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SilverWook

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Join date
9-Dec-2004
Last activity
6-Apr-2023
Posts
22,080

Post History

Post
#226578
Topic
Ralph McQuarrie Website
Time
Great site! Nice to see more of his other non OT-work too. The SW portfolio was among the earliest things in my collection. It was one of those things that opened my young eyes to the massive amount of work that goes into making a movie. Without his talents showing what Star Wars would look like, I don't think Fox would have ever given George the green light.
I still think Vader in that painting is more scary looking than in the movie!
Post
#226576
Topic
new book on a new hope coming in september
Time
The rumor that Lucas squashed publication of Peter Mayhew's book about his experiences making the OT isn't encouraging. On a related note, how much interest would there be in scanning the entire "Once Upon a Galaxy:The Making of ESB" paperback? It's been out of print at least two decades, and Lucas says enough contradictory things in the interviews to want to keep it that way.
Post
#224575
Topic
'The Incredible Shrinking Woman' - (Released)
Time
Okay, here we go. Video/transfer quality in the Discovision era, was to put it mildly, crap. TISW also has always had this weird grainy look every time I've seen it on tv. Maybe they grained up the rest of the film to make the many effects shots not stick out?
These bitmap captures are a bit large, if you're on dialup, click at your own risk!
Main title
Yes, it's the same director you're thinking of.
Lili Tomlin's lost film. "I married the Creature from the Black Lagoon."
Who's in the box?
Going shopping...
Mike Douglas Show
Long distance call.
Makeup guru Rick Baker nearly steals the end of the movie as a Sydney the sign-talking gorilla.
Post
#224543
Topic
Making our own 35mm preservation--my crazy proposal
Time
I don't think all the studios have the same attitude towards film collectors though. I read a newspaper article in the 90's about how many a treasure trove was saved from the dumpster when the studios threw stuff out, but fear of prosecution keeps the collector's silent and film preservation suffers as a result. On the other hand, the BBC has recovered a lot of lost tv shows by making friendly overtures to collectors.
And Zion, is that a 35mm frame?
Post
#223848
Topic
'The Incredible Shrinking Woman' - (Released)
Time
This is full frame. Funny thing is, I did see it on the SciFi channel in the mid 90's and one brief shot of computer text was letterboxed at 1.85, the rest of the movie was full screen. None of the old HBO showings I remember had this.
I went on the Universal Studios Tour a lot back in the 80's, and several of the giant props from the movie were on display. (I got my picture taken in the giant mouse cage.) I wonder where the huge Mike Douglas Show interview chair is now?
Post
#223792
Topic
BFI preserving OOT!!
Time
The festival was supposed to be a showcase of 20th century filmmaking. AFI selected one or two films for each decade. Star Wars was picked to represent the *entire* 1970's in that festival. Showing the SE in that context would be pointless of course. I find it really ironic they saluted George just a few years later.
I have heard Lucasfilm blocked a Library of Congress showing as well, but can't find mention of it. The LOC does have their own print.
Post
#222759
Topic
Should Wedge have been tried for cowardice?
Time
The other surviving ships were probably doing their job, keeping the bulk of the TIE fighters busy. Nobody on the Death Star, (except maybe Tarkin's aide!) had a clue the Rebels were trying to hit the exhaust port.
Even if Wedge could somehow slam the brakes in front of the pursuing TIE's, they would probably blast him before he could hit and a pilot of Vader's skill would avoid a collision anyway. Wedge saved Luke's bacon once in the battle already. If he was faking a malfunction, he was taking a big chance he wasn't going to have to return to base and have a mechanic look over his X-Wing. (Or "ask" his Artoo unit what the problem was!)
Wedge was certainly no wuss on Hoth or in the second Death Star attack.