- Post
- #251254
- Topic
- The Lord of the Rings (Films vs. the Books)
- Link
- https://originaltrilogy.com/post/id/251254/action/topic#251254
- Time
The Empire Strikes Back used this tactic, and I hated it. It set up such a stupid rythym in the middle third (imo) ... Dagogah to Vader to Falcon to Vader to Dagobah to Falcon to Vader. Bleh.
In contrast, cross-cutting a single segment in a movie that doesn't abuse the process can be brilliant. Case in Point - Star Wars, which used it to good effect cutting between Princess danger on the Death Star -and- Luke racing home to find Beru and Owen slaughtered. Raiders of the Lost Ark also used it wisely in the cross-cutting between Karen Allen's seductress-escape plans -and- Indy & Sallah finding the Arc. Minimal use to good effect, not entire swarths of movie constantly cross-cutting between story threads for hours (in the case of LotR).
William Friedkin made a remark about cutting so much out of his film version of The Exorcist, to the effect that he removed most of the lead-up about whether Regan had a mental disorder because audiences already knew she really was demonically possessed. Gak, that may be true ... but it's not telling the story. Everyone knew the Death Star would be destroyed, knew the Ring would be destroyed ... but you tell the stories anyway.
And so, when cross-cutting instead of chron-shifing eliminates the story element where most of the characters think Frodo has been captured and killed, and the audience is left in the dark about that to great suspense ... then cross-cutting is more than just lazy filmmaking - - it's story blundering.
I cannot know for certain, but it seems to me that Jackson's decision to cross-cut in chron order was to aid pacing, audience comprehension for dummies, and attention-deficit-disorder pandering ... but NOT for artistic merit. The red herring that Frodo has been killed is one of Tolkien's most important and dramatic story points ... I doubt very much it was cast away for artistic purposes.
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