I don’t even want to rewatch Rogue One.
Same. I’m bored of new SW content in general.
I think it’s indicative of a spiritual malaise poisoning the collective unconscious.
- No lightsaber duels for Yoda
This rule will annoy some fan geeks, but it’s important. The original SW films followed mythic storytelling patterns outlined by Joseph Campbell and so each character is an archetype. These archetypes have built-in rules that limit what a writer can do with such a character. If the writer breaks those rules then they aren’t writing an archetypal character. In general, there is nothing wrong with that, but that’s not SW. Yoda, like Obi-Wan, is a mentor to Luke, a “wise old man”. His age means the wise old man comes from a different time (and at 800 years old, Yoda exaggerates this as only science fiction can), but it is no accident that Yoda is also non-human. The wise old man is often a foreigner from another land, and making Yoda non-human exaggerates this yet again as only science fiction can. Finally, as a spiritual mentor, Yoda is a visual metaphor for the Force itself. He may be physically frail and diminutive in size, but that doesn’t matter. His strength lies in his spiritualness. He is brains over brawn, spiritual strength over physical strength. Consider how he trained Luke to be a thinking, feeling, and reflecting Jedi, not a soldier. Lucas’s prequels threw all that out of the window and turned Yoda into a back-flipping, twirling ninja.I wouldn’t include Yoda as a present character to begin with.
That’s interesting, but it does leave the question of how he escaped the purge.
A few of the Bantam-era novels implied Yoda had already been residing on Dagobah decades prior to the Clone Wars. I imagine only a very small amount of Jedi knew where he was during the Purge, and they took that secret with them to the grave.
First, ignore the EU. Disney has tossed aside the EU as non-canonical and the new movies will not follow any of the EU storylines. You should too. I’m not familiar with the EU (I’ve never read a SW novel or played a video game) but it seems like a wise decision not to be bound to a hodgepodge of sometimes bizarre and contradictory storylines created by different people who weren’t collaborating with each other.
No one should be slavishly beholden to the EU, it’s true. It’s also true no one should be beholden to another person’s indifference to the EU. If I’m gonna write my own PT, it’s gonna have Mandalorian clone hordes controlled by evil Clone Masters.
- “Some damn fool idealistic crusade” sounds like a quote
When Obi-Wan talks about Luke’s uncle he says, “He feared you might follow old Obi-Wan on ‘some damn fool idealistic crusade’”. The way he delivers that line and even the words themselves sound like a quote. It sounds very much like Obi-Wan is quoting something Owen said to Luke’s father in front of Obi-Wan, and so this event could be a scene in one of the prequels.
Okay.
- Ben Kenobi stopped going by the name of Obi-Wan before Luke was born
In ANH, when Luke first meets Ben Kenobi he asks about Obi-Wan, to which Kenobi soon explains, “I haven’t gone by the name of Obi-Wan since, oh, before you were born”. This is interesting because it implies Kenobi left the Jedi Order before Anakin turned to the dark side.
Or it implies the Jedi Purge occurred long before Luke’s birth.
- Owen did not want Luke’s father to fight in the Clone Wars
Obi-Wan says that Owen wanted Luke’s father to stay at home rather than fight in the wars. “He didn’t hold with your father’s ideals. Thought he should have stayed here and not gotten involved”. There’s an awful lot of backstory packed into that simple line. First, Anakin was an idealistic young man, so in the prequels, we should see some of that idealism. It implies that Owen and Anakin were living together in the same place they both considered home, rather than virtual strangers who met after Anakin joined the Jedi, as in Lucas’s prequels. Owen and Anakin were also close and probably blood brothers, and Owen loudly protested Anakin leaving him and joining the Jedi. Finally, fighting in the Clone Wars also seemed to have been a choice – so there was no draft.
I prefer making Beru Anakin’s sister and Owen his brother-in-law, but okay.
- Obi-Wan never owned a droid
Obi-Wan explicitly says, “I don’t recall ever owning a droid”. And later speaks directly to R2-D2: “Now, let’s see if we can’t figure out what you are my little friend, and where you come from” Unless we want to imply that Obi-Wan has gone senile, he should not own or have a close relationship with R2-D2 or any droid in the prequels.
Okay. Although giving them the relationship Obi-Wan had with Arfour in the prequels would be cute.
- Darth Vader helped the Empire hunt down the Jedi
We later learn in ESB that part of Obi-Wan’s statement is untrue, but he says specifically that Darth Vader “helped the Empire hunt down and destroy the Jedi Knights”. This statement is very interesting, because Obi-Wan says, “the Empire”, not the Emperor or the Sith, which means the Empire was already established when the Jedi were wiped out, and rather than a simultaneous, single slaughter, the Jedi were hunted down one by one.
And while we’re at it, show that Vader wasn’t the only ex-Jedi participating in the Purge. Y’know, include the Inquisitors.
- Governor Tarkin outranks Vader
In ANH, when Vader is choking the non-believer who berates him, Governor Tarkin orders, “Vader, release him” and Vader complies, which means that Tarkin outranks Vader. Leia even quips that Tarkin holds Vader’s leash. And after sensing Obi-Wan’s presence on the Death Star, Vader reports this information to Tarkin before taking any other action. If Vader is the Emperor’s right-hand man, as I assume, then Tarkin must be an incredibly powerful imperial official, in addition to the fact that he commands the Death Star. As a result, I think we can infer that Tarkin played an integral role in the toppling of the Republic and the formation of the Empire. Therefore he should play a role in the prequels.
Yes.
- Obi-Wan served Leia’s father as a general during the Clone Wars
“You served my father in the Clone Wars”. Leia’s message in ANH implies that Obi-Wan served in the armed forces of Alderaan, commanded by Leia’s father, who would logically be the king. This implies that despite a unified republic, individual planets each had their own military during the wars, before consolidation under imperial rule into a single military. Also, the Jedi do not have military ranks, which means Obi-Wan either volunteered or was conscripted into this military.
Okay.
- Vader knows he has a son and knows Obi-Wan was with him
Throughout ESB, Vader is tearing the galaxy apart trying to find his son, and then when he reveals to Luke that he is Luke’s father, he says, “Obi-Wan never told you…” How did he know that Obi-Wan had ever met Luke? When Vader and Obi-Wan fought on the Death Star, neither said anything about Luke. And in ROTJ, Vader says things like “Obi-Wan has taught you well”. How does he know Luke was learning from Obi-Wan (which is only partially true since Yoda did most of the training)? The only way Vader could have known these things is if he knew his son, knew his name was Luke, and sometime after Luke’s birth Obi-Wan kidnapped Luke and hid him away, which logically would have enraged Anakin.
Interesting notion. Seems more likely Vader realized Ben and the kid sharing his surname hung out with the same group of Rebels and put two-and-two together.
- Vader has a catchphrase
After Vader gets Luke to fall into the carbonite freezing chamber, he says, “All too easy”. He says this to himself, which is odd and it implies this is something he says to himself all the time. In the prequels, Anakin could use this expression.
I’d go one step further and also give Anakin some of Vader’s physical mannerisms, such as gripping his belt.
- The discredited Jedi are called “sorcerers” and “wizards”
An imperial officer says, “Don’t try to frighten us with your sorcerer’s ways, Lord Vader”, and Uncle Owen, referring to Obi-Wan says, “That wizard’s just a crazy old man”, Han Solo dismisses “hokey weapons and ancient religions”. Despite being guardians of peace and justice in the galaxy for a thousand generations, it seems the Jedi have been culturally discredited throughout the Empire. If the Jedi were simply slaughtered like in Lucas’s prequels, that would have made them martyrs – their status in the culture would be exulted. So instead, the prequels need to show how the majority of common people in the Republic lose faith in the Jedi and in the Force. Perhaps having them lose battles against the clones while a secular army wins might do it.
Yes.
- Obi-Wan knows Vader has become a machine
In ROTJ, Obi-Wan says that Vader’s “more machine now than man. Twisted and evil”. But in Lucas’s prequels, Obi-Wan leaves Anakin for dead before Anakin transforms into a machine. So how did he know about Anakin’s transformation? Did he read about it in the news? More logically, he must have been present for Anakin’s step-by-step conversion – he saw it happen. It would have been like watching a slow-moving train coming at you while tied to the tracks.
I’ve come to like the idea that Ben and Anakin’s penultimate duel wasn’t what put him in the suit. Something akin to the “high ground” scene happened, but it only resulted in Anakin losing limbs and Ben walking away. Vader would earn his most grievous injuries and iconic armour in later battles with other Jedi during the Purge.
- Anakin wanted his son to become a Jedi, maybe
When Obi-Wan gives Luke his father’s lightsaber he says, “Your father wanted you to have this when you were old enough, but your uncle wouldn’t allow it”. Let’s take that statement at face value. That implies Anakin wanted his son to become a Jedi like him before turning to the dark side. Perhaps he quit the Jedi but nevertheless wanted Luke to join, and gave the weapon to Obi-Wan. Maybe he just said offhand one day while wielding it, “This will be my son’s one day”.
Yes.
- No One Knows the Emperor uses the Force
Governor Tarkin to Vader in ANH, “You, my friend, are all that’s left of their [the Jedi’s] religion”, so he seems not to know that the Emperor himself is a Sith, despite the fact that he is the ultimate insider — he outranks Vader. That means no one knows, possibly not even Obi-Wan and Yoda, who never warn Luke that the Emperor knows the Force, or that his rise to power and defeat of the Jedi is because of his strength with the Force, ability to see the future, et cetera.
https://www.youtube.com/watch?v=jHzHmt1Qxps
- The Force is supernatural
This should almost go without saying, but the Force is “an energy field created by all living things. It surrounds us and penetrates us. It binds the galaxy together”.
“Created by all living things” makes the Force sound epiphenomenal to material processes — ie. not supernatural.
- Luke’s reaction when he learns his father fought in the Clone Wars
Luke explicitly says “It’s not that I like the Empire, I hate it…” but nevertheless he seems to be proud when Obi-Wan tells him that his father fought in the Clone Wars, rather than simply piloting a freighter as his uncle told him. This implies many things. Obviously, Uncle Owen lied, but more importantly Luke’s sense of pride reveals that the Clone Wars did not lead to the Republic’s fall and the rise of the Empire. The clone army could not have become the Storm Troopers since Luke hates the Empire. And that “damn fool idealistic crusade” Obi-Wan refers to was probably the Clone Wars. It seems likely that the Clone Wars were like WWII, a war to save civilization itself from something as evil as the Nazis – and the Clones must have been that something, which is what we all assumed the first time we watched ANH, right?
Yes.
- Skywalker sounds like a nickname
Skywalker is a great name, but it doesn’t sound like a real last name. It’s certainly not an occupational surname like Smith, Brewer, Carpenter, Carver, Cook, Fisher, Taylor, et cetera. Besides, Owen is a farmer. To me, Skywalker sounds like a nickname, the kind of nickname someone might get if they were an extraordinarily gifted pilot like we know Anakin was.
So does Darklighter, and Porkins, and loads of other SW names. Don’t see the point of singling out the Skywalker name.
- Uncle Owen is embittered and knows a lot about Anakin
In Lucas’s prequels, Owen is a virtual stranger who meets Anakin just once and is not blood-related. But in ANH, Owen seems to know an awful lot about Anakin, information he keeps from Luke, and he is very bitter about the subject. Beru on the other hand says things like, “Luke’s just not a farmer, Owen. He has too much of his father in him”, with warmth, even fond remembrance, as if whatever wounded Owen didn’t affect her or time has been able to heal her wounds, while Owen’s disgruntled response is, “That’s what I’m afraid of” This implies that Anakin hurt Owen personally, directly, in a way he is never able to forgive him for. Perhaps Anakin betrayed and abandoned his brother and sister-in-law when he turned to the dark side.
I prefer the notion Ben fed the Lars’ the same lie he fed Luke about Vader murdering Anakin.
- Vader seems emotionally desperate for a family
Vader’s plea in ESB for Luke to join him so that they can “rule the galaxy as father and son” seems very emotional, even desperate. This is not the cold calculating of the Emperor who wants to use Luke’s abilities. This is an intense emotional plea, a deep longing for family in addition to power. Might he have made a similar offer to his brother in the past? Maybe Vader/Anakin’s greatest personal tragedy was the loss of his son.
Yes.
- The galaxy is a republic, and yet there is a princess
This is poly-sci 101, but it’s worth mentioning: while Britain is a democracy, it is not a republic. Iran on the other hand is not a democracy, but it is a republic. The United States is both a democracy and a republic. A republic is simply a country where the position of head of state is not inherited. Britain, Sweden, Denmark, et cetera, with inherited titles like king, queen, prince, duchess, lord, et cetera are not republics. So if the galaxy in SW is a republic, how is Princess Leia a princess, and how is Lord Vader a lord? Lucas tried to explain it by having Queen Amidala elected, but that doesn’t make sense at all. Instead, let’s consider that perhaps Alderaan, where Leia is from, was not a part of the Republic, but an independent kingdom later added to the Empire after the Republic’s fall. Also, since “emperor” is an inherited position, perhaps the Emperor has re-introduced titles of inheritance like “lord” to the galaxy.
I’m sure others with a better understanding of political machinations than me can pick this logic apart. Regardless, this is space fantasy; its politics don’t have to align with the real world.
- The imperial forces are all humans
In episodes 4, 5, & 6, one can’t help but notice that all of the people serving in the imperial fleet are human (and British). As Vader walks the decks of his super star destroyer or the halls of the Death Star, everyone around him is a human. The rebels, on the other hand, are a coalition of many races, commanded by a non-human, Admiral Ackbar. This implies that the old Republic was multi-racial, but that the Emperor purged non-humans from the military, and possibly from government and the civil service as well. So not only is the new political order militaristic, it is also racist. An imperial guard calls Chewbacca a “thing”, remember? That makes the Empire a racist (speciesist?) fascist state.
Yes.
- The Rebel Alliance believes in the Force, while the Empire does not
In the OT, the Empire is atheistic and materialistic while the rebels, despite being a multi-species coalition, seem united religiously, spiritually, and morally by a belief in the Force. This implies that the old Republic was racially diverse but nevertheless unified culturally under a single religion/spiritual belief and that the Empire not only supplanted the old political order but introduced a new dominant culture as well.
Yes.
- Tatooine and Alderaan are both frontier worlds
“If there’s a bright center in the universe, you’re on the planet that it’s farthest from”. At the beginning of ANH, Princess Leia’s ship is “on a diplomatic mission to Alderaan” Presumably they left from the capital near the center of the galaxy, which implies Tatooine is on the way to Alderaan. Since it is a wretched hive of scum and villainy run by gangsters and mostly outside of imperial control, Tatooine must be a frontier world, which means Alderaan is also a frontier world.
Yes. Relocating Alderaan from the Inner to the Outer Rim also corrects the problem SW has with making interstellar travel look like a half-hour drive.
- Vader fundamentally misunderstands what it means to be a Jedi
In ROTJ, after Luke turns himself in on Endor, Vader admires his lightsaber and says, “I see you have constructed a new lightsaber. Your skills are complete”. This implies that constructing a lightsaber requires use of the Force, that they cannot be mass-produced, and that such control of the Force is only achieved toward the end of a Jedi’s training. More importantly, it also reveals how little Vader understands about becoming a Jedi (After all, he left before completing the process. He says to Obi-Wan in ANH, “…I was but the learner, now I am the master”). Earlier in ROTJ while on Dagoba, Yoda tells Luke that he has learned all that he needs to know and Luke responds, “So I am a Jedi” Yoda quickly corrects him and says no, first you must face Vader. So basically, Luke has completed the classroom portion of his Jedi studies, but becoming a Jedi requires an inward, personal journey that is emotional and spiritual. Vader seems not to understand that and may be under the impression that the classroom studies are all that is needed.
Yes.
- Galactic civilization is incredibly old
At the end of ANH, when Princess Leia presides over a ceremony honoring Luke, Han, and Chewbacca, the ceremony takes place in a stone structure that appears to be incredibly old. Indeed, Lucas shot the exterior scenes of the rebel base at Mayan ruins in Guatemala, giving the impression that the complex is so old, it must pre-date interstellar travel and even twentieth-century level technology. This implies the presence of numerous complex societies throughout the galaxy many millennia before space flight.
Okay.
- Episodes 1, 2, & 3 should take place on the frontier
The OT took place far away from the capital and the galactic senate, on desolate frontier worlds like Tatooine. Episodes 1, 2, & 3 should do the same.
Eh.
- At its heart, Star Wars is about the Skywalker family
Episodes 4, 5, & 6 followed Luke’s personal emotional & spiritual journey and the reunification of the Skywalker family. The trilogy didn’t try to tell the whole story of the rebellion, but Lucas’s episodes 1, 2, & 3 tried to tell the whole story of the Republic’s fall, which got messy. The core of the PT story should be the emotional & spiritual journey of Anakin and the disintegration of the Skywalker family (which would mirror the disintegration of the Republic).
Yes.
- Episodes 1, 2, & 3 should be told through the POV of the least significant characters
Lucas’s inspiration for R2-D2 and C-3PO came from Akira Kurosawa’s The Hidden Fortress, which tells the story of a princess, a general, and a great battle through the eyes of two insignificant, cowardly peasants. In the opening scene of ANH, after we see the spaceships, the film cuts to an interior of one ship and who do we see? R2-D2 and C-3PO. They are literally the first characters we meet. Not Luke, not Leia. Similarly, the first characters we meet in episode 1 should be the least significant and we should follow them throughout the rest of the trilogy. I think the logical choice for those characters are Uncle Owen and Aunt Beru.
Okay.
- Star Wars is Not a Kid’s Movie
As a kid in the 80s, I loved SW. I also loved Ghostbusters. If we go back and watch these movies as adults, we can see why kids liked them, but we can also see clearly that they were not specifically intended for children. They hardly qualify for Netflix’s “children and family” category.
Yes.
- There has to be a positive story
The PT is inherently a sad story because it’s about the fall of a Great Man, but that is not what adventure melodramas like SW are usually like. Audiences want to cheer for a hero. They need someone to root for. So amidst the tragic fall of Anakin, there needs to be at least one uplifting story. Steven Spielberg knows this. While his war movies like Saving Private Ryan, War Horse, and Schindler’s List are set during the most horrific events of the twentieth century, he manages to tell positive stories that affirm humanity. Defeating the enemy does not affirm humanity, it reinforces nationalism, militarism, et cetera. But saving people’s lives amidst the tragedy of war and genocide does affirm humanity. So what is the uplifting story to be found within the Clone Wars, the fall of the Republic, the fall of Anakin, the death of the Jedi, and the failure of Obi-Wan? What will give us hope that good will triumph over tyranny? Perhaps women like Luke’s mother and Aunt Beru can provide the answer.
Yes.
- The end of episode 2 should be Anakin’s darkest hour
The mid-point of a story is often the main character’s darkest hour. At the end of episode 5, Luke is at the darkest hour of his emotional & spiritual journey because he has discovered his father is Darth Vader, has been defeated by him, and his best friend has been kidnapped. He has failed as a Jedi, however, it is not the rebellion’s darkest hour. The end of episode 2 should be Anakin’s darkest hour spiritually and emotionally. This is when he should step onto the path of the dark side, and the disintegration of his family should begin.
Yes.
- Anakin should never be a child on screen
When we meet Anakin in episode 1, he should be the same age as Luke when we met him in episode 4, and like Luke should be a self-taught pilot. Since the core of the prequels should be Anakin’s personal journey, he must be at least an adolescent because children do not grapple with complex emotional and spiritual issues.
Yes.
- The Sith are a good idea and should be kept
Despite the fact that the Sith, as an evil equal-but-opposite version of the Jedi Order, is not mentioned explicitly until TPM, it is still a good idea and should be kept. All the details Lucas has outlined and have appeared in interviews, et cetera can be ignored.
Sith, Dark Jedi, darksider — same difference.
- The lightsaber duel between Obi-Wan and Anakin is a good idea
In George Lucas’s original notes for SW, he said that Vader had lost his arms and legs during a lightsaber duel with Obi-Wan. A duel is a great idea, but to make it dramatic, the reasons for the duel must be emotionally compelling. Since it is clear that Vader knew Obi-Wan had taken his son and placed him in hiding, perhaps that could be the reason.
Okay.
- Episodes 1, 2, & 3 should follow the 3-act formula established by the original trilogy
In the original films, each act takes place in a new location (roughly). This formula worked well and should be repeated in the prequels, a constraint that can keep them focused and prevent the wandering we saw in Lucas’s prequels.A New Hope: Act 1, Tatooine
Act 2, bowels of the Death Star
Act 3, dog fight in spaceThe Empire Strikes Back: Act 1, ice planet Hoth
Act 2, asteroid field/Dagobah
Act 3, Cloud CityReturn of the Jedi: Act 1, Tatooine
Act 2, forest moon of Endor
Act 3, Endor/the Emperor’s chambers/battle in space
Okay.
- Keep the plot simple
The incident that triggers the events of ANH is simple but has far-reaching consequences – rebels have captured plans for the Death Star, and Darth Vader is trying to get the plans back. Action movies, especially action movies for children, should have simple plots, but that doesn’t mean those plots cannot have complex emotional consequences for the characters. With that said, can anyone honestly explain what triggers the events of TPM? Something about Jedi Knights negotiating a trade dispute on the behalf of Naboo, because the Trade Federation blockaded the planet in order to force Naboo to do something… but it was really a pretext to invade Naboo because they… I’m not sure. And did all this complexity produce an emotionally compelling story? No.
Yes.
- The plot should not include any conspiracy theories
The plot of Lucas’s prequels is basically an elaborate conspiracy theory concocted by Palpatine to amass personal power. It has so many moving parts, Rube Goldberg couldn’t have put it together, and as stated above, the plot should be kept simple. Besides, Palpatine’s plot takes place right under the nose of the Jedi and it makes the Jedi look kind of stupid. Now, I’m something of a collector of conspiracy theories, as I talked about in my letter to Orson Scott Card, but I don’t want them in SW. It’s not how the world works, in this galaxy, or any other. If the fall of the Republic was modeled after the rise of the Nazis in Germany as I always assumed it was (storm troopers, those uniforms, et cetera), then we can use examples from history to write a plot where crisis and chaos provide opportunities for tyrants.
Yes.
- No lightsaber duels for Yoda
This rule will annoy some fan geeks, but it’s important. The original SW films followed mythic storytelling patterns outlined by Joseph Campbell and so each character is an archetype. These archetypes have built-in rules that limit what a writer can do with such a character. If the writer breaks those rules then they aren’t writing an archetypal character. In general, there is nothing wrong with that, but that’s not SW. Yoda, like Obi-Wan, is a mentor to Luke, a “wise old man”. His age means the wise old man comes from a different time (and at 800 years old, Yoda exaggerates this as only science fiction can), but it is no accident that Yoda is also non-human. The wise old man is often a foreigner from another land, and making Yoda non-human exaggerates this yet again as only science fiction can. Finally, as a spiritual mentor, Yoda is a visual metaphor for the Force itself. He may be physically frail and diminutive in size, but that doesn’t matter. His strength lies in his spiritualness. He is brains over brawn, spiritual strength over physical strength. Consider how he trained Luke to be a thinking, feeling, and reflecting Jedi, not a soldier. Lucas’s prequels threw all that out of the window and turned Yoda into a back-flipping, twirling ninja.
I wouldn’t include Yoda as a present character to begin with.
- No complex fight choreography
While the lightsaber duels in the OT were slower and less complex, they were much more emotionally powerful. General Grievous looked cool wielding four lightsabers, but his fights were meaningless because there was no underlying emotion.
Yes.
- No prophesies, no chosen ones, no messiahs
The idea of a chosen one or a prophesied messiah is a Judeo-Christian concept, but the mythology of SW is very non-Christian. Nevertheless, Lucas’s prequels mixed the very different spirituality of SW with Christianity and the result was a confusing mess. Anakin was called the “chosen one” who would fulfill a prophesy and bring “balance to the Force”, but there was never any mention of prophecies or an imbalance in the Force in the OT and it raised more questions than it answered. First, who did the prophesying? Second and more importantly, a messiah is only needed when an intractable problem cannot be solved by normal people (like in The Matrix). The audience must understand what this problem is and why mere mortals cannot solve it. Did anyone really understand the imbalance in the Force? It was never explained, and we were never shown the negative consequences of this imbalance, so we never knew what was at stake. The problem to be solved in episodes 1, 2, & 3 should be political, not an existential crisis with the Force. The PT should reveal how the political turmoil and social anarchy created by war and fear provides opportunity for tyrants.
Yes.
- At least one character should be a grounded realist
When I was a kid, I wanted to be Han Solo, not Luke Skywalker. Han was wise-cracking, handsome, grounded, and a realist – and that made him cool. Everyone else was virtuous and idealistic and had faith in something I didn’t believe in, and that last part is the kicker. No one sitting in the theater actually believes in the Force, and so the movies need a character who can be the skeptical voice of the audience, who can act as a reality check to all the high-mindedness. Lucas’s prequels lacked a realist.
Yes.
- No subjective POV
In the OT there is never a moment where we see inside someone’s mind. As Luke and Yoda are training on Dagoba, both are having visions of the future, but we are not shown what they see. We are not even allowed to hear snippets of what is being heard in their mind. When characters are having reflective moments, we do not hear their memories. This is probably because of the presence of Obi-Wan’s disembodied spirit. If Obi-Wan’s spirit voice, which is “real", and Luke’s memories or thoughts were both included in the soundtrack, the audience would have no way to tell what is/is not diegetic sound.
Eh.
- Ships & Technology should be the same as in the original trilogy
Judging from Luke’s age, the events of ANH are just 17-20 years from the end of Episode 3, and so technology cannot have changed much. Presumably, after the rise of the Empire, the rebels would not have the facilities to build new ships — they must be using old ships that pre-date the Empire. Therefore, all the ships/fighters et cetera should be the same as seen in the prequels.
Yes.
- Star Wars is not a techno-utopia
In the Star Trek universe, technology has eliminated want and hunger, cured disease, and created a utopia for common people. It is a positive vision of technological progress, and the technology is constantly changing throughout the many series so that human beings have greater control of the universe, and even time itself. In SW however, technology is not that sophisticated — turbo lasers cannot hit relatively slow ships, all fights seem to take place at visual range, and there is no sophisticated AI computer-controlled anything. Hunger and want are still clearly rampant, as is general economic inequality and apparent mismanagement.
Don’t believe the PT as-is does this, but okay.
- Back-and-forth POV
In the OT, the film’s POV moves back and forth consistently and regularly between the good guys and the bad guy — Darth Vader. The Emperor was kept at a distance, seen only through Vader’s POV, which made him a scarier, shadowy presence. The PT should do the same, moving back and forth between a small number of good guys and a single bad guy, and similarly keep the man-who-will-be-emperor in the shadows, to make him more sinister.
Okay.
- Less is More
In Jaws, Steven Spielberg doesn’t show us the shark until we are three-fourths of the way into the movie. Movie buffs may argue that this was not Spielberg’s choice, but due to problems with the mechanical shark, but regardless it is an incredibly effective decision because what we don’t see is what is truly frightening. What the audience imagines will always be scarier than anything any director can put on screen. Had we seen the shark early in the movie, Jaws would have been less scary, not more. This lesson, one Spielberg acknowledges learning from the classic horror movie Cat People, seems to have been lost on contemporary directors caught like deer in the headlights of CG animation. In ANH and ESB, the hangers of rebel fighters are mostly dark. Only a few ships in the foreground are visible, and the shadowed background allows the audience to imagine vast spaces filled with all sorts of incredible things more captivating than any CG rendered scene. The PT should not forget this lesson.
Okay.
- Deus ex machina moments
In the OT there are occasional moments where a character clearly cannot get out of a problem by themselves, and unexpectedly is saved by someone else. Deus ex machina moments like these are generally something to avoid in storytelling, but there is one way to do it and get away with it: have the unexpected appearance of someone, like Han Solo’s arrival in the dogfight at the end of ANH, or Leia sensing Luke is in trouble at the end of ESB, be the result of personal change & growth. If the PT has any Deus ex machina moments, it should be like this.
Okay.
- Avoid the temptation to tell origin stories
Prequels should of course explain the origins of characters at the core of the story, and set up some events of the sequels, but the temptation to include loads and loads of origin stories is just too tempting for some writers. Lucas’s prequels are overloaded with backstories for insignificant characters like Greedo, Boba Fett, and even C-3PO, which are irrelevant because there is no storytelling need to explain, for example, that Boba Fett had a traumatic childhood. Boba Fett’s role in the story is solely to complicate the plot for the main characters.
Yes.
- Don’t be self-referential
Similarly, including callbacks to things fans loved from the original movies is also very tempting. For example, in Lucas’s prequels, lots of characters say “I have a bad feeling about this”, a classic line from the first movies, but it gets hokey real fast and shatters the audience’s suspension of disbelief. It reminds us we are watching a movie. So too did the inclusion of ETs in the Senate, the pod from 2001: A Space Odyssey, and having Chewbacca be friends with Yoda. Callbacks rarely do the important work of moving the plot forward or furthering character development, and so they should be avoided.
A few callbacks don’t hurt.
- Avoid green screens
In contemporary science fiction films, there is a temptation to place actors in front of green screens and then paint in extraordinary backdrops, rather than film in real locations or on sets. Digital effects “free” the director to be more imaginative, right? Well, as Lucas’s prequels demonstrate, CGI backdrops kill the tension of a scene. The actors cannot and do not interact with their environment and so there is little for them to do except walk and talk, sit and talk or stand and talk. Imagine how dull the scenes on Dagobah would have been if Luke and Yoda had been in front of a green screen instead of immersed within a real set.
Yes.
SOME PROBLEMS ARE IRREPARABLE
When we meet Luke in episode 4, he is a young man, possibly just a teenager of seventeen. If Leia is his twin sister, then she would be the same age, which makes her position as Senator seem unrealistic (unless perhaps, her father held the position, and when he died, she inherited it from him). If Leia was older than Luke, thus making her place in the Senate more logical, we are faced with the conundrum of figuring out how Vader could be kept in the dark about her yet know about Luke. Sometimes in the SW universe, we just have to accept these little problems and trust that the audience will stay with us.
This brings up the elephant in the room; if we’re rewriting the PT to correct its flaws, why not go one step further and fix ROTJ, too? But I digress.
And handguns? Really? First seen in the Song Dynasty (@1000 AD), weaponry is still projectiles?
Besides looking sexier, what advantage do DEWs have over projectile weaponry? They consume more energy, and lasers/particle beams will diffuse in rain/dust/atmosphere. Not concerns your average space opera ever take into consideration, but The Expanse is harder sci-fi by design.
I will never watch the Dune adaptation I want, that is a fact.
I feel the same way. But as disappointed as I am with the final product, there’re still elements of Villaneuve’s Dune I happily incorporate into my mental Dune mosaic.
I prefer David Prowse.
The one thing I probably dislike about Empire is how it makes the dark side and the good side more binary than it had to be. Makes sense in the end but Vader himself calling his side the “dark” one is so taken for granted nowadays but it didn’t have to be that way. He could still think he was in the right. In fact, stuff like ROTS would be far more believable. “I do not fear the dark side as you do.” My guy it’s called the dark side, you should be skeptical of it to a degree, no?
Dark =/= evil.
“The Tao that can be told is not the eternal Tao. The name that can be named is not the eternal name. The nameless is the beginning of heaven and earth. The named is the mother of ten thousand things. Ever desireless, one can see the mystery. Ever desiring, one can see the manifestations. These two spring from the same source but differ in name; this appears as darkness. Darkness within darkness. The gate to all mystery.”
— Lao Tzu
The Soviets definitely didn’t.
Worker and Kolkhoz Woman would beg to differ.
I don’t really have a strict personal canon. For me, it’s more like “tiers” of canon, like what we used to have with the old EU. So here are my “tiers”:
A-tier: Unaltered Original Trilogy
B-tier: Prequel Trilogy, Special Editions, Movie Novelizations/Radio Dramas
C-tier: Good Expanded Universe stories
D-tier: Bad Expanded Universe stories
E-tier: Fan films/fictionDisney canon is a separate entity, in my mind.
Much the same, though I’d place the novelizations in C-tier or their own tier.
Kate Bush
One thing I hate, a minor thing, is that that Luke and Vader never swap lightsabers during their duel in ROTJ.
The celibate monk thing goes back to the 1974 screenplay but was dropped in the actual movies and the EU. Only to be recanonized contexualized in the prequel. Like midi clorians being too similar to the Kaiburr Crystal as a way to describe the force. its something that should have not been revisited.
My opinion.
The weird thing is, I recall an interview from the early 2000’s where George stated that Jedi actually aren’t technically celibate. They’re just not allowed to have emotional relationships, but it’s technically okay for them to have sex. Which is weirder to me. I need to find where he said that.
Sounds like a post hoc justification to keep the Jedi “cool”. Otherwise, Padme being pregnant with Anakin’s kids wouldn’t be this terrible secret they’d have to keep from the Council. They could explain it away as the result of a one-night stand.
Villeneuve’s Dune is not an improvement on Lynch’s version. For everything it does better, there’s a roughly equal amount it does worse. Quality-wise, the two pretty much balance out. Though I’ll always revisit Lynch’s film; I doubt I’ll watch Villeneuve’s again, even after Part Two comes out.
I remember reading about it online and even seeing some rough drafts, and watching the Justice League Snyder Cut brought this back into my mind, and I hope to one day make a radical fanedit of RoTJ that’s a “Kurtz Cut” (It would be called Revenge of the Jedi, its original title). Here are some of the changes:
- Two Death Stars under construction
- A key setting is the Imperial city world of Had Abbadon (would later become Coruscant). Had Abbadon’s moon is known as Endor, and it has a shield generator on it that protects Had Abbadon from invasion.
- Wookies live on Endor, and have been imprisoned and enslaved by the Empire to build settlements on Endor for residents of the overpopulated Had Abbadon.
- There are two sail barges over the Sarlaac pit, and Leia never goes to Jabba’s palace. She’s headed to Endor from the beginning.
- The final space battle takes place over Had Abbadon, and Lando is in command of a Mon Cal cruiser instead of piloting the Falcon. The two Death Stars aren’t destroyed by fighters flying into them, but by blasts from Rebel capital ships.
- The Emperor’s throne room is in an underground chamber full of lava.
- The Wookies are freed and help the Rebels fight stormtroopers on Endor.
- Han dies in Leia’s arms after being shot in the final raid on the Imperial shield generator base on Endor.
- The Force ghosts of Obi-Wan and Yoda appear to protect Luke from the Emperor’s force lightning.
- Darth Vader kills the Emperor by grabbing him and diving into one of the pools of lava.
I can see most of this playing out in Kurtz’s ROTJ. All except the twin Death Stars. I’m pretty sure Kurtz went on record that he wasn’t keen on the Death Star’s reuse.
during the OT the idea was that lightsabers were heavy like European broadswords and required two hands.
Too bad this didn’t translate well through screen. I prefer the “heavy lightsaber” concept.
INB4 “lightsabers use plasma which is weighless UwU”.
I’m not one for long intros. I’m here to talk things SW, and other stuff, too.