NeverarGreat

Actual lol.

That sounds fun!

Version 2 is now released, available on the 'spleen (No, I don’t have direct links, so don’t even ask)! The first post of this thread has been updated to reflect the completed state of the project.

I fully intend for this to be the final release, with some adjustments to a few scenes and specific shots that I felt were lacking in V1. It has the same 7.1 and 5.1 '97 audio mixes, and is presented in high bitrate 1080p.

The lightsaber replacement shots are identical to V1, but there is perhaps a beauty to a work forever incomplete. Regardless, the color is why we’re here, and on that front I am entirely pleased with the final result and would change nothing more.

You’d still need to figure out a way to incorporate the children into the scene, either by masking them out of the obviously exterior environment and placing them into the corner of the high-class room, or by indicating that there are multiple screens throughout the city which are playing the same thing.

https://youtu.be/v1THtiVUqG4?t=95

The shot of the old woman and man watching the scene at 1:37 looks pretty good to me, as well as the Scooby-do looking alien shot at 1:46 that seems to be another take of the one you re-used from the film.

You could start with an establishing shot like at 2:05 and cut to the final shot at 2:12, masking out the window to place a viewscreen. Then have two aforementioned shots of aliens looking over at it.

^

Something I’ve learned from color correction is that even if you’re changing the time of day to be much darker, it’s important to retain close to full brightness in some parts of the image, such as with artificial lights or simply keeping the highlights at the same level while lowering the overall gamma. Without these considerations, scenes can quickly go to looking like there’s a mistake with the monitor rather than an intentional effect, something I’ve done many times. I see some of this creeping into the Lars dinner shots and the Imperial conference, for example. Finding some places to keep a strong light source would really sell these shots.

It’s funny imagining the arguments Vader has had with Palps over the years about his name, so that now Sheev just sighs inwardly and says things like ‘son of Skywalker’ out of painful habit.

Chase Adams said:

emanswfan said:

I like having a wide variety of genres within future Star Wars projects instead of everything feeling like classic Star Wars.

I’m bumping this opinion since it’s sorta topical and has been bouncing around in my mind for a while now.
I feel like this isn’t talked about enough, but the more Star Wars films and TV shows Lucasfilm makes, the more often they’re going to be finding themselves treading the same ground. (Sometimes literally! 😉) I’ve heard some people complain about some of the recently announced, upcoming instalments being too ‘genre-specific’ like for example, Andor being described as a spy-thriller whilst The Acolyte sounding like a creepy, mystery series.

In my opinion, this is exactly what the franchise needs to remain a pop-culture staple. I know people hate the idea of Star Wars turning into the MCU, but if Lucasfilm really wants to keep making new things, it can’t just continue being, as emanswfan describes it, ‘classic Star Wars’

Star Wars has long evolved from being just a series of films, it’s now the name of a multi-media franchise, so why does everything have to be those same few films retold again and again? Honestly, go nuts Lucasfilm, I wanna see whatever random-ass story you can imagine just told in the Star Wars setting with the Star Wars name. Sounds crazy, but this is the unpopular opinion thread.

I believe Star Wars has only been great when it has broken new genre ground. The first movie was a classic romance, while Empire was radically different in tone, almost becoming sci-fi horror in places. Jedi was so mediocre compared to the first two because it was the first one to go back to the well, so to speak, and ended up being a greatest hits of the first two films without the freshness of either.

Phantom Menace failed because it didn’t go far enough into the political thriller which made it a weird hybrid political drama and adventure film, neither of which worked. Clones had a mystery noir and romance angle but again neither were done competently enough to work. Sith works mostly because the tragedy angle was competent, and it is almost an inverse of a Star Wars movie.

TFA fails because it’s basically a thematic retread of the original, and TROS doubles down on the OT beats without any of the supporting tissue. TLJ is the only film which succeeds, even if the postmodernist deconstruction angle deconstructed the franchise one film too early and wasn’t super well-executed.

We’ll never know how Solo would have turned out as a straight comedy, but I suspect it would have been better than what we got. Same for RO before the Vader reshoots.

All this to say, I’m all for new directions for Star Wars films.

😃

Snazzy!

Do you think the destroyed version on Luke’s island would need to be changed, or would that be pretty unnoticeable?

Jar Jar Bricks said:

Ed Slushie said:

Come to think of it, Rey has always had absurdly good marksmanship. So it can’t hurt to be consistently absurd.

flashbacks to TIE triple kill

Now there need to be three extra jet troopers behind the first one in a line so that she can one-up herself.

A fine idea, but where would it go?

JEDIT: It would be grand if it could be shown on Canto Bight, that way the Broom Boy scene would make more sense. There’s also some extra deleted footage of that location, though I don’t know if any would be suitable. You would also probably need a line from either Kylo or Hux stating ‘Let the galaxy see their final moments’ or something like that.

jarbear said:

Heck, even in the regular cut of the movie, Kylo suddenly appears and destroys the Wayfinder. So everything the crew did regarding the finding of the Wayfinder was a moot point.

Exactly.

In a normal movie, I’d agree that a character’s sacrifice should lead to concrete results, but this is TROS. The story is designed to waste your life, so I’d say the best option is to make the trip as funny as possible.

Shame. It is a good joke.

Ed Slushie said:

it’s not the most creative

Can understatement be so extreme as to become art?

PM Sent!

I can easily see amendments written which would destroy democracy, like making the Chancellors term in office, and his practical power…unlimited.

Spielberg is so consistently good I’d believe just about any film from his filmography could make this thread. Well, maybe not 1941…

I feel like it’s one of those things which fits the data while also being entirely antithetical to the original intention of the concept.

https://imgur.com/gallery/ViBroKV

Interesting take on the Force.

These are wonderful. My girlfriend even read the first one aloud 😃

PM Sent 😃

Sure, PM sent!

Ah, thanks for pointing that out. I have tried to keep the first post updated with only the latest changes.

@hinvention, PM sent!