timeline.
This is absorbing, in the very best Hitchcock tradition.
The second half is, regrettably, dominated by endless talking, and it felt very stagebound.
I realize many love this one, but I suspect they love the first half.

Love Never Dies - 1921 - 6/10

Boy meets girl, boys bests rival, boy marries girl, the end.
Nope, that’s the first fifteen minutes, and from there on the story takes strange turns.
Such as, the new husband’s mother turns out to be a woman of ill repute.
So the son has made something of himself. So what? The stain, the moral outrage.
The setting is the South, the time is pre-automobile. Honor matters.
Creaky King Vidor melodrama grew on me, and it is enhanced by a train sequence and rafting finale.
That said, around the 45” point, there is a leap in continuity. A reel is missing.
Not to worry, one can quickly deduce the missing narrative, and the story will make sense by the abrupt end.

Murphy, Damian - The Narcissus Variations

A few pages in and one enters a hallucinatory dream spell, cast by Mr. Murphy.
Our narrator has arrived at a far outpost of the Empire. He is a member and servant of the Kin.
His assignment at the outpost is unknown, which is a typical method of the Kin (and Empire), letting servants find their role. Immediately, he sets about transcribing and amending odd journals.
This is a decayed society, with remnants of misunderstood or partially working technology.
Readers are as uncertain of events as our narrator, who is not unreliable, only not fully aware.
Knowledge does increase with each page as pieces begin to fit, if imprecisely.
A beautiful book, and the story enthralling, although the ending feels rushed.

Ghost - 2012 - 7/10
AKA - Phantom // 유령

Korea’s Cyber Squad Unit investigates the suicide of sex scandal actress, and dives deep into the snake pit of blackmail, vengeance, murder.
Series is a hacker’s delight.
Identify theft, DDoS attacks, steganography, file manipulation, malware, falsified texts.
One episode involves crashing media outlets and traffic lights with a virus. Afterward, citizens flocks to a rising computer security agency. Its stock soars.
Three stars if you can guess who launched that virus.
Police procedural series is one cat and mouse contest, with villains and heroes getting outflanked, then outsmarting the other. Evidence tampering, moles, bribery.
The main villain is well characterized and sympathetic. One could identify with his drive for revenge.
Ghost is slick, fast paced, with more twists than a coiled sidewinder. Also, no romance. This K-drama cranks from start to finish.

The Shadow Whip - 1971 - 6/10
AKA - Ying Zi Shen Bian // 影子神鞭

Energetic Shaw Bros. Actioner of revenge, missing treasure, and a quest.
A young swordsman, refusing to give his name, is soon in the thick of three villains, a bandit clan, a master, and a beautiful, whip wielding female.
Well choreographed conflicts are lengthy and frequent, serving to fill a smidgen of a plot.
Outdoor photography shows a lot of snow, which was an unexpected surprise.
Most distracting, the music score seemed to crib heavily from James Bond films!

Murder In Moselle - 2018 - 6/10
AKA - Amours à Mort

During a ballet performance at the closed steel mill (enacted by ex-workers), the despised mill owner is murdered.
An inspector arrives, meets with the owner’s daughter – who happens to be an old flame of the officer.

Why, he even asks her to start helping with the investigation.
Subplots are as non-compelling as the romance, and revealed histories feel forced.
Not as unbelievable as Hallmark, but please, ordinary souls dodge the police.
Minor crime mystery outing suffices as fast food; it fills a hole.

The Wall - 2019 - 7/10
AKA - La Faille

Modern variant of the “locked room” mystery.
After a stripper is found murdered, and carefully posed, a top investigator is sent from Quebec.
The locale is a “closed” mining community, meaning one huge complex.
(At times, to me, this resembles a vacant shopping mall.)
Anyway, the inspector is a hard-nosed boat rocker, who quickly commands the local cops.
Just as well, as there are other staged killings, and no shortage of suspects.
The actual mine is under financial distress and suffers saboteurs.
Tightly constructed series, and for snow bunnies, enough white to make you giddy!

The Party’s Just Beginning - 2018 - 6/10

Liusaidh is in love with Alistair, who is in love with Ben, who is being drawn into evangelism.
Ah, the unhappy love triangle.
Liusaidh, wracked by grief, drinks herself senseless at bars, engages in meaningless sex.
When she has visions, they are of catastrophes.
Powerful film of misery without relief, without exits.
Karen Gillan (who also penned the script) showcases acting chops that should rank her with the best in class, though she seems to be going a more lucrative route.

Soviet Storm: WWII In The East - 2011 - 7/10
AKA - Советский Шторм

Multi-parted documentary of WWII Russian Front, told from Soviet point of view.
This aspect of the war is rarely covered in the West. We believe it was all Patton, Monty and D-Day.
Far from it. Nazis and Soviets smashed at each other, big time. Massive fatalities.
Series made use of Soviet newsreel footage and limited CGI, along with the usual maps and arrows.
Beware: Maps were all in Cyrillic, though narration was in BBC English.
Highlights include the Battle Of Kursk, where over 6000 tanks slugged it out.
Must for war buffs.

Sleep Tight - 2011 - 6/10
AKA - Mientras Duerme

Suspenseful thriller about the creeper.
Barcelona concierge uses his pass key to unlock guest rooms in the middle of the night.
Chloroform ensures no one wakes up.
While tenants slumber, he explores, or pulls down bed sheets.
One habit he does is brush his teeth with their toothbrush, then wipe it dry.
That pales next to other actions which I won’t spoil here.
Disturbing mix of home invasion and peeping.
Nice one for late night.

Dillinger - 1945 - 6/10

Reckless retelling of John Dillinger’s furious years.
Hardly accurate, but this version is smokin’ good.
Lawrence Tierney, in his film debut, is riveting as the hot tempered, quick to shoot bank robber.
For such a “violent” film, there is little onscreen violence. Everything is implied.
The script is brilliant, no fat whatsoever, no wasted scenes. Even quiet moments serve to heighten tension or lay the foundation for the following sequence.
Not to be missed, especially for film students wanting to study pacing and lean narrative.

Rockfield: The Studio On The Farm - 2020 - 6/10

From Black Sabbath to Stone Roses to Oasis to Coldplay, band members share memories.
The isolated recording studio on a farm in rural Wales.
Owners and founders, Charles and Kingsley Ward, offer chronology and share anecdotes.
Mostly feel-good documentary, with a cough now and then.
While I enjoyed this, something about it didn’t wash for me.
Midway, my radar went up and I wondered how careful were the commenters (Liam Gallagher aside).

War Of The Planets - 1966 - 5/10
AKA - I Diafanoidi Vengono da Marte

A bodiless power, the Gasinoids, launch New Years Eve attack on space station Delta 2!
Quickly followed by an attack on Alpha 2! Gamma 2 dispatches a ship to investigate.

Of course, shrewd viewers will suspect a prelude to invasion.
Amidst swinging spaceship cocktail parties, heroic men suit up.
And what suits! Zippers galore. Add great miniatures, cheesy special effects (aliens = green smoke).

Italian SciFi is plenty of fun, even more amusing since everyone is dead-faced throughout.
A gleaming entertaining future, to be sure. Oh, if only ours were such.

Hausen - 2020 - 6/10

Father and son, still grieving after the death of wife/mother, arrive at a run down tower block.
Dad, the new building superintendent, is a tireless worker, a hardy soldier, but he is soon out of his depth.

Time and time again, the building resists. Mold swells into sticky pustules, opens into festering tunnels.
Black ooze clogs pipes, the electricity is sporadic, and cleaning crews are nonexistent.
Residents are a mix of addicts, prostitutes, dealers, thugs, decaying elders.
Corruption and despair predominate. One might view the building as a coffin.
Relentlessly grim throughout, and highly enjoyable if one is comfortable with that ride.
I imagine this will appeal to the cult of Ligotti, and one can read cultural allegories, if one is so inclined.

Spring Breakers - 2012 - 6/10

Diverting trash.
Four hotties roll down to St Pete for sun, sand, booze, drugs, parties, adventure.
They hook up with a low level gangsta (James Franco effective as sleaze) and strut into dark territory.
First half of film binge drinking, bare breasts, layered disjointed dialogue. Daylight.
Second half much gloomier.
Overall, not a fun ride, but a bad acid trip.
Pink ski masks glow great under blacklight.
Confession, I was the only one in the room who liked this one.

The Wannsee Conference -1984 - 8/10
AKA - Die Wannseekonferenz

German docu-drama based on official transcripts of the 1942 meeting of high ranking Reich officials in the Berlin suburb of Wannsee.
Main topic was the establishment of concentration camps in the east, followed by deportation and extermination of European Jews.
Chaired by Reinhard Heydrich, the main purpose was to get everyone committed to the Final Solution.
All would bear responsibility, all would bear liability.
Low key performances offset by chilling dialogue.
Must see film, since we constantly forget the past, and continue to scapegoat margins of society.
Easily found on YouTube.

Daguerreotypes - 1975 - 7/10

Artists, especially writers, are encouraged to describe what they know best.
In this case, Agnes Varda offers a documentary on the small shops on her street.
The butcher, the baker, the clock repairman, barber, hairstylist, driving instructor, perfumer.
This has a marvelous sense of place, caught in the mid-1970’s.
Looking ahead, one can predict what shops will wash away with time, although all the proprietors are older.
For the curious, a poignant reminder of the community, before shopping complexes, before Internet.