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Nicholas J. Michalak

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Members
Join date
22-Apr-2010
Last activity
7-May-2025
Posts
213
Web Site
http://www.ravensfilm.com/

Post History

Post
#417336
Topic
The Prequel Radical Redux Ideas Thread
Time

Just dug out my old EPISODE I widescreen VHS tape from the crawlspace under the house, and on brief looks, none of that pink hue is apparent.  Tatoonie's skies are perfectly blue.  Someone might want to reference that for a more pleasing color palette.  Also, from my original 97 SE VHS tapes (which were pan-and-scan), the blue hues are there.  So, it wasn't Lowry Digital who messed anything up, but they are indeed stronger on the DVDs.

-NJM

Post
#417314
Topic
The Prequel Radical Redux Ideas Thread
Time

Another ill thing in that AOTC saber duel sequence - the movements in the close-ups of Anakin & Dooku do not match at all from shot-to-shot.  I'm also not impressed with the digital pasting of Christopher Lee's face onto the stunt double.  Obviously, watching the film at normal speed you wouldn't much notice these things.  Yet, you examine the scene closely, and these issues become clearly apparent.  It's amazing how they continue to have technical issues when they can fix practically every single one of them.  I've said it before, and I'll say it again, Ben Burt oughtta be embarrassed at how poorly he edited that Anakin-Dooku duel.  It's amateurish.  How do you fuck up the editing of a well-rehearsed choreographed fight?

-NJM

Post
#417292
Topic
The Prequel Radical Redux Ideas Thread
Time

I removed Clieg's lines mainly because he's essentially a character I'm indifferent to.  He has all of two or three scenes in all of the saga, and is never mentioned again.  While I get that, yeah, it's a more touching eulogy for Shmi, we forget anything about this guy by the next scene.  He really has little to no emotional impact on the story.

The mass murder confession is gone because it's insulting to Padmé's character.  She is a person dedicated to peaceful, diplomatic, non-violent solutions.  At every turn throughout the prequels, she strongly seeks diplomatic solutions to everything up until there is absolutely no other option available.  So, I cannot accept that she would choose to marry a guy who confesses to murdering men, women, and children out of blind rage and vengeance.  Plus, in ROTS, she is shocked at the thought that Anakin would kill younglings despite knowing that he has already killed men, women, and children in cold blood, previously.  These events make her appear to be moronic, in the least.  I also think, as another fan editor did (don't recall which), that it's perhaps more telling that Anakin would trust this secret with Palpatine more than his own wife (as he mentions it in ROTS after Dooku's death).

The wipe from Anakin bringing his deceased mother home to the funeral was in contention with me.  It does appear odd, but I don't know how well a straight cut would work.  Might just have to cut out earlier.  I'll work in those ideas for removing 3PO's lines.  After hearing Adywan's old radio interview, I think distancing Anakin from C-3PO's origins is a truly intelligent idea.  The big problem is I have no idea how to remove CPO from the final shots of the film.  I do intend to start my own thread, shortly.  Just keep revising my excessively long post covering all three films (which I am editing simultaneously along with a few other films).  Likely, the thread will debut this weekend, if not later tonight.

-NJM

Post
#417018
Topic
“How is that possible?”
Time

Lord__Vader, I'm so with you.  George's biggest problem is that he puts this entire HUGE saga in front of him, and keeps changing what he wants to do with it each time he makes a new film.  In ESB, George puts in the line about "there is another."  Did he really intend for it to be Leia?  Maybe, maybe not, but come ROTJ, he's gotta tie this thread up somehow, so he's stuck with a convenient answer.  If he intended for them to be siblings from the start, and was committed to that idea, I don't think he'd have had all the smooching and such between them.  In ROTJ, Obi-Wan says it was him who found and trained Anakin on his own accord, but come TPM, it's now some new guy named Qui-Gon who finds him, and decides Anakin should become a Jedi.  Obi-Wan is opposed to doing this, and only succumbs out of a dying declaration (which could be inferred as a momentary 'mind trick' considering Qui-Gon's hand gesture).  Mysteries are brought up in AOTC, and George says it'll be explained in the next film.  He gets to the next film, and decides he procrastinated on developing the storyline and character arcs, so, he now has to forget about all those other loose ends.  In ANH & ROTJ, Obi-Wan mentions all these little details about who Anakin was as a friend, a person, and a Jedi along with things about Owen Lars, and so forth.  Come the prequels, not a word of this is actually true.  Obi-Wan wasn't "amazed" at how strongly the Force was with Anakin at first.  Instead, he was troubled by it, and viewed the child as a danger.  In ROTJ, Leia says she remembers images and feelings about her mother.  Now, one could infer that maybe this is a hint at her Force sensitivity since Jedi can see the past and future along with strong emotions, but in ROTS, her mother dies just after she is born.  Luke's more atuned to the Force than Leia, and he has no knowledge or memory of Padmé Amidala.  So, that perspective doesn't hold up to much scrutiny.

I get that, at first, Lucas didn't know if he'd ever finish his entire saga, but after a point, he should've sat down and mapped everything out.  These films should've been carefully orchestrated and plotted out so that all things could've had satisfying conclusions and resolutions.  The problem is, George doesn't like writing scripts, he doesn't enjoy working with actors, and at times, isn't that clear minded of a director.  He has a general idea of what he wants, but can't really put it all together as a complete package at the forefront.  With something this large, it really requires extensive pre-planning in the script development stage.

Altering the OT to match the PT clearly shows that George has just been making it up as he went along, and never really knew what he wanted to do with the entire saga arc.  It is quite sad to think about it.

This altered dialogue is just another example of what I'm talking about.  They could've had Ian McDiarmid running the exact same dialogue that Clive Revell did before, but instead, Lucas HAS to change things around for no reason.  Also, it's been three years since the Battle of Yavin - the Emperor and Vader haven't mentioned the details of who or how the Death Star was destroyed?  After three years, I'm sure the name Luke Skywalker would've come up in a discussion or two.  It makes no sense that this is the first time the Emperor is having to explain that the "young rebel who destroyed the Death Star is the son of Anakin Skywalker."  We already know that Vader knows about Luke, and who he is.  This dialogue makes it appear that the Emperor just doesn't know jackshit about what's going on.  Took him three years to figure out something that was likely in numerous intelligence reports about the Rebel Alliance?  The Emperor is not an idiot, but this scene now makes him seem like it.

-NJM

Post
#416982
Topic
STAR WARS: EP V &quot;REVISITED EDITION&quot;<strong>ADYWAN</strong> - <strong>12GB 1080p MP4 VERSION AVAILABLE NOW</strong>
Time

Something bothers me.  Looking at this now, I'm curious as to the geography of everything.  So, Luke lands on Cloud City, and moves around inside the city trying to rescue his friends until he comes to the lift which sends him upwards into the carbon freezing chamber.  After round one of the duel, he walks down a rather short tunnel inside the gantry structure where he then gets blown out the window, and lands down on the exterior walkway.  Exactly how is this entire journey possible looking at that structure?  How does Luke get from the freezing chamber into at the top of the structure?  All of the landing platforms are at the very top of the city.  How does he end up getting further down and deeper inside it when the lift takes him UPWARDS into the chamber?  What am I missing?

-NJM

Post
#416762
Topic
STAR WARS: EP V &quot;REVISITED EDITION&quot;<strong>ADYWAN</strong> - <strong>12GB 1080p MP4 VERSION AVAILABLE NOW</strong>
Time

Thanks for the info, Ady.  Unfortunately, Final Cut Pro 5.1 has no such hue/saturation control to manipulate each one separately.  I can only affect the overall color with the filters I have.  Sucks.

CORRECTION: After doing a search for "Final Cut Pro hue filter," I ultimately came to a tutorial showing how to do this sort of thing with the Color Corrector and Limit Effect controls.  Results, so far, are not as solid, but most of the cyan hue is drained down.

-NJM

Post
#416680
Topic
STAR WARS: EP V &quot;REVISITED EDITION&quot;<strong>ADYWAN</strong> - <strong>12GB 1080p MP4 VERSION AVAILABLE NOW</strong>
Time

Like I commented on YouTube, this adds a three dimensional depth to the shot.  Before, it was just a flat zoom in on the gantry, but now, it's an actual camera push in on it.  One of my gripes with the prequel cinematography is all the zoom ins.  I get George was going for an old 30s or 40s style, but no cinematographer would recommend doing that kind of thing.  While I have done the zoom in thing when I've been shooting my own films, it's only because I don't have a dolly track to do ths kind of camera move.  This demonstrates the added depth of field and quality of a push in over a zoom.

-NJM

Post
#416592
Topic
MANHUNTER &amp; MIAMI VICE (w/DVD Comparison Stills) (* unfinished project *)
Time

Thought I'd put things into perspective.  I've downloaded Leonenut's Manhunter Extended Edition, and I see that the best quality source material wasn't used.  Looks like he mainly utilized footage from the Restored Director's Cut, but as you see below, that is the worst of the three.  Not only are the colors desaturated, but it's also the darkest transfer of all three.  The desaturated colors seem to be an issue with the Anchor Bay Divimax releases (such as the Halloween Divimax DVD).

-NJM

Post
#416561
Topic
The Empire Strikes Back &quot;1980 Theatrical version&quot; Reconstruction - Adywan (Released)
Time

I really hate to bring this up because I deserve to get smacked for noting it after all the audio fixing, but the old "sound of the lightsaber turning off in the Wampa Cave, but the saber stays on error" isn't there, anymore.  Essentially the opposite of the Falcon's hatch SFX issue.  Not that it's a bad thing that it's gone, but someone had to say something.

-NJM

Post
#416329
Topic
MANHUNTER &amp; MIAMI VICE (w/DVD Comparison Stills) (* unfinished project *)
Time

I'm now reconstructing my extended edition of MANHUNTER.  I'm paying close attention to the video and audio quality, and trying to pick the best quality source based on clarity, color, and brightness.  The MGM DVD release is generally brighter and has a little more image area, but the Anchor Bay THX version is sharper and has stronger colors and highlights.  The MGM release is also more yellow while the THX is more blue.  The Anchor Bay Restored Director's Cut is just plain dark, and I'm only using it for extended or previously deleted scenes.  So, I'm mixing source material even within a single scene, and adjusting colors and brightness levels to make it seamless.

The videotape sourced scenes from the Director's Cut & Restored Director's Cut DVDs have been been given the best color correction possible.  Flesh tones are still a little orange, but the whites are now white and the blacks are blacker.

-NJM

Post
#416243
Topic
The Empire Strikes Back &quot;1980 Theatrical version&quot; Reconstruction - Adywan (Released)
Time

Nerfherder said:

WOW Nicholas those covers are beautiful - are they available for download yet please? That first cover is the poster I associate the most with Empire from my hazy memories of 1980!

I wish they'd use these poster designs for official releases - every post since 1997 just hasn't has that sweeping epic quality of the originals. Poster art seems to be a dying artform unfortunately :s

Goto the following thread to obtain the download links for my covers: http://originaltrilogy.com/forum/topic.cfm/Adywans-ESB-1980-Theatrical-version-Reconstruction-Covers/topic/11558/

-NJM

Post
#416241
Topic
The Prequel Radical Redux Ideas Thread
Time

Well, I'm not hellbent on changing TC-14s assumption that they are Jedi.  It just doesn't fit, anymore.  I could attempt to dub in new dialogue for the droid, but it'll have to do the dialogue myself.  Not sure I have much of a droid-quality voice.

If interested, you can see a small scene of my acting in my own promotional reel @ http://www.youtube.com/watch?v=WhjXDbdriRo  It's the third scene in after the montage.  I'm wearing the black biker jacket on the left.

And I'm working on starting my own thread, but that first post is gonna be VERY LONG since I'm working on editing all three prequels at the same time (Episode II is almost done).

-NJM

Post
#416072
Topic
The Empire Strikes Back &quot;1980 Theatrical version&quot; Reconstruction - Adywan (Released)
Time

Version #3.  A little more colorful than the previous ones, but I've run out of posters.  The background is indeed Dagobah.  I scanned it in from "The Art of The Empire Strikes Back" book.  There's a fourth version I want to do, but I cannot find a high res version this poster.  It would, obviously, be the Cloud City edition in the collection.

-NJM